Rotundus Rounded is a rounded sibling of Rotundus, an elegant sans serif typeface based on geometric shapes. Precise lines and accurate curves with soft edges are the main characteristics of this fresh and modern font family. While unconventional letterforms give Rotundus Rounded its distinctive appearance, a tall x-height and a condensed width provide good legibility and nice readability even at smaller sizes. With its contemporary feel, Rotundus Rounded is suitable for almost any type of analogue and digital application. The Rotundus Rounded font family includes unique letterforms, exclusive ligatures and extensive OpenType features. Rotundus Rounded comes in six weights with matching italics.

Introducing, Franceur. A condensed display typeface with natural hand writing feel. This font is perfectly made to be applied especially for invitations, labels, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase and Lowercase Numbers and Punctuation Ligatures and Alternates Multilingual Support PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Email us to letterhend@gmail.com if you need something! Happy Designing!

Magasin is a high contrast display typeface inspired by the pointed pen calligraphy, yet with a retro-chic twist. It combines a sense of script with geometric and slightly condensed structure resulting in idiosyncratic curves softly connecting the vertical elegance of its forms, ideally suited to use at large sizes in headlines for magazines, posters or packaging. Magasin boasts a rich set of OpenType features that provide a better flow such as Ligatures, Stylistic Alternates, Contextual Alternates, and Final Forms. It also includes a set of capital Swashes. Please check the ‘Read me’ file located in the gallery for more specifications.

Kaarna is a rough hand drawn sans serif. The underlying shapes and structure are designed in the style of modern sans serifs which are made livelier by the hand drawn look. The condensed proportions make it especially suitable for use in large headlines and to achieve maximum impact. The hand drawn texture becomes clearly visible in big sizes and quiets down when used small. This allows you to use Kaarna for both headlines and short to medium length texts, ensuring visually unified typography. Because of its design and large character set, Kaarna is well suited for branding, advertising, packaging and editorial use.

Gottera is a condensed font with visual elegance, smooth curves make your work look more attractive. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with the script, sans, or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Hordeland is a display condensed typeface with a touch of vintage look and feel. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates / swashes and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Culebra is a neo-traditionalist small-caps font designed in the tradition of high-end metalwork craftspeople and Western & Victorian sign-painting styles. With a bit of a nod to the standard of perennial favorites like Copperplate Gothic font, Culebra brings some eye-catching design touches and a more condensed structure for more economical use of horizontal space. It's a font that is as readable as they come, and would hardly be out of place in any design context, as it truly takes on a complementary vibe to almost any font style you want to pair it with.

Polish type designer Lukasz Dziedzic created this display and sans FontFont in 2009. The family has 18 weights, ranging from Thin to Black in Condensed, Normal, and Wide and is ideally suited for editorial and publishing, music and nightlife as well as poster and billboards. FF Mach provides advanced typographical support with features such as ligatures, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic writing system.

Bodoni expresses the beginning of the Industrial Revolution; its serifs are flat, think and unbracketed, while the stress is always on the mathematically vertical strokes. Bodoni believed in plenty of white space and therefore descenders are long. The M is rather narrow; in the Q the tail at first descends vertically and the R has a curled tail. The italic, like most continental modern faces, has roman serifs. Monotype Bodoni provides a clear-cut effect due to its simplicity. It reproduces well, particularly in sizes over 12pt. This font is slightly darker than Bauer Bodoni. The contrast makes Monotype Bodoni appear more condensed.

Regia Sans is a typeface that was designed in 2008 in Concepción, Chile, and was first released for sale by Latinotype. It is a very thin and condensed font with a modular design, well-suited for short texts, logos, magazines, posters, etc. This new version includes more than 1,300 characters in Opentype format, many ligatures (including diacritical marks and numbers), two groups of alternate characters, and some swash characters. Languages include: Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian and Pan Africa Latin. Photos by Sergio Recabarren. Designed in 2010 by Luciano Vergara.

Introducing Milleniapolis - Futuristic Type, created by ikiiko. Milleniapolis is a condensed type with a simple and playable font. Thin and tall font characters make it easy to adjust and fun to explore different shapes and layouts. This typeface is perfect for an brand logo, fashion stuff, clean design, magazine cover, poster & flyer, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Alternates & Stylistic Ligature Multilingual Support Get also a good offer & FREEBIE at our site : www.ikiiko.com Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Base Neue is the reincarnation of the basic typography (adaptation) of modern civilization. InkTrap is applied and many variations that can be used for this typeface, from very narrow media to extra-large publications. Weights from thin to black and then there are widths from Super Condensed to Super Expanded, which of course are all used in various media, from heading or titles to body text. Base Neue provides a total of 108 styles consisting of 782 glyphs per style. 95 different languages are supported, and it also has access to alternative letters and interesting ligatures.

Buckley is a condensed, hand-lettered font based on characters created with my favorite vintage fountain pen: a Waterman Ideal #2. Its textured strokes reveal its ink-on-paper origins, while randomized contextual alternates cycle through letterforms as you type, for a convincing and handwritten look. Buckley’s friendly, happy, and casual appearance helps make packaging, greetings, and storybooks charming and approachable. See what’s included! http://bit.ly/2c98p0L This font has been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Magnolland is an elegantly condensed serif with an eye-catching shape for every typography combination design. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with the script, sans, or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Nordikka is a 10-style sans-serif simple pure typeface designed by Luciano Vergara. Nordikka is a condensed font with a large x-height and straight terminals well-suited for headlines and short texts. A good option for clean and visually appealing designs. Nordikka is inspired by Scandinavian culture and its globally recognised design, which is characterised by pure, clean and clear forms. The final stage of the design process was completed in Olinda, Brazil, which inspired some of the words in the font specimens, allowing for reflecting an image of people’s daily habits and customs.

**Delokia** is a condensed font with visual elegance, and smooth curves make your work look true and attractive. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with script, sans, or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Victorina is a fantasy sans letter or display, inspired by the Victorian letters whose stylistic influence dominated the scene graph of the nineteenth and twentieth century. Victorina has a perfect structure of rigorous geometry. Victorina comes in several versions in both Black and Condensed, in italics with a varied repertoire of styles, besides providing small caps and ornaments. Victorina lets you work fine fantasy headlines when they overlap in layers of different styles. Victorina is a letter designed to recreate, with a contemporary vision, the spirit of those days of the industrial revolution and the early days of modernism.

กริลล์เด็ม เป็นแบบอักษรลายมือให้ความรู้สึกเป็นมิตร เหมาะสำหรับงานออกแบบเกี่ยวกับเมนูอาหารหรืองานใด ๆ ที่ต้องการแบบอักษรลายมือ ด้วยความที่ กริลล์เด็ม มีความผอมเพรียวจึงเหมาะสำหรับงานที่มีพื้นที่จำกัด อีกทั้งยังรองรับหลากหลายภาษา ทำให้คุณสามารถใช้งานได้ในหลากหลายโปรเจ็ค กริลล์เด็ม มีทั้งหมด 2 ลักษณะ Regular และ Italic อีกทั้งยังมีฟีเจอร์ Samll caps และ Tabular ทำให้เป็นฟอนต์ที่ครอบคลุมทุกความต้องการในงานออกแบบของคุณ Introducing Grilldem, a hand-written typeface that exudes friendliness. Perfect for designing food menus or any writing that requires a display font, Grilldem features a condensed design that makes it a great choice for limited space. With multi-language support, this font is versatile and can be used in a variety of projects. Grilldem comes in two styles - regular and italic - and includes small caps and a tabular feature, making it a comprehensive font for all your design needs.

Romeo is a perfect couple of Julieta , they are a condensed, unicase family full of swashy love. Inspired by romanticism, Romeo is a charming and versatile typeface. By alternating uppercase and lowercase, and mixing them with alternate characters, ligatures, swashes and endings, you obtain endless possibilities of composition, with 810 glyphs available in the Pro font. In case you don’t need all these alternatives, there is also an Essential version consisting of 247 characters. In addition, Romeo has an affordable set of ornaments, connectors and catchwords to complete this attractive display system. Photography by Damien Vignaux (www.elroy.fr)

Channel B was derived from the logo for Channel B, a British entertainment internet channel, anchored by former Soccer AM presenter Tim Lovejoy at www.dailymotion.com/channelbee. I’m not sure what it was in 2008 when I first ran across the logo, but that elegant capital B seemed to cry out for a font to support it. Many of the capitals, numbers and other glyphs of Channel B are split into a top and bottom, but not all. The tall, condensed capitals are contrasted to the rounded lowercase (derived from the bottom half of the B, rotated 180°).

The Bitstream version of Letter Gothic designed by Roger Robertson in 1956-62 for IBM electric typewriter. It is a condensed, monospaced font resembling a typewriter face, suitable for tabular material. Primarily used for slide presentations and for word processing applications, Letter Gothic is very helpful for printing out software source listing, for informal office communications and for tabular charts where alignment of columns is important. Besides, being a clear and easy-to-read font, Letter Gothic is popular now for display and advertising matters. Cyrillic version was developed for ParaType in 2000 by Gayaneh Bagdasaryan.

Blacken is a contemporary blackletter with some fraktur flavour and a deep dark spirit. With its 420 characters covering 219 Latin-based languages, this font is ideal for your posters, book covers, logos, tattoos, and to play with its strong and thick characters. Among its inspirations are the gothic-cholo style, Mexican sign painting (the one in tacos and tortas, of course) and some delicious Belgian beer! Besides the Regular width, Blacken comes with Condensed and Expanded versions and Mix, which combines the three widths as OpenType features. You can also get Blacken Variable to create your own ideal width!

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow, Normal, Wide and Expanded. The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

The Black Engine condensed slab serif font is vintage-inspired with a touch of classic style but gives it a tough feel. This font is built on a solid foundation, strong visuals, vintage motion, and a modern minimalist style. Black Engine is perfect for Jersey, athletics, posters, branding projects, Logo design, Clothing Branding, product packaging, for magazine titles. for something sports themed, album title, etc What you get dear, you will get : Black Engine- A clean Slab serif font including Upper & Lowercase characters(ALL CAPS), Numbers and Punctuation Supports Multi linguage (Latin Western Europe), Numbers and Punctuation

Urbana is a contemporary, naturally condensed sans-serif typeface inspired by the traditional lettering found in Colombian city buses. A mixture of influences reminiscent of modernism, hand lettering, cluttered spaces and improvisation are the source of its unique forms. Urbana was designed to save space and catch the reader’s attention while keeping a high legibility in virtually all situations. Urbana is recommended for setting headlines and short paragraphs in newspapers and magazines or wherever graphic designers need to save space. Its distinctive shapes also help designers to produce easy-to-recognize logos and work as an ideal companion of visual identity systems.

Julieta is a perfect couple of Romeo , they are a condensed, unicase family full of swashy love. Inspired by romanticism, Julieta is a charming and versatile typeface. By alternating uppercase and lowercase, and mixing them with alternate characters, ligatures, swashes and endings, you obtain endless possibilities of composition, with 810 glyphs available in the Pro font. In case you don’t need all these alternatives, there is also an Essential version consisting of 247 characters. In addition, Julieta has an affordable set of ornaments, connectors and catchwords to complete this attractive display system. Designed by Paula Nazal Selaive.

Gunhill is an elegant semi-condensed modern serif font inspired by vintage fonts. It perfectly represents modern and vintage esthetics. The font is perfect for elegant wedding invitation cards, beauty and fashion package design, very suitable for book design, magazines typography, packaging, branding and other creative projects. It has support for many languages as: Afrikaans, Basque, Bosnian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Galician, German, Indonesian, Irish, Italian, Latvian, Lithuanian, Malay, Norwegian Bokmal, Portuguese, Romanian, Russian, Slovak, Slovenian, Spanish, Swahili, Swedish, Turkish, Zulu Font includes both types of ligatures: standard and discretionary Thank you and have a great day!

SK Merih is a geometric sans serif and semi-condensed font family. Produced with a clean and modern design approach, SK Merih can be easily used in titles, body texts and many points you may need in design. SK Merih takes its name from Mars. Although Merih is not used today, it is the Turkish equivalent of Mars. SK Merih consists of 12 fonts and 5244 glyphs in total and has multilingual support. In this way, it contains all the typographic elements you will need in your designs. You can visit my Behance account to examine the project images in more detail.

The “indalo” means messenger of the Gods in the Iberian language about 2500 BC. It was discovered in the Almeria, south of Spain, Indalo was a ghost that bring luck having a rainbow in his hands. Indalo font is an informal, condensed hand-drawn font with a vintage touch. Its features give it a nice appearance that refer to traditional fluent writing. This font is equipped with a large set of ligatures, as well as different alternatives on some letters, to create more authentic and varied connections between letters. Contain Central European language support to fit your design.

Pial fonts Family includes: Pial Regular that is totally hand-designed, casual and youthful, with lines that sometimes swell extremely, contain 546 glyphs with many stylistic variations, swashes and ligatures. Pial Sans Regular and Expanded, also hand-designed, and Pial Serif Regular and Condensed to add a little seriousness. We have added also, a font of ornaments, extras and catchwords in the family. Using this font you will achieve a very elegant and warm work. Pial Family is very versatile and ideal for logotype design, magazines and book covers, children's material, fashion, headlines, cards, posters, websites, packaging and, basically, anywhere you want.

Progressiva is a sans serif type family for text and display usage. With some unique playful forms and a little bit condensed structure, the family is ideal for texts that require some personality and titles with great visual presence. Progressiva family is composed by 11 roman styles, from Thin to UltraBlack, giving a lot of space for visual variance. Each font includes some standard and discretionary ligatures as well as some alternative letterforms included in stylistic alternates and stylistic sets OpenType features. It’s suitable for magazines, posters, packaging, advertising, signage systems, corporate material and so on.

Boundar is a sans serif font with a Geometric style, this font consists of 6 Weights and 208 Glyph. Boundar is taken from the Indonesian word "Bundar" which means circle because in this font there are so many circle elements in the manufacturing process. And I (Grapya) as the designer in this font hope, Boundar Typeface can be useful for you. If there is an error or anything that is less pleasing, you can contact us via our email, we will be happy to receive a review from you so that my team and I can be better in the future. and please note that every font that we upload in front of your monitor screen must have been tested by the curator of MyFonts. Thank You, Grapya & Suratoria Team

Some years ago I had my first contact with a grotesque typeface, when handling a sample catalog of typographic specimens from the age of phototypesetting. The style eventually settled in my memory waiting for the work of time. Behind its apparent neutrality, there is a complex balance game, that almost leads to the basic principles of design which deliver such power to the grotesque style. Stevie Sans is the answer to the action of time. A bridge that allows the designer to go into the past, while being in the present and looking towards the future. It is what it’s expected from a grotesque designed in the 21st century. With 7 roman styles ranging from thin to black, support to many languages and essential opentype features, Stevie Sans is the ideal choice for your project.

Asparocus is a modern and clean font duo that includes all caps sans serif and script font style. Sans serif style comes in 16 weights with italics + variable fonts. Designed with a modern minimalist mind, Asparocus is suited for display, advertising, web design, headline, branding, logo, text, business card, and many editorial design purposes. What you will get: All caps sans serif and script font style Numbers and punctuation Multilingual Ligatures Alternates Opentype features Future Updates Available We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so you can see and access all Glyph variations. We hope you enjoy our font - please do let us know by emailing us at info@prestigetype.com or prestigetypestudio@gmail.com if you need something!

NT1972 is a display font from the future. Font in the era of cyborgs and cyberpunk. This is a sharp, brutal font with futuristic shapes. It combines style and functionality, so the font will look great in your futuristic design in any environment, be it a logo or a merchandize. The angle of inclination in each glyph is 50 degrees, all glyphs also have the same stem sizes to create a good font system. All this is done to get a good futuristic cyberpunk font that will give style to your design, be it a logo, poster, banner, merchandize, title, packaging or product design. In addition to all this, there is support for many languages and alternative characters. In case of any questions, problems or suggestions, please email: bunineugene@gmail.com

Tiqqun appeared as a font for a monumental, but at the same time futuristic design. During the creation process, many variations for each glyph came to mind. Therefore, it was decided to create an entire system of alternative options. As a result, we have more than 130 alternative characters and as many as two full-fledged alternative sets. The font contains monumentality, brutality, futurism, rigor and uniqueness of some forms. As a result, Tiqqun has become a font system that can cover a large range of your design needs: Prints on clothes, logo, packaging, banner, title, text, poster, merchandising, identity, branding or product design. - 360+ Glyphs - 130+ Alternative Glyphs - Supports 80+ Languages - Special Symbols and Features - 2 Full Alternative Set - OT Features: aalt, case, kern, ordn, salt, sups, ss01-09

Introducing Raph Lanok Typeface which has a elegant hand lettering brush style. So it looks natural like a handmade, because Raph Lanok family have a more choice characters. This font is best used for your design project that have the concept of fun, brave and sporty. Can also be applied to the design of a logotype, header website, making some lettering for a quote, t-shirt design etc. Raph Lanok has three font styles that are similar but with a different character, named Raph Lanok Future and Raph Lanok Rusty but that you also get Raph Lanok Swash with a line fast brushed of a used font. Raph Lanok Typeface deserve to be in your fonts collections, because it is unique and has many options of alternative glyphs. Thank you and enjoy :)

Vincenza Display is a modern high-contrast semi-sans with sharp edges and sleek curves. A distinctive typeface for exquisite headlines. Winner, Gold Award, Graphis 2018 Typography 4. http://www.graphis.com/entry/f6b469fe-c5d3-4bea-87e3-796c1d727b3c/ We felt there was a missing in the world of fashion-forward high-contrast typefaces, so we created Vincenza Display. Based loosely on the proportions of Bodoni, Vincenza features stylized curved descenders and unique semi-serifs, bringing a bold and distinct look to your headlines. The typeface has several alternates and ligatures, and is spaced for all caps as well as sentence case executions. It also contains a robust number of special characters. Vincenza Display is the debut typeface from the team at The Rare Form.

The Yorkten family of fonts is back with another satisfying addition to its clean style. The rhythmic, new Yorkten Slab expands Yorkten’s basic, contemporary form of geometric and simple lines and adds a level of self-confidence and elegance to your work. Slab's basic structure is compact. It’s more condensed than most slabs, so you can save space yet still have clear, consistent readability. The added serifs create a fresh text color, too, that syncs well with the new font’s inherited features. Like its predecessor, Yorkten Slab offers its natural, simple structure with more than fifty fonts in the family and three different widths - extended, normal or condensed. Each group has eight weights from a lean thin to tough looking black, giving Yorkten Slab plenty of bragging rights among its peers. And like Yorkten, too, Yorkten Slab’s greatest value is the ability of its members to work easily and well together and with a variety of other fonts. Yorkten Slab ensures that you have the necessary tools for any challenge. In combination with its superior functionality and excellent readability, this versatile font can be effectively used for many print and screen operations: e-books, applications, headlines, banners, posters and websites to name a few options. Don’t wait any longer. Start tapping the possibilities that Yorkten Slab offers your work.

Broadside Text is a companion to Broadside, and is optimised for use at smaller sizes. More open counters, more generous letter-spacing and additional fractions increase legibility. The original Broadside family is suitable for headlines and larger sizes, and also comes with condensed and extended versions. Broadside is a versatile, authoritative and functional family inspired by the sans serifs seen on ’40s and ’50s patriotic posters and period advertising. It is available in seven weights across condensed, normal and extended widths, each with reweighed italics. The type from this period was very often hand-drawn, and so differs considerably from poster to poster. Many American examples of this period use a Photo-Lettering style called Murray Hill and its derivatives, although their UK counterparts, designed by such luminaries as Abram Games or Tom Eckersley, are more stylistically diverse. Even though no single model is available to base a digitisation on, there are certain recurring stylistic quirks that give the type its unique flavour, and so the most interesting examples from several sources were be combined for the final family. Alternate short descenders, allowing for tighter line spacing, can be toggled on or off in the Opentype panel of Indesign or Illustrator. Tabular and lining numerals and a single-story ‘a’ are also available in all weights and styles.