Xenois is a sweeping suite of designs that will provide solutions for a multitude of projects. Annual reports, restaurant menus, business correspondence, corporate identity programs, movie credits and advertising campaigns can all be set with various faces from the family. Interrelating perfectly, the sub-families within the series include Xenois Sans, Serif, Semi, Soft, Slab and Super. The designs have a common and obvious design bond, yet each is able to stand on its own as a distinct typestyle. The Xenois typefaces are based on a common underlying model; they have the same cap height, the same lowercase x-height, the same stem weights, and the same basic character shapes. This unity of shape and proportion results in a remarkably complementary set of typeface designs.

Costanera is a neohumanist typeface with both soft strokes and endings, which is inspired by 90s typefaces. It has an organic aspect and curved finials associated to the early calligraphy, while its straight angles give Costanera a technological and futuristic impression. Costanera weights go from thin to black, thus it can be used in short-impact phrases ideally using Black or Thin weight and extensive texts selecting the Book version. On the other hand, due to its calligraphic-futuristic features Costanera is perfectly suitable for different fields, such as vanguard technology, architecture, and signage topics. This typeface is composed of a Normal and Alternative version, adding 32 weights in total. Stylistic sets, small caps, ligatures, lining and old style numbers, fractions, circle numbers and arrows are part of the Opentype features. Moreover, this project comes with 790 glyphs that allows to write in 219 languages.

Almost every type designer feels the need, from time to time, to interrupt his or her serious work on complex text type systems for something more playful. In Luc(as)'s case this has often meant designing more typefaces. In the early 1990s, while working on Thesis, Luc(as) drew several display faces which were based on the shapes of TheSans but were either de(con)structive versions or experimental variations. Jesus Loves You All is a heretic thorny typeface vaguely based on the outlines of TheSans. Jesus Loves You was given a remarkable three-dimensional treatment in Abbott Miller's Dimensional Type project.

Syntachron is an extraordinary monospaced font that stands out with its futuristic and mecha-inspired design. What sets this font apart is its unique ability to combine simplicity, modernity, and boldness, resulting in a visually captivating typeface. It is the perfect choice for those seeking to create impactful posters, eye-catching marketing materials, captivating logos, attention-grabbing headlines, and engaging book and magazine layouts. One of the distinguishing features of Syntachron is its compatibility with the Cyrillic alphabet, offering versatility and style for a wide range of design projects. Whether you're working on international branding campaigns or multi-language publications, this font seamlessly integrates with the Cyrillic characters, ensuring consistency and cohesiveness across different languages. In terms of typeface pairing, Syntachron harmonizes exceptionally well with related families and typefaces that share its sleek aesthetics and futuristic vibe. It complements and enhances other fonts, enabling designers to create stunning combinations that amplify the impact of their designs. Beyond its striking appearance, Syntachron excels in its functional aspects. The font comes in a variety of styles, allowing for versatility in design choices. Its monospaced nature ensures consistent character widths, making it ideal for code snippets, technical documentation, and typewriter-style layouts. Furthermore, Syntachron offers a comprehensive character set with special features, enabling the seamless creation of diverse and engaging designs. The design concept behind Syntachron was to capture the essence of a futuristic world and merge it with the mechanical elements of mecha-inspired aesthetics. The result is a font that exudes a sense of cutting-edge technology and boldness, empowering designers to create visually striking and impactful designs that captivate their audience. Syntachron was meticulously created to fulfill the need for a font that seamlessly merges modern simplicity with futuristic design elements. Its purpose is to provide designers with a versatile tool that sparks creativity and enables them to craft stunning visual experiences. With its sleek aesthetics, support for the Cyrillic alphabet, and functional aspects, Syntachron is an indispensable asset for any design project seeking to embrace the future.

Mercusuar font FAMILY – an expansion on Mercusuar that includes 16 fonts, regular and italic, from Thin weight to Bold, and still has all the clean lines and trendy minimalist vibes! Mercusuar is a stunningly crisp upper and lowercase typeface that looks incredible in both large settings as a display text. Includes: Mercusuar Thin (Regular & Italic) Mercusuar Extralight (Regular & Italic) Mercusuar Light (Regular & Italic) Mercusuar Regular (Regular & Italic) Mercusuar Medium (Regular & Italic) Mercusuar Semibold (Regular & Italic) Mercusuar Bold (Regular & Italic) Numbers & punctuation Foreign language support Hope you enjoy. Intuisi Creative

Jeanne Moderno is a revisionary type family. A synthesis of Bodoni Italic and 19th Century Ultra-Bold "Fat Faces"—distilled with personality taken from early 20th Century Modernists; the Futurists, Dadaists, Suprematists, Constructivists. Historically, Jeanne Moderno could have appeared on the scene around 1918—after the First World War—when new cultural movements, manifestos, theories and countertheories shaped art, industry and society. Spatter in a few later influences—from De Stijl, the Bauhaus, the types of Herbert Bayer, Josef Albers, Paul Renner—plus a twist of Art Deco and High Fashion—Jeanne Moderno is a remanifestation of 19th + 20th Century Modernist thinking; traditional + revisionist, raw and elegant! Jeanne Moderno can best be used for magazines, advertising, posters, flyers, fashion reports, letterpress experiments, silkscreen endeavors, exhibitions, DMV signage, paper money, revolutionary political statements as well as formal declarations of peace or war. Jeanne Moderno is about the future, the past. The Avant-Garde. Humanist geometry + vintage footwear. Form, function, style, art and life.

Semi-serif? Semi-sans? Emerging from the hazy border that divides Sans from Serif, Integra aims to integrate both styles in a cool, elegant, contemporary fashion. With its sleek anatomy, flared terminals and almost non-existent straight lines, Integra was inspired by the stressed, modulated, unserifed letterforms incised in the early 15th-century ledger tombs at Santa Croce church in Florence, and the neoclassical grotto inscriptions at Stourhead in England that dates from the mid 18th-century. Integra, however, gives a contemporary, even futuristic twist to these references by featuring original, audacious shapes on key letters like L, E and X; as well as with the modern, generous proportions of its lowercase; infusing it all with a flowing, luminous, Latin American feel. Integra comes in several weights and italic styles, for text composition and display usage. Its rounded counterforms and arch-like shapes lend texts a spacious, neat, architectural quality, perfect for sophisticated content.

Lino Stamp is a geometrical, sans-serif typeface inspired by Futura Bold Condensed. To produce it, letters were carved into linoleum, inked and impressed on paper – giving a worn and distressed finish. Lino Stamp works particularly well for headings, short paragraphs and scrapbook-style designs.

Herron is a monoline Sans face with all rounded ends in Condensed and Italic, Regular and Italic, Expanded and Italic.

Bagilean Geliayditan is the new editorial serif with all clean and soft lines, tight curves, and a trendy and elegant look! Bagilean Geliayditan has 16 fonts. which comes with 2 font family styles: - Bagilean Geliayditan: Regular, Italic, Medium, Medium Italic, Condensed, Condensed Italic, Outline and Outline Italic. - Bagilean Geliayditan Elegant: Regular, Italic, Medium, Medium Italic, Condensed, Condensed Italic, Outline and Outline Italic. Bagilean Geliayditan is perfect for your design needs such as to create nostalgic designs but still clean and elegant such as headlines, magazines, logos, packaging, editorials, titles, branding projects, logo designs, packaging, magazine titles, advertisements, short or long texts. Etc......

Embrace the nostalgic charm of pixelated games with its versatile 6 Styles: Regular, Italic, Outline, Extrude, Outline Italic, and Extrude Italic. Whether you're crafting captivating logos, designing captivating posters, NANO PIX is your ultimate toolkit. Features: Nano Pix Main File Has 6 Variable: Regular, Italic, Outline, Extrude, Outline Italic, and Extrude Italic Multilingual Support Instructions (Access special characters, even in Cricut Design) Simple Installations Enjoy Designing! Dharmas Studio

Designed over three years after the second World War, and published in 1949 by the Nebiolo foundry, Normandia was Alessandro Butti’s take on the fat face. As it usually was with Butti’s designs, this face effectively injected a catchy yet expertly calculated calligraphic spin into its source of inspiration — which was the essentially geometric/deco, thicker model of Bodoni’s very popular aesthetic. The metal Normandia saw some widespread use for a handful of years after its publication, not least because of the multitude of sizes in which it was available. It stepped out of the limelight by the mid-1950s, due to a combination of the popularity of cold type and Nebiolo’s refusal to retool its faces for new technologies. It was copied by a few small film typesetting outfits on both sides of the Atlantic, but never really found its way back to the mainstream. By the time computer type became the norm, Normandia was pretty much relegated to a type historian’s collection of anecdotes. This digital update of the classic series revives and refines the three original metal designs (Tonda/Regular, Corsiva/Italic, and Contornata/Outline) and expands the character set to more than 600 glyphs per font, including small caps, six types of figures, fractions and nut fractions, a full set of f-ligatures, some stylistic alternates, and other fine typography niceties.

Displayer font family is modern, wide and sans serif family available in 7 weights and Variable type file. It’s strong, stable, compact, futuristic family with some specific letter design and generous ink-trap. With it’s display charm, Displayer fits perfectly into any branding project – use it in posters, package, website, logo, video games, magazines. Contains fractions and standard ligatures with Extended Latin character map.

Qore font is a sans-serif typeface with minimal, modern,and futuristic style. This typeface is available in all caps only with stylistic alternates feature plus supports multilingual languages. This font is appropriate for your branding, logo design, shirts, etc. Qore offers you: Qore- A clean San serif font including Upper & Lowercase characters(ALL CAPS) Stylistic alternates Character Numbers and Punctuation Multilingual Support (Latin Western Europe)

Hambare is a sans serif font family that is bold, elegant, and futuristic. Its clean lines and balanced proportions make it an ideal choice for digital and print designs, ensuring readability and visual impact. Hamabare comes with six styles that you can mix and match. Add it to any design to provide the flexibility and visual impact you need to take your designs to the next level!

Introducing Kagok Blackletter font Kagok is typography designed with a classic blackletter font style, resulting in a bold and unique anatomical shape. Kagok is a strong and vintage font inspired by the classic Victorian typeface style combined with a strong style so that it looks bold in your projects. This font is perfect for use on projects that need a futuristic, vintage, and elegant style.

Norden Retro Round is based on Norden Round, but Retro comes with an added perspective, giving it a "retro-futuristic" look. It has a lower x-height than its parent, due to it being slightly tilted. Norden Retro Round can be used in any setting, but given its lively style, it will excel as a display font; in headings, titlings, logos and so on.

Okay-A lets you make 3D letters that look to be fastened down with screws. Inspired by the angular futuristic shapes of Japanese Katakana letters, this angular font is bold and square. Okay-A lets you easily make multicolour logos or signs as the styles can be overlaid. It features extended characters, containing West European diacritics & ligatures, making it suitable for international environments & publications.

Stompedwide is a modern/futuristic and minimal looking typeface that surely will give your designs unique look and catch the eye of the reader. It works very well in projects such as logos, banners, magazine headlines. Since It's a display font It works best at big scale and It's not suitable for longer texts. It pairs nicely with modern, geometric fonts such as Montserrat. 2 weights available

Brave Eighty One is inspired by futuristic design concepts and space-like design concepts. This font is good for future, modern, space, sports, bold and speed themed designs. This font is perfect for collecting on your computer for up-and-coming design projects or work in progress, because the Brave Eighty One has no trending period, and will always look cool whatever year it is.

Grose is a modern san serif font that gives a clean, minimalist and futuristic impression,and Come with ligatures collection. It's Perfect for logo,branding,title, name card, magazin layout,poster, or large scale artwork. Grose offers you: 1. Grose- A clean San serif font including Upper & Lowercase characters(ALL CAPS) 2. Ligatures Character 3. Numbers and Punctuation and Supports Multi linguage (Latin Western Europe)

FI Hover is a great geometric display font for your hi-tech, futuristic and industrial projects. Bold, edgy and geometric characteristics of the glyphs make this font a really god fit for mechnanical equipments, techno-oriented music posters and computer-related designs. Because all of the glyphs made out of a hexagon grid, you can really sync this type with triangles, rectangels and other geometric shapes easily.

Introducing “Quick Game”, the futuristic font that was inspired from a sci-fi movie. Quick Game is a display font that is suitable on your headline to your magazine, flyer, poster or neon installation. Also clearly shaped to be applied in print design like t-shirt, mug, banner or motion graphic. • Uppercase • Lower-caps • Numbers • Punctuations • Supports Multi linguage (Latin Western Europe) • Ligatures Character & Stylistic alternates Character

Bigestar is a sans based font with unique lowercase & uppercase that will make your design looks futuristic and modern. You can use this font for any purpose, especially to make hi-tech logotype. This font is also suitable for science-fiction movie poster. You can mix and match the uppercase and lowercase to make your logo more unique and stand-out. This font also support multi language.

Tachyon font family combines design simplicity of modern sans serifs with a futuristic feel based on a condensed character concept. Its clean lines can bring unusual spark to logo designs, headlines, magazine designs, quotes, documentaries, advertisements or similar projects. This font will find its use also in larger text blocks where simplicity, clean lines and well applied kerning are a must. Create something spectacular with Tachyon.

Artistic Venture Typeface, Inspirated those bold wide letters you see on. computer screen, movie futureistic with combine classic , Well, some of them have these strong or hooks on the ends of the letters. But, there's also this new style of font that's super cool and futuristic. It's called a Artistic Venture Typeface. There Include : All Caps Opentype Feature Alternate Character Ligature Multilanguage Thank You

Neue Rinjani is a all-caps sans serif with Wide Stretch contemporary typographic, vintage futuristic art-deco touch Streamline influence of the 1930s and 1940s. A mix from the old Euro-American signage/advertising letters and modern clean sans serif, carefully mousecrafted to bring you the genuine feel of the era. If you're into classic/vintage letter designs, then this typeface suits best for you.

Here’s a futuristic face with a neo-retro twist, based on the logotype for the 1990s tank-warfare videogame for the Mac, Spectre. Whether you're going back to the future or resurrecting a blast from the past, this face will get you there in style. Both versions of this font include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets.

Grisha is a futuristic and modern retro look. Each uppercase and lowercase letter has its own characteristics, plus some alternates and ligatures. This font is bold and tight kerning, very suitable for your design projects such logo tagline, logotype, name card, flyers invitation, magazine header etc. Features: Uppercase glyphs Lowercase glyphs Numeral and Punctuations Standard Ligatures Stylistic Alternates Thankyou for choosing this font Regard, Grontype

Slatterine is a retro-futuristic family, inspired by the second streamline era of the 1950s It's ideal for any design work that needs to suggest bygone visions of the future, or to have a retro-space-age effect. Slatterine's horizontally shaded glyphs give a strong sense of motion, whether coupled with the regular form's sharply leaning oblique angle, the perpendicular form, or the reverse leaning 'Lefty'.

LP Horizont Caps is another new font creation from German designer Peter Langpeter (lp-design.de). LP has been running his own design studio since 1995, working as a typeface and logo designer, as a calligrapher, cartographer and illustrator. During this time LP created a large number of excellent new typeface designs. LP Horizont Caps is a very futuristic looking, sharp and elegant sans serif.

Tact Slab is geometrically slab serif font, black and condensed looks glyphs, with an alternative glyph set to improve its use in different graphic contexts. Tact Slab is compatible with the sans serif font Tact. It is suitable for use in the fields of science, art, architecture, urban planning, techniques, electronics, advertising, futuristic themes, sport, film, computers, phones, video games, magazines... Contains all Latin and Cyrillic glyphs.