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  1. Lonestar by FontMesa, $25.00
    Lonestar is a revival of the old classic slab serif font named Hellenic which was very popular in the middle to late 1800s.
  2. Data 70 by ITC, $29.99
    Data Seventy is a high-tech style font, with the look of old computer lettering. Data Seventy gives any text a futuristic appearance.
  3. Rocklogo by Gaslight, $25.00
    Rock Logo is an all caps, display typeface, inspired by old cool rock/metal band logos. It has many alternates, swashes and ligatures.
  4. Unique Wood by Solotype, $19.95
    Wood type maker W. H. Page designed this in 1870. Caps, figures and points only. A great decorative for old-timey poster work.
  5. Montreal Architect Px by Letradora, $15.00
    Inspired from blueprints of old Montreal buildings, this font is a hand lettered, all caps face with influences from the arts & crafts movement.
  6. Decorative Panels JNL by Jeff Levine, $29.00
    Decorative Panels JNL is a collection of twenty-six border design panels inspired by old decal and rubber stamp catalogs of the 1940s.
  7. Actium by Type Mafia, $45.00
    Actium is a contemporary multilingual sans serif typeface developed to help perfect typography automatically. Type Mafia has focussed on words with odd combinations of capital letters and numbers, such as product names and postal codes such as WD40 and H1N5, jump out of the text. They sit awkwardly together as the numerals have been designed to work with the lowercase, not the uppercase letters – affecting readability.To fix this Type Mafia invented Smart Capo™. Smart Capo™ Smart Capo is a feature that automatically activates once you type an uppercase letter together with a number. When a capital letter is sat next to a numeral, Smart Capo converts the letter to a mid-cap — a contemporary alternative to small caps — and the default old-style numeral to a lining numeral. Actium’s mid-caps and lining numerals have been designed with the same height (between cap and x-height) so they sit comfortably next to each other and fit more harmoniously into text. Smart Capo applies equal attention to capitalised words without any numbers, such as NAVO and USA, and are also automatically set into mid-capitals. Working on its own, Smart Capo saves time and money for the typographer — taking the pain out of text formatting — and makes it a more pleasurable experience for the reader. This feature is made possible by the use of ‘contextual alternates’, an OpenType feature used in modern font software, working with a set of characters specially designed at mid-cap height. By default these changes automatically take place so it doesn't need to be switched on, it will just work. Actium Actium’s design has an unusual diagonal contrast — much more common in a serifed face than in a sans serif — giving it more bite. The typeface looks elegant when set in large sizes and remains very legible when shown in small sizes. The family consists of six weights in two styles, making a dozen fonts. Weights range from light to black in roman and true italic. All fonts are fully loaded with functional elements. Actium boasts an extended Latin character set and with Greek. This means a wide range of Western languages are supported: perfect for use in bilingual publications and packaging. For numerals, each font includes old-style and lining figures in both proportional and tabular widths, with superiors and inferiors. These allow you to select the right set of numbers for the right task.
  8. Irish Stout BB by Blambot, $20.00
    Created by Blambot’s Nate Piekos for a party invitation, IRISH STOUT has a deep, dark aroma and a creamy, white head. Serve ice cold with a heaping plate of Shepherd's Pie! Comes with a six-pack of European characters.
  9. JH Mars by JH Fonts, $50.00
    JH Mars is a modern style typeface; it is designed based on old Koufi, Maghribi & Diwani scripts, typical for corporate identity, headlines, branding & signage...
  10. Aurora by Bitstream, $29.99
    One of the classic old German large x-height Grotesques revised and still in use, identifiable by the rounded form of certain diagonal strokes.
  11. Crosstown JNL by Jeff Levine, $29.00
    Crosstown JNL is a serif treatment of Midtown JNL, an Art Deco typeface displayed in the pages of an old 'how to' lettering book.
  12. Endast by Cercurius, $19.95
    Sans-serif reversed capitals in outlined circles, resembling old-fashioned typewriter keys. Intended for logos and signs, and for enhancement in lists and maps.
  13. OpenAir by Jonahfonts, $25.00
    OpenAir is a display typeface unlike standard Stencil Fonts. Great for logos, short titles and comes with Old Style numerals as well some ligatures.
  14. Fleuron Ornaments by Gerald Gallo, $20.00
    Fleuron Ornaments was inspired by old world designs and patterns. There is an assortment of 47 ornaments all located under the character set keys.
  15. Great Western by FontMesa, $22.00
    Great Western is an engraved roman font that reminds you of the old railroad days when steam locomotives made their way across the countryside.
  16. Dawson by Solotype, $19.95
    Redrawn from an old wood type we picked up in London. The original manufacturer is unknown. We added the lowercase to increase is usefulness.
  17. Sarabella by ArFF, $24.95
    I've 2 grand children, the youngest is just 3 years old. Her name is Sarah and see is Bella. And so we have Sarabella.....
  18. Valfieris by insigne, $21.99
    A classy and elegant serif from DooleyType. Valfieris includes a number of advanced OpenType features, including alternates, ligatures, small caps and old style figures.
  19. Final Edition JNL by Jeff Levine, $29.00
    A classic sans grotesk wood type design, Final Edition JNL was modeled from actual headlines found in online examples of an old daily newspaper.
  20. Tasmin - Unknown license
  21. everyone - Unknown license
  22. Gummed Alphabet JNL by Jeff Levine, $29.00
    Gummed Alphabet JNL was modeled from a 1960s-era package of foil embossed gummed letters. This type of lettering device was sold through stationery, variety stores and similar merchants, and could be used for personalizing items or making small signs.
  23. Skammefy by Andreas Søren Johansen, $69.00
    Skammefy holds a detailed set of letters, that are intended to be both readable when small - and charismatic when large. Strong details of letters like e, a, g, f, y draws attention to headlines, signs or wherever it might be used.
  24. Flomic by Sergey Melnikov, $24.00
    Ukrainian type designer Melnikov Sergey created Flomic font between 2015 and 2016. Flomic is a geometric sans built from a folded lines. Most effective when used in short words or phrases at larger sizes, where the details can be appreciated.
  25. SomaSlab Tall by ArtyType, $19.00
    SomaSlab Tall has all the same characteristics as SomaSlab, transferred into a style which has been condensed along the horizontal axis only. Available in 2 weights, XBold & Heavy, with an extended Latin character set and several glyph alternates for maximum versatility.
  26. Adhesive Letters JNL by Jeff Levine, $29.00
    Adhesive Letters JNL was drawn from sample letters and numbers once manufactured by the Tablet and Ticket Company of Chicago. Originally sold under the brand name of Willson's, these gummed letters were available in a number of styles and sizes.
  27. Alfereta by Solotype, $19.95
    This popular type was manufactured by the Crescent Type Foundry of Chicago and sold on their behalf by a half dozen other foundries. Introduced in the early 1890s, just as tastes were swinging away from the excesses of the Victorian period.
  28. Upona by Bunny Dojo, $17.00
    Inspired by 19th century storybook lettering, Upona is a font fit to tell all tales. Fresh yet familiar, Upona blends classical styling with whimsical flourishes. Carrying a sense of history and tangibility, stories set in Upona are worth holding onto.
  29. PF Occula by Parachute, $33.00
    Occula on Behance. Occula: Specimen Manual PDF. Occula is an exploration into high-legibility type although it’s not an effort to design the ultimate typeface in terms of economy and legibility. Instead, the goal has been to strike a balance between modern curves and lively old-style rhythm – using a rational design approach without becoming monotone. Or from another point of view: being humanistic and lively without looking old-fashioned and quirky.
  30. Candide by Hoftype, $49.00
    Candide is a neoclassical face for editorial, magazine and newspaper applications. It reflects classical archetypes and is distinguished by its elegant and sophisticated appearance. The Candide family consists of 16 styles. It comes in OpenType format and provides an extended language support. All weights contain standard and discretionary ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternative characters.
  31. Erato by Hoftype, $49.00
    Erato follows the structure of french and dutch 17th century types. But instead of being historical, it uses modern formal elements. The simplification of similar formal elements creates a homogeneous and contemporary impression. Erato comes in six weights and in OpenType format. All weights contain standard and discretional ligatures, small caps, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals.
  32. 1880 Kurrentshrift by GLC, $38.00
    This font was inspired by the old form of the so called "Kurrentschrift" German handwriting, based on late medieval cursive. It is also known as "Alte Deutsche schrift" ("Old German script"). It was taught in German schools until 1941, when Adolf Hitler decided to forbid it. As it is a little hard to read, we are proposing here two versions: the "pure" Kurrentschrift, and an adapted "Easy" one, with simplified difficult characters.
  33. Hanka Rounded Sans by Tom Károly, $19.99
    This font is a very new typeface from 2022. It is based on biro pen writings. The name Hanka is the nick of the designer’s daughter. The family has seven weights (straight and oblique), which are OpenType sets with PostScript curves. Features include ligatures (classical and discretionary), number formats (tabular/proportional, lining/old style), fractions, old-style formats, stylistic alternates, and kerning. May you be happy with this set when creating advertisements or artistic content.
  34. Carmay by Hoftype, $49.00
    Carmay was conceived as a charming, gently flowing member of the didonesque family. The roman weights present some hybrid characteristics, which results in an appearance of informality and adds a dash of brio. Carmay, nonetheless, remains restrained and committed to a classical ethos. All weights contain standard and optional ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows.
  35. Friedrichsfeld by Otto Maurer, $17.00
    Friedrichsfeld is a small town near there where I live. Friedrichsfeld, Voerde and Wesel was Part of the Preussen Kingdom till 1912. Friedrichsfeld was a Parade ground of the preussen troops and get the name of the King Friedrich II (the old Fritz). Today there is a Preussen Museum near Friedrichsfeld in Wesel. The Font comes in two ground Version, one in the history Letters and old Ligatures and a modern Version.
  36. Dexa Round by Artegra, $29.00
    Dexa Round is the round cornered version of the Dexa Pro superfamily. It has 18 fonts with thin to black weights, along with their true italic counterparts. With more than 770 glyphs per font, It supports all the Latin languages as well as the Cyrillic ones. OpenType features: small caps, caps to small caps, alternates, old style figures, tabular lining, old style tabular lining, language localizations, ligatures, superscript, subscript, numerators, denominators, fractions, historical forms.
  37. FS Renaissance by Monotype, $52.99
    FS Renaissance is a display stencil typeface by the Monotype Studio. A collaboration between lettering artist and designer Craig Back and Creative Type Director Pedro Arilla, the single style font explores the intersection between art and design. With artist and designer working hand in hand, each letter was crafted as a standalone piece of art, while working harmoniously together as a functioning typeface. The typeface is inspired by the Renaissance period symbolised by flourishing progress in the arts, sciences, learning, and philosophy. The typeface is not a traditional stencil design: the cuts are not rigid but interactions that are hand crafted between each element, emphasising the idea of a typeface as a piece of art or sculpture. Pedro Arilla’s aim was to take the core DNA of Craig's lettering and apply it to a typographic base with a solid internal consistency, balanced with an external elegance. Pedro and Craig worked closely together to make sure the original concept was not compromised and this is reflected in the finished design which strikes the perfect balance between functionality and art.
  38. Momento by IbraCreative, $17.00
    Momento – A Stylish Script Monoline Font Momento, a stylish script monoline font, effortlessly marries elegance with modernity in a seamless dance of curves and lines. The graceful strokes of each letter exude a sense of sophistication, making it an ideal choice for projects that demand a touch of refined aesthetics. The monoline design maintains a consistent thickness throughout, adding a contemporary flair to the timeless script style. With its fluid connections and balanced spacing, Momento captures a harmonious rhythm, allowing the script to flow effortlessly like a well-choreographed dance. Whether employed in invitations, branding, or other design ventures, Momento stands as a testament to the perfect fusion of style and versatility, offering a script font that is not only visually pleasing but also a timeless representation of modern elegance. Momento is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.
  39. Molgen by Sealoung, $17.00
    Introducing Molgen Modern Display Serif Font Molgen Modern Display Serif Font is a distinctive and versatile typeface designed to make a statement. With a unique blend of classic serifs and contemporary display elements, it is a font that encapsulates the perfect balance between tradition and innovation. In the world of typography, Molgen is your gateway to elegance and modernity. Key Features: Serif Meets Display: Molgen is the epitome of a harmonious coexistence between the timeless serif font and the contemporary display style. Its serifs are pronounced yet not overwhelming, making it an ideal choice for a wide range of applications. Versatility: Whether you're designing a striking logo, crafting eye-catching headlines, or preparing an elegant invitation, Molgen can handle it all with grace and sophistication. Distinctive Characters: Each character in Molgen is meticulously crafted, ensuring that every letter oozes character and charm. From A to Z, you will find unique touches that set Molgen apart. Multilingual Support: Whether your audience speaks English, French, Spanish, or any other language, Molgen has comprehensive multilingual support, ensuring that your message is clear and effective worldwide.
  40. Glerosion by IbraCreative, $17.00
    Glerosion – A Retro Cartoon Sans Serif Font Glerosion, a retro cartoon sans-serif font, exudes a playful and nostalgic charm that effortlessly transports viewers to a bygone era. With its whimsical and rounded letterforms, Glerosion captures the essence of classic cartoon aesthetics, reminiscent of beloved animated shows from the mid-20th century. The font strikes a harmonious balance between a timeless simplicity and a distinct vintage flair, making it a versatile choice for a range of creative projects that seek to evoke a sense of lightheartedness and retro appeal. Glerosion’s characters possess a delightful quirkiness, embodying the spirit of yesteryear while maintaining a modern edge that lends itself well to a variety of design applications, from branding to editorial design and beyond. Glerosion is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.
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