Inspired by old Haggada manuscripts, the geometric forms with rounded edges stand out in signage or book jackets - you name it.

Tony’s Trees was inspired by the handmade signs down at the local Christmas tree lot. A fun-forest of typographic possibilities!

The font Geomatrix is an original design by Alex Kaczun. It is a dynamic stencil interpretation based on his extremely successful Contax Pro family of geometric sans typefaces. Geomatrix is a contemporary stencil typeface based on generous proportions and clean, crisp lines.The stencil treatment is balanced visually with the stem weight of the font which creates a uniformity and harmony within the design. Geomatrix makes for easy reading and is ideal for long lines of copy. It exudes a strong sense of sophistication for a true stencil design. However, this is no ordinary stencil typeface. That's putting it mildly. Geomatrix is a font on STEROIDS! This unique OpenType font incorporates hundreds of CAPITAL alternate letter forms and glyph substitutions, automatically and on the fly, within InDesign and other Open Type applications. To turn this feature on, just typeset ALL CAPS and go into InDesign's OpenType>Stylistic Sets and select Set 1 from the menu. Turn character kerning from Metrics to Optical, adjust tracking to minus 20-30, and start typing to create some visually interesting letter substitutions and unique word combinations. Geomatrix was specifically designed to take advantage of the OpenType format, allowing the Graphic Designer a unique tool to achieve the desired degree of possible visual typographic effects. And finally, the character sets in Geomatrix have been expanded to include old-style figures and all Eastern European accented glyphs. Strap in and hold on to your seats. A revolution in new font technologies has begun! GEOMATRIX IMPORTANT PLEASE READ HOW TO ACCESS "ALTERNATE" STYLISTIC "SET 1" LETTER FORMS: Geomatrix is a unique OpenType font which incorporates hundreds of CAPITAL alternate letter forms and glyph substitutions, automatically and on the fly, within InDesign and other OpenType applications. To turn this feature on, just typeset ALL CAPS and go into InDesign\'d5s OpenType>Stylistic Sets and select "Set 1" from the menu. Turn character kerning from Metrics to Optical, adjust tracking to minus 20-30, and start typing to create some visually interesting letter substitutions and unique word combinations. This feature "stylistic set 1" can be toggled "on" or "off" anytime, allowing you to go back and forth, or select only the letters that you want to change. Geomatrix was specifically designed to take advantage of the OpenType format, allowing the Graphic Designer a unique tool to achieve the desired degree of possible visual typographic effects. And finally, the character sets in Geomatrix have been expanded to include old-style figures and all Eastern European accented glyphs. Strap in and hold on to your seats. A revolution in new font technologies has begun!

A typeface inspired by 1980's graphic design fused with a modern futuristic style. Aimed at the Fashion industry and style magazines.

Iron Lake Rough is a pioneer era inspired slab serif font. The font works great in western, rustic and outdoor related themes.

rishgular is inspired by a regular weight, is a unique sans serif font with display character. rishgular is include with tech characters

Bounce is a unique and dynamic font inspired by molecular structures. Ideal for large format use in medical, science and technology projects.

This typeface is inspired by the lettering of Archibald Knox (1864 – 1933), a designer for Liberty & Co. from the Isle of Man.

Inspired by the hand lettering design for a friend’s yacht, this contemporary script style, TheNautiGal is sexy yet formal with beautiful connectors.

Here's another stencil font designed from and inspired by the lettering guides used for years by teachers, school children, merchants and others.

ZarBrush Gothic is a "speedball" font inspired by showcard lettering done with a loaded red sable brush. Perfect for text and headlines.

Tea Time JNL was inspired by the hand lettering on the 1931 sheet music for "When I Take My Sugar to Tea".

Inspired by the beautiful typefaces like Helvetica and Neue Haas Unica, this beautiful typeface looks fantastic in print as well as online.

Retro Qalva Inspired by magazine adverts from the 70'sand 80's, suitable for branding, logo, promotion, product packaging, and other needs.

Inspired by a grocery store chain logo used up until 1975, this unusual Victorian-style typeface has a unique and interesting charm.

Gans Italiana is a comprehensive family of wood type inspired typeface based on the same font by the extinct spanish Gans Fundicion.

Draft Beer is a bold script suitable for logos, letterheads & headlines and was inspired by the lettering used by Miller Brewing Co.

A handsome, square sanserif, the ultra extended Cavalero is strictly a display design. The typeface was inspired by the Chevy Cavalier logotype.

Corporal JNL gets much of its inspiration from brass interlocking stencils, and a touch of the look of military or industrial markings.

Meso America is a native dingbat face inspired in meso-american culture containing funny characters and flowers created starting a geometric forms.

Hand drawn font inspired by years of doodles in Math and Science class. Contains full small caps set and old style figures.

Highly intricate ornaments inspired from the work of Johann Georg Schwandner (1716- 1791). Complete your collection with Schwandner Versalia and Schwandner Ornaments.

This easy to read, versatile letterstyle was inspired by Al Imelli's "Advertiser's Square" (circa 1920's). Modifications were made and alternates added.

A true north font of 152 characters, inspired by the black metal culture but more readable. UPPERCASE 
lowercase 
Numerals 
Punctuation 152 characters

Jaggard is a classical renaissance penmanship inspired font which works great when used for display reasons only. Contains only uppercase alphabet designs.

Allegro Sans is a joyful, bright, cheerful and minimal font inspired by the vibrant speed and gentle movements of the Allegro tempo.

Ordin is inspired by today's technology with a unique and clean look which stands out from the other fonts from its category.

An original slab serif design inspired by the slab serif designs of the 19th century, with a modern geometric look, bold version.

An original slab serif design inspired by the slab serif designs of the 19th century, with a modern geometric look, extra bold.

Inspired by many hand-lettered European package designs. This script face is suitable for logos, casual headlines and designs calling for attention.

Intertitle cards from a 1942 newsreel inspired the like-named Newsreel Text JNL, which is available in both regular and oblique versions.

Another in the series of stencil fonts from Jeff Levine, Class Project JNL was inspired by a lettering guide from the 1940s.

We count three inspirations for the László font family. The upper case was inspired by Yomar Augusto’s amazing font Unity, used on last year’s German World Cup Team jerseys; the lower case from a few letters a poster for a Bauhaus show. The name László is an homage to László Moholy-Nagy, peerless Bauhaus designer and teacher. The László type family is stripped down to the typographic core, lean, clean and definitely machined, at home in either a formal or casual setting, i.e. you can take László anywhere. Inspired by watching the World Cup and the German Team’s jerseys. Very clean, simple, Bauhaus-style design, European and highly legible. Usage recommendations Automobile ads, anywhere a European feel is desired.

One of my dreams as a type-designer was making a good looking chancery cursive. Full of life, like some of the best calligraphers around the world do on their artworks. With Julian Waters, John Stevens and Denis Brown (just to name a few of them) (1) chancery, or italic script, was transformed into a new, exciting and very fresh style of calligraphy mainly at the end of 20th Century. Dream Script may be that dream named above made true. I have been practicing chancery in the way I learnt from those calligraphers for many years now. Making a font out of my ink-sketches was a tough work, since they were closer of -being art- than of -being type-. However, this font rescues many aspects of handmade calligraphy: You have to look at it really close to notice it is actually a font, and that was one of my goals. The secret of a good looking chancery is on its subtle details: pen angle is constantly changing, even on the strokes which seem straight. Capitals and swashes have to be done a little faster than lowercase letters. The rhythm has to be even, in spite of its playful look. The fact that makes Dream look alive is that it has many alternates per glyph. This makes each word look unique like it happens in calligraphy: you will find alternates for the beginning/ending of a word/phrase, some for the middle of it, some interchangeable. Also, to accompany the script, you will find Dream Caps, which was inspired in the eternally beautiful trajan capitals. Place them like I did on the posters and you will have great results for sure. The font works great in small, middle and big sizes and can be a great selection for magazines, wedding invitations, perfumes, and posters. Close your eyes, and Dream with me... TECHNICAL Dream Script Pro is the most complete style, it contains all the alternates and ligatures (OT programmed, better if you use Adobe applications) If you plan to use the font for text, be sure to activate the less decorative capitals, which are placed in the “salt” group of alternates. Dream Script Standard has less glyphs than the Pro one, it contains just some ligatures for a better legibility. (OT programmed, better if you use Adobe applications) NOTES (1) Not only are they great artists, but also good people, who are always willing to share with their students all what they know. I would also like to thank Ricardo Rousselot, whose work inspired me this time to make “The Dream Script” exlibris; and to Alisara Tareekes, a very talented friend which international calligraphy conferences gave me: She kindly helped me with some tips to make this font better.

Hamerald inspiration from seasonal Halloween Themes, Hamerald Decorative style inspired from bones illustration. Hamerald font is perfect for use as a poster design, branding, logos, apparel design, tattooo or other design needs. Hamerald font containing uppercase and lowercase, plus numerals and a full range of punctuation. There are alternate stylystic version and ligature. To access these, simply turn on 'Stylistic Alternates' or access them via a Glyphs panel.

Artigo is an old style inspired typeface system for text. It was inspired by the handwriting aspect of the first roman types but it intends to be a contemporary interpretation. Its abilities are in small text with personality. The italics capture a lot of its dynamic feeling even more expressive on the display version that stands as the most handwritten one. It gives text a lot of personality and great readability.

A Sans serif that we created special for unique branding needs, with extra ligatures in unique shape will be ready to add value of your brand. Anafiola - Inspired by Helvetica Font ready with: Any options to get creative variations (combination of Ligatures) Regular and Italic Version Preview as a inspirations that you can do with Anafiola font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)

Hyperflow Script was inspired by contemporary fashion and streetwear in combination with Hand Lettering style. I've made every single curve with a personality touch. I hope this can inspire you for your work. Hyperflow Script has a very bouncy baseline. It has a perfectly paired complimentary marker font , and a super handy set of bonus Swash. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards.