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  1. Graphicus DT by DTP Types, $49.00
    Based on custom design work by DTP Types Limited in 1992.
  2. Goudy Old Style DT by DTP Types, $49.00
    Based on custom design work by DTP Types Limited in 1992.
  3. Stablehand JNL by Jeff Levine, $29.00
    A vintage Wells wood type was the basis for Stablehand JNL.
  4. Convex DT by DTP Types, $49.00
    Based on custom design work by DTP Types Limited in 1999.
  5. Tali MF by Masterfont, $59.00
    Finesse and style in this condensed hand drawn elegant type forms.
  6. Garamond DT by DTP Types, $49.00
    Based on custom design work by DTP Types Limited in 1992.
  7. Newhouse DT by DTP Types, $89.00
    Based on custom design work by DTP Types Limited in 1992.
  8. Pelham DT by DTP Types, $49.00
    Based on custom design work by DTP Types Limited in 1992.
  9. Macarena DT by DTP Types, $49.00
    Based on custom design work by DTP Types Limited in 1999.
  10. Tree Assortment by Gerald Gallo, $20.00
    An assortment of all types of trees from simple to complex.
  11. Engravers DT by DTP Types, $49.00
    Based on custom design work by DTP Types Limited in 1990.
  12. Triest DT by DTP Types, $49.00
    Based on custom design work by DTP Types Limited in 1990.
  13. HiH Firmin Didot by HiH, $10.00
    Before Bodoni, there was Didot. With the publication by Francois Ambroise Didot of Paris in 1784 of his prospectus for Tasso’s La Gerusalemme Liberata, the rococo typographical style of Fournier de Jeune was replaced with a spartan, neo-classical style that John Baskerville pioneered. The typeface Didot used for this work was of Didot’s own creation and is considered by both G. Dowding and P. Meggs to be the first modern face. Three years later, Bodoni of Parma is using a very similar face. Just as Bodoni’s typeface evolved over time, so did that of the Didot family. The eldest son of Francois Ambroise Didot, Pierre, ran the printing office; and Firmin ran the typefoundry. Pierre used the flattened, wove paper, again pioneered by Baskerville, to permit a more accurate impression and allow the use of more delicate letterforms. Firmin took full advantage of the improved paper by further refining the typeface introduced by his father. The printing of Racine’s Oeuvres in 1801 (seen in our gallery image #2) shows the symbiotic results of their efforts, especially in the marked increase in the sharpness of the serifs when compared to their owns works of only six years earlier. It has been suggested that one reason Bodoni achieved greater popularity than Didot is the thinner hairlines of Didot were more fragile when cast in metal type and thus more expensive for printers to use than Bodoni. This ceased to be a problem with the advent of phototypesetting, opening the door for a renewed interest in the work of the Didot family and especially that of Firmin Didot. Although further refinements in the Didot typeface were to come (notably the lower case ‘g’ shown in 1819), we have chosen 1801 as the nominal basis for our presentation of HiH Firmin Didot. We like the thick-thin circumflex that replaced the evenly-stroked version of 1795, possible only with the flatter wove paper. We like the unusual coat-hanger cedilla. We like the organic, leaf-like tail of the ‘Q.’ We like the strange, little number ‘2’ and the wonderfully assertive ‘4.’ And we like the distinctive and delightful awkwardness of the double-v (w). Please note that we have provided alternative versions of the upper and lower case w that are slightly more conventional than the original designs. Personally, I find the moderns (often called Didones) hard on the eyes in extended blocks of text. That does not stop me from enjoying their cold, crisp clarity. They represent the Age of Reason and the power of man’s intellect, while reflecting also its limitations. In the title pages set by Bodoni, Bulmer and Didot, I see the spare beauty of a winter landscape. That appeals to a New Englander like myself. Another aspect that appeals to me is setting a page in HiH Firmin Didot and watching people try to figure out what typeface it is. It looks a lot like Bodoni, but it isn't!
  14. Fux by Rodrigo Fuenzalida, $25.00
    Fux is a condensed, neutral looking font, that features and extended ligature set, small caps, old style numbers and stylistic alternates, that should help to fulfill all your type setting needs. Is perfect to be used as big display and title font, and works very good in small sizes and paragraphs.
  15. Lord Mayor by Solotype, $19.95
    We know very little about this font. A printer in Lisbon had it, but said it came from England. Nicolette Gray shows it in her Nineteenth Century Ornamented Type Faces as Lord Mayor from the British Typefoundry. We never got the complete font, but drawing the missing letters was not difficult.
  16. Churchward Marianna by BluHead Studio, $25.00
    Churchward Marianna and Churchward Marianna Shadow are two more OpenType font releases by BluHead Studio, LLC from the exciting and unique library of Joseph Churchward type designs. The round, bulbous letterforms take on individual personalities of their own. These fonts can't wait to express humor, spunk and just plain bold fun!
  17. Hellmond by Ditatype, $29.00
    Hellmond is a natural handwritten font. It brings a modern and beautiful typeface. Made for any professional project branding. It is the best for logos, branding, and quotes. Includes: Hellmond (OTF) Features: Beautiful Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Dita Type
  18. MBF Alphamoon by Moonbandit, $15.00
    AlphaMoon is a very versatile all-rounder font family. This typeface is crafted to be a go-to font for multi purpose project. From logo, poster, headline, text, editorial, you name it, AlphaMoon can handle it. This type family also comes in 4 weights, capable to achieve contrast in the work.
  19. Gautami by Microsoft Corporation, $49.00
    Gautami™ is an OpenType font for the Indic script Telugu. Telugu is based on Unicode, contains TrueType outlines and was designed by Raghunath Joshi (Type Director) and Omkar Shende for use as a UI font. Copyright ™ 2001 Microsoft Corporation. All rights reserved. Gautami Character Set: Latin-1, Telugu
  20. Snakehead Graffiti by Sipanji21, $18.00
    Snake head is a script font with a graffiti look. cool to be use in various types of designs, with several choices of characters and various kinds of swashes, so that your design looks powerful, this font is sutable for branding, clothing, logotype, packaging, advertising, crafting, and various other designs.
  21. Letikas Rose by Lumiks Design, $15.00
    Here's a delicate script font with fluid connection and authentic calligraphy, providing a high legibility and elegant design. Letikas rose includes Alternates and Ligatures, making the font more stylized. Perfect for Type-based creations, websites, signature logos, wedding invitations, social media, quotes, greetings and anything that needs a romantic touch.
  22. Dirty Jab by PizzaDude.dk, $15.00
    Using Dirty Jabfor your graphical adventures is like having brunch when being hungry! The surface of the font is actually kind of grunge. Use the font at large sizes with reveal the authentic worn look. Comes with extensive language support and 6 contextual alternates that automatically cycles as you type!
  23. Celebration by RMU, $35.00
    A blackletter font of decorative style and of obscure origin which was rescued for all devotees of these old hot-metal letters. This font contains a bunch of useful ligatures, and by typing 'N', 'o' and period and activating the OT feature Ordinals you get an old-style number sign.
  24. Alderlite by Ditatype, $29.00
    Alderlite is a elegant brush font. With a classy style, it brings a beautiful and chic typeface. Alderlite is best used for branding logotype, and quotes. Includes: Alderlite (OTF) Features: Standart Ligatures Stylistic Set Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Dita Type
  25. Hayken Script by Lemonthe, $10.00
    Hayken Script is a brush script font with a dynamic and energetic style. There are two types of styles (clean and textured). It can used for various purposes such as titles, logotypes, t-shirt designs, letterheads, signage’s, labels, newsletters, posters, badges, and every other design which needs an unique, striking font.
  26. Space Show by David Engelby Foundry, $25.00
    Space Show and tell. This font is the no-nonsense choice in your design of clear and big display typography for many types of media – infographics, websites, menu cards, posters, web banners, logo, signs etc. The font has ligatures, unique alternates, hybrid and oldstyle numerals – and specially designed subscripts and superscripts.
  27. Rusty Plate by Sign Studio, $12.00
    Rusty Plate is a font for display purposes that reflects creative and natural. It will be suitable for making a dramatic impression on posters, brochures, apparel, logotypes and many other types of print. This font is PUA encoded which means you can access all of the glyphs and alternates with ease.
  28. Oranville by Ditatype, $29.00
    Oranville is a classy handwritten font. Made for any professional project branding. It is the best for logos, branding and quotes. Every letter has a unique and beautiful touch. Includes: Oranville (OTF) Features: Beautiful Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Dita Type
  29. Bohemian Cassidy by Letterhanna Studio, $19.00
    Bohemian Cassidy is a lovely handwriting script font. It's perfect for signatures, logo type, weddings, posters, brochure or any display use. Bohemian Cassidy is perfect to get a more charismatic impression or give a unique touch to your projects and branding, greeting cards, wedding, banner, name card, lettering, fonts pairing, etc.
  30. Cornucurlia by Calligraplay, $13.00
    Cornucurlia is a carefully constructed typeface comprising curvaceously connected characters. Designed as a display font, use it for posters, signage, branding and any type-based artwork that needs stylish, standout lettering. Multi-lingual and with a range of symbols, the font includes 368 glyphs that link together with geometric curves.
  31. The Lucky Hamster by Awan Senja, $14.00
    Introducing our newest funny typeface with cool stylistic alternate , The Lucky Hamster, a funny typeface font. This font perfectly made to be in poster funny, and the other various formal forms such as invitations, labels, logos, magazines, books, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
  32. Dear Disya by Sarid Ezra, $15.00
    Introducing, Dear Disya! Dear Disya is handwritten font that contain ligatures, stylistic alternate, swash, etc to create your own customized handwriting. This font is also support multi language. And of course, made with heart. Thank You! PS: Type underscore + number (from 1 to 7). Or copy -- Some_7thing in preview bellow ..
  33. Fille De Joie by Tension Type, $10.00
    Fille de Joie is a distressed typewriter font created from a vintage typewriter that a friend of mine bought in Paris. It’s pretty dirty and nasty. Included are open type ligatures for all of the double letters like “EE” “TT” “FF” etc. to give the font a more natural look.
  34. Golden Estella by Timurtype, $14.00
    Introducing by Timur type Proudly Present, Golden Estella Golden Estella A Handwritten Script Font Golden Estella is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Golden Estella multilingual support. Embelish your designs with our original fonts.Enjoy the font,Thank you!
  35. Ratatam by alphabeet.at, $40.00
    Ratatam is a variable egyptian font face. There are eight weights from thin to black, but a lot more opportunities with the variable font, and a decor style with inner elements. Useful open type features, which are optional as well as contextual alternates and positions, are defined, all small caps integrated.
  36. Bromrose Sands Signature by Rillatype, $15.00
    Bromrose Sands Signature is a lovely signature font that comes with LOTS of ligatures that makes this font look natural. Bromrose Sands is perfect for quotes, logos, branding, magazines, wedding invitation, packaging, stationary, or any advertising purpose. To access the underline just type _+(number 1-8). Example: woodland_1 woodland_2 etc.
  37. Telegraph by Solotype, $19.95
    Charles Beeler Jr. designed this in 1895 for Mackellar, Smiths and Jordan, which was part of the American Type Founders combine. The font had a short life because five years later ATF began an "off with the old, on with the new" program, and this font was an early victim.
  38. Cooperative by Hafontia, $99.00
    Cooperative is a retro style poster font in Hebrew and Latin. Is based on a printed example of a vintage handmade wood type from the 1950's. This sans serif font is available in both regular and bold versions, with a dirty and grungy styles as well in regular and bold.
  39. Busteball by Ditatype, $29.00
    Busterball is a classy script font. Made for any professional project branding. It is the best for logos, branding and quotes. Every letter has a unique and beautiful touch. Includes: Busterball (OTF) Features: Beautiful Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Dita Type
  40. Eutheric by Typotheticals, $10.00
    This plain serif can be used for a variety of purposes. Good for headlines and larger text usages. Hulbert is a comical look at the Eutheric family. It is useful for those moments where no other font will fit. Eutheric is a serif style look at the Cooper type of fonts.
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