Jobst Gutknecht was a highly successful printer in the city of Nuremburg from 1514 to 1542. He published the "Achtliederbuch" (the first Lutheran hymnal, with a whole 4 tunes) and many works by Martin Luther. This font is an accurate "recutting" of the font face Gutknecht used for the body text in his printed works. It has been extended to over 900 glyphs adding hundreds for modern use. It also presents many ancient things like old ligatures such as "tz", a hedera, and alternate style pilcrow for visual interest. And for those conservative types the modern lower case "k" is also available.

The concept of a bold connected script with a hand lettered feel has been on my bucket list for decades. I imagined a pretentious, ornate, swashy look, a variety of word-end embellishments, heaps of ligatures and underscores. It took a weekend workshop on Python Scripting at Type@Cooper in San Francisco reinforcing the smarts of Opentype to make it happen. Hand drawn on paper using broad pen strokes for reference, the design was the easy part. The real work was in the back-end and self-imposed rigorous testing. Download a comprehensive pdf User Guide at this link.

Perhaps the greatest tragedy in all English history began in 1642 when, for five years, families and friends were divided by violent struggle. Respect for the monarchy was as great then as it is today; but it was squandered by Charles I and Civil War ensued. Out of Cromwell's eventual victory came a period of absolute rule just as arbitrary. In communicating the affairs of Court, Mercurius Aulicus can claim to be England's first regular newspaper, printed at Oxford and reprinted in London almost throughout the entire war. This typeface family echoes the calligraphic scripts of newspaper cartoons of the time.

Ammurapi was the last king of Ugarit, which was destroyed circa 1200 B.C. Back then all writing was done by hand and all that has been preserved is on clay tablets many of which were fired in the very destruction of the cities that enabled these documents to withstand the rvages of time. Ugarit unlike the other cuneiform scripts has a very limited number of glyphs. It is somehow exotically attractive. This font has been encoded in the appropriate unicode block to permit ease of use for scholarly purposes, but would also make a fine use as a decorative element.

The late 70s and early 80s is sometimes considered to be the period when headline typography went off the rails. Growing up in that period, some designers may beg to differ. Many geometric designs were available in dry-transfer and for the typositor, and were used everywhere a youth-culture look was appropriate - annuals, comics, club flyers, high-street boutiques, TV-advertised compila tion albums. Nightclubber is a fond homage to the excesses of the period, and should be used back-lit in pink neon or at a rakish 45 degree slant across a blurred photograph of a glitter ball.

Linotype Sketch is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. German designer Dieter Kurz gave his display font a calligraphic character. The forms lean slightly to the right and have a spontaneous and individual look. This light, cheerful font also displays a harmony among the forms and gives text a personal touch. Linotype Sketch combines well with modern text fonts which have the same narrow proportions. This font is well-suited for headlines and short and middle length texts with point size 12 or larger.

Lean is a solid must-have for anyone's font collection. With its plump weight and dynamic poise, Lean offers an eye-catching solution for any project. Handcrafted and informal, the style adds a real statement, whether it's for a logo, video artwork, business card, or presentation. The impact of the uppercase characters, married with the gentle roundness of the lowercase strokes, present a unique result for titling, sure to get you noticed. Lean's dynamic 'lean' makes strings come alive, giving a feeling of movement and excitement. The character set contains 190 glyphs, with latin and western language support.

A contemporary sans serif design, Arial contains more humanist characteristics than many of its predecessors and as such is more in tune with the mood of the last decades of the twentieth century. The overall treatment of curves is softer and fuller than in most industrial-style sans serif faces. Terminal strokes are cut on the diagonal which helps to give the face a less mechanical appearance. Arial is an extremely versatile family of typefaces which can be used with equal success for text setting in reports, presentations, magazines etc, and for display use in newspapers, advertising and promotions.

In the wake of the Enlightenment and the French Revolution there was a desire for a clear classical blackletter font without frills. That is why in 1793 the famous printer and editor Johann Friedrich Unger and his partner Johann Christian Gubitz accomplished their own fraktur. Now you will be able to use both regular and bold styles of this highly readable blackletter font. It is recommended to activate both OT features Standard and Discretionary Ligatures to access all ligatures in both these fonts. Typing N-o-period and activating the ordinal feature gives you the numero sign.

This double-wide wonder is based on Oswald Cooper’s original drawings for the typeface Cooper Fullface. ATF rejected this offering because they felt that several of the letterforms, and particularly the numbers, were a little too wacky for the mainstream. By now, you know that such an accusation is a "Please don't throw me in the briar patch" plea to yours truly. So, here, proudly and true to their designer’s original intent, are two versions of a really fun font. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

Eventyr is danish and means fairytale. You may know the name of the famous danish author, HC Andersen, who was well known for his fairytales. Actually I finished this font while listening to one of his fairytales, and that inspired me to call this font Eventyr. Most fairytales include the number 3 (3 choices, 3 wishes ... etc) but this font has the number 4 - because you have 4 slightly different versions of each letter to choose from. Enough to make your project look magical! Of course, the font has multilingual support, because fairytales are well known all around the world! :) Caps only Fonts.

Inspired by vintage books and the pages within, Appareo is an imperfect, worn serif font that comes in three weights. Each weight has a varying degree of distress, from Black, in which the press and ink fully set into the page, to Medium, Light and Extralight, where the texture is heaviest. Each weight also has a custom italics version of each character. To fully give the authentic feel of worn pages of dusty books, Appareo has 5 character variations. Appareo also has a set of graphic elements, including frame, banners, borders, arrows, etc in the same style and texture.

The Tibet Museum fonts are designed for harmonic layouts of multilingual texts, especially for the combination with asian fonts such as Tibetan or Devangari. Tibet Museum is a family of four fonts – Regular, Bold, Regular Italic and Bold Italic – that combines the shapes of Tibetan letters with a contemporary western font. The result is a unique set of characters that allows the design of multilingual applications and adds to an outstanding identity. It is perfect for branding projects as well as editorial and exhibition designs. The fonts contain a set of more than 400 glyphs to support 207 languages.

Androgino is a unique handwritten font with deconstruction concept, where each letters connected to others with different spaces and sizes and sometimes overlaps. This font has an abstract 'dual interpretation'. On the one hand, the unique design of the letters does not have a stylistic tendency. On the other hand, the letters are combined in a unique form when they become sentences. Coupled with several ligatures that add diversity and give a certain surprise and impression when typed. Unique and stand out is the right definition for Androgino. It’s another word of Androgynous, Feminism which is masculine, suitable for all types of branding.

Dead Space is a science fiction/horror media franchise created by Glen Schofield and Michael Condrey, developed by Visceral Games, and published and owned by Electronic Arts. The franchise's chronology is not presented in a linear format; each installment in the Dead Space franchise is a continuation or addition to a continuing storyline, with sections of the storyline presented in prequels or sequels, sometimes presented in other media from the originating video game series, which includes two films and several comic books and novels. I created this font by redrawing the alphabet in which the Death Space alien language is written.

If you've got style and love all the luxuries in life, you're Bon Vivant! Add a touch of luxury and style to your projects too, with the new Bon Vivant Font Collection. It's highly recommended to turn your Opentype features on while using the script font, to make use of it's best features - the multitude of OpenType ligatures. As you type, your text looks like natural handwriting, and less like a monotonous font. The handsome serif comes in 2 weights, regular and bold. Designed to be a perfect complimentary font to the script, its just as striking used on its own.

Manufacturer JNL is a reinterpretation of the classic type face Venus Extra Bold Extended, and is available in both regular and oblique versions. According to Wikipedia: “Venus or Venus-Grotesk is a sans-serif typeface family released by the Bauer Type Foundry of Frankfurt am Main, Germany from1907 onwards. Released in a large range of styles, including condensed and extended weights, it was very popular in the early-to-mid twentieth century. It was exported to other countries, notably the United States, where it was distributed by Bauer Alphabets Inc, the U.S. branch of the firm.”

Layering of individual styles forms the basis for the sans typeface Clown. The font family comprises 18 various styles that precisely fit together. Simply cover one style over another to create over 150 original typefaces to freshen up your work. Clown is a striking headline font that would work well for a retro-style café, bar or club and evokes the style of a Wild West saloon. A similarly decorated typeface was popular for decorating posters and advertisements in the early 19th century. The font family contains uppercase letters and diacritics for most Latin languages, figures, arrows and currency symbols.

I’m very glad to introduce Evey Handcrafted Multilingual Font | Latin / Greek / Cyrillic, a high-quality, multilingual, handwritten font. The wide range of multilingual support of the font makes it ideal for international food packaging. Because of the unique style of the typeface, is the perfect design tool for natural organic product packaging and branding, as one can describe it as a logo font. In addition the crafty, yet elegant style of EVEY Font can make it a cute alternative wedding font. Furthermore, you can pair this wedding typography with handcrafted / kraft / recycled papers for an amazing wedding invitation!

Meet the Letterpress! Jakob Erbar’s Phosphor was released by the Ludwig & Mayer Foundry before 1923. The origins of Aurora date back to 1912 (Johannes Wagner Foundry). Permanent Headline was designed by Karlgeorg Hoefer, also known simply as Headline. It was fun making a mix out of the three classics – with Letterpress Bastard you will quickly get astounding results. To complete the family we added a font containing random symbols we also found in the metal type boxes. Please note that we provided loads of ligatures for double-letters to make your design look as authentic as possible.

Pinch Remix is a recreated version of a typeface I made in 2007. The form hasn’t changed at all, but I composed the family by increasing the number of weights and revising the spacing and kerning. At first it was created from randomly drawing an alphabet offhand on paper with a drawing pen. Then I figured that perhaps it had the framework for a typeface. Originally because it was just a memo, I had already thrown in the trash once. Yet something about it caught me, and when I turned to look down at it, I couldn’t throw it away.

Linotype Beluga is a part of the Take Type Library, winners of Linotype’s International Digital Type Design Contest. The font was designed by Hans-Jürgen Ellenberger to suggest the writing of the Middle Ages but without any specific models from that time. A distinguishing characteristic of the font is its pointed, effusive serifs, which give Beluga its feel of the Middle Ages or of mysticism. In spite of its dynamic character, Beluga is legible even in smaller point sizes, which makes it equally good for headlines as for shorter texts. Beluga combines well with sans serif, slab serif and constructed fonts.

According to Wikipedia, a "clip joint" is an establishment, usually a strip club or night club (often claiming to offer adult entertainment or bottle service) in which customers are tricked into paying excessive amounts of money, for surprisingly low-grade goods or services - or sometimes, nothing - in return. These establishments were rampant during the prohibition years. However, the inspiration for Clip Joint JNL comes from a more positive source - a WPA (Works Progress Administration) poster advertising "The Lure of the National Parks". A bold, classic Art Deco design, it typifies the modern and streamlined approach to lettering in the 1930s and 1940s.

'Brokken’ is the Dutch word for ‘chunks’. They are the hearty specialty of the house, prepared by the ship’s cook Donald DBXL Beekman. Nice'n'greasy and monospaced, you'll always find a decent way to cram the letters in. Brokken is straightforward, straight-lined with beveled corners, and all caps. For the ones who have to watch their weight, or who simple don’t like their fonts to be too fatty, DBXL designed a diet version called Brokken Light. With their big contrast, both weights combine very well and are great for making ultra-compact ribbon headlines or stacking vertically.

Grimmig draws inspiration from solid and angular blackletter shapes and the idea of cutting letters out of paper. The interaction between curves, sharp edges, and partially unconventional serif placement makes it an excellent typeface for impactful headlines. The vivid details fade into the background in smaller sizes and provide an enjoyable reading experience for continuous text. Open counters and a large x-height contribute to Grimmig’s legibility in text sizes. It was developed as part of the MA Typeface Design in the University of Reading but had started before as a graduation project for Tamara Pilz.

A title is something strong. Something that leaves its mark through time, in the memories and in the hearts. A title tells things about the content, its purpose, its meaning, its point. For your needs in strong titlecase letters comes Anthracite. Looking almost like they were carved out of raw wood in the 1820s, the letters of Anthracite will not only imprint well but they will also impress. Its carving gives a feeling of relief, or shades, of textures that will be unique every time you use it. The perfect font if you want to stand out and be read.

STROM is а modern sans serif font with minimalistic and geometric characters. The rounded corners give the typeface a friendly look, yet it retains a professional quality. The attention to detail paid during its development means that this typeface offers a vast range of design possibilities – and helps users create eye-catching designs. The different font styles are built on the same foundation, so they can be mixed and matched while maintaining a harmonious look. The simple, clean lines make it noticeable and ideally suited in display settings, advertising, packaging, logo, branding, poster, billboards, film, television, web, screen and print design.

Rhein is named after the German river that runs through the western border valley. Rhein is a sans-serif typeface family for titles, editorials and graphic design pieces with high impact needs. Rhein was not only conceived as a font design with rounded corners, but its intersection points have been also smoothed. In addition, the wide range of 8 weights that vary from Thin to Black allow relatively long continuous reading (Regular, Medium, Semibold), and short reading designs (Black, Bold, Thin). On the other hand, the "Inline" variant is extremely provocative to fit into any branding project. To add dynamism and to expand the typeface range of use, it was designed as a family of alternatives. Together, the 18 styles of "Rhein" provide a range of options that adjust to the needs and current design and advertising trends.

The typeface Drunken Pixel is designed from 2021 for the font foundry Typo Graphic Design by Manuel Viergutz. The font system (sans-serif, slab serif, small caps & unicase) of the display typeface is inspired in the past and present. 20 font-styles (Bottle, BottleCorkBottle, BottleCork, Crown Cork × Sans Serif, Small Caps, Slab Serif, Unicase) + 4 icon-styles with 903 glyphs (Adobe Latin 3) incl. 300+ decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ♥︎ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (6 stylistic sets). PROST! For use in logos, magazines, posters, advertisement and packaging plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE!

Paradox Runa is based on the futhark, norse elder runes. “Missing” characters has been replaced with either other “real” runes, or “new” ones have been “invented” so that the font hold all characters for the latin alphabet (A-Z + swedish Å Ä & Ö) + “Numbers” 0-9. I do not claim that this rune alphabet is totally authentic nor correct! All upper and lower-case letters are the same except for the letter S. “Ligatures” have been created for the th, ng and eo sounds. These are accessed by writing TH, NG and EO (in upper case letters). Space is automatically replaced by a ‘colon’ (':') - if you want a “real” space, write an underscore! (open type version of the font and open type compatible layout application required). Paradox Runa goes perfect with the font Paradox X (regular yet enigmatic hand drawn latin letters)!

Introducing Maglony typeface The Maglony Serif typeface is an elegantly themed font that has a dynamic serif style. The details of the shape of the "Maglony Serif Elegant typeface" are very smooth and flow to create unique and beautiful curves. Elegant Serif typefaces such as “Maglony Serif Elegant typeface” are very easy to apply to any design, especially those with an elegant and smooth concept, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Maglony Serif Elegant typeface contains 577 glyphs with many unique and interesting alternative options. Plus, there's a cool serif font family for header and description text from Thin to Heavy. In the poster preview all the letters are in the Maglony Serif Elegant typeface.

The successful Gill Sans® was designed by the English artist and type designer Eric Gill and issued by Monotype in 1928 to 1930. The roots of Gill Sans can be traced to the typeface that Gill's teacher, Edward Johnston, designed for the signage of the London Underground Railway in 1918. Gill´s alphabet is more classical in proportion and contains what have become known as his signature flared capital R and eyeglass lowercase g. Gill Sans is a humanist sans serif with some geometric touches in its structures. It also has a distinctly British feel. Legible and modern though sometimes cheerfully idiosyncratic, the lighter weights work for text, and the bolder weights make for compelling display typography. Gill Sans is also available as Value Pack for Macintosh, PC or as Hybrid CD with both platforms.

Dubrove is a wedge serif typeface inspired by Moravian (Czech) type designs of the 1930-50s. The character font is expressive: free, daring and graceful, delicious and attractive. Here are more than 1100 glyphs, all 102 European languages, all Ancient Slavic Alphabet (49 characters), Latin and Slavic small capitals and OpenType features with many solutions. Dubrove has several stylistic sets, historical forms, localized forms of several languages, interest contextual ligatures and many other delicacies. In the Dubrove typeface several stylistic sets of Slavonic lowercase letters are made. In addition to font basic style (in fact it is close to the natural lowercase character) is a traditional [ss02] set (postpreliminary, the Soviet Union, when most copy lowercase letters are uppercase) and lowercase the natural character [ss03], the style of which, in particular, is often used in the Bulgarian script.

Glosa is a type family designed for editorial purposes. Glosa is delicate and highly readable at very small sizes but reveals all it’s strength and personality when used at big sizes. The contrast of the sharped serifs and ball terminals, provide a fresh and very contemporary look. Glosa Text is a bracketed serif, softer, smooth and less idiosyncratic, suitable for text settings. Both styles have four weights and italics, in a workhorse typeface, full of OpenType features such as Small Caps, Tabular Figures, Central Europe characters and Historical Figures, among others. Glosa Headline is ideally suited for nameplates and headline typography, with four weights and with lowercase matching the small caps. In Glosa most of the diacritics were designed to fit the gap between the x-height and the caps height, avoiding some common problems with the accented characters.

Duct tape is one of the most versatile adhesive materials known today. From fixing the bumper of your car that keeps falling off, to creating a sturdy wallet. From alternative wrapping to sticking a friend to the wall, Duct tape is there. And it will stay there. It will stick to anything and hold for a very darn long time too! The cloth-backed tape was invented some time during World War II, and also proved itself useful as a base material for lettering. VLNL Duct was originally designed by DBXL as a logo for temporary Amsterdam restaurant BAUT. DBXL imagined an owner taping the name on the window of his shop using Duct tape. The font was used for all communication of the restaurant. Duct is a sturdy, rough all-caps typeface that will stick to anything.

Somewhat extravagant and yet quite useful? Yes, absolutely. Meet Salted family: two awesome styles and a way cool picture font. Deliberately free-spirited, Salted – the Regular, yet regular is not quite an appropriate adjective for it – brings alternates and also discretionary ligatures that completely transform the font mood, adding unexpected touches of cursive script here and there and thus creating sort of a wild feel. Salted Sweet also brings alternates: 3 for letters, 2 for digits, and is way more even-tempered than it’s playmate. By the way, they play truly nice together. Enter the picture font and the team is complete for an exciting time. It’s said that the cure for anything is salt water: sweat, tears or the sea. We totally agree. Perhaps the cure for a boring design lies in a salted font. Give it a go!

Twogether Sans builds upon the achievements of Twogether Rounded, creating a more comprehensive system and positioning itself as a suitable choice for general text usage. By removing the rounded elements from each character, Twogether Sans gains increased flexibility and a broader range of possibilities for different types of projects. It retains the essential characteristics of its counterpart, such as proportions, x-height, small caps, ligatures, numerals, and the construction of the italic variant. This version also introduces distinctive alternate characters for "T," "Y," "y," and "a." However, in this case, the position of the "a" with an old-style eye has been adjusted to enhance legibility in this context. These details maintain consistency with the Rounded version while reinforcing Twogether Sans' unique personality. It remains an excellent choice for branding, editorial design, promotional materials, packaging, and digital applications.

About Sf Article font family: Sf Article is An Arabic and Latin typeface for desktop applications ,for websites, and for digital ads. The main types of Sf Article font family weight are regular and bold. The regular weight is perfect for reading, it is helpful during long reads, Bold Sf Article styles are designed to draw attention to short phrases. The Sf Article font family is characterized by short heights and dynamic stretching of letters through the paragraph, where the space In the line is automatically filled. In Sf Article font family, we have developed two italic fonts: regular and bold, to help with the diversity of stylistic expression in the Article, document and research work. Sf Article typeface comes with many OpenType features including stylistic sets. Designer: Sultan Maqtari Design date: 2021 Publisher: Sultan Fonts

Baldufa is a charming typeface with strong personality, which looks very comfortable in text. There is a search to obtain complicated curves and detailed features, which gives the typeface a touch of beauty and elegance. However, this is also a self-conscious design that claims through the rounded serifs and irregular vertical stems appreciation for quirkiness and human imperfection. The letterforms in the Latin are inspired by the slight distortions and idiosyncrasies that came with old printing methods. It has distinct, features such as rounded serifs, irregular vertical streams, ink traps and extremely thin junctions. In the Italic, serifs have been removed to enhance movement and expressivity. These experiments in form have not come at the cost of legibility: The typeface remains suitable for both small and display text. Baldufa Greek Ltn covers Greek and Latin.