German type designer Ludwig Übele created this serif FontFont in 2011. The family has 12 weights, ranging from Extra Light to Bold (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, music and nightlife as well as small text. FF Tundra provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. In 2011, FF Tundra received the TDC2 award. The typeface was also selected as one of Typographica’s favorite typefaces of 2011.

American type designer Alan Dague-Greene created this serif FontFont in 2001. The family has 8 weights, ranging from Book to Black (including italics) and is ideally suited for book text and editorial and publishing. FF Atma Serif provides advanced typographical support with features such as ligatures, small capitals, petite capitals, alternate characters, case-sensitive forms, and fractions. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

FodaSans typeface is a Multi-language font family for a wide range of uses, comes with 126 weights with 463 glyph for each weight, supports Latin and Arabic language and covers OpenType features like Glyph Composition / Decomposition, Kerning, Standard Ligatures, Mark Positioning .. and more. The Typeface Have 6 Styles (Normal, Curved, Rounded, Solid, Solid Curved, Solid Rounded) with their obliques and italics ranging from Extra light to Black. Thank you for choosing FodaSans fonts from Fo Da Foundry.

Linotype Mano is a fresh new font from the Swiss designer Marco Ganz. Urgent and vital, the typeface suggests swift communication or the latest trends: spontaneous and informal, personal and individual. Ganz deliberately gave the characters a marked lean to the right, similar to that of quick handwriting. But Linotype Mano is not only nimble and quick, it also retains its legibility as a text font. Linotype Mano is as dynamic, brisk and casual as modern pop music.

The Applied Sans™ family is a reinterpretation of the first sans serif typefaces used in what was then called, “jobbing or trade” work – typefaces like Venus and Ideal Grotesk. While built on the foundation of these late 19th and early 20th century designs, Applied Sans adds to it all the required features for modern typographic communication. The design benefits from a large x-height, open counters, generous apertures and a subtle modulation in stroke weight. These ensure character legibility and make for a design that is inviting and easy to read. Applied Sans family’s wide range, precise gradation of weights and extensive language support guarantees the design’s effectiveness in a wide and varied range of uses.

Apricosa – A beautiful bold serif with vintage swashes, alternate letters and ligatures. Apricosa is a delightful, modern take on a vintage font. Packed with plenty of alternates and ligatures to really bring it to life! Create stunning designs that are truly unique to your brand. Vary between a light and heavy vintage look based on how many letters you alter. Due to its large selection of alternate letters and ligatures, Apricosa is very versatile, covering a wide range of project types, from unique branding, to bold magazine design, to vintage wedding invitations, and so much more. FEATURES Uppercase alphabet Lowercase alphabet 41 alternate glyphs 36 ligatures big range of numbers, symbols & punctuation comprehensive language support

In a world of fleeting trends, Silver Archer stands as a testament to enduring elegance and timeless design. Inspired by the classic sans serif typefaces of the mid-20th century, Silver Archer exudes an air of sophistication and refinement, making it an ideal choice for a wide range of typographic applications. With its meticulously crafted proportions and harmonious stroke contrast, Silver Archer strikes a perfect balance between traditional aesthetics and contemporary sensibilities. Its open counters and generous x-height ensure exceptional legibility, both on screen and in print, while its nine weights, ranging from Thin to Black, with each weight complemented by its italic counterpart, provide ample flexibility to suit any design mood or hierarchy.

Elena Albertoni on Dyna: “While studying in Paris, I worked for a design studio specialized in packaging. French supermarkets are full of lettering with a handwriting flavor, which seems to go very well with a wide range of very different products. With the aim to analyze and summarize the qualities of these letterings in one typeface, I faced choices and limits similar to the ones encountered with handwriting. The letters are sloped at different angles, which gives them rhythm; their open shapes suggest movement and gesture. Letters want to dance!” Dyna Pro’s extended character set provides support for a wide range of European languages that share the Latin and Cyrillic scripts. Cyrillic characters designed by Elena Novoselova

Austerity Retro Script font is a vintage-inspired typeface that is perfect for creating classic design projects. Its elegant and curvy handwritten style makes it ideal for conveying a sense of nostalgia and timeless sophistication. This font is available in both regular and bold weights and includes uppercase and lowercase letters, numbers and punctuation symbols. Some of its features include: -Vintage Style: Austerity Retro Script font captures the essence of the golden age of typography with its retro-style design. It is perfect for creating vintage posters, product packaging, branding, and more. -Handwritten Appearance: The font has a unique and playful handwritten appearance, with smooth curves and a natural flow. It captures the essence of calligraphy and is perfect for conveying a sense of personal touch. -Bold and Regular Weights: Austerity font is available in both bold and regular weights, giving designers flexibility to mix and match them to achieve a wide range of styles. -Uppercase and Lowercase Letters: The font includes both uppercase and lowercase letters, making it easy to create a variety of typographic combinations for your designs. -Punctuation Symbols and Numbers: Austerity font also includes a range of punctuation symbols and numbers, making it a versatile typeface for a wide range of projects. -Multilingual Support: The font supports multiple languages, including English, French, German, Portuguese, Spanish and more. Overall, Austerity font is a perfect choice for designers who want to create a vintage feel in their design projects. Its handwritten style, bold and regular weights, and range of symbols and numbers make it a versatile and reliable font for any design project.

A strong, horizontal sans serif typeface. The letterforms distinct lateral emphasis combined with condensed proportions helps improve readability and use of space across layouts. Ideally suited for a wide range of modern applications, details include 9 weights with italics, 540 characters, 5 variations of numerals, manually edited kerning and Opentype features.

Alyson Signature is a Handwritten Signature Font, font with a touch of handwriting style. This font is perfect for creating signature logos and watermarks for photography studio or wedding invitation. Alyson Signature includes full set of beautiful hand lettered uppercase and lowercase letters, numerals and a large range of punctuation

An "Aiguille" is a sharp pinnacle of rock in a mountain range. Aiguille font is a beautiful handwritten connected script font. I thought it was a good way to start off the new year! Aiguille comes with a whole bunch of alternate glyphs, ligatures and even ‘end-of-word’ alternates.

Deco is an Art Deco inspired chunky font. It has the irregular charm of a hand drawn font but the elegance of a classic Art Deco style font. It has enough humor and grace to be used in a wide range of applications. Its ideal use is as a display font.

Muller Specimen: http://bit.ly/mullers Muller Narrow Specimen: http://bit.ly/mullerns The very first sketches of Muller were made about four years ago. In the process they changed to the point where they had nothing in common with the original idea. As it is with most work we do, when we seek perfection, changes are inevitable. It was specifically designed with a wider structure for better appearance in small sizes and the extra attention to the detail was needed for the big sizes. We managed to find the right balance for the perfect universal font family. The family consists of 20 weights, ranging from Thin to Heavy with matching Italics. This font family is suited for everything, ranging from advertising, packaging, editorial and branding, to web and screen projects. Muller comes with a complete range of figure options, including proportional and old style figures, each in its tabular version. It also includes advanced typographic features such as ligatures, fractions, alternate characters, case-sensitive forms, superscripts and subscripts.

Rogain is a unique font that seamlessly blends modern elegance with tropical charm and a touch of gothic influence. Inspired by lush tropical landscapes, Rogain features sleek serifs and subtle floral motifs. Perfect for a wide range of designs, it captures the essence of sophistication and natural beauty. Experience the fusion of styles with Rogain.

Experience the joy of flowing, cool, and natural typography with Lemon Round Font. Let it become the voice of your brand, capturing attention, and leaving a lasting impression on your target audience. The versatility of this font is allowing you to evoke a range of emotions, from warmth and familiarity to excitement and curiosity.

Karl-Heinz Lange presented his first drafts of Rotola during a Typoart® type design competition in 1985 under the name "Boutique". A year later, Norbert du Vinage, former manager of the type design department, integrated "Boutique" in his production plan. Due the Fall of the Wall, it took about 18 years until Lange finished this font family in cooperation with Elsner+Flake. Karl-Heinz Lange was born on July 29, 1929 in Wiesenkirch in West Prussia. He was enrolled in the Humanistic Gymnasium at Elbing from 1939 to 1945 and changed to the Wernigerode High School after his family had to flee to central Germany. From 1949 to 1951, Karl-Heinz Lange studied at the Werkkunstschule Halle, where one of his teachers was Professor Post. After 1951, he continued his studies at the Hochschule for Grafik und Buchkunst in Leipzig with an emphasis on book design. He received his diploma in 1955 with distinction based on his design of a hot metal typeface. From 1956 to 1961, Karl-Heinz Lange worked as a lecturer for Type and Commercial Graphics at the Hochschule für Angewandte Kunst in Magdeburg. From 1961 to 1963, he taught at the Hochschule für Grafik und Buchkunst in Leipzig, and finally as a freelance commercial designer in Magdeburg. He worked on a variety of assignments, one of which was the design of trick films. From 1969 to 1976 he took the position of Artistic Director of the Henschelverlag, Berlin; from 1976 to 1994 he was Professor of Type and Typography at the Fachschule für Werbung und Gestaltung in Berlin; and, until 2004, he taught at various institutes for advanced professional education. From 2005 to 2007 he taught at the Fachhochschule Magdeburg/Stendal. Karl-Heinz Lange was awarded the second prize at the "International Type Design Contest 1971" for a headline typeface, and, in 1984, at the XI. Biannual of Graphic Design in Brno, he won a Silver Medal for the design of his typeface family Publica. He created the telephone book typeface Minima and re-designed the Typoart Super Grotesk® (Arno Drescher, 1930) as well as the Newspaper typeface Magna® by Herbert Thannhaeuser for the use on digital typesetting systems. To the day of his death on June 29, 2010, Karl-Heinz Lange lived and worked as a type designer. Among others, he closely followed the designs of the typefaces which were developed under his guidance for Typoart®: "Publica®", "Typoart Super Grotesk®" and "Minima®" which he launched as "Publicala", "Minimala" and "Superla" in 2009. In cooperation with Elsner+Flake, he developed the Typeface family "Rotola" between 2006 and 2009 as well as the script families of the "Viabella®" series. To the end, he followed the development of his first typeface, the "Diplom Antiqua", which he also wanted to bring to market together with Elsner+Flake.

A typographic revolution-Bronzetti has been a long term project for Greater Albion Typefounders, aimed at filling a large gap in the range of typefaces available today. The Bronzetti family of 22 text typefaces combines modern requirements for legibility and readability with the charm of traditional Roman faces in the spirit of those carefully constructed by small scale quality foundries such as the Kelmscott and Vale presses. In short, Bronzetti is traditional letterpress meets modern publishing, offering a real opportunity to make your material stand out from today’s ‘run of the mill’ crowd. The range of typefaces on offer includes five widths of type, as well as small capitals and italic forms and regular and bold weights. Try out Bronzetti today, make your work stand out from the crowd and join the revolution!

An adorable and straightforward handwritten typeface is called Cool Mind. Add it to your original ideas to see how it helps them stand out since it can be readily suited to a huge range of projects.

Apollonius is a high contrast, display typeface designed by Michael Parson. Packed with Opentype features, this single weight font offers a whole range of options that designers can explore and play with to create stunning layouts.

Fancia is a bold, detailed and assertive serif font. This font is imposing and features uniquely shaped letters, and as a result, it will easily match a wide range of creations that require a distinct touch.

A decorative display face suitable for short headlines, drop caps or banners. Erasurehead was designed for all media and can be used in a wide range of point sizes. Erasurehead requires subjective display kerning and compensation.

An exceptional handwritten typeface with simple lettering is called Brainchild. Add it to your original ideas to see how it helps them stand out since it can be readily suited to a huge range of projects.

Baby Gumbout is a cheerful, funny and friendly handwritten font. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logos, labels, and much more.

Religiosity is a cute and casual handwritten font. Its friendly feel makes this font incredibly versatile, fitting a wide range of contexts. Add it to your creative ideas and notice how it makes them stand out!

Dirty Lizard is a display font with a graffiti style. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logos, labels, and much more!

Madore is an elegant and modern script font. It maintains its classy calligraphic influences while feeling contemporary and fresh. This versatility will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.

Canadia is a cursive and lovely handwritten font. This versatile script font has a wide spectrum of applications ranging from greeting cards to headlines and is guaranteed to add a romantic feel to your next project.

Meet Moreno – a semi serif typeface full of personality and flavor. A display typeface in its nature Moreno is free and informal yet stable and trustworthy. Moreno comes with extensive OpenType support - with its more than 15 OpenType features Moreno is giving you a great variety of stylistic alternatives as well as wide range of ligatures, tabular lining numerals, oldstyle numerals, fractions and many more. It comes in 8 carefully chosen weights from Extra Thin to Black plus their matching italics. Together with the 4 additional styles, Moreno becomes a diverse type family of 80 fonts suitable for a wide range of design needs like retail, package, food, branding etc. With its language support - over 200 languages, Cyrillic included - it is ready for world domination!

Vaccine Sans is a humanist sans-serif font family with soft terminals, but stem junctions on the contrary use hard constructions. Such combination of basic design features makes the font distinct and strong in setting and delicate and soft in appearance. This design peculiarity, together with very low contrast, produces a range of qualities needed for small sizes, low quality print and bad reading conditions. Vaccine Sans has a modern stylish design and takes its rightful place among popular faces. The family consists of 10 members — five weights with the corresponding italics. It can be used in a wide range of applications — magazines, advertising, corporate identity, urban navigation, packaging, children books, etc. Designed by Manvel Shmavonyan with the participation of Alexandra Korolkova and Gayaneh Bagdasaryan.

Aromo was initially conceived for editorial purposes. This typeface mixes the versatility of a simple and modern sans-serif, with the sensibility of the humanist feeling: thus making it useful in a wide range of purposes when a balanced and friendly font, with elegant proportions and high readability is required. The functional nature of its design is complemented by a family of 14 variants (7 weights, plus their matching true italics) interpolated optically for application as a hierarchical resource, where the middle weights (Light, Regular) have been optimized for use in small bodies, while the extremes (Ultra Light, Black) where designed for display environments._ Aromo also offers a wide range of historical and discretionary ligatures, small caps, eleven different types of numerals and a set of more than 700 characters covering about two hundred languages of Latin script._

Aromo was initially conceived for editorial purposes. This typeface mixes the versatility of a simple and modern sans-serif, with the sensibility of the humanist feeling: thus making it useful in a wide range of purposes when a balanced and friendly font, with elegant proportions and high readability is required. The functional nature of its design is complemented by a family of 14 variants (7 weights, plus their matching true italics) interpolated optically for application as a hierarchical resource, where the middle weights (Light, Regular) have been optimized for use in small bodies, while the extremes (Ultra Light, Black) where designed for display environments. Aromo also offers a wide range of historical and discretionary ligatures, small caps, eleven different types of numerals and a set of more than 700 characters covering about two hundred languages of Latin script.

Simple, yet thrilling! Heart Strung is my handmade font! Useful for a wide range of things - such as invitations, greeting cards, headlines, notes and quotes ... and a lot of other things! Comes with swashes for uppercase and ligatures for double lettering - and some lovely swashy alternates! :)

This was a favorite of job printers in late Victorian times. They used it on cards and stationery, as well as small handbills. It was made in a range of sizes from 10 point to 36 point. Good for places where you really don't want to shout.

Inspired in the machine aesthetics and in the human conflict with them, Discord is a flexible family of sixteen fonts designed to be used in a wide range of work. Ready for multilingual support and with advanced OpenType features such as Small Caps and Old Style Numbers.

Holt is a sans serif font that works best at larger sizes and display. The substantial contrast between the thick and thin stokes lends it an air of elegance that would make it suitable for fashion design, magazine headers as well as a large range of advertising.

Little Bossque is a modern sans serif family. Its variety of weights provide a range of choices that will help you find the best typographic color for your project. Lighter weights are well-suited for body text while heavier ones are ideal for high impact headlines

Inspired by Barcelona’s Diagonal street, Antoni Morillas designed Diagonal ND in 1970. A sans that alternates straight and inclined lines, with a strong rhythm and its own personality. Its range of possible usages are very varied: signage, headlines, packaging, etc. Diagonal is a Trademark of BauerTypes SL

Raw was designed in 2006 for Shelter, the UK homeless charity. It was originally called “Cathy”, after the film “Cathy Come Home”, which was instrumental in inspiring the founding of the charity. Now reworked with more “inkiness”, it is released as part of the Device range.

German type designer Hans Reichel created this sans FontFont in 2004. The family has 6 weights, ranging from Light to Black and is ideally suited for editorial and publishing and small text. FF Dax Compact provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Dax super family, which also includes FF Dax and FF Daxline.