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  1. Futura SH by Scangraphic Digital Type Collection 26.00 USD
    Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

  2. Futura Classic by Wiescher Design 39.50 USD
    FuturaClassic is a recut of Paul Renners original Futura.

  3. Futura Black by URW Type Foundry 35.00 USD
    Futura Black was published by URW Type Foundry. Futura Black contains 11 styles and family package options.

  4. Futura EF by Elsner+Flake 35.00 USD
    Futura EF was designed by Paul Renner and published by Elsner+Flake. Futura EF contains 24 styles and family package options.

  5. Futura ND by Neufville Digital 45.25 USD
    Futura does give a restful, almost bland impression, which accords with Renner’s objectives. Futura seems classical, not only due to the form of its capitals, but also to the open, wide forms of the geometrical small letters. The typeface relies on notions of classical, yet contemporary form — harmony and evenness of texture.

  6. Futura SB by Scangraphic Digital Type Collection 26.00 USD
    Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

  7. Futura Arabic by URW Type Foundry 99.00 USD
    Futura is a modern bilingual typeface designed and created by two professional groups, each expert in their own field. One of the great names in typography, Futura is a geometric sans-serif typeface originally designed by Paul Renner for the Bauer Type Foundry in 1928. Futura is timelessly modern. In 1928 it was striking, tasteful and radical and today it continues to be a popular typographic choice to express strength, elegance and clarity. The Futura URW family has sixth weights for each - Latin and Arabic - variant (Extra Bold, Bold, Demi, Medium, Book and Light). Boutros Futura was designed to work harmoniously with the URW-Latin whilst respecting Arabic calligraphic and cultural rules. Futura is an exceptionally versatile typeface, suitable for headlines, sub-headings and body text at a smaller point sizes. It is a good choice for space-sensitive environments. Futura works well for short blocks of text copy and captions. The commemorative plaque left on the Moon in July 1969 features text set in Futura. Futura is a Registered Trademark of Bauer Types S.L.

  8. Futura TS by TypeShop Collection 24.80 USD
    Futura TS was designed by Paul Renner and published by TypeShop Collection. Futura TS contains 28 styles and family package options.

  9. Futura Next by Neufville Digital 45.25 USD
    The true origins of Futura never die; recently there has been new focus on the famous typeface in numerous publications, events and exhibitions. The book Futura, une Gloire Typographique has found worldwide acclaim and the city of Frankfurt, the cradle of the Bauersche Giesserei, as well as the Gutenberg Museum in Mainz, organized two exhibitions in 2016, in the honor of Futura.

  10. Futura Round by URW Type Foundry 35.00 USD
    Futura is THE prototype of a geometric or constructed linear sans serif and the font most commonly font of its kind used to date. Futura, very much influenced by the Bauhaus movement in Germany, was designed in 1927 by Paul Renner. Although being around for almost 90 years, Futura seems eternally young and fresh which also explains its continuous popularity with designers and typographers. Futura simply means efficiency and functionality documented by both its many usages as corporate type (e.g. Volkswagen, formerly IKEA, Vuitton, Shell, formerly HP, SMA and many more) as well as in various famous film projects (e.g. Kubrick, Anderson etc.). Futura’s iconic status was probably established when it walked on the moon with the Apollo 11 crew in 1969. It was used for the lettering of the plaque that was left up there.Now, URW has expanded its range of Futura styles by Futura Round with 14 additional styles.

  11. Futura Now by Monotype 49.00 USD
    For nearly 90 years, Paul Renner’s Futura has been as popular as it is versatile—from children’s books to fashion magazines to the plaque on the Moon.Futura is a typographic icon. Futura Now offers designers a chance to see Futura with fresh eyes. It’s more truly Futura-like than any digital version you’ve ever worked with. “It brings some much-needed humanity back to the world of geometric sans serifs,” says Steve Matteson, Monotype’s Creative Type Director who led the design team. “Despite its reputation as the ultimate modern typeface, Futura Now is surprisingly warm,” he explains. “It’s just as at home set next to a leafy tree as it is next to a stainless-steel table, because it skillfully navigates the border between super-clean geometry and humanist warmth.Futura Now—the definitive Futura—contains 102 styles, including: new Headline and Text weights; new Script and Display weights and styles; and new decorative variants (outlines, inlines, shadows, and fill). Its contemporary alignment of names and weights makes the family easier to understand and use, and its comfortable Text and judicious Headline subfamilies provide instantly refined spacing. With a large Latin, Greek, and Cyrillic character-set, Futura Now serves a wider international creative community. Futura Now is available both as individual OpenType fonts and as a set of Variable fonts, delivering limitless styles in a tidy digital footprint.


  12. Dysiu Boo by Intellecta Design 24.90 USD
    Dysiu Boo was designed by Gomes Pertence and published by Intellecta Design. Dysiu Boo contains 1 style.

  13. Angel Boos by Struggle Studio 12.00 USD
    Angel Boos is a very quirky handwritten font right now, it has 200+ extravagant Glyphs of variety, making this font really cool.Angel Boos Can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes, and many more.

  14. MBF Futurist Edge by Moonbandit 9.00 USD
    Moonbandit presents a powerful technology scifi theme typeface, modern, clean, strong and sleek. Perfect for your modern futuristic projects.opentype features:kerningligaturealternatemultilingual






  15. Designer's page on Abstract Fonts.
  16. Boot Camp JNL by Jeff Levine 29.00 USD
    Boot Camp JNL has the same roots as Jeff Levine's Condensed Stencil JNL, as they were both modeled from a set of vintage brass interlocking stencils made by the Stafford Manufacturing Company.

  17. Biff Bam Boom by Comicraft 19.00 USD
    Thrown from the pages of Spider-Man, Daredevil and Hulk comes BIFF BAM BOOM! Inspired by the Legendary Lettering Legerdemain of comics’ Silver Age, Biff Bam Boom is a font you can’t take a swing at without ending up with a broken nose. If you have any sense, duck and cover!

  18. Boot Hill NF by Nick's Fonts 10.00 USD
    Here's an unusual take on the classic Tuscan face of the 1880s. The unusual finials lend a slightly spooky feel to the face, hence its current name. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

  19. Ripped Bam Boom by Comicraft 19.00 USD
    It’s stronger than the Thing AND the Hulk! It can bench press 500 pound gorillas and send them scurrying into the corner. RIPPED BAM BOOM is a font that can tear through the alphabet faster than you can say “A to Z” and will work your chest, shoulders and triceps and help YOUR characters gain upper-body strength and muscle mass!Features alternate uppercase characters, Western & Central Europe, Vietnamese & Cyrillic support, Crossbar I Technology™ and 18 Chinese Sound Effects

  20. Boom Pang Pow by TypoGraphicDesign 9.00 USD
    The typeface Boom Pang Pow is designed from 2020 for the font foundry Typo Graphic Design by Manuel Viergutz. A collection of comic and pop art elements like Speech Bubbles Catch Words, Punctuation Symbols, Boom, Pow, Bang … with various layers for colouring.1 font-style (Comic) with 248 glyphs (Adobe Latin 1).For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size.Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE!

  21. Futura No 2 by URW Type Foundry 35.00 USD
    Futura No 2 was designed by Paul Renner and published by URW Type Foundry. Futura No 2 contains 10 styles and family package options.

  22. Futura No 8 by URW Type Foundry 35.00 USD
    Futura No 8 was published by URW Type Foundry. Futura No 8 contains 1 style.

  23. Futura Black EF by Elsner+Flake 35.00 USD
    Futura Black EF was designed by Paul Renner and published by Elsner+Flake. Futura Black EF contains 1 style.

  24. Futura ND Black by Neufville Digital 45.25 USD
    Futura ND is part of Neufville Digital's BAUER CLASSICS collection.Futura ND Black was completely digitized anew from the original sources of the Bauersche Giesserei, now hold by Bauer Types, SL in Barcelona.

  25. Futura Shaded SB by Scangraphic Digital Type Collection 26.00 USD
    Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

  26. Futura Display SB by Scangraphic Digital Type Collection 26.00 USD
    Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

  27. Futura Display SH by Scangraphic Digital Type Collection 26.00 USD
    Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

  28. Futura Script SB by Scangraphic Digital Type Collection 26.00 USD
    Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

  29. Futura Shaded SH by Scangraphic Digital Type Collection 26.00 USD
    Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

  30. Futura Display EF by Elsner+Flake 35.00 USD
    Futura Display EF was designed by Paul Renner and published by Elsner+Flake. Futura Display EF contains 1 style.

  31. Futura Script EF by Elsner+Flake 35.00 USD
    Futura Script EF was designed by Edwin Shaar and published by Elsner+Flake. Futura Script EF contains 1 style.

  32. Futura ND Display by Neufville Digital 45.25 USD
    Futura ND is part of Neufville Digital's BAUER CLASSICS collection.Futura ND Black was completely digitized anew from the original sources of the Bauersche Giesserei, now held by Bauer Types, SL in Barcelona.

  33. Futura Round SB by Scangraphic Digital Type Collection 26.00 USD
    Futura Round SB was designed by Paul Renner and published by Scangraphic Digital Type Collection. Futura Round SB contains 1 style.

  34. Futura ND Alternate by Neufville Digital 45.25 USD
    Futura ND Alternate reintroduces the original glyphs of Paul Renner, that were abandoned after a few years of sales of casted types by the Bauersche Giesserei. These glyphs now comply with actual trends. The j, l and t with hook give a fresh new look to Futura; they are especially fit for corporate design and webfonts. The new text image is very distinct when compared to the familiar Futura typeface. Moreover, the letter r with point gives new graphic flair, as well as the choices of different a's. Finally, designers can obtain beautiful results with the flat m and n, as well as with the triangle based g.


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