BOLDY This is a stunning display serif font, it includes alternates for lowercase, as well as ligatures for lowercase. This multi-purpose font captures a huge range for the design and creation of your project. Laro will perfectly cope with a variety of tasks and will always look stylish and modern. With it, you can create logos, labels, advertising, packaging, branding, book covers and magazines, cosmetics, banners, posters, headings, descriptions, stationery, advertising and much more. Full alphabet with Uppercase and Lowercase A-z Numbers, fractions Punctuation and symbols Alternates for Lowercase Ligatures for Lowercase Multilingual support

Bord is a type of display font that gives a clean, minimalist and futuristic impression. This font is equipped with upper and lowercase letters (all caps) but the uppercase have futuristic characters and their lowercase give a clean impression, so the combination of upper and lower case letters can give unlimited impression of design, This font supports multiple languages as well.

Molde is a super sans serif font family, belonging to the neo-grotesque style. Formally, Molde was inspired by the extreme sobriety of famous post-Bauhaus Swiss Movement of the mid-twentieth Century. The masters of this style are famous for eliminating all the ornaments, as a brilliant mind said “Ornament und Verbrechen”(Ornament and Crime) as a creation law: ending up with only the essential. Thanks to the purity of its shapes, Molde spreads the message as clear as possible and this quality makes it much more versatile than any other typography. Molde can be therefore used in all types of designs, If we consider its personality and its amount of weights and widths. Molde is composed of 6 widths ranging from the tablet to the expanded and in the set of characters includes a Unicase version and a small caps version. The family is composed of 3 parts: the regular version, the italic version and the reverse version. Each one of them has 9 weights. Each weight has 649 characters and it has been thought for 219 latin languages.

Zold is the first font designed by EMME Grafica. It's a simple, statuesque, architectural, eye-catcher, tough yet elegant font, particularly suitable for titling, subtitling, branding and typographic amusements. The solemnity of Zold does not affect the the elegance of the curves of the font, but gives it the right visibility and temper, like that of Zold, the surly character who will be the antagonist of a multimedia project currently under development at EMME Grafica.

Boldu is a simple grotesque font. I created it using simple forms. I love geometry and tried use only one size of lines. Boldu was created being impressed by works of beginning of 20th century - period of strict and geometric forms

Inspired by the hand lettered phrase “the pen is mightier than the sword” in a 1923 promotional blurb for Speedball lettering pens, Pen Nib Western JNL recreates the decorative style of this vintage artistic gem in both regular and oblique versions.

Inspired by a sample of a vintage wood type supplied by a fan of Jeff Levine fonts, Western Wood Type JNL is a traditional Clarendon-style condensed typeface from the era of letterpress and the Old West.

Medin is a serif font with elegant characters. Medin is perfect for your elegant-themed work, suitable also for elegant vintage. This font is available multilingual & alternate characters, making it easy to do work on various design themes. Medin is equipped with multilingual accents. Get it now Medin fonts, to add to your collection and work solutions. Viaction Type Thanks.

A contemporary serif font family. The design takes influence from traditional serif forms to develop a precise, highly functional text face with a low contrast. Smooth radius details are blended with carefully drawn angles that give a crisp, distinctive aesthetic when used across body copy. Modum is a stylish modern day serif with great charm, harmony and practicality that is best suited for complex hierarchical projects, such as editorials, newspapers and text based books. Details include 8 weights and true italics, over 800 characters with alternative lowercase a, e, g and y. 7 variations of numerals, true small caps with accents, ligatures, manually edited kerning and Opentype features.

Introducing our new product the name Meditative Elegant Classic Serif Font. Modern Serif font that feels beautiful classy, elegant, and modern. This font is perfectly suited for a wide variety of projects, such as signature, stationery, logo, wedding, typography quotes, magazine or book covers, website headers, clothing, branding, packaging design, and more. Also for fashion-related branding or editorial design and displays both masculine and feminine qualities.

Brittney Westone is a fragile, elegant and versatile script font. Fall for its ravishing style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more! This font is PUA encoded which means you can access all of the glyphs and swashes with ease! What's Included : Uppercase, Lowercase, Numerals & Punctuations Ligature & Swashes Works on PC & Mac Simple installations Multilingual support PUA Encoded Compatible with Silhouette Studio, Cricut Design Space, Scan N Cut, Adobe Illustrator and other cutting and design programs.

Wonderful Wostered Display Sans Font Typeface inspired by the famous minimalist logo perfect for the purposes of designing templates, brochures, videos, advertising branding, logos, invitation, layout design, elegant crafting, beauty design and other What's Included : + Standard glyphs + International Accent + Works on PC & Mac + Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Corel Draw. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used : All photographs/pictures/vector used in the preview are not included, they are intended for illustration purpose only. Thank You

Jester Jumble - Fun Clown Font is a whimsical and playful typeface designed with a clown and circus theme in mind. Its quirky characters add an element of chaos and fun to your designs, making it perfect for projects that require a playful touch. This font includes six adorable clown-themed decorative variations, featuring circus hats, masks, laughing mouths, and more. Perfect for clown-themed designs, such as invitation cards, birthday invites, party decorations, logos, stickers, clothing, packaging, children's books, magazines, and more, Jester Jumble adds a delightful and entertaining dimension to your creative projects. With its charming and playful style, this font captures the essence of circus merriment and clownish fun, making it an ideal choice for any project that aims to bring a smile to people's faces.

Westin Black is a great alternative to Cooper Black. Heavily influenced by clarendon typefaces, Westin Black also has a slight humanistic touch. It comes with open type features like old style figures, tabular figures and some ligatures.

This comical styled Jester Script font was created to suit various design applications within the typeface market and is aimed at people looking for a clown styled brush script typeface that is very unconventional indeed. Designed and produced by Paul O'Connell of POCT, it is a distinct styled font script, loosely drawn with irregular rounded edges and curves to create a free flowing handwritten font that will appeal to everyone.

Jolly Jester is an irregular and whimsical typeface inspired by old type playing card jokers. Great for any humorous occasion, whether you're designing headlines, greetings, fairy tales or any number of other projects. Jolly Jester includes a large assortment of extended characters to support many of Europe's languages, including Czech, Danish, Dutch, Esperanto, Finnish, French, German, Italian, Hungarian, Polish, Portuguese, Romanian, Spanish, Swedish, Turkish & Welsh.

Aure Westra embodies the liquid look of a broad-nibbed ink pen. These bold forms engage the reader with a subtext of exotic wisdom. Westra’s entrancing flow brings a dramatic intrigue to text and titles and an esoteric savor to astrological expressions and chartwheels. Westra is an original design developed by Aurora Isaac, first released in the LP glyphset in 2011. After more than a decade in development, 2018 marks the release of the CJ and KB glyphsets. The CJ glyphset is a full text font with an extended set of lowercase and uppercase glyphs supporting a variety of European languages. Additional glyphs include standard ligatures, four variations of the ampersand, and check-mark and happy-face with their companions x-mark and grumpy-face. Numbers are available in lining and oldstyle versions, with numerators and denominators for forming fractions. Companion glyphs include Roman numerals, specialized glyphs for indicating ordinals, and a variety of mathematical symbols and operators. The CJ glyphset also includes an extended set of glyphs for typesetting Western Astrology. These glyphs are also available separately in the KB glyphset: a symbol font re-coded to allow easy keyboard access for the most commonly used glyphs. The unique look of Aure Westra stands on its own as a text font. Where needed, use the clean lines of Aure Jane to provide contrasting text that will showcase Westra’s exotic nature. Give Aure Westra a trial run! You may discover a permanent place for this font family in your typographic palette. AureFontDesign.com

The design of Futura seems to be timeless. This typeface family which had been developed in 1926 by Paul Renner for the Bauer Type Foundry in the style of constructivism and as part of the Bauhaus movement, experienced, however, in the course of the past 90 years, repeated time-appropriate revivals which guaranteed its on-going popularity. The version of the Futura EF Pro contains the original character constructions which Dennis Megaw described as the “first designs of Futura” in 1938 in “20th century sans serif types, Typography no. 7” (See: Dr. Christopher Burke: Paul Renner, Princeton Architectural Press, New York 1998). What makes it exceptional is the extension into three weights: “Text”, “Headline” and “Index” which came about as part of a degree dissertation at the Hochschule für Bildende Künste (HFBK) in Hamburg. In this context, the accompanying documentation “Die Kritik der reinen Futura” (“The Critique of the Pure Futura”) by Katharina Strauer was published by the Materialverlag, Hamburg, in 2003. Some copies are still available at Elsner+Flake.

The design of Futura seems to be timeless. This typeface family which had been developed in 1926 by Paul Renner for the Bauer Type Foundry in the style of constructivism and as part of the Bauhaus movement, experienced, however, in the course of the past 90 years, repeated time-appropriate revivals which guaranteed its on-going popularity. The version of the Futura EF Pro contains the original character constructions which Dennis Megaw described as the “first designs of Futura” in 1938 in “20th century sans serif types, Typography no. 7” (See: Dr. Christopher Burke: Paul Renner, Princeton Architectural Press, New York 1998). What makes it exceptional is the extension into three weights: “Text”, “Headline” and “Index” which came about as part of a degree dissertation at the Hochschule für Bildende Künste (HFBK) in Hamburg. In this context, the accompanying documentation “Die Kritik der reinen Futura” (“The Critique of the Pure Futura”) by Katharina Strauer was published by the Materialverlag, Hamburg, in 2003. Some copies are still available at Elsner+Flake.

For nearly 90 years, Paul Renner’s Futura has been as popular as it is versatile—from children’s books to fashion magazines to the plaque on the Moon. Futura is a typographic icon. Futura Now offers designers a chance to see Futura with fresh eyes. It’s more truly Futura-like than any digital version you’ve ever worked with. “It brings some much-needed humanity back to the world of geometric sans serifs,” says Steve Matteson, Monotype’s Creative Type Director who led the design team. “Despite its reputation as the ultimate modern typeface, Futura Now is surprisingly warm,” he explains. “It’s just as at home set next to a leafy tree as it is next to a stainless-steel table, because it skillfully navigates the border between super-clean geometry and humanist warmth.” Futura Now—the definitive Futura—contains 102 styles, including: new Headline and Text weights; new Script and Display weights and styles; and new decorative variants (outlines, inlines, shadows, and fill). Its contemporary alignment of names and weights makes the family easier to understand and use, and its comfortable Text and judicious Headline subfamilies provide instantly refined spacing. With a large Latin, Greek, and Cyrillic character-set, Futura Now serves a wider international creative community. Futura Now is available both as individual OpenType fonts and as a set of Variable fonts, delivering limitless styles in a tidy digital footprint.