Inspired by an old retail stencil lettering guide, Stenciled Message JNL is a bold Roman serif typeface available in both regular and oblique versions.

Poster Plain JNL and its oblique counterpart offer the simple, hand-lettered look of home-made poster board projects with a bold, friendly typeface.

Giving a stencil treatment to a classic wood type sans serif grotesk design, Wood Stencil JNL is available in both regular and oblique versions.

Archipad Pro is a geometric sans and slab font family, The combination of modern geometric elements make it clean and readable with the form and matching oblique. Archipad Pro Consist of 9 weight sans and 9 weight of slab, makes more free choice in writing with 36 font styles. 9 Weights Sans and Slab (Thin, Extralight, Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black) Oblique font is available Latin Pro

Hermitage is a modern, elegant serif font that includes six typefaces regular, outline, oblique, outline oblique, rough and rough oblique. This font has a light weight and looks amazing in logos, branding, arranging wedding invitations, business cards, packaging, cosmetics, also works perfectly with text, it is very readable and recognizable, book cover, magazine headers, or simply as a stylish text overlay to any background image. This font includes alternates for Uppercase and Lowercase, with them you can make your project more elegant and unique and the slanted style will add dynamics to your design. Use a rough style on the craft paper, it will look great on it and create an atmosphere of handwriting. This font is easy to use has OpenType features.

The Woodblock font is a heavy face with angled counters and wedge serifs. The angles of the terminals and non-vertical strokes have been carefully drawn to add emphasis to the shapes of the letters.

Hannah Joie was influenced by the early lettering that appeared on posters in Israel (e.g. the 1950s). The style of the lettering was bold, heavy, and prominent. Hannah Joie is an OpenType/TTF Unicode font.

Agio - a heavy contrast style font with cuts on the top of the some glyphs and spurs on top left corner of every glyphs. Also Agio has some decorative styles for glyphs and decorative elements.

A heavy obround sans with a high x-height and unusual lower-case spurs that flow up and into the bowl. This curve is mirrored in the ascenders. The alternates provide for closer, denser setting.

Mymoon Stencil is an extension of the Mymoon font family. It comes in 3 weights: UltraLight, Regular and Heavy. Contains extended Latin character set with OT features such as OldStyle and Tabelar numerals and fractions.

Ruina inline is an alternate version of Ruina, containing inline and also oblique, a very expressive font that can be seen in any casual design

Sign Engraver JNL and Sign Engraver Oblique JNL reproduce the classic rounded letters and numbers engraved into plastic signs, desk nameplates and employee name tags.

Franklin Stencil JNL is based on the classic and perennial workhorse design of Franklin Gothic Condensed and is available in both regular and oblique versions.

Vintage French tin stencils with various phrases were the model for Paris Stencil JNL. The type design is available in both regular and oblique versions.

Alphonse Nouveau JNL is based on the lettering style of famed Art Nouveau illustrator Alphonse Mucha, and is available in both regular and oblique versions.

The hand lettered title card from the 1935 melodrama “Magnificent Obsession” inspired the digital revival Movie Classic JNL; available in both regular and oblique versions.

The hand lettered title credits for the 1950 French film “Lady Paname” inspired French Cinema JNL, which is available in both regular and oblique versions.

Vintage wood type with a strong Clarendon influence served as the model for Slabserif Wood JNL, which is available in both regular and oblique versions.

The hand punched lettering of an antique French shipping stencil was the inspiration for French Shipping Stencil JNL; available in both regular and oblique versions.

Modeled after an image of an almost complete set of Latin Condensed wood type, Cattle Trail JNL is available in both regular and oblique versions.

A basic handdrawn and scanned text that could be used for scrapbooks and the like. This font is a cross between Italican Oblique and Czaristane.

SwirlityText is a fussy, over-the-top calligraphic typeface with lots of curves and wiggles. It comes in two weights, each with an oblique style.

Introducing Korde Typeface Korde font is designed with a retro style concept that has a unique and cool shape. It is suitable for header text fonts, book covers and designs that have a retro elegant concept, besides that Korde font is also very good when used for body text. Korde font has 26 families from Thin to Heavy and Condensed. Sans Serif typefaces such as “Korde typeface” are very easy to apply to any design, especially those with an retro and classic concept, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Korde typeface contains 549 glyphs with many unique and interesting alternative options. Plus, there's a cool sans serif font family for header and description text from thin to heavy and thin condensed to heavy condensed. In the poster preview all the letters are in the Korde typeface.

Caridade is a bold and powerful script face. It draws some inspiration from heavy brush drawn vintage hand lettering but its heavy weight is much thicker with plenty of impact and more contemporary letterforms. The face offers a wide array of weights, from the powerful Heavy weight to the graceful Thin. Caridade can get the job done for many unique design tasks. Caridade includes many useful OpenType features, including a set of non-connecting alternates, 40 ligatures, and two types of end letterforms. OpenType features include ornaments, swash endings, ending contextual alternates, discretionary ligatures, ligatures and three different stylistic sets filled with alternates. In total, there are over 60 alternate letterforms. Please see the sample .pdf to see these features in action. OpenType capable applications such as Quark or the Adobe suite can take full advantage of the automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of languages.

Directa Serif Variable is a text type family in one single font file. It explores new possibilities for the original type family released by Outras Fontes some years earlier, which is designed to save space with the highest readability. The variable font is composed of two axes of variation: Weight (100–900) and Italic (0–1). It also contains 18 predefined styles between Thin and Heavy and their respective italics. So now you can adjust the weight of the type by interpolating it in real time using any variable font compatible app. There are hundreds of possibilities between the values of 100 (Thin) and 900 (Heavy). And if you're feeling adventurous, you can also use the Italic axis to interpolate instances between Roman (0) and Italic (1) and see what happens in the middle. This new technology can be very useful for web and video animations. Directa Serif Variable is also highly recommended for newspapers, magazines, corporate communication and so on. It has a large set of characters, including Western, Central European, Baltic, Scandinavian, Icelandic, Romanian and Turkish unicode ranges. The variable font also includes several ligatures, a complete set of small caps, sets of lining, old style and tabular figures, as well as fractions, superior and inferior numbers. These features can be easily accessed using any OpenType-compatible software.

TUTORIALS : https://www.youtube.com/@madhalinestudio/videos Yenisack is a carefully crafted font, which features a very heavy black metal feel. Yenisack suitable for metal band logos, merchandise, clothing, apparel, or anything that needs a black metal feel.

Ony font was made by cutting letters in cardboard and printing them on paper. This non-perfect printing was used to get heavy, dirty letters. Font has alternate characters so it can imitate real printed words.

Hadrian Bold pushes the limits for an extra-condensed titling face. Though remaining in the tradition of the 20th-century 'grotesque' designs, its heavy verticality and tight spacing demand attention for headlines at virtually any size.

Art Museum JNL is yet another take on the classic Art Deco "solid letter" fonts that emulate the style of Futura Black. This version comes to you through the courtesy of a vintage WPA (Works Progress Administration) poster promoting national parks and Winter sports. Take note of the unusual inverted middle crossbar on the 'E' and 'F' as inspired by the poster's hand lettering.

Chesna grotesk is a geometric form-based sans serif typeface. It has 20 weights 10 uprights and 10 italics. Bringing a new approach to the classic grotesque design, Chesna was inspired by typefaces such as Avenir, Futura and Circular. Each weight includes extended language support, fractions, tabular numbers, arrows, alternative characters and ligatures. (Please see the pdf specimen for more information.) PDF Specimen, Horizontype.com

With all of the stencil fonts created by Jeff Levine from various vintage sources, you would think everything had already been covered. Not so. Along comes Amateur Stencil JNL. Modeled from a child's stencil set from the late 1950's or early 1960's, it vaguely resembles Futura, but its irregular widths and semi-stencil appearance sets it off greatly from that classic typeface.

The Core Sans GS Family is a rounded version of Core Sans G and a part of the Core Sans Series such as Core Sans N, M, A, E, D. Core Sans GS is constructed of straight, circular or square shapes. These geometric shapes are inspired by classic geometric sans (Futura, Avenir, Avant Garde etc.). Every stem is a rectangle or a straight line and every letter, lowercase or uppercase, seems to be in perfect geometric form and even weighted. The small x-height makes readability clean and clear. Core Sans G can be used equally well in headings or in body copy. The Core Sans GS Family consists of 9 weights (Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, Heavy, Black) with maching Italics. It also includes alternate characters (a,g,t) and a bunch of ligatures. The Core Sans GS provides a wide range of character sets to support (Cyrillic, Central and Eastern European characters) and advanced typographical support with features such as proportional Figures, tabular Figures, numerators, denominators, superscript, scientific Inferiors, subscript, fractions, standard ligatures, discretionary ligatures and stylistic alternates. Core Sans G is an ideal font family for use in magazines, web pages, screens, displays, and so on.

Zafran is an elegant industrial display typeface, full of curves and sharp angles, the typeface has an oblique feeling and unified spaces that create neat alignments.

Motherboard JNL is a retro throwback to the technology boom of the 1980s and simulates an LED readout display panel. Available in regular and oblique styles.

Backpage Article JNL and its oblique counterpart are a variant to the popular sanserif wood types used in newspaper headlines and on broadsheets in years past.

Display Engraved JNL was inspired by the bold, engraved Sphinx Blanc from the Deberney & Peignot circa 1925, and is available in both regular and oblique versions.

Fordham JNL is a slab serif typeface in regular and oblique versions that has a casual, informal look reminiscent of 50s and 60s-era ad headlines.

An antique Bradley stencil cutting machine’s letters and numbers were the basis for Dry Goods Stencil JNL, which is available in both regular and oblique versions.

Handmade Stencil JNL was inspired by the hand lettered opening credits of the 1954 film “Human Desire” and is available in both regular and oblique versions.

Mud Creek JNL is based on Tuscan Egyptian – a classic wood type with a decidedly Western feel, and is available in both regular and oblique versions