"Disco Pang Pang" is the Korean name for Tagada rides. It is a characteristic typeface that is good to use when you want to make use of a unique and bouncy feeling. Light and Extrabold are made with the thickness of normal typefaces, but Left and Right have strange shapes with stroke thicknesses that are biased to one side. Its unique shape can make a strong impression on people.

Bornholm Tejn is named after the Tejn village on the only rocky island in Denmark, Bornholm. It is the first face in a series of rough stone cut typefaces, that shares proportions, but differs in any other aspect like different pieces of rock. It is powerful face, but still very friendly. Good for very big sizes, but can be used for small texts, movie titles, cartoons and more.

Fair Sans Text is the natural follow-up to the popular Fair Sans - now a text family based on the calligraphic structure and casual construction of its predecessor. As the name implies, Fair Sans Text has proportions for longer text settings, strong headlines, and everything in between. Lively and casual, FST is four weights with true italics. Also included are small caps, old style and tabular numerals, and multi-language glyphs.

Funkadelity is a funky breed between 60ies poster typography and 80ies grafitti. Maybe even inspired a bit by comic book lettering! Funkadelity wants to burn off the dance floor and show off the fancy dance moves - at the same time, it want to show off the smooth and clean lines of the letters. Originally handdrawn, but I digitally remastered every single letter, leaving the curves smooth and clean!

Rocinante Titling is a study in interior and exterior tension, with tightly-packed interiors and unexpected lightwells contrasting generous letterspacing. 5 weights and obliques on the same weight range as Havelock Titling, the family is a contrasting partner meant for combination. It’s made for creating contrast and tension in your work. Here’s a downloadable PDF specimen, and here's more about the process of getting from Havelock to Rocinante.

Stonehill is a bold handpainted sans serif typeface for display or packaging use. Stonehill has 3 glyphs for each letter and with contextual alternates activated in apps that supports this it will cycle thru these alternates to keep the same glyphs from repeating too much. Or, you can always pick and choose from the alternates manually to keep it fresh! Stonehill is available in two cuts - regular and oblique.

Aldo Novarese designed the Fluidum typeface in 1951. As its name implies, the design is very fluid. This high contrast script face curls and twists across the line. It is sort of a cross between Giambattista Bodoni's cursive letters, and Aldo Novarese's later, heavier designs, like Microgramma, Eurostile, and Sprint. Fludium should be set in very large pint sizes. It is perfect for invitations, greeting cards, and fine logos.

Santanelli is a rounded all caps display typeface. It is intended to be used in posters, editorial headlines and logotypes. It comes in three weights: Thin, Medium and Bold. Each letter has been designed with two different styles or flavors: decorative and clean. You can access each of them by typing uppercase and lowercase respectively. These two styles fit perfectly when combined within the same word or message.

This swoopy, loopy script was inspired by an “American roundhand” presented by John M. Bergling in his Art Alphabets and Lettering, first published in 1914. Bergling’s unique talent crafted uppercase letters which manage, at the same time, to be both elegant and ostentatious. The PC Postscript, Truetype and Opentype versions contain the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Today's digital font technology allowed the world-renowned typeface designer/calligrapher Hermann Zapf to finally realize a vision he first had more than fifty years ago: creating a typeface that could capture the freedom and liveliness of beautiful handwriting. The basic Zapfino™ font family, released in 1998, consists of four alphabets with many additional stylistic alternates that can be freely mixed together to emulate the variations in handwritten text. In 2003, Herman Zapf completely reworked the Zapfino design, creating Zapfino™ Extra. This large expansion of the Zapfino family was designed in close collaboration with Akira Kobayashi. Zapfino™ Extra includes a cornucopia of new characters. It features exuberant hyper-flourishes, elegant small caps, dozens of ornaments, more alternates and ligatures, index characters, and a very useful bold version, named Zapfino™ Forte. A version of the 1998 Zapfino typeface ships as one of the pre-installed fonts included with Mac OSX. The Mac OSX version's letters are four times larger than the Linotype standard. In order to minimize compatibility problems for Macintosh users, Linotype has created OSX versions of its Zapfino Extra Pro typefaces, which have been enlarged to correlate visually with the Mac OS Zapfino system font. These special Linotype fonts can be distinguished by the letter X" in their name. Zapfino Extra is an OpenType format font, which is available in two versions. Which version you purchase should depend on which software applications you use the most and what features they support! The Contextual version of Zapfino Extra Pro contains a treasure-trove of extra contextual features. When created in 2004, this was the most advanced OpenType font released to date. By purchasing this version, users of OpenType-supporting applications, such as Adobe InDesign, may access all of the features available in the entire Zapfino family through just two fonts, Zapfino Extra LT Pro (Contextual) and Zapfino Forte LT Pro! Unfortunately, most non-Adobe applications currently do not support the contextual features made possible by recent OpenType developments. Users of Quark XPress and Microsoft Office should instead purchase all of the non-contextual fonts of Zapfino Extra Pro family, in order to access all of the Zapfino Extra family's 1676 glyphs. The Zapfino Extra family's character set supports 48 western and central European languages. Use Zapfino Extra to produce unusual and graceful advertisements, packaging, and invitations. Zapfino Extra is so joyously abundant that it's tempting to over-indulge, so be sure to check out the tips for working well with the possibilities."

A modern and slightly wide sans serif, Ezra Sans Family! Ezra Sans is a casual and modern sans. With slightly wide form and modern details, this font looks more casual for your any project and designs. This font also contain an alternate in selected characters that will make this font even more stunning. You can use it for a tittle, logo, quotes, or become a pairing in any font. This font also support multi language! Support Multilingual up to 14 languages

Another experimental typeface by Marshall. This typeface is almost difficult to read but that is almost the point. It features words or almost enclosed circles as well as thick strokes around the letter forms. The font has an mysterious edge while providing shock to whomever views it.

Kidzhood Arabic is sibling of Kidzhood with the addition of Arabic glyphs, for Arabic, Urdu, and Farsi. The font represent the characters as funny and flexible, just like childish characters can be. Kidzhood equipped with cute letter form and some attractive ligatures, giving it a playful feeling.

Realico is a serif display made carefully and gives a unique impression to your text. This font is suitable for titles, logos, and other formal forms such as t-shirts, labels, magazines, books, greeting cards, packaging, fashion, makeup, stationery, novels, labels, or whatever—type of advertising objective.

Bolderist is a bold serif font designed for writing that needs to be read easily and clearly. However, the Bolderist still has an artistic and elegant form. Each curve is integral and has a point at extrema. You will get a smooth shape on each side.

Sundowners is a smiley face. It is a simple and versatile font, with a pocketful of cool interlocking glyphs for those days of groovier moods. It also brings a handful of amusing initial and terminal forms and a couple of ornaments. That simple. And that nice.

Hand Gothic is a condensed typeface with a hand-lettering feeling, available in two weights. The fonts, provided in OpenType format, include support for most European languages and some OpenType extras : ligatures, alternate “A” and “g”, case-sensitive forms and a handful of arrows and icons.

Helvetian Times is an unusual typeface. It clearly thinks it's a standard text font, but the offbeat letter shapes and inconsistent serifs combine to form something that defies conventional categorization. Helvetian Times works well at any size, but generally evokes the impression that something's not quite right.

Introducing our newest funny typeface, Hugie Bunny, a nice fun typeface. This font perfectly made to be in poster funny, and the other various formal forms such as invitations, labels, logos, magazines, books, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Dutch type designer Max Kisman created this display FontFont in 1991. The font is ideally suited for logo, branding and creative industries and music and nightlife. FF Network provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle figures.

BlancoNeg was inspired by the lettering of Saul Bass with some thoughts of Op-Art. Each character relies on the positive and negative spaces of its neighboring letters to help define its own shape. This font is casual with the look of cut out paper forms.

A nice basic square font, with an outline version that has multiples of uses. Whyst Standard 12 typefaces Whyst Outline 12 typefaces in outline form Whyst Sunrise 4 typefaces ** Whyst Sunrise can only be used as is, Any attempt to faux bold will result in poor results.

PILLS is a modular font based on overlayed circular and square forms, the characters have been spaced mathematically. 'PILLS' can have interesting side effects, when the leading is set very close. Feelings of anxiety, loneliness and depression can be avoided by 'PILLS'. Do not exceed daily dose.

Imagine being printer in the early nineteenth century, your stock isn’t the finest, your lead characters are worn out: Voilá Kandidat Rough. But wait, Kandidat isn’t the usual scan-an-old-book,-put-the-glyphs-in-a-font-and-you’re-done-font. Kandidat Rough has a variety of whopping 14 alternates for most characters. Our algorithm changes the letters automatically. All you have to do is turn on Contextual Alternates in your layout app. The algorithm is the best we’ve seen so far, and it’s so good that even same words appear in different forms. And should by coincidence words have the same glyphs, just assign a different Style Set to the first letter, and all other letters in the word will change as well (well, it depends a bit on your software). The mechanism isn’t perfect and maybe we stretched OpenType capabilities a bit over the top, but we yet haven’t seen any better routine for switching letters on the fly. Is it worth to mention that Kandidat Rough not only speaks English, but also German, French, Spanish, Dutch, Danish, Norwegian, Swedish, Croatian, Turkish and most likely some other languages? Maybe. To be sure whether your language is supported, this is the typeset of all letters: ABCDEFGHIJKLMNOPQRSTUVWXYZÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØÙÚÛÜÝĆČĐĞ݌ފŸŽ abcdefghijklmnopqrstuvwxyzàáâãäåæçèéêëìíîïñòóôõöøùúûüýÿćčđğıœşšž Apart from that we also included the following punctuation and currency symbols: !"#$%&'()*+,-./:;?@[\]_{|}¡©«®°±¶·»¿×–—‘’‚“”„†•…‹›⁄≠☞ €¢$£¥ This sums up to nearly 3000 glyphs per font, and we have three of them: Regular, Italic and Bold. All neatly kerned. All in all a great repertoire for even the most demanding book or advert jobs with a look of old times. And now imagine you are sick of the rugged print experience Kandidat Rough delivers: go for Kandidat. This is our Scotch-ish ancestor the Rough version was made from. A sturdy, friendly, round, warm friend from the beginning of the nineteenth century. A bit dark, maybe. You will like it. Kandidat has the aforementioned type set plus complete Baltics, Eastern Europe and Cyrillic. Plus a couple of gimmicks like fleurons, stars, circled numbers, arrows, and, and, and… Kandidat Regular additionally has small caps for Latin based scripts (not Cyrillic). The spick and span Kandidat font set also consists of Regular, Italic and Bold cuts. The bold cut is on the very bold side and can nicely be used for headings, whereas Italic is a great companion for Regular. It took us some time and trouble to finish this project, but after all we are very proud of our little feat and hope you will enjoy Kandidat as much as we do. Enjoy!

Zeitung is a sans serif family which works equally well on print and web. First of all: Zeitung is a sans serif made according to contemporary standards: 8 weights, romans and italics, all equipped with small caps. Lots of OpenType features, like uppercase punctuation or 5 figure styles to make sure any of your mathematical or financial charts, tables and diagrams look cool. Zeitung’s typographic palette focuses on utility and legibility, but in the farthest corners you’ll discover a rich array of flavours: punchy black weights, fashionable thin styles, carefully hand crafted true italics, distinct small caps. But Zeitung has more to offer. Its optical sizes offer the best style for each size of your text. Zeitung fonts are devided to two optical families: Zeitung Standard and Zeitung Micro. Zeitung Standard works great in most sizes, while Zeitung Micro fonts are specially made for very small sizes in print and web. Zeitung Micro fonts are perfectly legible in web, where the same technical font styles have to survive in many environments, from older browsers to most up to date mobile screens. Next to that: the lightest weights also function as grades, because they share the same metrics. This can be very handy for selecting the optimal weight for your specific situation, especially on screens or when type is printed by a newspaper press. Letters are rendered in many various ways on different screens. Maybe the interface of your next app requires a different grade than your latest website? Zeitung allows you to change the weight of your text without any further consequence for the design. That is a welcome relief during the design process. Zeitung will help to bring your message across in many different circumstances, from large text in print to small type on screens.

Introducing "Aero Flux", the cyber mecha font that will take your designs to the next level. This font is designed with a perfect blend of modern and squared feel, giving it a unique and futuristic aesthetic that is perfect for a wide range of applications. The bold and sleek design of Aero Flux makes it an ideal choice for logos, headlines, and branding materials. It's all-caps design with punctuation, numerals, and foreign support allows for flexibility in creating unique and engaging visual designs. Aero Flux's squared feel makes it perfect for projects that require a strong and sturdy look, such as designing video game or movie titles, product packaging, or creating futuristic posters. This font's bold, industrial look is perfect for capturing the essence of the mecha genre, with its sharp angles and futuristic design. The squared feel of Aero Flux adds a sense of strength and solidity to your designs, making it the perfect choice for projects that require a bold, commanding look. Moreover, Aero Flux's industrial, mecha-modern design makes it the perfect font for creating digital interfaces and user interfaces (UIs), especially those that require a futuristic or high-tech feel. In summary, Aero Flux is a highly versatile font that is perfect for a wide range of applications, from logos and branding to digital interfaces and futuristic posters. With its modern, squared feel and unique design, Aero Flux is the perfect font to add a touch of futurism to your projects and captivate your audience. Aero Flux features: A full set of uppercase Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features Cyber Mecha Style +246 Total Glyphs

I don’t think I’m a capricious person, but right now, due to the enormous amount of renovation work on our home, I do get bad moods quite often! Capricious is a hand painted all-caps font: I used my favourite Chinese ink, a brush and very rough paper to get the desired ‘eroded’ effect. It is quite a heavy display font, so I wouldn’t really set a text in it, but it works really well for headlines, catching titles and products that need some pepper!

Milton Glaser commented about this type family: “The typeface is called Houdini after the famous American magician. I wanted to produce a letterform that would gradually disappear as one line after another was removed.” The various versions of Houdini presented by P22 include those originally offered as phototypesetting fonts, plus a solid and an outline version—a variation of which was used for Sesame Place children’s park in 1980. These Houdini variations can all be layered on top of each other for a range of chromatic effects. Each of the Houdini fonts contains over 375 characters for full European language coverage. The family is taken to its logical conclusion with the bonus font “P22 Glaser Houdini Vanished.” This font shares the same spacing and kerning as all of the Houdini font but lacks all visible outlines. Over the years there have been many typefaces that borrowed heavily from the Glaser designs, but these are the only official fonts approved by Milton Glaser Studio and the Estate of Milton Glaser.

Astrum is a very decorative script font using elegant caligraphic handwritten letters that are all mutually interconnected, creating a unique look & feel of a personalized human handwritting. Its clean and prefined lines makes Astrum very appealing and modern, although being very classical in its core essence. The idea for the creation of this font had originally came up from the need to create a beautiful design for Weddings, wedding occasions, etc., but none of the existing fonts were satisfactory - so I decided to create a new and unique typeface to fill this need. Letters and other characters are recognizeable by prefined ornaments, incorporated in a very subtle way. Whitespace between capital letters, lower-case letters, numbers and other characters are done in a way to minimize the need for kerning. The font Astrum, besides being a celebration of class and exclusivity, is a very luxurious and elegant handwritten font perfectly suited for Wedding cards. The character set for this font contains all western, central-european latin and cyrillic characters.

Geometrical drawing of Fenomen Sans typeface goes back to the roots of the Bauhaus aesthetics and the entire architectural and design avant-garde of the 20th century. It is still a symbol of functional rationality, clean aesthetics in relation to shape, and of progressive thinking. Its popularity is timeless and permanent. The set contains eight basic alphabets of a square pattern, eight semicondensed, eight condensed and eight extremely condensed alphabets, all in Latin and Cyrillic alphabets. Every font of the family has four types of numerals, small caps and variant letters. The typesetting can fluently use all fonts simultaneously. The typeface originated between the years 2011–2014 and was subjected to a series of tests for the fluent legibility of narrow fonts even in extreme conditions. Narrow fonts provide this set with the maximum use also for newspaper typesetting. The typeface has an elegant, delicate design in thin fonts and sufficient legibility in bold. Mutual contrast produces creative tension. Font name acronyms described: SCN = SemiCondensed CN = Condensed XCN = ExtraCondensed

Kalista Font Duo is a luxury font. which comes with a combination of modern and elegant fonts, namely serif and signature style. You can combine them to create beautiful typography. This handcrafted style makes it perfect for use in all your design projects be it logos, labels, packaging designs, blog titles, posters, wedding designs, social media posts, Instagram designs, invitation cards, art quotes, home decor, book / title covers, etc. This is what includes: Kalista Script Regular / Bold • Thin and realistic signature font containing 40+ ligatures and alternates, lowercase, uppercase, all punctuation & numbers. Kalista Serif Light / Regular / Bold • Serif Fonts with upper and lowercase letters, all punctuation, numbers and Language support 8 BONUS Logo Templates that you can edit and customize in Adobe Photoshop and Adobe Illustrator. Language Support • Kalista supports the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian. I hope you enjoy this font. If you have questions, don't hesitate to give me a message :)

WARNING! Roughed version is quite heavy to open. Highly recommended to install the font without previewing it first. GOODRICH come in 2 different styles, with same character; Bold & Strong, and can evoke a different emotions. It comes in both clean and rough styles in only Uppercase Latin characters. When choosing a font, it’s important to consider the visual theme of your design. A clean bold fonts can lend a more stronger tone to your design, making it a great choice for Logo or Title. On the other hand, a textured fonts can lend a more natural printed-looks, making them perfect for designing 70s-80s themed parties. It can be used for various design purposes ; Posters, Logos, Packaging, Books or Movie Titles. In summary, these fonts are versatile and can add a unique look to any design project. If you want to add a touch of nostalgia and elegance to your designs, these fonts were timeless asset. With plenty of vintage and retro design resources available, it’s easy to find the perfect ideas for your next project.

Bolgica is a Neo-grotesque slab serif inspired by the slab serifs of the 1800’s century. By combining modern elements in several letter characters, the Bolgica family is very suitable for various design needs such as advertising, packaging, logos, editorial and publishing, branding and other creative industries. The family has 9 weights, as well as the matching true italics forms, provides typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, and super and subscript characters. It comes with a complete range of figure set options – old style and lining figures, each in tabular and proportional widths. With over 752 glyphs per style, Elioth supports around 150+ languages in Latin and Cyrillic script. Family overview: 9 weights (from Thin to Heavy) + italics Extended Latin Cyrillic 726 glyphs Variable Font 150+ languages OpenType Features: Localized Forms Subscript and scientific inferiors Superscript (Superiors) Numerators and Denominators Fractions Lining Figures Tabular Figures Oldstyle Figures Circled Number Case-Sensitive Forms Standard and Discretionary Ligatures Stylistic Alternates Contextual Alternates

Rebekah Pro is a revival of ATF’s Piranesi family, the regular being designed by Willard Sniffin, and the remaining weights designed by Morris Fuller Benton. Tom Rickner first revived Benton’s Italic for use in his wedding invitations for his marriage to Rebekah Zapf in 2006. He completed the character set in 2009. Rebekah Pro captures the elegance and distinction of the original. Tom carefully studied samples from 1930s American Type Founders catalogues and created a digital version with meticulous care. While considered an informal script because its letterforms do not connect, Rebekah Pro has graceful strokes and a truly elegant appearance. Tom created a variety of typographic enhancements not found in the original Piranesi italic font. These OpenType typographic features offer a distinguishing touch to everything from invitations and announcements to greeting cards and advertisements. Rebekah Pro contains the Latin 1 character set and the following OpenType typographic features: Swashes, Small Capitals, Ligatures, Alternates, Oldstyle Figures, Proportional Lining Figures, Tabular Lining Figures and Ornaments.

Tom Lincoln's award-winning type design work since the 1960s has been one way or another of expressing his fascination for the Roman majuscules inscribed at the base of the Trajan Column in Rome. This time he has really outdone himself by bringing us Roma, a definitive, contemporary, mature sans serif expression of those majuscules. With Roma, Lincoln is not satisfied with simply creating a proper "Trajan Sans". He goes on to make it a family of four weights, with built-in small caps and oldstyle figures, then he really goes to town with the options he makes available for shading and multi-color settings. Precise renderings of the Roma capitals are provided in different fonts that can function individually or be layered atop each other for two- or three-color treatments. The Roma family comes with extended language support that spans the majority of Latin-based languages. For more information on the design, complete character sets, technological features, and print tests, consult the accompanying PDF.

This is a special font for use creating US Postal Service "Intelligent Mail" barcodes. Those are the barcodes you see on most cards and envelopes. Commercial mailers get the best pricing by printing barcodes when they address the mail, saving the Postal Service a step. The barcodes are also used on reply mail and Share mail, and for "Informed Visibility" tracking. Software to create these barcodes, including the USPS Intelligent Mail Small Business (IMsB) tool, typically provide an output of 65 characters, each character being an A, D, T or F, corresponding to each of the styles of bar. SmartBars 12 replaces those characters with the corresponding bar. When doing a mail merge to print addresses, the user would set the barcode field on their merge template to be printed using SmartBars 12, at 12 point, regular, and the barcode will print with the correct bars and at the required size to meet USPS requirements.

Lu Nolasco, also known as Lunol, is a fresh representative of a new generation of Souther American lettering artists. She was born in Lima, Peru. After learning from some of the region’s best teachers and exploring the pointed nib on her own, she became a prolific lettering workshop instructor herself. Miraflores is one of Lima’s main tourist attractions. An upscale district with a great window on the Pacific ocean, it is the place where Lu looks for inspiration. It particularly inspired this “Looking flowers” (Miranda las flores), Lunol’s first typeface, designed in collaboration with Ale Paul. It is a comprehensive informal script that comes with many alternates, swashes and ligatures, along with small cap and quite a few ornaments. The fonts cover an expansive range of Latin languages, and are intended for use in stationery, menus, packaging, and general design where the main objective is to relay a sense of fun, playfulness and sensibility.

Introducing Pure and Lovely is pretty calligraphy font, this font is inspired by an organic handwritten. Pure and Lovely font has OpenType features such as ligature, alternate, stylistic alternate 1 (SS01) for initial or beginning swash, and stylistic alternate 2 (SS02) for the terminal form or ending swash, you can customize to make more pretty and elegant looks. Let's use this font in your project design for logo, branding, invitations, greeting card, headline, title, magazine, signature and etc.

Vanitha is a bold script font, inspired by vintage logos and old-school sign painting. This font is made with hand drawings and still pays attention to the calligraphic form so that it looks modern and unique. Vanitha is a display font, which you can use as logos, logotypes, merchandise, sports themes, flags, banners, stickers, labels, posters, and others. This font is also equipped with stylistic alternates to beautify your typographic design. Thank you for your support!