Inline Lettering JNL was directly inspired by the opening title of a classic 1940s horror film, "The Invisible Man's Revenge".

Merry Bauble Letters is designed to complement our 'Merry Baubles' fleuron typeface. Quite simply, it's a set of Christmas Tree ornaments with letters painted on them…

Letter Gothic was designed for IBM between 1956 and 1962 for use on the Selectric typewriter. Letter Gothic is a monospaced, sans serif face that can be useful for technical documentation and tabular work.

Lettering Project JNL was based on one of the many templates made by the Wood-Regan Instrument Company (also known as Wrico). Their sign making kits allowed anyone using the templates, special ink pens and alignment guides to create professional looking lettering with a minimum of experience.

Sometimes lettering without any frills or formality gets a message across better than the use of fancier typefaces. The simple charm of the hand-lettered phrase "Safety Comes First" found on a vintage WPA (Works Progress Administration) poster served as the model for Basic Lettering JNL.

A circa-1940s textbook for the Esterbrook Drawlet Pens (similar to Speedball pens) offered numerous samples of lettering that could be obtained by following the simple directions and using the book as a guide. One example was a classic Art Deco design made with a round nib pen, and it has been redrawn digitally as Lettering Book JNL in both regular and oblique versions.

From a vintage textbook on "modern" lettering circa the 1930s or 1940s comes a simple chamfered sans with oddly irregular shapes. Amateur Lettering JNL is available in both regular and oblique versions.

BF Garant™ Pro elegantly balances geometric design with dynamic character! (This Pro-Edition is the fully packed upgrade of the well-known Hot New Fonts #1 BF Garant.) The strict architecture is combined with open counters, tapered spurs and diagonal cut ascenders and descenders that create an open, lively character without denying the straightness of geometry. 10 weights from Thin to Black and matching (oblique) Italics ensure versatile use of the type family. BF Garant Pro’s characters include the extended Latin Unicode range (incl. Vietnamese), Cyrillic and Greek. So it is very suitable for branding and packaging. “The last modern geometric typeface you really need!” The large x-height, dynamic details and some more conventional, humanist-inspired letter alternatives (a, g, k, u, y, G, Q - some of which are grouped together in the style set “Text”), make it not only a contemporary graphic element, but a highly legible timeless design tool, is not only ideal for logotypes or contemporary branding use, but also for modern editorial design. The 1,760 characters per font include ligatures, alternates, line figures and old style figures, small caps, numerals for small caps, fractions, symbols (incl. Peace sign), currencies, different arrows etc. In addition, 23 useful OpenType features make BF Garant™ Pro a workhorse for many typographic applications. With the 11 style sets, BF Garant™ can be fully adapted to the user’s requirements without losing its unique character. And for those who ever wanted to open a bar on Tatooine, BF Garant™ Pro also includes the currency sign of Galactic Credits! Feel the Font!

Sinuous but sturdy; ornate but legible - Gambit Nouveau is modern-day design created in the spirit of Art Nouveau. This delicate and natural typeface features tapered spurs, compact swashes, and spiral curling. You will find it ideally suited for announcements and invitations as well as decorative headlines. And for your convenience, Gambit Nouveau comes equipped with corner and free-standing ornaments plus a wide range of alternate characters. Gambit Nouveau is also available in the OpenType Std format. Some new features including initial forms and old style figures have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Garnet is a rare TT typewriter face, made digital from analog samples gathered with great care by Coniglio Type. A time and place; type and life. Garnet Euro Typewriter is the first new release by designer Joseph V Coniglio in over 5 years. It is contemporary designer type, made from the struck steel hammers of an art deco san serif face transferred from a mechanical 1926 Royal Portable typewriter. It has an obsessively complete commercial roman character set ––for the pre-opentype environment of the late 1990's. Yes, it has that great “Monopoly Game” question mark -- and all on a period-piece typewriter! You should have no trouble grafting that sorely needed Euro symbol.” –And he very well did!

Based on a revival of one of the popular Textura fonts of the early 20th century; suitable for display, or text.

Lettre D'amour is an Oldstyle Handwriting Font. It comes in 11 Styles and two Angles with many OpenType Features. Alternate Caps, Alternate Ends and old style Numbers.

Grit Sans is a font balanced enough to stand strong on the tippy-toes of its pointed "t" ascenders. Even all caps communicates calm. Dashes of whimsy in the proportionately plump X-Heights tell of the accountant drinking too much sherry at the office Christmas party, but thick, consistent strokes never lets you forget his job title. Ascenders and descenders consistently reach the same heights and depths, further attesting to the reliability of this typeface, at even very small sizes. Available in both regular and bold face, Grit Sans is a faithful complement to thin fonts with a pinch of frivolity such as Heirloom Artcraft. It is ideal in use for titles, subheadings, menus, playbills, custom stamps, logos - anywhere a solid font can speak at a volume just above all others.

Gart Sans is a grotesque font that preserves the characteristics of early 20th-century grotesques, primarily used in advertising. The main features of this font include a pronounced contrast, narrow proportions, and light, smooth forms combined with modern design solutions. Compared to geometric or neo-grotesque fonts, Gart Sans distinguishes itself with its attention to detail. As the font weight increases, it acquires a more pronounced character, expanding its usability from headlines to extensive text settings. Gart Sans consists of 5 styles, 630 glyphs, encompassing an extended Latin character set, basic Cyrillic characters, ligatures, numeral sets, and much more.

Gart Serif is a serif font that combines traditional Antiques from the 18th century with modern solutions. Compared to other Antiques, Gart Serif stands out with its "display" metrics that enhance its character without compromising readability. With a variety of weights, Gart Serif can have an elegant demeanor seen in its thin weight or a more robust and sturdy presence in its bold rendition. It serves well for setting large amounts of text as well as for short headlines. Gart Serif comprises 5 weights, 642 glyphs, basic Cyrillic and extended Latin, several stylistic sets, ligatures, numeral sets, and a variable font.

You can hear the wheels of imagination turning within this font - Grit Gothic, from Grit History™ B Series, by Baseline Fonts. Both highly stylized and very legible, the extreme height of this font can give even a goblin vertigo. Extended X heights create lowercase that adventurously reach up through extended shoulders and spines while persistent grunge warns of skinned knees that may result along the climb. It’s easy to envision children’s rallying cries in Grit Gothic, perfect for book titles, film titles, poster headlines, and any other epic that needs a strong font with a dark edge of mystery and wonder. This font is rife with personality, including large and daunting punctuation, whittled wood-look vertical bars that berate and argue with beveled bowls, ascenders that attempt to intimidate one another with their height variances, and tittles that bully one another, as they're a variety of context dependent sizes. Grit Gothic is available in Regular and Bold with full Greek-lettered foreign language support.

A few scant examples of die cut gummed letters (R, C, Y and &) provided the design inspiration for Adhesive Serif Letters JNL. Influenced by the Caslon style, this typeface offers clean, legible titling. The sample letters were once manufactured by the Tablet and Ticket Company of Chicago and sold under their brand name of Willson's [named for the founder of the company]. Gummed letter sets were available in a variety of styles and sizes for various sign, merchandising and marking needs.

Shield Classic 2 Letters Monogram Font is a perfect shaped monogram font consisting of 52 letters and 1 basic frame. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Shield Classic 2 Letters Monogram Font comes with font file in OTF format.

Occasionally font projects are started, but then set aside for other designs and are subsequently forgotten for a while. Such is the case of More Deco Lettering JNL; a bold thick-and-thin sans modeled from vintage source material.

Roger Roberson skillfully adapted the sanserif to the monospace IBM typewriter at Lexington, Kentucky, in 1956.

The title on the cover of Street & Smith’s “Wild West Weekly” for Jan. 27, 1934 made for an interesting contrast in terms. Here was a pulp magazine dedicated to stories of the Old West, but its title was hand lettered in an extra bold, squared shape style using a round pen nib – not exactly an alphabet that represented cowboys and desperados… This aside, this type style made for a good digital font revival, and it is now available as Bold Pen Lettering JNL in both regular and oblique versions.

Mailbox Letters Two JNL is the second typeface from Jeff Levine inspired by metal lettering used on mailboxes and homes. Each cast letter or number sat on a lower "rail" which was then slipped into a slot that held them firmly in place. Jeff's Inventory JNL looked close enough to the original type style to use as a model for this font, and for typographic purposes there are certain punctuation and other glyphs that "float" above the rail. Limited character set.

Italian type designer Albert Pinggera created this sans FontFont in 1998. The family has 6 weights, ranging from Light to Bold (including italics) and is ideally suited for editorial and publishing, logo, branding and creative industries as well as software and gaming. FF Letter Gothic Mono provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, super- and subscript characters, and stylistic alternates. It comes with tabular oldstyle and tabular lining figures. This FontFont is a member of the FF Letter Gothic super family, which also includes FF Letter Gothic Slang and FF Letter Gothic Text.

Italian type designer Albert Pinggera created this sans FontFont between 1996 and 1998. The family has 6 weights, ranging from Light to Bold (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, software and gaming as well as sports. FF Letter Gothic Text provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Letter Gothic super family, which also includes FF Letter Gothic Mono and FF Letter Gothic Slang.

A 1935 song with the unusual title of "Dinner for One Please, James" had its title hand lettered on the cover of the sheet music with simple, condensed letters made by a round point dip pen. This has been reproduced in a digital font as Pen Lettering Sans JNL, and is available in both regular and oblique versions.

The Bitstream version of Letter Gothic designed by Roger Robertson in 1956-62 for IBM electric typewriter. It is a condensed, monospaced font resembling a typewriter face, suitable for tabular material. Primarily used for slide presentations and for word processing applications, Letter Gothic is very helpful for printing out software source listing, for informal office communications and for tabular charts where alignment of columns is important. Besides, being a clear and easy-to-read font, Letter Gothic is popular now for display and advertising matters. Cyrillic version was developed for ParaType in 2000 by Gayaneh Bagdasaryan.

Here’s another font family for your hand lettering projects. Hop Serif Hand Lettering is a font family consisting of 3 styles: 1.) Hop Serif Hand Lettering Regular 2.) Hop Serif Hand Lettering Lines 3.) Hop Serif Hand Lettering Shadow This font family is all authentically hand drawn from pencil and paper to the digital screen and is perfect to include on designs for apparel such as mugs, t-shirts, bags, notebooks, inspirational quotes for the home and office, and more. Each font is multi-lingual too! I love using this font in my hand lettering designs and I hope you will too!

American type designer Susanna Dulkinys created this display and sans FontFont in 1999. The family has 6 weights, ranging from Light to Bold and is ideally suited for festive occasions and music and nightlife. FF Letter Gothic Slang provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Letter Gothic super family, which also includes FF Letter Gothic Mono and FF Letter Gothic Text.

Shield 2 Letters Monogram Font is a perfect shield shaped monogram font consisting of 52 letters and 1 basic frame. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Shield 2 Letters Monogram Font comes with font file in OTF format.

In the days of metal type or paper clip art, spot illustrations with stock phrases were used to embellish ads and fliers in order to grab the attention of potential customers. The convenience of digital type puts art like this at a designer's fingertips. Attention Getters JNL contains fifty-two such ad phrases, certain to add a nostalgic, yet functional appeal to your printed or online piece.

Introducing Better at class – Brush Script is a Authentic brush script that is written casually and quickly. Letters are made with procreate. Then scanned and carefully drawn into vector format. That is why Better at class has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text. You can activate Ligature OpenType panel, Better At class Perfect for designs,branding projects, Logo design, Quotes product packaging