Design System is a great type system consisted of 5X7X2=70 font styles from 70s-style simple square sans to the widest style of all time that are best for titles, logo and text. Their simple form does not limit the target of design and can be used for any creative work. Additionally they all have been designed not to provide a feeling of strangeness when they are used in mixture each others.

Sublima is meticulously designed to adapt its personality to any project. With 302 alternative characters and 18 stylistic sets, you get unlimited power to take your creativity to the next level. Sublima is the smartest choice for any creative project. With a single click, you can change its typographic personality and adapt it to your desired style. Choose between 3 predefined styles or create your own style by combining the hundreds of alternate characters available.

Stella fox is a font with a neat brush stroke style. This font gives you a free and boundless impression. This font is available in two styles, regular and italic. and is equipped with an open type feature to give creative designers many style options to create stunning works. so you can use and enjoy again and again, for anything from promotional material and handwritten quotes, to product packaging, merchandise and branding projects.

Hello Everyone, introduce our new product Font Byassa it is Quick Brush Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font Byassa is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, That is has charming, authentic and relaxed characteristic more natural look to your text. You can activate 4 Ligatures glyphs and 9 Alternates glyphs OpenType panel.

Galora is a sleek and contemporary high-contrast serif font. The typeface comes in two different styles. Regular has round and curvy lines to bring a soft aesthetic to your designs. The oblique style features sharp angles and diagonal lines for a more dynamic look. Galora is perfect for designing logos, headlines, posters, packaging, and invitations, adding a modern and captivating charm. Features Uppercase & Lowercase Number & Symbol Ligatures Multi-language 2 Styles

Turis is meticulously designed to adapt its personality to any project. With 241 alternative characters and 20 stylistic sets, you get unlimited power to take your creativity to the next level. Turis is the smartest choice for any creative project. With a single click, you can change its typographic personality and adapt it to your desired style. Choose between 3 predefined styles or create your own style by combining the hundreds of alternate characters available.

Fanky Bubble is the newest typeface with a bubble graffiti style. There are three styles of font. Regular, line, and extrude styles Inspired by a throwup of graffiti. The entire typography has been designed to work on large sizes. This font is good to use on posters, zines, hero websites, stickers, and t-shirts. Features : - Lowercase & Uppercase ( All Caps ) - numbers and punctuation - Alternate & Ligature - multilingual - PUA encoded Please contact us if you have any questions.

Quida Rough is a textured display family with three styles; Regular, Italic and Script. The personality of the design comes the rough, worn outlines and concave vertical shapes, which are consistent through all styles. This makes them work together seamlessly. Quida Rough Script is packed with opentype goodness such as swash caps, stylistic alternates, ligatures and ending forms for lowercase letters. All styles have an extended language support for most European languages.

Nagota Script is a calligraphy script font that comes with beautiful alternative characters. a mixture of copper calligraphy with handleting style. Designed to bring style elegance. Nagota Script attracts such a subtle, clean, feminine, sensual, glamorous, simple and very readable typeface. The classic style is perfect to apply in various formal forms such as invitations, labels, menus, Logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels.

Introducing a comic style label font named Caffeination. This font has a wide languages support with west european and cyrillic characters (check out all available characters on previews). The font family has six styles: Regular, Shadow, Shadow FX, Rough, Rough Shadow FX and Rough Shadow. Each of these fonts have same metric and kerning. This font will look good on any comic or vintage styled designs like a poster, T-shirt, label, logo, etc.

Lettown Hills is inspired by urban or freestyle artworks. With casual or marker style and lot of stylistic alternates you can create realistic headers. It’s a font that can be used with vintage, simple and modern styles. Comes also with swashes font. It works beautifully for personal branding, advertising or creative headers. Looks good also with retro style typography or branding. It is very suitable for logos, posters, t shirts and more.

NOMAD is a vintage vibes font are produced with modern style and ready for historical projects. Based on our experience as a graphic designer who works for a lot of companies, we often are requested to design a graphic with a vintage feels and modern style. So, we try to brainstorming and create this font to make the idea is going out. This is perfect for show off in historical style and vintage vibes. You will get vintage, modern, and certainly unique style with this font. NOMAD font is also included full set of: All Uppercase letters Multilingual characters Numerals Punctuations Wish you enjoy our font. :)

Textworthy Serif is a simple serif typeface with a human character. It is based on writing with a classic pen. Serif form we know as the trustworthy type style. Similar shapes we’ve been reading about since the 15th century when letterpress began. And antique can be developed after blackletter type. Textworthy Serif was created because we still believe in serif type for over 500 years. And we still need to use serif types in today’s world for comfortable and rational acceptance of text information. Italic styles are in production. We wanted to offer these 5 styles for those purposes where the number of styles is enough.

Bricbrac is a layered family that allows different combinations. The typeface is full-cap, with a squared style, the font doesn’t contains any curve. The different styles gives 3D effect to the letters and the typeface user can play with the Lines and Pattern effect. Bricabrac consists in a 9 styles family. This is a monoline typeface and the variety of combinations and style make it perfect for magazine and poster design. The fonts have an extended characters set to support Central, Eastern and Western European languages. Notice: The spacing is optimized for the version with volume, therefore the fonts should always be used with the 3d volume effect.

Ink Gothic is a contemporary slab serif with a split personality - a mix of heavy industrial with light typographic twists. Unique letterforms evolve the typeface into a class all its own. The Ink Gothic Alt styles add italic letter-styling and cursive loop appeal to the lowercase characters, taking the more refined stylings and giving them an elegant twist adding versatility and beauty. Stylistic Alternates are available for the b & k characters. The Ink Gothic Complete package bundles all of the versatile and elegant styles of the Ink Gothic, Ink Gothic Alt, Ink Gothic 3D, and Ink Gothic Inked typefaces into one powerhouse of a collection.

Eksellena is a blackletter font desiged in a modern style, minimalist and still classic look. this font is designed in 3 Style, each style have italic. That Style is Regular, Textured and Outline. Ekselllena creation idea was inspired by books, blackletter font and various feeds on instagram, This font is perfect for use as a poster design, branding, logos, apparel design, tattooo or other design needs. Eksellena modern blackletter font containing uppercase and lowercase, plus numerals and a full range of punctuation. There are alternate stylystic version and ligature. To access these, simply turn on 'Stylistic Alternates' or access them via a Glyphs panel.

Steamtown is a sans serif type family of three weights and four styles. It is based on geometric forms, so it is a clear and straightforward typeface. It has an industrial feel and also resembles street signage. It has four styles; Clean, Rough, Print and Press. The Rough style has rough edges, Print has a subtle texture and Press has a heavy letter-press texture. Rough, Print and Press styles have two sets of upper- and lowercases. You can manually alternate the two sets of upper- and lowercases or you can enable the Contextual Alternates OpenType feature to automatically cycle these two sets of letters.

Rofage is a Display Vintage font that produced with unique style and ready for vintage projects. Based on our experience as a graphic designer who works for a lot of companies, we often are requested to design a graphic with a vintage feels and classy style. So, we try to brainstorming and create this font to make the idea is going out. This is perfect for show off in vintage style and retro vibes. You will get vintage, modern, and certainly unique style with this font. Rofage font is also included full set of: Uppercase & Lowercase letters Multilingual characters Numerals Punctuations Wish you enjoy our font. :)

We are pleased to offer a unique typewriter font. Consists of two versions, namely regular and italic, Smart Chameleon has more than 650 glyphs and can be used in more than 150 languages. We present it in a handwritten version with untidy curve that makes you even more exasperated. Smart Chameleon has a vintage style that is packaged in the current version. Suitable for all styles, you only need to replace the color and background of the design and the appearance will totally change, from children's style to fancy, retro or modern youth style. Just like a chameleon that changes according to the conditions. Enjoy.

Gafler is a vintage font that produced with unique style and ready for vintage projects. Based on our experience as a graphic designer who works for a lot of companies, we often are requested to design a graphic with a vintage feels and classy style. So, we try to brainstorming and create this font to make the idea is going out. This is perfect for show off in vintage style and retro vibes. You will get vintage, classy, and certainly unique style with this font. Gafler font is also included full set of: Uppercase & Lowercase letters Multilingual characters Numerals Punctuations Wish you enjoy our font. :)

Antapani is a grotesk sans style with some stylistic style to some letter. Designed for readability but can also function as a display text. Come with 9 style from Thin to Black so you can choose which style you want. Designed with opentype features in mind. Each weight includes extended language support (+ Cyrillic), fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design. Designed by Abdurrahman Hanif, a young Jakartans Graphic Designer who fell in love into type design after his graduation. Published by Monoco Type

The Descent family is a unique, graffiti style, layered type system consisting of a contextual style & a classic style, each with a base fill version & an outline version. Based on a signature category of wildstyles by Graffiti Fonts® lead designer Raseone, this family was designed to be rotated 90 degrees clockwise so that the text reads in a downward direction. OpenType scripting in the contextual version enables up to 12 unique variants of any word using alternating patterns of interlocking glyphs. The classic version does not include OpenType features but instead has initial glyphs as capitals and medial glyphs in the lowercase positions. The characters in the classic version are similar to the more advanced contextual version but noticeably different & a bit more irregular. Glyphs from both styles can be mixed & used interchangeably & both styles have corresponding outline fonts.

Less is More. This stencilled version takes away some of Didonesque’s structure while adding another level of distinguished style and supreme elegance. The Elegante fonts epitomise the style required for high-end fashion and beauty applications with their crisp curves combined with tapered serifs and terminals – instantly creating a polished and fashionable aesthetic. Didonesque Stencil was designed for large display purposes, branding, corporate identities, headlines, advertising, wedding invitations and the like. Of particular note are the minimal ball terminals which are available by activating Stylistic Set 2 – they’re perfect for adding that extra bit of magic to your typographic designs. Key Features: • 4 Stencil weights in Roman and Italic styles • 4 Stencil Elegante weights in Roman and Italic styles • 4 weights in Condensed style • Small Caps, Petite Caps, Alternates, Ligatures and Contextual Alternates • Full European character set (Latin only) • 780 glyphs per font.

The gaming world is loaded with so many cool logotypes that never see the full font light of day. The PowerUp family finds its origins of inspiration in the Super Mario Bros. logotype, and been expanded upon to create its two unique styles and extruded shadow typefaces. PowerUp celebrates the geometric sans serif stylings of the original logotype, both in its condensed and heavyweight forms, and gives them the full character set they deserve. It's fun and functional. Each font includes a full standard character set with expansive international support of latin based languages, and 2 weight/width styles and three shadow styles. This highly stylized family is ready to electrify design urges, both digital and beyond. Here's what's included with the PowerUp Family: 480 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. 5 styles: Regular, Black, Shadow, Black Shadow One, & Black Shadow Two. Layered Black & Black Shadow Two can be scaled down to 62% to match inspiration logotype. Here's why the PowerUp Family is for you: You're in need of a dynamic geometric font with extruded shadow layerable fonts You're a huge Super Mario Brothers fan You're a gamer, obsessed with all gaming related things You are looking for a techno style font family with Condensed AND Uber Black styles You just like to collect quality fonts to add to your design arsenal

FangsALot is a bizarre typeface family that was designed to alternate two character sets. These sets are alternated automatically in applications that support the OpenType feature Contextual Alternatives (calt). The template used to design characters is a distorted triangle that resembles a curved tooth or a fang. This shape can be flipped horizontally, vertically, and both horizontally and vertically to give four orientations. Two of these orientations are used in the regular style and two in what is called the italic style. I thought the fang motif did not come through clearly in the regular and italic styles. Rather the impression they give is more like graffiti lettering. To emphasize the fang motif I added two more members to the family by filling fang outlines with unadorned sans-serif characters. Then to allow more color in lettering, I added two more styles with letters on black. I then had six styles based on triangles skewed left and right. Why not fill the family out with three more styles based on an isosceles triangle? The end result is a family of nine. All members of the family are monospaced and are hard to read. The three graffiti-like styles have some alternative letters that can be accessed with the OpenType feature Stylistic Sets. Also, for each style it is possible to use only one set of characters by adding a space after each letter and then adjusting the character spacing. The graffiti-like styles can be useful in situations where the hard-to-read property is not important but where a menacing and vicious touch is needed, such as topics of sharks, teeth, biting, and vampires.

On a distant planet, there was a typeface that stood out from the rest. Hachimitsu, the kaiju-inspired top-heavy display font, was born from the depths of the Showa era. Its towering presence and unique design draw inspiration from the iconic signs of old Japan. Hachimitsu’s futuristic style brings a retro 1960s science fiction vibe to any message, transporting it to another dimension. Its bold, thick strokes make a statement, demanding attention from all who encounter it. Its angular and sleek curves are reminiscent of alien spacecraft, flying through the vast expanse of the universe. With Hachimitsu, your message will be infused with a distinct and fascinating voice. Whether you’re creating a poster for a sci-fi convention or designing a book cover for a thrilling space adventure, Hachimitsu’s Japanese-inspired design is sure to captivate your audience. Unleash the power of Hachimitsu and take your design to new frontiers. Let its otherworldly charm bring your vision to life and transport your audience on a journey through the stars. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Joachim Müller-Lancé's Uppercut is a rather sporting fellow, originally developed for the Krav Maga training center of San Francisco (Krav Maga is a simple and efficient self-defense system that has become equally popular in Hollywood and with law enforcement). Joachim has spent several years training, hitting things and people whenever he needs a break from kerning. Uppercut can be seen on the school's t-shirts and other articles. Despite bearing the same moniker as an upwards punch to the chin, the name actually fell together quite naturally as Uppercut is an all uppercase typeface, and the word "cut" is also historically used to describe a type style in hot metal type. For this slanted look, "Angle" felt just right (with thanks to Mia McHatton). The design idea sprang from pencil sketches for the center's new identity. Uppercut's shapes are not calligraphic or handwritten, more like lettering seen in comics or sports logos. Its brush movements are imaginary, not too literally brushy. During development, details were simplified and reduced until a bit of a cut-paper feel emerged, but more fluid like writing. The shapes are economical and efficient; simplicity makes the font versatile, holding up in small as well as big sizes. Uppercut is decidedly analog, muscular but not bulky, with the fluid but determined movements of a boxer or martial artist - not theatrical but powerful, fast, confident and dynamic. Well... it has punch. In the proportions, there is emphasis on a strong upper edge "keeping its guard up", while several stems protrude downward, giving the impression of leaping or being "light on the feet". Use Uppercut to pick up the pace, add snap, verve and drive - on movie posters for action and adventure, to advertise your dojo, rumble or prizefight, racing team or tuning shop, or invite friends to your barbecue with old time rock'n'roll and homemade hot pepper sauce.

Barbou was originally cut in 1925 by Monotype as a counterpart to Fournier, siblings that were different in design but both based on the work of Pierre-Simon Fournier. Whether by choice, accident or oversight, Fournier was preserved digitally, and Barbou was lost to history. Barbou was notably used by Stanley Morrison, in particular as the face of The Fleuron. I fell in love with Barbou when I saw it, and knew that I wanted to bring it to a new generation of designers and readers. This is a revival of Barbou, a faithful recutting with new weights, characters and many of the best features that modern font technology brings. Particular attention was paid to the original Monotype Barbou 178 specimen sheet. Originally only available in a single weight, Barbou has been recut with a variable weight, providing a large degree of flexibility between Regular and Bold. Barbou excels as a comfortable reading face for books, and the variable weight allows you to fine tune the darkness and texture of the page in a way never before possible. Barbou has a distinctive softness, and this revival of Barbou preserves much of the effect the medium of metal type had on the letterforms. This results in a subtly rounded yet defined type, elegant not worn, with the utmost attention and respect to the smallest of details. Barbou was originally cut with disparate x-heights for roman and italic, and this revival of Barbou features both the original italic, as well as a new italic redesigned at the same height as the roman. In Fournier’s time, roman and italic would not be mixed on the same line, but the type must change to meet the needs of a new generation. Barbou also features unique ligatures and alternates, old style numbers, small caps and a full Greek alphabet. Barbou is perfect for books and anywhere a comfortable reading face is required, and excels in flexibility.

Welcome to the world of Chromakey, a futuristic headline typeface that takes inspiration from classic video game box art. Our unique font is the perfect blend of sci-fi jagged lines and old-school Art Deco, giving you a distinct aesthetic style to deliver your message in an angular fashion. At first glance, Chromakey may seem like an unusual choice for your design needs, but that’s exactly what makes it so special. It stands out in a sea of bland typography, catching the eye of anyone who passes by. It’s bold, it’s edgy, and it demands attention. Whether you’re promoting a new product, creating an eye-catching poster, or designing a logo, Chromakey is the perfect choice. With its space-age design, it’s perfect for anything related to technology, science fiction, or the future. Don’t settle for boring fonts that blend in with the crowd. Choose Chromakey and make a statement with your designs. Try it out today and see how this unique typeface can take your designs to the next level. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Addlethorpe, the sleek and sophisticated three-layer metal typeface that will elevate your designs to the next level. With its unique combination of foreground, fill, and background layers, Addlethorpe offers endless possibilities for customization and creativity. Whether you’re designing for print or digital, Addlethorpe has you covered. The foreground layer, Addlethorpe 1, is perfect for use on light backgrounds, offering intricate detail that will catch the eye and draw the viewer in. But why stop there? Addlethorpe 2 is the perfect fill layer, allowing you to add color and depth to your elevated letters. And don’t forget about Addlethorpe 3, the rectangular background layer that fills in the blanks and ties your design together. With its clean lines and bold presence, Addlethorpe 3 is the perfect finishing touch. But Addlethorpe is more than just a pretty face. OpenType-aware programs allow for the use of lining or old-style numerals, while letter pair ligatures break up the monotony of repeated letters. And with Addlethorpe Web, you can enjoy all of this beauty and versatility with faster load times and simpler forms. So what are you waiting for? Give your designs the edge they deserve with Addlethorpe. Just be patient with your application – with all this detail and customization, it’s worth taking the time to get it right. Some Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aymara, Basque, Bemba, Bikol, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Galician, Genoese, German, Guadeloupean Creole, Haitian Creole, Hiligaynon, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Kikongo, Kinyarwanda, Kirundi, Lombard, Low Saxon, Luxembourgish, Makhuwa, Malay, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Papiamento, Piedmontese, Portuguese, Quechua, Rarotongan, Romansh, Sango, Saramaccan, Sardinian, Scottish Gaelic, Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tetum, Tshiluba, Tsonga, Tswana, Tumbuka, Uzbek (Latin), Venetian, Võro, Walloon, Waray-Waray, Wayuu, Xhosa, Yapese, Zapotec Zulu and Zuni.

In the world of webfonts, Condensed proportions are key to maximizing your page's premium real estate while keeping your copy clean and catchy as you cut down to the essentials. Soon after the introduction of webfonts, I began to see Insigne's Le Havre used frequently for web headlines, not so much for its Art Deco look as for its more compact proportions. There seemed to be a need for a font that was designed to be used solely for the web's unique constraints. Enter Coegit Sans. Coegit is built specifically for web applications. Its highly Condensed forms range from thin--offering the greatest number of uses--to the attractive, accenting black. With three widths--Compressed, Compact, and the widest, Condensed --the family holds a total of sixteen fonts. The typefamily has also been hinted for excellent, onscreen display quality, even at small sizes. Overall, its lighter, humanist features provide the reader a more congenial welcome than its square, sans-serif counterparts can offer. Coegit is equipped for complex professional typography with stems, small caps and plenty of alts, including titling capitals. The face includes a number of numeral sets, including fractions, old-style and lining figures with superiors and inferiors. OpenType-capable applications such as Quark or the Adobe suite can take full advantage of automatically replacing ligatures and alternates. You can find these features demonstrated in the .pdf brochure. The family also includes glyphs to support a wide range of languages, including Central, Eastern and Western European languages. In all, Coegit supports over 40 languages that use the Latin script, making the new addition a great choice for multi-lingual publications and packaging. While the advanced OpenType features of webfonts are not currently supported in many browsers, the near future promises wide support. As acceptance of these features grow, Coegit Sans will prove to be a versatile element for your wide range of web projects.

Introducing Superclarendon, a typeface that’s as bold and powerful as its mid-19th Century inspiration. Its chunky slab serifs and subtly squared letterforms give it a timeless appeal that’s sure to make your designs stand out. But Superclarendon isn’t just a nod to the past—it’s a contemporary take on the classic Clarendon that retains all of its booming voice. Superclarendon’s austere curls and sturdy terminals give it a solid construction that’s sure to make an impact. Its squarish, superelliptical curves give it a modern feel that’s perfect for today’s designs. Whether you’re creating a poster, a brochure, or a website, Superclarendon is the typeface that will make your message loud and clear. And with four weights, italics, and old-style (lowercase) numerals, Superclarendon gives you all the tools you need to create stunning designs. So if you’re looking for a typeface that’s as powerful as it is versatile, look no further than Superclarendon. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Check Mate is a modern, playful checkerboard-style font.

Each style is a collection of 174 pinwheel designs.

Neat, calligraphy-style handwriting using a chisel-tipped marker.

A dot-matrix style display font with a twist.

a grunge style font mixing carved design with blackletter

an approach to the uncial medieval style of letters

Hand sketched lettering in a chalkboard, Pinterest inspired style.

A neue rave typeface; Pacman-style chunky, sharp, creative.