Blowing Vesicle is a retro bold font which will bring you back to 60s feel. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

We would like to introduce our new Christmas typeface Nordic Tale. The font is created with love for the Scandinavian aesthetics, it is decorated with Nordic patterns. Every letter of the folkart font is a separate cultural story. The typeface includes Decorative, Blank and Symbol versions. The font is easy to use in various design programs or without any program. Nordic Tale font is suitable for lettering posters and cards, tourist brochures, photo overlays, Christmas and cozy winter design. The font works great both for printing clothes and interior decoration. Also use individual letters and symbols to create logos and monograms.

Morning News is the sister font of Evening News which I designed some years ago for use with my local newspaper Abendzeitung. Morning News is an adaption, a little bit rounder, which gives the font a much softer touch. The general design dates back to the pre-Hitler era, the time when Germany had already lost the first World War and was taking a short deadly breath to start the second big war. Lets hope there will be a day when there will never be another war in Europe (or elsewhere!). Another new peaceful font by your pacifistic designer, Gert Wiescher.

Transport yourself back to the year 1994, a time when MS DOS games ignited the imagination of an impressionable young boy. Enchanted by the pixelated wonders of that era, he embarks on a journey that will shape his creative destiny. As the boy loses himself in the captivating landscapes of Commander Keen, the strategic depths of Warcraft: Orcs & Humans, and the mysterious quests of The Secret of Monkey Island, a seed is planted in his mind. The beauty of these games' typography, crafted pixel by pixel, captivates his young heart and fuels a passion for design.

The concept of a bold connected script with a hand lettered feel has been on my bucket list for decades. I imagined a pretentious, ornate, swashy look, a variety of word-end embellishments, heaps of ligatures and underscores. It took a weekend workshop on Python Scripting at Type@Cooper in San Francisco reinforcing the smarts of Opentype to make it happen. Hand drawn on paper using broad pen strokes for reference, the design was the easy part. The real work was in the back-end and self-imposed rigorous testing. Download a comprehensive pdf User Guide at this link.

Ammurapi was the last king of Ugarit, which was destroyed circa 1200 B.C. Back then all writing was done by hand and all that has been preserved is on clay tablets many of which were fired in the very destruction of the cities that enabled these documents to withstand the rvages of time. Ugarit unlike the other cuneiform scripts has a very limited number of glyphs. It is somehow exotically attractive. This font has been encoded in the appropriate unicode block to permit ease of use for scholarly purposes, but would also make a fine use as a decorative element.

The late 70s and early 80s is sometimes considered to be the period when headline typography went off the rails. Growing up in that period, some designers may beg to differ. Many geometric designs were available in dry-transfer and for the typositor, and were used everywhere a youth-culture look was appropriate - annuals, comics, club flyers, high-street boutiques, TV-advertised compila tion albums. Nightclubber is a fond homage to the excesses of the period, and should be used back-lit in pink neon or at a rakish 45 degree slant across a blurred photograph of a glitter ball.

Nesuka is a display font with a laid-back and playful vibe. This typeface is ideal for projects that demand a more natural and unique handwriting style than typical. Of course, your project will seem fun and lovely if you use this font. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out.

Cardillac, named after E.T.A. Hoffmann’s literary figure, refers back to classical Didonesque, yet presents unique details which set it apart from historic models by adding a new flavour. Its clarity, noble appearance and cool elegance predestine it for magazines and newspapers. The Cardillac Family consists of 14 styles, provides many features which allow its application for ambitious typography. It comes in OpenType format with extended language support. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

The birth of the monospaced types dates back to the past. There was a need for the creation of typesets for typewriters. The difficulty was to align the different glyphs in the same width. This led to particular problems with letters like "M" and "l"; the former seemed to be squeezed into the same width of all letters and the second one appeared way too stretched. Despite - or perhaps because of - the impression of the typewriter it is still popular with Graphic Designers. The Ingrid Mono font family with a high range of glyphs and symbols has that special appearance.

Deicide Remain Font is a cool alternative for you to easily create your Underground band logo or whatever. Using alternative fonts and ornaments will liven up the font and will look cooler and fiercer. It comes with a basic character set and a small group of symbols and signs frequently used in the extreme music sector - Death- and Blackmetal classics such as pentagram drops, roots, wings and more. Features : - All Caps - numbers & punctuation - Alternate & Ligature - Multilingual - Symbol Ornament - PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

Malaguena Stencil JNL was derived from hand lettering found on an Art Deco-era piece of vintage sheet music for this familiar tune. According to Wikipedia: “Malagueña is the feminine form of the Spanish language adjective malagueño/ malagueña, ‘pertaining to Málaga’, a Spanish port city.” Additionally: "Malagueña", is a song by Cuban composer Ernesto Lecuona; written in 1928 it was originally the sixth movement of Lecuona's Suite Andalucia, to which he added lyrics in Spanish. The song has since become a popular, jazz, marching band, and drum corps standard and has been provided with lyrics in several languages.

It could be you’ve never heard of Bergie Seltzer - and neither had I. Basically, Bergie Seltzer is the fizzing sound an iceberg makes when it melts. We are having a bit of a heat wave right now, so I needed to give this font a ‘cool’ name! Bergie Seltzer font is a cool, all caps display font. It has a slightly eroded look (like a melting iceberg if you will) and a laid back attitude. Use it for your summer magazines, your ultra-cool websites and your bottles of fizzy drink! Just don’t melt the polar cap!

Meet the Letterpress! Jakob Erbar’s Phosphor was released by the Ludwig & Mayer Foundry before 1923. The origins of Aurora date back to 1912 (Johannes Wagner Foundry). Permanent Headline was designed by Karlgeorg Hoefer, also known simply as Headline. It was fun making a mix out of the three classics – with Letterpress Bastard you will quickly get astounding results. To complete the family we added a font containing random symbols we also found in the metal type boxes. Please note that we provided loads of ligatures for double-letters to make your design look as authentic as possible.

Back to the basics. In the last ten years, type design has been confronting chaotic scene. The font market is flooded with a mixture of wheat and chaff and typography becomes increasingly complex. But one golden straight path exists. The path began from the industrial revolution, passing through swiss style, now we walk along the path as a matter of course. It is sans-serif. The decades from the Swiss style, namely "less is more age" to the contemporary basic style "Less, but better age", we call it golden decades. In those decades, type design met modernism. Go back to a theory in the golden decades, we redesigned new geometric, minimal sans-serif. Less is more and better. We added cool and calm spices to the modernism in the golden decades. As a result, letterform has a contemporary, sharp, and neutral atmosphere, and geometric rounded bowls and counters create a nice rhythm. Golden Decades consists of 8 weights and their matching Italics for a wide range of usages. Farther, Golden Decades is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also, Golden Decades covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works. Lowercase "a" has OpenType stylistic alternate for advanced typography.