Banger: A Bold Serif Typeface with Versatile Alternates and Ligatures" Introducing Banger, a robust serif font designed to make a statement. With its bold and commanding presence, Banger is perfect for creating eye-catching headlines, titles, and branding materials. Its distinctive serifs and balanced letterforms exude confidence and professionalism.

Introducing a new layered bold script font called Belyard .Belyard inspired by bold script logotype and retro font. Belyard came with open type features and multilingual accent good for logotype, poster, badge, book cover, tshirt design, packaging and any more. FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

IA Morning Star is a readable universal comic book dialogue font that adorns any book. The family includes Regular, Italic, Bold, and Bold Italic. Added a set of European characters, Cyrillic; auto ligatures to replace repeating characters, and contextual autoreplacing crossbar "I" in words like I, I'm, etc.

Alardo is intended for branding that is synonymous with sports. The initial character was built in bold with a bold personality, but thin strokes and flowing italics provide a flexible and unique family series. Glyphs are made in low contrast strokes, short ascenders and descenders, and low caps.

Chauncy Pro is a bouncy, artistic, childish handwriting font that comes in four practical weights: Regular, Italic, Bold and Bold Italic. The jaunty little font is based on the left-handed penmanship of an artist and it's ready to go play with some of your fanciful, light-hearted designs.

RoundCut Bold is a geometric grotesque typeface, ideal for large sizes (display proposals and headlines). Its structure is modern, strong and bold, noticeable in its minimal and geometrically forms. Although visually simple, the construction of each letter form is complex allowing some expression and uniqueness to the typeface.

Linotype Univers is a completely reworked version of the original Univers typeface family designed by Adrian Frutiger in 1957. After a long process of painstakingly detailed revision, Frutiger and the design staff at Linotype completed this large joint project in 1997. The result: a brilliant and cohesive font family of 63 weights and styles including the 4 monospaced typewriter weights. All the existing weights were completely redrawn, with careful attention paid to making the proportions more consistent with each other and improving fine details such as curves and thick-to-thin stroke ratios. The family was expanded from 27 to 63 weights, providing a much larger framework to graphic designers for choosing just the right style. The bold and condensed weights were reworked for improved legibility and on-screen application. The stroke weights were revised for consistency within each face as well as in relationship to the other weights. By following Frutiger's original designs, the humanist character of the sans serif Univers now comes through more distinctly. T he systemized numbering system has also been updated. With its sturdy, clean forms Univers can facilitate an expression of cool elegance and rational competence. In fact, the strong familial relationships between all the styles and weights make it a serviceable choice for large graphic design projects that require versatility with consistency. Frutiger was successful in staying true to his initial aims; the new Linotype Univers does indeed work in longer texts as well as for display settings. In 2010 the typeface family was extended and renamed into a more logical naming of "Univers Next" to fit better in the Platinum Collection naming. Univers Next Variable are font files which are featuring two axis and have a preset instance from Light to Heavy and Condensed to Extended. Univers® Next font field guide including best practices, font pairings and alternatives.

Neonline is a captivating display font that combines rounded letterforms with a subtle neon-inspired style. With its elegant uppercase characters and unique design, this typeface adds a touch of sophistication and modernity to your projects. The defining feature of Neonline lies in its rounded shapes, which exude a sense of softness and approachability. Each letter is meticulously crafted with smooth curves, creating a harmonious and pleasing aesthetic. The rounded forms give the font a friendly and inviting appearance, while the subtle neon style adds a hint of excitement and vibrancy. Neonline infuses a sense of allure and intrigue into each character. The font captures the essence of neon signs, casting a subtle glow that evokes a contemporary atmosphere. The neon style adds a touch of modernity and visual interest without overwhelming the design. The uppercase letterforms of Neonline are refined and sophisticated, commanding attention with their rounded shapes. The moderate boldness of the letters strikes a balance between impact and legibility. Enjoy the various features available in this font. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Neonline perfect for headlines, branding materials, titles, and designs that call for a touch of elegance with a hint of neon inspiration. Whether you're creating posters, logos, packaging, or anything in between, this font will elevate your projects with its unique charm. It particularly shines in applications related to fashion, beauty, technology, and modern lifestyle themes. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Madrigalle was seven months in the making and may be described as a contemporary copperplate. When designers look for a font that is both elaborate and strong, they generally have to go back to styles of a previous period, possibly produced recently but not contemporary in their look and feel. In Madrigalle, I believe that I've produced a font that is contemporary but has the boldness and delicacy that mark the fonts of previous generations. I feel that most fonts that derive their style from the complexity of their characters place too much emphasis on upper case characters, and that lower case characters are very conservatively treated. I have tried, with Madrigalle, to redress this imbalance and to introduce informality and vigor to the genre. Madrigalle comes in three options: Two simpler options, Madrigalle Nocturne - slightly less elaborate, and Madrigalle Minuet - slightly more elaborate. Each of these options may be easily used in packages that don't support the Character Map OpenType feature. The Professional Option, Madrigalle Expert, combines all the features of Nocturne and Minuet and has a large number of additional opentype character alternatives. It takes full advantage of Opentype features to provide the designer with a wide range of options, enabling him to give an individual stamp to his work. I recommend that packages such as InDesign and Illustrator, which support Character maps, be used with Madrigalle Expert in order to make full use of this font’s OpenType features. (Just select GLYPHS from the TYPE palette, and set your creativity free!) All Madrigalle styles contain the accented characters used in the major European languages. Try Madrigalle, use it for invitations, advertising media, fashion media, music media, contemporary cosmetics, anything romantic... the list is endless!

Introducing Jesaya: the typeface that will elevate your design game. With its unique geometric design, Jesaya will bring a new level of sophistication and style to your creative projects. Its clean shapes and sharp angles give your message a distinctive voice, projecting a sense of precision and attention to detail. And with seven weights and italics, you have the flexibility to experiment with different styles and layouts, ensuring your design stands out from the crowd. But that’s not all—Jesaya is designed with your comfort in mind. Its shaved sharps prevent typographic injury, ensuring a smooth and seamless design process. So whether you’re crafting a bold logo, designing a sleek website, or creating eye-catching marketing materials, Jesaya’s contemporary style and unique geometry will help you express your vision with clarity and impact. Try it today and see the difference for yourself. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Y’all ready for this? Now starting for Insigne: the new serif Mirantz. This rookie all-star plays a precise game every game, cutting at all the right angles to leave your reader impressed and ready to see more. You can always count on Mirantz to lead with solid mechanics and a clean style, but don’t be surprised when the face keeps it real with a little individual flare and creativity. This personal touch is nothing short of elegance in every appearance. So what makes us love this rookie above the other great players in the field? Contrast, for one. Mirantz brings more contrast to the game than most serifs out there. The serifs on this face have a crisp, sharp wedge that naturally draws the reader’s eye. You can’t help but fall in love with its clean, natural style. Mirantz also features a tall x-height and regular proportions that can play a number of positions on the page and still stay strong through the last half of the copy or even the final period. Mirantz is a solid powerhouse player, containing a complete set of small capitals and nine weights from thin to bold. It can play well both down low and up top with its subscripts and superscripts and can move your reader’s eye easily across the copy with its titling capitals, condensed and extended variants, and open style figures. With its options covering more than 72 Latin-based languages, look for this newcomer to have international success in the near future. It you haven’t set your draft picks for this next round of projects, think hard before passing up Mirantz. A capable serif like this one is a guaranteed asset to any team of fonts. Production assistance from Lucas Azevedo.

Introducing Gaz, the square display typeface inspired by the gasoline station signs of the twentieth century. Sign painters used to refer to this type of lettering as “stovepipe”, due to its sharp angles and rounded corners. Gaz’s unique squareness exudes a vintage industrial charm, while still maintaining a friendly, almost organic feel. Gaz is available in seven weights and italics, giving you the flexibility to create a wide range of designs. But that’s not all. Gaz also comes in five greasy effect styles, perfect for creating that worn, grungy look. The ligatures contained in these styles are automatically substituted in most applications, projecting a more natural and authentic tone. Whether you’re creating a bold poster, an eye-catching logo, or a sleek website design, Gaz is the perfect choice for adding a touch of vintage industrial style. Try Gaz today and bring a piece of the past into your designs. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Malow - Display Font Malow is a stunning display font that will bring elegance and sophistication to any project. This font was designed with a contemporary style that still maintains a classic look, making it perfect for a wide range of applications. The idea behind the creation of Malow was to develop a font that combines a modern aesthetic with a touch of timeless elegance. The result is a typeface that looks fantastic on branding projects, logos, packaging designs, posters, and more. Malow is a versatile font that can be used in a variety of design contexts, whether it's for print or digital projects. Its clean lines and bold appearance make it an excellent choice for headlines and titles, while its legibility also makes it ideal for body text. This font comes with a range of features that make it even more appealing. It includes uppercase and lowercase letters, opentype alternates and ligatures, and full multilingual support, ensuring that it can be used for projects in any language. In the font package, you will find three different file formats, including OTF, TTF, and WOFF. This makes it easy to use the font across a range of design software, including Adobe Illustrator, Photoshop, InDesign, and more. If you're looking to add a touch of sophistication to your design project, then Malow is an excellent choice. Its clean lines and elegant style make it a versatile font that will elevate any design. In summary, Malow is an elegant display font that combines modern and timeless styles, making it a great choice for a wide range of design projects. Its features include multilingual support, opentype alternates and ligatures, and three file formats in the package. This font is perfect for anyone looking to add a touch of sophistication to their project.

Terfens Gothic is the perfect choice for your next project! With its medium contrast and approachable design, this calligraphic sans serif has a classic feel that will never go out of style. Terfens Gothic is the perfect typeface for anyone looking to add a touch of uniqueness to their designs. With its generous x-height and rounded terminals, it's perfect for creating one-of-a-kind designs that are sure to impress. Its large x-height gives it a welcoming, but not too casual vibe. With forty-eight different typefaces, it has the versatility and aesthetic options you need to make your project stand out. Choose from regular, condensed, and extended styles, each with nine different weights and italics. Terfens Gothic has the look you need to make a powerful impression. Terfens is the ideal typeface for any project that has to stand out, thanks to its towering verticality. Terfens may be utilized for a variety of purposes because of its adaptable design. Terfens is a sans unlike any other- it starts with a beautiful calligraphic chancery script and then adds movement and personality. This sans is guaranteed to make your next project more exciting! The Terfens Type System's third typeface, Terfens Gothic, is an amazing addition to any type collection. The Terfens Type System's adaptability is unrivaled, with its vast choice of styles, widths, and weights. This font family has everything you need to create unique, customized designs that will suit your individual needs. Whether you need a narrow or wide font, or a hairline or bold weight, the Terfens Type System has you covered! And, with its Opentype features, the Terfens Type System is perfect for anyone who wants to add a personal touch to their projects.

Introducing RQND Pro 2 - The Futuristic and Industrial Sans Serif Font Welcome to the world of RQND Pro 2, a cutting-edge sans serif font designed to elevate your designs to new heights. With its industrial aesthetic and futuristic appeal, this font is the perfect choice for projects seeking a bold and contemporary look. Key Features: 1,201 Glyphs: RQND Pro 2 boasts an extensive character set, offering you a vast array of design possibilities. Supports 123 Languages: No matter where your audience is, this font ensures that your message is conveyed clearly and effectively. 20 Font Styles: With 5 font weights and 5 font widths, RQND Pro 2 offers 20 unique styles to suit every creative vision. Expanded to Extra Condensed: Whether you need a spacious layout or a compact design, this font delivers unmatched versatility. 18 OpenType Features: Unlock the full potential of RQND Pro 2 with various OpenType features, including small caps, alternate characters, standard numerals, circled numerals, fractions, and more. All Caps Font: Embrace the power of uppercase letters with this font, enhancing the impact of your message. Full Character Set: From standard numerals to punctuation marks, mathematical symbols to special characters, RQND Pro 2 has everything you need for seamless communication. Latin and Cyrillic Support: Perfect for international projects, this font provides complete support for both Latin and Cyrillic languages. RQND Pro 2 empowers designers, creatives, and typographers to explore new design territories. Its sleek and modern appearance makes it ideal for tech branding, UI design, editorial projects, advertisements, web design, and more. Discover a font that combines sophistication with contemporary flair. Elevate your designs with RQND Pro 2 and leave a lasting impression on your audience. Explore the full range of styles and unleash your creativity today.

Alfarooq is the most widely known epithet for the Islamic figure Umar ibn al-Khattab (c. 586 - 644) who was a leading companion and an adviser to the Islamic prophet Muhammad (peace be upon him) who later became the second Muslim Caliph after Muhammad’s death (pbuh) in 632. Muslims widely know Umar ibn Al-Khattab (may Allah be pleased with him) as Alfarooq (i.e., he who knows and distinguishes between truth and falsehood). Alfarooq is a unique, wide, and headline Arabic display typeface. The main trait of this typeface is the novel design of its letters' tails and its dots which renders it as one of the modern stylish typefaces used for headlines and titles. This can be noticed in different letters such as Ain, Ghain, Jeem, Khah, Seen, Sheen, and others. In addition, Alfarooq font has an Arabic character set which supports Arabic, Persian, Kurdish, and Urdu letters and numerals with a limited range of specific Arabic ligatures. This typeface comes in two ultra-bold styles (i.e., Alfarooq and Alfarooq-Pro) and more than 430 distinctive glyphs with a single weight for each style. Alfarooq typeface effectively offers diverse typographic and digital usages including mainly the very large and wide poster-size works. Due to its strong baseline-stroke, Alfarooq typeface is appropriate for heading and titling works in Arabic, Persian, Kurdish, and Urdu newspapers, magazines, and other printed materials. It is also elegantly suitable for signs, book covers, advertisement light boards, street and city names, products- and services names, and titles of flyers, pamphlets, and posters. The wide style of Alfarooq font’s characters gives it more distinction when it is used in greeting cards, covers, exhibitions' signboards, external or internal walls of malls, and also the exits and entrances of airports and halls.

Hello, Are you looking for a bold serif font? Do you want of creating Something that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Helvers a Strong Bold Serif Font Helvers a Strong Bold Serif Font, Inspiring from college typography. This font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for book cover, poster, packging, merchandise, logotype and much more.

Glazed Glory is a Bold Handbrushed Font. This display font features bold, handbrushed strokes, giving it a unique and organic feel. Each letter is meticulously designed to convey a sense of craftsmanship and artistic flair. With its expressive strokes and bold character, this font is perfect for adding a charming and distinctive touch to a wide range of design projects, from posters and logos to invitations and social media graphics. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Introducing this very simple sans serif font that is Hazelnut Milk Tea font. I created this font with the inspiration of simplicity and it is very friendly to look at, with four versions, namely regular, italic, bold, bold italic. Very suitable to be applied in various aspects of design, Also it’s perfect for logo, branding, title, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special event, magazine, web designs, etc. Features : Hazelnut Milk Tea Regular ( Uppercase, Lowercase ) Hazelnut Milk Tea Regular Italic ( Uppercase, Lowercase ) Hazelnut Milk Tea Bold ( Uppercase, Lowercase ) Hazelnut Milk Tea Bold Italic ( Uppercase, Lowercase ) Symbols multilingual support If you have any questions please don’t hesitate to contact me follow my Instagram: @fkryall Thank you

Random But Perfect is Nice Bold Script Font - A stylish and quirky new bold script. Random But Perfect font was created to look as close to a readable bold script as possible by including over a lot ligatures, titling, and swash. This font is for those who want to show something strong and modern. You may use this font if you want to attract modern buyers. The font design seems to show that you have a passion in the business and give your love to the products and services you are offered to customers. Because it is an eye-catching bold script font, you can use it for a variety of purposes including design, branding, signature, logo, poster, and many more.

The British Telegraph font family was inspired by classic headers of Britain newspapers from the middle of XX century. Classic look with three width – Light, Regular and Bold. Great for headers, signs or logos. Also, working well for text blocks. - The British Telegraph Light: Use it for text blocks, or for gently light header typographic. Try to make more wide tracking with capitals, it looks good. - The British Telegraph Regular: Great for simple message, quotes, subheaders (If the header is Bold) or advert slogans. - The British Telegraph Bold: Is a killing title buddy. Massive, strong, bold and in the same time – very gentle. Perfectly for main words, headers, signs or logo's. The British Telegraph has full glyph set with standard and discretionary ligatures (Open Type Features).

Think of Garamouche as Garamond's drunken cousin. This font replicates a long lost document ravaged by time and the elements (with a little sloppy printing for good measure.) Unlike the fake bolding option found in software programs, Garamouche Bold is a variant with more appropriate thick and thin features. The "dancing along the baseline" that has made Garamouche a favorite, is also a feature in Garamouche Bold, but the letters align and tilt in on their own terms. Using the two Garamouche fonts together can produce much more expressive results than just hitting "bold". P22 Garamouche Ornaments is a set of 72 ornamental embellishments designed to complement the Garamouche fonts but can be used with almost any layout that calls for historical decoration.

Arabetics Latte is a Latin Serif typeface with a comprehensive support for the Arabetic scripts, including Quranic texts. While its seemingly-idiosyncratic Latin design eliminates the excessive usage of serifs and offsets the visual effects of several geometrically-intense glyphs, its Times Romanesque proportions gives a full nod to the beginnings of Latin types and produces an overall stable look-and-feel of a classical Serif style, making it suitable for both text and display applications. Liberal spacing is maintained throughout to match that of the Arabic text and is further supplemented by a careful implementation of a typical Latin kerning. The overall design of this font, including metrics and dimensions, was intended to make its Latin harmonize well with most other Arabetics foundry fonts. Arabetics Latte fully supports MS 1252 Western and 1256 Arabic code pages, in addition to all the transliteration characters required by the ALA-LC Romanization tables. Users can either select an accented character directly or form it by keying the desired combining diacritic mark following an unaccented character. For Arabic, it fully supports Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks. The Arabic design of this font family follows the Mutamathil Taqlidi design style with connected glyphs, emphasizing vertical strokes to bring added harmony, and utilizing slightly varying x-heights to match that found in Latin. The Mutamathil Taqlidi type style uses one glyph for every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for each freely-connecting letter of the Arabic cursive text. Arabetics Latte includes the required Lam-Alif ligatures in addition to all vowel diacritic ligatures. Soft-vowel diacritic marks (harakat) are selectively positioned with most of them appearing on similar high and low levels—top left corner—, to clearly distinguish them from the letters. Tatweel is a zero-width glyph. Keying the tatweel key (shft-j) before Alif-Lam-Lam-Ha will display the Allah ligature. Arabetics Latte includes both Arabic and Arabic-Indic numerals, in addition to generous number of punctuation and mathematical symbols. Available in both OpenType and TrueType formats, it includes two weights, regular and bold, each has normal, Italic, and left-slanted styles.

TT Autonomous useful links: Specimen PDF | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Autonomous: The idea was born in Amsterdam when one of our colleagues took the official electric taxi at the Schiphol airport. At the moment we were thinking about creating a new wide sans-serif, and an interesting question emerged during the trip: what font would be associated with autonomous electric transport. Then we thought it would also be nice to expand this theme visually. This is how the font family TT Autonomous came about. It is a modern brutal technological sans-serif. The basic visual characteristic of the typeface is the noticeable squareness of the characters and angular internal space. In addition, the typeface proportions tend to appear monospaced, but they are not really monospaced. The width of the characters is inspired by automobile logotype proportions, which are mostly rather wide. We could not disregard the fact that code lines in software for autonomous cars are traditionally typed using monospaced fonts and added a special monospaced subfamily to the TT Autonomous typeface. Thanks to the squareness of the characters inherited from the main family and the real monospace properties, the character forms in the subfamily turned out very specific and interesting. This is especially true for oblique monospaced fonts, which are true italics. In addition, we created a couple of outline styles which are great for use in titles and large inscriptions and perfectly match the basic family and the monospaced family. As opposed to outlines that can be created in graphic editors, in TT Autonomous Outline we worked through the narrow and questionable spots, thanks to which the font looks professionally complete and harmonious. As from the very beginning, the font was developed with tomorrow's technologies in mind, we could not miss addressing variability and creating a variable font. TT Autonomous has variable versions for both the basic and the monospaced subfamilies. TT Autonomous is a complex font family that consists of 32 fonts intended to solve a broad range of design tasks. Overall, the font family features 14 regular styles, 6 monospaced styles, 7 reversed styles, 2 outline styles and 3 variable fonts. The number of glyphs varies from 630+ in the monospaced font to 790+ in the basic styles. The basic subfamily has alternates, ligatures, old-style figures, slashed zeroes, and many other useful features. FOLLOW US: Instagram | Facebook | Website TT Autonomous language support: Acehnese, Afar, Albanian, Aleut (lat), Alsatian, Aragonese, Arumanian, Asu, Aymara, Azerbaijani, Banjar, Basque, Belarusian (cyr), Belarusian (lat), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chichewa, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Dutch, Embu, English, Erzya, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gaelic, Gagauz (lat), Galician, Ganda, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Jola-Fonyi, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Karelian, Kashubian, Kazakh (lat), Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Leonese, Lithuanian, Livvi-Karelian, Luba-Kasai, Ludic, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Marshallese, Mauritian Creole, Minangkabau, Moldavian (lat), Montenegrin (cyr), Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Number, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romanian, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Sasak, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Silesian, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Superscripts and Subscripts, Swahili, Swazi, Swedish, Swiss German, Tagalog, Tahitian, Taita, Talysh (lat), Tatar, Teso, Tetum, Tok Pisin, Tongan, Tsakhur (Azerbaijan), Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Valencian, Vastese, Vepsian, Volapük, Võro, Vunjo, Walloon, Welsh, Wolof, Xhosa, Zaza, Zulu.

Aeroblades is futuristic display typeface inspired by aerodynamic designs. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs!

Kanigara is a handwritten like monoline typeface. Its signature style is perfect for adding a natural touch to your logos, branding, invitations, covers, and much more!

Milk Bath is a cute and funny handwritten font. It’s simple and friendly style makes this design incredibly versatile, fitting a wide variety of creative ideas.

Motherboard JNL is a retro throwback to the technology boom of the 1980s and simulates an LED readout display panel. Available in regular and oblique styles.

Lemon Party is a cute and quirky handwritten font. It’s simple and friendly style makes this design incredibly versatile, fitting a wide variety of creative ideas.

Roughler is brush font with clean and simple font. This font can apply to banner, wallpaper, tees, music theme, cover and party moment with brush style.

Antoni Bokir is brush font with clean and simple font. This font can apply to kids tees, banner, wallpaper, cover and party moment with brush style.

Xavierace of a racing-style with sharp lines. Xavierace very suitable for automotive magazine covers, racing game covers, logos & branding, product design, labels, and so on.

Dragtime is handwritten script font with signature style. Suitable for design, element design, wedding, event, t-shirt, logo, badges, sticker, and awesome work, and many more.

Introducing a new vintage label font named Two Shots. This strong typeface is perfect for lettering on vintage style labels, posters, t-shirts, logos, and more.

Based on the free-spirited handwriting style of a friend, this font features automatic ligatures, alternate character substitutions and swashes in applications that are OpenType-savvy.

Roman Wood Type JNL is based on a partial set of wood type in the style of Clarendon Condensed that was seen in an online auction.

The words “Benny Goodman & His Orchestra” on an appearance poster for the band from 1936 were rendered in a beautiful semi-script style of hand lettering.

Nostalgia styled font designed by Samborghini Uppercase Character Set A-Z Lowercase Character Set a-z Tons of alternate characters Numerals & Simple punctuation OTF file format

This font contains a selection of typographical symbols, covering mainly Astrology, Biology (Botany), Meteorology and Mathematics. Its glyphs are in a sensibly adjusted light monoline style.