Yaungtinai is actually a unique font, I made it with the relaxed spontaneity of my hands. designing formal fonts but with a classic elements, which makes it very suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires a classic, formal or fancy appearance. Try Yaungtinai, enjoy the wealth of OpenType features and let the powerful yet elegant excitement delight you and increase your creativity! You can use this font very easily. There are many features in it. Yaungtinai contains the full set of lowercase and uppercase letters, punctuation, numbers, and multilingual support. This font also includes several alternative Ligature and Stylistic Set styles for those of you who have software that can work with OpenType (Corel Draw / Photoshop / Illustrator / InDesign). If you don't have a program that supports OpenType features like Adobe Illustrator and CorelDraw X Version, you can access all alternative glyphs using Font Book (Mac) or Character Map (Windows). Don't forget to see, buy, like, and share with friends.

Nosegrind is a bit of a departure from our usual more traditional font offerings. It's based on skate-culture graffiti gleaned from various samples of similar style found on walls in Austin and online. The font includes two character sets, one which is plain and one which is enhanced with outlines. In normal usage the characters should nest, with slight overlap from one character to the next as shown in the sample to the right, but the lower case characters in the font are spaced evenly but not pre-nested, leaving the degree of overlap up to the user - nesting is easily adjusted with the tracking option in programs like Photoshop, Quark or InDesign. Ultimately Nosegrind will be added to our Modern Fonts collection, where it ought to fit in nicely.

NorB TypeWriter is my emulation of the IBM Selectric 'Light Italic' ball witch was used by my grand-brother for his correspondance during the 70’s and 80’s. It's however a slanted mono-spaced looking typewriter font. You may want to use this font with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! NorB TypeWriter features 677 glyphs, OpenType features and comes in 8 weights each with their matching italics and in a Thin, Light, Normal and Bold version.

Introducing Loominaire - A Modern Futuristic Font! Step into the future with Loominaire, a captivating and cutting-edge font that embodies the essence of modernity and innovation. Designed to make your designs stand out and leave a lasting impression, Loominaire brings a touch of sleek sophistication to your creative projects. With its clean lines and geometric precision, Loominaire exudes an aura of futuristic elegance. Each letter is meticulously crafted to create a harmonious balance between contemporary aesthetics and legibility, ensuring that your message is conveyed with clarity and style. This font is perfect for those seeking to add a touch of modernity to their branding, advertisements, websites, posters, and more. Captivate your audience with Loominaire's versatility, whether you're creating a high-tech logo, a sci-fi movie poster, or a forward-thinking website interface. Loominaire unleashes your creative potential with its extensive character set, including uppercase and lowercase letters, numerals, punctuation marks, and a variety of special symbols. Its versatility extends beyond the confines of traditional design, allowing you to explore endless possibilities and push the boundaries of visual communication. Embrace the future of typography with Loominaire - a font that bridges the gap between contemporary design and futuristic aesthetics. Let your creativity soar and watch as your designs come to life with a touch of modern elegance. Unlock the power of Loominaire today and revolutionize your creative projects with this extraordinary modern futuristic font.

»AlphaOne« is my newest addition to the experimental Alpha-font-collection. I just had to do this one! It is based on Paul Renners fonts, but has got nothing to do with them, I just took the widths and some basic forms. No – or hardly no – optical corrections were made to the glyphs. I wanted the pure geometric forms to come to life. This was a lot of fun to design, I especially like the »Q« with the negative tail. I did make four weights, but nothing is normal with this font, so weight doesn’t really mean anything. Have fun!

Mohr Rounded—the new version of the original Mohr typeface—features curved and softer terminals which make the font look more organic, warm and friendly. The Mohr Rounded family comes in three versions: normal, alt and italic, each with 9 weights, from Thin to Heavy, resulting in a total of 27 styles. The versatility of the font makes it suitable for a wide range of applications, from small text to high-impact headlines. Mohr Rounded also includes initial and terminal swashes in most of the uppercase and lowercase characters. This provides a greater range of uses such as branding, packaging and identity design.

The Fou typeface family was designed as an alternative to Trade Gothic condensed bold. During the design process of a normally wide font variant a system developed that responds to white space and changing proportions. Thus, round transitions become rectangular and vice versa, space is made and space is taken away. This system and the associated changes are continued on a model with semi-serifs. Fou can also be used as an alternative to Din or the wider Q-Type, but in comparison offers more room for emphasis with its italics, expert sets and numerous special characters.

Triplepass is a narrow grotesque with 3 styles: normal, with cut corners and a stencil shape. The font has a retro character, contains both humanistic rounded designs and modern smooth alternatives. The font is suitable for logos, large headlines, posters, signs, prints, font compositions, as well as for sports-related layouts where clear numbers and space savings are needed. Triplepass contains extended Latin, Cyrillic, fractions, ligatures and two icons of a basketball. It contains OpenType features: liga, numr, dnom, calt, ss01, ss02. The font is also case sensitive, has fractions, currency signs including the rouble sign.

Polish type designer Lukasz Dziedzic created this display and sans FontFont in 2009. The family has 18 weights, ranging from Thin to Black in Condensed, Normal, and Wide and is ideally suited for editorial and publishing, music and nightlife as well as poster and billboards. FF Mach provides advanced typographical support with features such as ligatures, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic writing system.

In the beginning, this font had been designed for an affiche work as wood pattern which includes one font and medium weight. The stylish design of this font had been inclined us to create more weights and more styles. Daphne Font Family comes in three weights; normal and italic. Plus two additional styles which are wood pattern and shadow. You can get great wood pattern results with Daphne Font Family; also with colored shadows, you can get gorgeous results in poster works and t-shirt prints. Even in very small type sizes, it can be legible.

The "Fou" typeface family was designed as an alternative to "Trade Gothic condensed bold". During the design process of a normally wide font variant a system developed that responds to white space and changing proportions. Thus, round transitions become rectangular and vice versa, space is made and space is taken away. This system and the associated changes are continued on a model with semi-serifs. "Fou" can also be used as an alternative to Din or the wider Q-Type, but in comparison offers more room for emphasis with its italics and condensed styles, expert sets and numerous special characters.

Hekaz is a graffiti font with powerful, unconventional shapes that is nevertheless pleasing to the eye. This font is the solution if you need an abstract, distinctive, and different from the normal font for remarkable design demands. Use it immediately to make your project elegant and bombastic. This graffiti font is great for product logos, poster titles, headlines, packaging, film titles, logotypes, gorgeous writing, and trendy graffiti designs, among other things. Of course, if you utilize this font in your numerous creative projects, they will be perfect and outstanding. Use this typeface right away for your one-of-a-kind and remarkable projects.

Bubble Guts is a whimsical typeface with four fonts. It is one of the few of its kind that has both uppercase and lowercase options, allowing the user versatility and legibility at the same time. Its four styles, Normal, Italic, Shadow, and Extrude, allow for the user to create a bevy of visual effects. It has a retro feel that makes it great for animations, invites, branding, and social media! What you get Bubble Guts Regular Bubble Guts Italic Bubble Guts Shadow Bubble Guts Extrude This typeface supports 438 characters, and it supports most western languages! Layer these fonts to get all types of cool effects! Extrude is perfect for this; it allows for the user to fit the "Bubble Guts Regular" characters on top and create layers.

Auline is Modern Luxury Serif Font is a well-balanced contemporary font with a fancy, unique, and versatile Luxury serif, font that you can combine to get any variations and unique shapes easily just in seconds with choose alternates of them. What's Included: Character set A-Z Normal & Italic Style Numerals & Punctuation Accented Characters (West Europe) Stylistic alternates Works on PC & Mac Recommended using Adobe Illustrator or Adobe Photoshop. Wish you enjoy our font. :)

Gliker was designer in the early 2019 and published in June 2020. Gliker is inspired by the characteristics of Hobo Typefaces. All corners of this typeface is founded, giving a more dynamic and vintage feel. Gliker is available in 4 Weights (Regular, Semi Bold, Bold, Black) and 7 Widths (Extra Condensed, Condensed, Semi Condensed, Normal, Semi Expanded, Expanded, Extra Expanded) with a total 28 Styles. Also includes support for 75+ Latin (Extended) Languages.

Tenby is a series of modular geometric display sans serif fonts with a hint of Art Deco combined with a 1980s finish. The fonts' underlying grid is ten squares high. Their widths correspond to condensed (Tenby Four), normal (Tenby Five) semi-extended (Tenby Six), extended (Tenby Seven), and extra-extended (Tenby Eight). Each contains two weights, light and regular. Although smaller text sizes are still quite legible, the fonts work better at large sizes.

An unnamed scroll typeface featured in the 1869 MacKellar Smiths and Jordan specimen book provided the pattern for this font. You may begin and end the scrolls with parentheses, braces or brackets, and employ the space bar as you normally would to construct headlines "in a pretty box". Both versions of this font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

An unnamed scroll typeface featured in the 1869 MacKellar Smiths and Jordan specimen book provided the pattern for this font. You may begin and end the scrolls with parentheses, braces or brackets, and employ the space bar as you normally would to construct headlines "in full-flowing draperies". Both versions of this font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Chatnarong Jingsuphatada is a Thailand based typeface designer of foundry Typesketchbook. In 2014, he has created Orev, a type family that consists of 18 fonts, including 9 weights available as normal and oblique style. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. The Orev font family supports multiple languages and is available as both webfont and desktop font.

With the intention to create a family of modern calligraphy, Vild Scapes offers different feels in different effects. The Normal option cuts back the imperfections created from freehand writing, while Inkless keeps those details. There’s also the Rust option, which imitates letterpress printing effects. In addition, the family comes in three designs: Brush (big paint brush style), Script (small paint brush style), and Marker (brush tip maker style), offering you more possibilities for creativity.

Markout is a chunky marker pen font. With a casual style and loose baseline, it's a great display font for titles, headings and logos. The Markout family has regular and alt versions, where some of the characters are different. Most notable is the 'k' in the Alt version this has a more normal size and shape when compared to the regular. Also includes five marker pen emoji ligatures and double letter ligatures.

A contemporary interpretation of the famous DIN typeface. Regular style suits for long texts, while Light and Bold variations work well in large sizes. The typeface includes 24 styles: 6 upright and 6 normal-width italics, as well as 6 Narrow and 6 Condensed styles. The typeface was designed by Vasily Biryukov and released by Paratype in 2015. The set of Condensed styles was added by Alexander Lubovenko and Isabella Chaeva in 2022.

Port Play ... Based on Density Slab Serif, now with other styles, Normal and Expand, equipped with alternative letters that are so wide that they give a strong, clear, masculine feel, and have good legibility. Port Play comes in regular, oblique, outline, and outline oblique styles along with regular and oblique variable files. This font is perfect for every project. suitable for branding logo, badge design, or apparel design. This font also comes with multilingual support.

Geogrotesque Expanded Series comes in three widths: Wide, Extended and Expanded, that go between 120% and 200% of the normal width. Since the original Geogrotesque is slightly condensed, the Wide family becomes a good option for texts. Whereas the Extended and Expanded are ideal for display sizes. With the inclusion of the Expanded Series and the preceding Condensed ones, the Geogrotesque super family is now a complete widths system. For more details see the PDF.

Bodoni Classic Inline is a very elaborate extension of my Bodoni Classic family. The font has 5 different swashes for each capital letter, diverse swashes for lowercase letters and a full set of ligatures, oldstyle and normal numerals, all together 669 glyphs. This Inline font is good for all kind of official looking documents and of course goes together well with my forever growing Bodoni Classic family. Your Bodonian type-designer Gert Wiescher

Fab Figures is a numbers-only font. This high contrast display font family with curly terminals is a great choice for infographics and posters. The entire font family consists of 10 styles: 2 styles for big usage, 2 styles for normal usage, 2 styles for small usage and 3 patterned styles (fitting to the big styles). Character Set: 1 2 3 4 5 6 7 8 9 0 | % # • ~ { $ £ € } . , : ; + - = ÷ / ° * ' ’ (Arrows) (No-Symbol) (Nr-Symbol)

Olimpos is a Display sans font that is absolutely perfect for editorial headlines. Her large, bold and slender figure is perfect for posters, t-shirts, and magazine covers. Reserved for capital letters only, this calm and bold typeface is a content creator's best friend. font files Uppercase, Numbers, Punctuation & Symbols. Diacritic for Multilingual Support This Olimpos is a modern sans-serif font that includes 4 weights of the normal style and the Italic style.

Quebra Ex Cn (Extra Condensed) is an extend display sans-serif font family, available with four widths (Extra Condensed, Condensed, Normal and Expanded) and ten weights, italics versions are available. The main strokes contain small breaks simulating modulated variations on the letterforms, these details are more present on large body sizes. All font versions contain Latin and Cyrillic encoding characters and also ligatures, case-sensitive forms, fractions, oldstyle and finally tabular figures.

Mosse Thai is an extraordinary sans-serif typeface that designed for improve readability, formal but casual, with straight cut at terminal and reverse angled at spur and finial give a little bit sweet. Mosse is simple and identical, come with nine weights allowed you to use the right weight to the right proportions. Mosse Thai also support many languages, thanks to extended latin glyphs. Mosse Thai come with standard Adobe Latin 4 glyphs, world-ready and mark2mark support.

The Rouged is a display script. This typeface has bold monoline which make it looks stand out, and the unique swashes make you easy to create a nice logotype or cool lettering. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Vonder is an awesome vintage font. It has three different styles (Regular, Rough, Stamped). This font really match for your project with retro/vintage theme, Perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Univerza Sans was developed to mark the hundredth anniversery of University of Ljubljana. The style is influenced by the combination of Slovenian avantgarde with some recognizable forms that are known for Slovenian typography. Multifunctional use for identity system, formal communication, wayfinding, academic and scientific articles in order to share the institution’s spirit of knowledge, creativity, diversity and belonging. It speaks Central European languages, feels official but looks attractive and recognizable.