Being inspired by early Czech type design, Maiola is clearly a contemporary typeface, that is mindful of its historical heritage, implementing old-style features and calligraphic reminiscence, more frankly so in the Italic. Nevertheless, through its personality, it attempts to create a welcoming tension on the page, without shouting too loudly at the reader. It handles its expressive tendencies with care and in doing so increases its usability, with legibility being of great importance. Subtle irregularities of the letterforms enhance furthermore the dynamic spirit and liveliness of the typeface. With the advent of Opentype, allowing for bigger character-sets and better language support, as a natural consequence, Maiola Multiscript covers Latin A, Cyrillic and Greek. Although basically independent from each other, they are, however, designed in the same spirit as the Latin, and harmonize well in multilingual text settings. The update to this beautiful font family includes the addition of over 240 glyphs featuring new ornaments, stylistic alternates, ligatures, superior letters, fractions and more. Furthermore, several glyphs were significantly improved and the kerning was fine tuned for better performance. Originally released in 2005, Maiola was an immediate success. It won the renowned TDC competition in 2004 where it was also recognized as a “judge’s choice”, was part of the touring exhibition e-a-t, and was selected in the Creative Review design competition in 2005.

Art Deco Arabic is a sans-serif Headline font. Designed by Naghi Naghashian as a sigle weight. Art Deco Arabic is reminiscence of Art Deco style, at the beginning of 20th century. The Latin part is a new design inspired from Art Deco style. It is extremely legible even in very small size. This font is a contribution to modernisation the Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Art Deco Arabic supports Arabic, Persian ( Farsi ), Urdu and Latin.It also includes proportional and tabular numerals for the supported languages. Art Deco Arabic design fulfills the following needs: A Explicitly crafted for use in electronic media fulfils the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop, InDesgine or Illustrator. ArtDecoArabic’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Art Deco Arabic was developed for multiple languages and writing conventions. Art Deco Arabic supports Arabic, Persian,Urdu and Latin. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

This humanistic sans serif design was inspired by a conversation that David Quay had with renowned type designer Hans Meyer, during ATypI in Paris, 1989. Meyer revealed that Sabon, designed by Jan Tschichold, was the inspiration behind his Syntax font. This approach formed the basis for the design development of The Foundry's very first sans serif typeface family; the inspiration for Foundry Sans comes from Stempel Garamond. Foundry Sans was the second typeface to be released for The Foundry typeface library in 1990.

A 1930s-era poster to "See America - Welcome to Montana" was issued by the United States Travel Bureau; one of the WPA (Works Progress Administrations) projects promoting travel and tourism within the country. The hexagon-inspired angular lettering on the poster provided the inspiration for Infrastructure JNL.

Albo is part of a new set of typefaces inspired in ancient documents from Portuguese 15th and 16th century books. Based on a document from Afonso d'Alboquerque (Goa, July, 1514), Albo was designed to be an inspiring typeface, a blackletter with ornamental elements and many design possibilities.

Create your fontisimo butterfly garden with this original fontazia typeface featuring 52 unique hand-drawn butterfly inspired flowers! Whether you're looking for a modern papillion fluttering about or a metamorphosis experience, bring all your butterfly garden fantasies to life with these subtly bold, subtly complex inspirations.

An industrial-weight typeface inspired by graphics laser-cut from sheet metal.

Orlando is a quirky display face inspired by Art Nouveau metal types.

Here is a nice sign-painterly display font inspired by the 1920s.

Inspired by tulips, Nellyana is a modern monoline script featuring beautiful ornaments.

Hand-drawn typeface, inspired by sunny mornings with cup of good coffee.

Concreta was inspired by Josef Albers' work and Augusto de Campos' poetry.

inspired in a old time roman chiseled inscription in a stone wall

Introducing medieval blackletter typeface "Odd times". It's inspired by old fracture calligraphy.

Systopie is inspired by stories where fears about dehumanized futures are shown.

Pascal is a font inspired by handwriting of mail artist Pascal Lenoir.

Inspired by hand written letters on a street sign in Tel Aviv

Cute and fun handwriting inspired by the playful antics of a child.

This font was inspired by music from the band The Dresden Dolls.

Williamson is a luxurious and playful script with a contemporary vibe. Get inspired by its minimalist elegance. Williamson Path is a flowing and elegant handwritten font, created with the help of a brush pen. Get inspired by its unique and beautiful style and add it to your favorite designs!

After Breaking is a nostalgic script with a personal feel. Get inspired by its authentic charm! After Breaking is a flowing and elegant handwritten font, created with the help of a brush pen. Get inspired by its unique and beautiful style and add it to your favorite designs!

Fontazia Motyl features 52 unique fantasy butterflies motifs. These whimsical glyphs are great for backgrounds, accents, greetings, and even tattoos. Add one or add them all - these dingbats are a sure thing for all your inspirations! For more butterfly fun, check out our butterfly inspired florals: Fontazia Papilio .

Inspired by old surfer movie posters from the 60'ies. Surfing Ashtray consists of straight lines only - ironically the direct opposite of the ocean waves that was a part of the inspiration of this font! Hit the waves with extra ligatures for double letters, swashes and alternate letters.

Bondoluo is a geometric font family developed by Álvaro Thomáz in 2012, The creation process was inspired by 3 geometric forms - triangle, circles and squares - and 2 amazing fonts - Futura® and URW Gothic. The Bondoluo Display font was inspired by Diamonds by HVD. Be fashionable with Bondoluo fonts!

Metropolica is a plakkat font, inspired in titglings from advertises from 1930's

Password was inspired by the randomly generated characters used for extra online security.

Van Wyck JNL was inspired by some old printing found in a catalog.

Passage is freshly looking decorative Art Deco font family, inspired with modern influences.

FP Stage was inspired by old Victorian theater posters and corresponding typographic designs.

Barrez inspired by logo TC-HELICON. For use in advertising and display typography.

Best selling baseball script, Distinctive brush stroke inspired by retro 20th century’s movie.

The typeface was designed by Alexey Chekulaev inspired by artwork of Grigory Klikushin.

Architect is inspired by blueprints and technical drawings. This is an outline font.

Mystery Stencil JNL was inspired by lettering spotted on images of European kitchenware.

This font was inspired by music from the band The Devil Wears Prada.

Inspired by the look of elegant, hand-painted calligraphy using a pointed brush.

Typography inspired by ancient medieval writings from texts and wordings of Spanish scriptures.

Coliseo is a lively and fun Art Nouveau inspired typeface, inspired by stone lettering seen on facade of the Coliseum Theatre in London. It's beautifully characterful let legible making it ideal for poster work or anything where it's useful to combine Roman display faces with a feeling of life and energy.