Hello! Introducing a decorative font — Wetty Penny. It's a smooth shape bold typeface with vector wated drops effect. This font includes lots of multilingual characters (check out a screenshot with available letters and signs). Thank you and wish you a peaceful sky!

This new high-contrast serif display typeface comes along with so many alternate characters featured. Breland has both beauty and bold looks over the whimsy swash and firm curves, that it will be perfect for display purpose, branding, web, editorial and prints.

Vario is a bold brush-based design. Created by the renowned type designer and calligrapher, Hermann Zapf, Vario offers superb emphasis for use in headlines and displays. It is availble in both regular and italic styles. Vario was first produced in 1982.

Cartwheel, a super bold and playful display font designed by Tom Censani was inspired by the imperfect beauty of hand-lettered signs at theme parks and the bouncy cadence of text inside comic book bubbles. Cartwheel is a fun attention-grabbing font.

Lockon Velline wass inspired from a biker and tattoo style with progressive edge and sharp tips, to make the fonts more bold and dynamic. Equipped with Open Type features to activate the stylistic alternates to play with as desired for your individual taste.

West Yard is a bold, western looking display font. Whether you are using it for cartoon-related designs, children’s games, quotes, titles, brand names, book covers, posters, or just any creation that requires a touch of beauty, this font is a great choice.

“Corbitt” is one of the many designs found within the pages of the 1907 Inland Type Foundry specimen book. A bold spurred serif with Art Nouveau influences, it is now available digitally as River Terrace JNL in both regular and oblique versions.

Beatles is an elegant and natural handwritten font style, with features ending and beginning alternate and some ligatures. Beatles have 2 font style, Regular style and Bold style, this font will look perfect for poster design, invitation card, advertisement and many more.

Black Elliot is a bold Brush font. This font perfect for poster design, book covers, merchandise, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, and quote designs and more. Features: - Uppercase - Lowercase - Numbers & Symbols - International Glyphs - Alternative Uppercase - Alternative lowercase - Swashes

Trendy, bold & modern style serif font for your fancy projects. Elegant and classic style on Dunsmuir font will be great for any branding project. Lot of alternates and ligatures will help you to create unique and original logo design or website header! Enjoy :)

Mia Love is a special brush font designed to look bold, with a perfect texture, suitable for today's designs. Perfect for use in design titles such as invitations, signboards, book titles, stationery designs, quotes, branding, logos, greeting cards, packaging designs, posters, and more.

Fattty is a chunky fun font with plenty of wobbly bits. It's perfect for bold brands and funky projects. It's friendly curves are a great fit in kids books or on chubby posters. But remember, say it loud I'm fat and I'm proud!

Bomerch Modern Display Font is a modern display font that includes Regular and Italic. This font is suitable for vibrant, energetic and bold designs such as sports poster designs, music posters, branding, t-shirts, prints, business cards, logos, posters, t-shirts, photography.

Sur is a modern minimalist sans-serif typeface available in two weights (normal and bold), with a good shape for big editorial headlines and fashion publications. It was developed during 2009, trying to find a new way to express ideas in editorial projects.

The hand lettered title on the cover of the 1932 sheet music for “I Wish We Could Dance Forever” was the inspiration for Dance Routine JNL. This bold Art Deco sans serif design is now available in both regular and oblique versions.

Cerellia is a bold script font, carefully handcrafted to become a true favorite. Its casual charm makes it appear wonderfully down-to-earth, readable and, ultimately, incredibly versatile. Fall in love with its incredibly versatile style and use it to create spectacular designs!

Looney, a handmade font! This bold, free-flowing and casual font is designed to be easily customisable. Looney is a font which you can use and enjoy, for anything from promotional material and handwritten quotes, to product packaging, merchandise and branding projects.

The 1933 sheet music compilation entitled "Kate Smith Memories Song Book" had the singer's name hand lettered in a bold, spurred serif typeface. This lettering design became the basis for Radio Show JNL, which is available in both regular and oblique versions.

Koska Esko This is a font with a very bold and elegant look, perfect for designs with a modern look it's time for you to try a new style for a new design include : numeric latin ligatures alternate And Thank you very Much

Attention all design enthusiasts! Are you tired of the same dull typefaces dominating the design world? Look no further than Ohitashi, the daring and unconventional creation by Typodermic principal Raymond Larabie. In a world where twentieth-century sans-serif typefaces reign supreme, Ohitashi breaks the mold and blazes its own trail. Larabie has masterfully infused this typeface with a unique blend of humanistic stroke contrast, spontaneous licks and curls, and incised detail, resulting in a one-of-a-kind design that defies convention. But don’t let the unconventional nature of Ohitashi fool you. This typeface offers a practical range of three weights—standard, semi-bold, and bold—making it an incredibly versatile option for any design project. Whether you’re looking to add a touch of personality to a marketing campaign, or looking to revamp your brand identity with something fresh and new, Ohitashi has got you covered. So why settle for the same boring old typefaces when you can break free from the rut favored by reductive competitors? Embrace the unconventional with Ohitashi and see your designs come to life like never before. Trust us, your audience will thank you. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

The Garamond family tree has many branches. There are probably more different typefaces bearing the name Garamond than the name of any other type designer. Not only did the punchcutter Claude Garamond set a standard for elegance and excellence in type founding in 16th-century Paris, but a successor, Jean Jannon, some eighty years later, cut typefaces inspired by Garamond that later came to bear Garamond’s name. Revivals of both designs have been popular and various over the course of the last 100 years. When ATF Garamond was designed in 1917, it was one of the first revivals of a truly classic typeface. Based on Jannon’s types, which had been preserved in the French Imprimerie Nationale as the “caractères de l’Université,” ATF Garamond brought distinctive elegance and liveliness to text type for books and display type for advertising. It was both the inspiration and the model for many of the later “Garamond” revivals, notably Linotype’s very popular Garamond No. 3. ATF Garamond was released ca. 1918, first in Roman and Italic, drawn by Morris Fuller Benton, the head of the American Type Founders design department. In 1922, Thomas M. Cleland designed a set of swash italics and ornaments for the typeface. The Bold and Bold Italic were released in 1920 and 1923, respectively. The new digital ATF Garamond expands upon this legacy, while bringing back some of the robustness of metal type and letterpress printing that is sometimes lost in digital adaptations. The graceful, almost lacy form of some of the letters is complemented by a solid, sturdy outline that holds up in text even at small sizes. The 18 fonts comprise three optical sizes (Subhead, Text, Micro) and three weights, including a new Medium weight that did not exist in metal. ATF Garamond also includes unusual alternates and swash characters from the original metal typeface. The character of ATF Garamond is lively, reflecting the spirit of the French Renaissance as interpreted in the 1920s. Its Roman has more verve than later old-style faces like Caslon, and its Italic is outright sprightly, yet remarkably readable.

Inspired by old French poster art. This typeface was cut from an old rubylith.

Migae is a versatile and elegant display font designed to captivate and engage audiences across a wide range of design applications. With 14 distinct weight variants spanning from delicate Light to commanding Black, and complemented by a refined set of italics, Migae offers a harmonious balance of strength and elegance to fulfill your typographic needs. Key Features: 1. 14 Weight Variants: Migae's extensive weight range, including Light, Regular, Medium, Semi-Bold, Bold, Extra Bold, and Black variants, allows you to choose the perfect weight for your design, whether it's a subtle headline or a bold statement. 2. Italics: In addition to its standard upright styles, Migae boasts a comprehensive set of italics that adds versatility to your typography, conveying an air of sophistication and style. 3. Strong to Elegant Styles: Migae's design philosophy seamlessly combines strength and elegance. Its strong weights provide a bold and impactful presence, while the lighter weights exude an effortless elegance, making it suitable for a wide array of creative projects. 4. Modern Aesthetic: Migae's clean, contemporary lines and carefully crafted details make it an ideal choice for modern graphic and web design, editorial layouts, branding, and advertising. 5. Legibility: Migae prioritizes legibility across all weights and styles, ensuring that your messages are communicated effectively, regardless of the chosen variant. 6. Versatile Applications: From branding and packaging to posters, editorial design, and web headings, Migae adapts to various design contexts, making it a versatile choice for graphic designers, typographers, and creative professionals. Design Inspiration: Migae draws inspiration from the harmony of nature, where strength and elegance coexist. Its name, derived from the Korean word "미래" (miraee), meaning "future," reflects its forward-thinking design approach that is equally rooted in tradition and innovation. Ideal Usage: Migae is an ideal choice for those seeking a display font that can effortlessly transition between bold and delicate, exuding confidence and refinement in every style. It's perfect for branding, packaging, advertising, editorial layouts, and any design project where typography plays a pivotal role. Migae is more than just a font; it's a design companion that empowers creatives to achieve a perfect balance between strength and elegance in their visual communications. Explore the world of Migae and let your design projects shine with its captivating charm and versatility.

Golden Record is an elegant all caps sans serif typeface with a tall, classic, and high-quality feel. Its timeless design is perfect for adding a touch of sophistication to any project. The font's classiness evokes a sense of luxury and opulence, making it ideal for high-end branding and design applications. Golden Record is a versatile typeface family consisting of the styles Light, Regular, Bold, and Outline, each available in Italic, offering a wide range of creative possibilities. The idea for Golden Record came to life when Mans Greback was inspired by the elegance of vintage vinyl records and their iconic gold labels, merging classic aesthetics with modern design principles. Mans Greback is a Swedish typeface designer known for crafting high-quality fonts with a focus on versatility and aesthetics. He created Golden Records to provide designers with a unique and sophisticated typeface for upscale projects. Greback is committed to delivering exceptional quality in every font he designs, consistently pushing the boundaries of typography.

The new font “The Best We Could Do” was created by artist and author Thi Bui who used the font in the graphic novel by the same name. The font is brush-script handwriting font which displays human personality rendered with bold confident strokes full of passion and expression. Chank’s work on this font captured Bui’s distinctive textual style and also saved her a ton of headache and time in inking. A debut memoir that tells the story of one family’s journey from their war-torn home in Vietnam in the 1970s to their new lives in America, the autobiographical book is lauded for its heart-breaking exploration of identity, family, and home. Bui ties her modern life with the multi-generational experiences of her family, weaving together the emotional threads of their relationships to find clarity in her current day. “The Best We Could Do” graphic novel is published by Abrams ComicArts and is available wherever fine books are sold.

HS Safa, an elegant Arabic display typeface carefully crafted for book titles, creative graphic projects, and modern logos. Categorized under "titles," it draws inspiration from the rules of Fatmic Kufi calligraphy, infusing a beautiful idea and special dimensions that preserve the allure of the Arabic font and its fixed rates. HS Safa is built upon the foundation of HS Sama font, but with a fresh and stunning molding (ornament) for the vertical strokes, adding a new dimension to its charm. This intricate detail enhances the overall visual appeal, making HS Safa a captivating choice for any design project. With comprehensive support for Arabic, Persian, and English languages, this typeface is versatile and accommodating. Available in two weights, Regular and Bold, it effortlessly integrates into the collection of contemporary Arabic Kufic fonts, catering to diverse design preferences. Whether seeking a modern Arabic font with a touch of uniqueness, HS Safa is a perfect addition to elevate any creative endeavor.