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  1. Bolo by Bogusky 2, $34.50
  2. Molde by Letritas, $25.00
    Molde is a super sans serif font family, belonging to the neo-grotesque style. Formally, Molde was inspired by the extreme sobriety of famous post-Bauhaus Swiss Movement of the mid-twentieth Century. The masters of this style are famous for eliminating all the ornaments, as a brilliant mind said “Ornament und Verbrechen”(Ornament and Crime) as a creation law: ending up with only the essential. Thanks to the purity of its shapes, Molde spreads the message as clear as possible and this quality makes it much more versatile than any other typography. Molde can be therefore used in all types of designs, If we consider its personality and its amount of weights and widths. Molde is composed of 6 widths ranging from the tablet to the expanded and in the set of characters includes a Unicase version and a small caps version. The family is composed of 3 parts: the regular version, the italic version and the reverse version. Each one of them has 9 weights. Each weight has 649 characters and it has been thought for 219 latin languages.
  3. Zold by EMME grafica, $9.90
    Zold is the first font designed by EMME Grafica. It's a simple, statuesque, architectural, eye-catcher, tough yet elegant font, particularly suitable for titling, subtitling, branding and typographic amusements. The solemnity of Zold does not affect the the elegance of the curves of the font, but gives it the right visibility and temper, like that of Zold, the surly character who will be the antagonist of a multimedia project currently under development at EMME Grafica.
  4. Boldu by Ryzhychenko Olga, $4.00
    Boldu is a simple grotesque font. I created it using simple forms. I love geometry and tried use only one size of lines. Boldu was created being impressed by works of beginning of 20th century - period of strict and geometric forms
  5. Gene Condensed JNL by Jeff Levine, $29.00
    Gene Gable is known to many graphic artists from his on-line column 'Scanning Around with Gene', which was on the Creative Pro website for a number of years, covering a variety of topics ranging from printing techniques to paper ephemera; water applied decals to lettering stencils. Gene has also been a great help in providing vintage source material to Jeff Levine, which resulted in many additional font designs. It seems only fitting that he should be bestowed with his own-named font as well. Gene Condensed JNL is offered in both regular and oblique versions.
  6. Jaunty Gent NF by Nick's Fonts, $10.00
    In 1936, Erich Mollowitz designed a typeface named »Rheingold Kräftig« for the German type foundry J. D. Trennert & Sohn (Hamburg-Altona). The original letterforms have been extended and beefed up a bit, and the result is a rollicking, righteously retro romp…a perfect choice when you want to strut your stuff. The PC Postscript, Truetype and Opentype versions contain the complete Latin language character set (Unicode 1252) plus Central European (Unicode 1250) languages as well.
  7. Shorelines Script Bold - Personal use only
  8. DIST Inking Bold - Unknown license
  9. D3 Biscuitism Bold - Unknown license
  10. Goulong Bold Outline - Unknown license
  11. Ashby Extra Bold - Unknown license
  12. DDD Pipe Bold - Unknown license
  13. D3 Euronism Bold - Unknown license
  14. Monday Bold (sRB) - Unknown license
  15. Spylord Bold Expanded - Unknown license
  16. Phat Grunge Bold - Unknown license
  17. Pecot Outline Bold - Unknown license
  18. BN Pinky Bold - Unknown license
  19. Walkway Oblique Bold - Unknown license
  20. D3 Honeycombism Bold - Unknown license
  21. Yukon Tech Bold - Unknown license
  22. Samson Bold Oblique - Unknown license
  23. D3 LiteBitMapism Bold - Unknown license
  24. Walkway Condensed Bold - Unknown license
  25. Bagad Bold Tryout - Unknown license
  26. GF Matilda bold - Unknown license
  27. Spylord Bold Italic - Unknown license
  28. Rowling Stone Bold - Unknown license
  29. Walkway UltraCondensed Bold - Unknown license
  30. Walkway Expand Bold - Unknown license
  31. Walkway Bold RevOblique - Unknown license
  32. Hog Bold - HMK - Unknown license
  33. Chizzler Bold Outline - Unknown license
  34. Earth's Mightiest Bold - Unknown license
  35. PsychedelicSmoke Cn Bold - Unknown license
  36. Wyld Stallyns Bold - Unknown license
  37. Bionic Type Bold - Unknown license
  38. Walkway UltraExpand Bold - Unknown license
  39. Anahita Extra Bold by Naghi Naghachian, $95.00
    Anahita ExtraBold is designed by Naghi Naghashian. This Headline Font is developed on the basis of specific research and analysis on Arabic characters and definition of their structure. This innovation is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement and provides more typographic flexibility. This step was necessary after more than two hundred years of relative stagnation in Arabic font design. Anahita supports Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages. Anahita Font is available in ExtraBold. This font is designed to be used as advertising and newspaper headlines. Anahita design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. Anahita is not based on any pre-digital typefaces. It is not a revival. Rather, its forms were created with today's technology in mind. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Anahita's simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Anahita was developed for multiple languages and writing conventions. E The highest degree of geometric clarity and the necessary amount of calligraphic references. This typeface offers a fine balance between calligraphic tradition and the contemporary sans serif aesthetic now common in Latin typography.
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