Linotype Balder is a part of the Take Type Library, winners of Linotype’s International Digital Type Design Contest. Designed by Lutz Baar, Balder is reminiscent of advertisement and poster typefaces of the 1950s and 1960s. It is composed of only capital letters, making it perfect for initials and headlines. Balder looks as though it were written with a broad tipped pen. Its light serifs at the tops of the characters and the slant of some of the strokes give Balder a dynamic feel.

Ruthen Back - a Stylish Font, offering a different feel than my other fonts. A script font with a taste like signature fonts because all characters are based on the stylish signature, always catchy and elegant if you use it for personal name branding or logotype in your business. This font also looks outstanding in other projects such as greeting cards, tittle book/magazine, poster, neon light logo and etc. What's featured? - Uppercase and lowercase - numeral and punctuations - Multilingual support - PUA encoded Thanks for using this font. For other questions about this font please contact me at java.indonesian@yahoo.com. Have a nice day!

If you're looking for the perfect font to make your logo stand out, then look no further than Brandan font. This modern and cool font is sure to give your logo, text, or any other design element a unique and eye-catching look. Whether you're looking for a font for a logo, lettering, website, or something else entirely, Brandan font has got you covered. Plus, it looks great on both light and dark backgrounds, so you know your design is going to look nice no matter where it's seen. Check out Brandan font today and give your design a professional edge!

Chipperly is a brand new face inspired by the art of the Edwardian poster, especially travel posters. It’s good for clear ad legible headings which need a gentle and unobtrusive period touch, and is the latest is Greater Albion’s line of faces to explore the ‘small capitals’ idea. In its regular weight, Chipperly’s glyphs are semi-shaded within an outer outline giving a distinctive look, while the Heavy weight maintains the separate outline but is completely filled. The Light form is an outline alone. All forms unite period elegance with the modern need for clear readiility.

M Ellan HK is a soft yet robust typeface that strikes an appropriate balance between vertical and horizontal strokes (豎、橫). Finials of strokes are sharp but gentle, alluding to the appeal of calligraphy. It is elegant as well as contemporary. M Ellan Light features similar thickness in vertical and horizontal strokes (豎、橫) that together make it lucid and appealing, while thickness of strokes in M Ellan Bold are accordingly adjusted to maintain its friendly and graceful character.

Getman is a light Gothic typeface. It made all the rules and traditions of classic Gothic typeface, but it has lightweight shapes, making it easy to read and understood. Getman is based on the works of type masters 1910s. This font has all 104 European alphabets, all Slavic alphabets, OpenType features (ligatures, oldstyle numerals, fistorical forms, localized forms, fractions, ordinals and others). Getman has an historic beauty of the medieval Germanic national script. Glory to the Germans!

Abiah Sans Serif Typeface is a minimal sans serif font, which contains 5 weights and It features unique and modern sans serif look and feel. Perfect for gorgeous logos, titles, web layouts and branding. It looks gorgeous in all caps with a wide-set spacing if you want to try a classy look, or beautiful on its own in capital and lowercase letters for something completely timeless. Included Features: Font Weight: Regular, Thin, Light, Bold and Distorted

Originally created in 2014 but redesigned and improved in 2020, Remah Pro is an eclectic and versatile sans serif font family consisting of 5 weights, from extra light to extra bold with its respective condensed. When looking for something different, Remah Pro is certainly the best choice: the wavy shapes that defines it are intertwined with clean cuts and sharp edges, making it suitable for typographic experimentation and ideal for display work, logo design, posters and billboards.

M Ellan HK is a soft yet robust typeface that strikes an appropriate balance between vertical and horizontal strokes (豎、橫). Finials of strokes are sharp but gentle, alluding to the appeal of calligraphy. It is elegant as well as contemporary. M Ellan Light features similar thickness in vertical and horizontal strokes (豎、橫) that together make it lucid and appealing, while thickness of strokes in M Ellan Bold are accordingly adjusted to maintain its friendly and graceful character.

ZT Rayflo is a sans serif font family with full simplicity, no clutter in it, just fonts with a gentle flow. This font has nine weights from light to black.ft ZT Rayflo even with its simple style is perfect if you need it for your design, it will always look fashionable and stylish wherever it is. ZT Rayflo is a collaborative font between Zelowtype X Madebysafwan. For 3D, you can buy it at Madebysafwan. Free to Try, you can download it on Gumroad I hope you have fun using ZT Rayflo

Sardines is a project by Jacques Le Bailly aka Baron von Fonthausen. This original version is the one that saw the light as a monospaced font student project and which would eventually grow into Vette Letters’ largest font family (see VLNL Neue Sardines). Sardines is an eclectic mash of classic curves and mathematical measurements, leaving a very distinct typographic flavor. While most of our type is market-fresh, this one comes out of the can, but it’s delicious nonetheless. And it’s great for adventurous BBQ-ing!

The Roos family is a digitization and expansion of the last typeface designed by Sjoerd Hendrik De Roos, called De Roos Romein (and Cursief). It was designed and produced during the years of the second World War, and unveiled in the summer of 1947 to celebrate De Roos's 70th birthday. In 1948, the first fonts produced were used for a special edition of the Dutch Constitution on which Juliana took the oath during her inauguration as the Queen of the Netherlands. To this day this typeface is widely regarded as De Roos's best design, with one of the most beautiful italics ever drawn. In contrast with all his previous roman faces, which were based on the Jenson model, De Roos's last type recalls the letter forms of the Renaissance, specifically those of Claude Garamont from around 1530, but with a much refined and elegant treatment, with stems sloping towards the ascending, slightly cupped serifs, a tall and distinguished lowercase, and an economic width that really shines in the spectacular italic, which harmonizes extremely well with its roman partner. The Roos family contains romans, italics and small caps in regular, semibold and display weights, as well as a magnificent set of initial caps. All the fonts contain extended language support, surpassing the usual Western Latin codepages to include characters for Central and Eastern European languages, as well as Baltic, Celtic/Welsh, Esperanto, Maltese, and Turkish.

This Arabic typeface family was created by Younes Alaboudi. Yanson proudly incorporates a timeless geometric style with humanistic nuances. Featuring three weights from Light to Bold, Yanson supports OpenType features for Arabic.

Striptease JNL is the bold, brash, "your-name-in-lights" companion to Showgirl JNL, and was inspired by a scene in an old television show depicting a burlesque house of the 1930s.

A light handwritten script font that is feminine and informal. Will lend a casual yet elegant feel to any design. Contains language support for both Latin-based and most Eastern European languages.

Maecenas is an elegant professional. It stands out from other typefaces due to it’s timeless style and versatility. It will add smartness to all texts, regardless of the user’s expectations. In a quick and flashy way it will make an impression on anyone, who requires from his tool character and reliability. Maecenas won’t be lost in the crowd, and thanks to it neither will you. This font, marked by chivalry, is an AUGUST friend for good and bad. Light and bold weights, due to their strong personality, are perfect for display uses. At the same time, Regulars create a harmonious structure that provides excellent legibility in long texts. Maecenas covers all latin languages and cyrillic. It contains a wide set of numerals, small capitals, fractions, ligatures and other OpenType goodies.

Stevia is a font family designed by Carlos Fabian Camargo Guerrero. Stevia is a sweet font family created to design logos, cards, posters, book covers, blogs, packaging, walls, etc. Stevia is useful to differentiate your designs and stimulate your imagination through 5 fonts drawn with an apparent handmade lettering look. Stevia dingbats has more than 250 special monolineal icons to accompany Stevia Script Black (600 glyphs), Stevia Script Light (470 glyphs), Stevia Subtitles Bold (300 glyphs) and Stevia Subtitles Light (300 glyphs) in quotes, legends and short writings. That’s why you'll get a lot of alternative letters in uppercase, lowercase and opentype numbers as well as ligatures and flourishes ideal for beginning, middle and end of word. In summary Stevia is great for communicating naturalness and freshness in designs that need to be outside conventional typographic norms.

Magazin ST is powerful but delicate. What fascinated me seeing, a couple of letters, in Bob Roy Kelly's book (American Wood Type:1828-1900) were the little squares in the corners that represent a glow from lighting coming from below and from the right. Such ambiguity excited me and I thought that today with digital resources it wouldn't take long to do it. Seeing it working is excellent. Look In the posters what it is for and the effects it produces, including the sensation of relief.- L.S.

Welcome Amica Pro, a workhorse sans designed to give your branding a friendly, approachable look. What is it that makes a typeface friendly? Eclectotype undertook extensive research* in this and the results are in! To cut a long story short, friendliness in sans serif fonts can be summed up in two words – short and fat. Basically, think Danny DeVito in letter form. The shortness in Amica Pro is achieved (somewhat counterintuitively) by pushing up the x-height. This, coupled with short ascenders and descenders, gives the text a squat appearance. For the fatness, that's easy in the bolder weights, but how to carry this through to the lights? Here, the fatness equates to roundness, so the letterforms, even if the stroke weight is light, have a rotund appearance from the wideness and roundness of the circular glyphs. When thinking about friendliness, we think about inclusiveness. To this end, Amica Pro supports a super wide range of latin-based languages, as it uses Underware's Latin Plus character set, as well as extra support for Vietnamese. Amica Pro is best used for branding, logos, infographics etc. It will give your UI a friendlier feel, but that doesn't mean it's not serious. There are many useful typographic features, including alternates, numerous figure styles, automatic fractions and case-sensitive forms. The italics are carefully optically corrected "sloped romans" and as such they are the same width as their upright equivalent, so changing your copy to italics will not mess around with the spacing. *I looked at a few fonts and drew some lazy conclusions.

Dutch type designer Donald Beekman created this display FontFont in 2006. The family has 10 weights, ranging from Light to Ultra and is ideally suited for festive occasions, music and nightlife as well as poster and billboards. FF Softsoul provides advanced typographical support with features such as ligatures, case-sensitive forms, fractions, and super- and subscript characters. It comes with proportional lining figures.

Canadian type designer Val Fullard created this display FontFont in 1992. The family contains 3 weights: Light, Medium, and Bold and is ideally suited for festive occasions, music and nightlife as well as poster and billboards. FF Mambo provides advanced typographical support with features such as ligatures, titling alternates, alternate characters, and case-sensitive forms. It comes with tabular lining figures.

It is an Extra Condensed, Extra Light, Extra experimental and Extra display font. Extra C is a fun font that doesn't take itself too seriously. Ideal for those who need a font with great character and personality but at the same time a delicate touch in their graphic pieces. EXTRA C has 4 static weights in addition to a variable version.

Dutch type designer Donald Beekman created this display FontFont in 2006. The family has 10 weights, ranging from Light to Ultra and is ideally suited for festive occasions, music and nightlife as well as poster and billboards. FF Soul provides advanced typographical support with features such as ligatures, case-sensitive forms, fractions, and super- and subscript characters. It comes with proportional lining figures.

Walter Foster art books strike again, this time with a bouncy script based on the work of Al Mack, from his Lettering: Brush & Pen in the Single Stroke. Light and lively, this typeface proves that it don't mean a thing if you ain't... The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

British type designer Tony Booth created this script FontFont in 1996. The family contains 4 weights: Light Italic, Regular, Medium Italic, and Bold Italic and is ideally suited for advertising and packaging and poster and billboards. FF Sale provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with proportional lining and tabular lining figures.

German type designer Manfred Klein created this script FontFont in 1994. The family contains 3 weights: Light, Demi, and Extra and is ideally suited for advertising and packaging, festive occasions, film and tv as well as poster and billboards. FF Quill provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle figures.

Anori is a playful sans serif. Inspired by handwriting and the playfulness of the italic sharp, Anori is a dynamic, high contrast and smooth typeface. It will bring originality to your designs and the large variety of glyphs will give you freedom for all of your projects. Anori is available in 10 styles, from light to black, in roman and italic.

NorB Scribe is a handwritten text font witch can be used with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! It comes with 6 weights featuring Light, Normal, Bold with their Italic version.

This ‘pear-shaped’ typeface literally defines its original design inspiration in the first capital letter. The clean-cut lines and uniquely curved letterforms, combined with a thoughtful mix of squared & rounded terminals, all help make Avocado Sans such a stylish and legible font, very easy on the eye. Available in two practical weights, Light & Regular, each offering alternate style options.

German type designer Frank Heine created this display FontFont in 1994. The family contains 2 weights: Light and Bold and is ideally suited for festive occasions, editorial and publishing, poster and billboards as well as software and gaming. FF Instanter provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining and proportional oldstyle figures.

Varvara is a new display typefaces family create as a tribute to the work of Barbara Stepanova (1894-1958). Varvara family has light, medium and bold weights in 6 differents versions (normal, rough, screen, inline, shadow and star), all with alternates letters. All versions are provided in latin, cyrillic and greek alphabets. It can be use for text as for titling applications.

Amundsen is an all-caps stencil-like face with a unique look due to several originally shaped glyphs and overlapping letters. The font is equipped with automatic discretionary ligatures and it comes with a fine-tuned kerning. As the ligatures combine light letters, the overall look remains balanced even with wider display oriented spacing. Amundsen supports West as well as Central European languages.

The Voyager is a sans serif display font with a retro look. With over 100 ligatures, small caps, and swashes, The Voyager is perfect for logotype design, magazine layouts, in titles and short texts. It includes: Three weights: Light, Regular and Bold & Italics 100+ ligatures for both the lowercase characters and the caps Small caps Swashes A set of frames

Churchward Isabella is a five weight typeface family originally designed during the 1980's by the late type designer Joseph Churchward, from New Zealand. A straightforward, geometric sans serif, it is a no-nonsense, highly legible workhorse design, readable on screen as well as in print, for text, headline and display. The family includes Light, Regular, Medium, Bold and Extra Bold.

Spike was designed as a Latin type family, with the characteristic triangular serifs, but with more character and range of weights than the more common latin faces available. Designed as a display face, it could be used as a flavorful text face in special situations. The complete family consists of four fonts: light, regular, bold and an all-caps incised version.

Dutch type designer Donald Beekman created this display FontFont in 1999. The family has 6 weights, ranging from Light to Bold (including italics) and is ideally suited for film and tv, music and nightlife as well as poster and billboards. FF Beekman Square provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Hercílio is a typographic family without condensed serif, modern and geometric inspired by the architectural forms of the Hercílio Luz Bridge in Florianopolis | Brazi Comprising eleven (11), weights of which ten (10) business are: Five weights Romans: Light, Normal, Regular, Medium and Bold Five Italics weights: Light, Normal, Regular, Medium and Bold And a weight (FREE) Hercílio Decorative Comprising 430 glyphs in each source, brings support for 56 languages (Latin and West, Central and East European) still has features Open Type, ligatures and tabular figures. http://www.cort9.com/wp-content/uploads/2016/05/Specimen_Hercilio.pdf

Dress Code is a modern sans-serif font family that includes 12 fonts: 2 styles - regular and round, each with 6 weights - extra light, light, regular, medium, semi bold and bold. Also included in this font are many alternatives that give you more options for creating your project. with them, you can be unique and experiment with your design. This font is easy to read and versatile, suitable for editorial tasks, creating logos, book and magazine covers, cosmetics, advertising, branding, wedding invitations, posters, postcards, labels, business cards, packaging and much more.