Introducing of our new product the name is Hello Almeida a Bold Handwritten Font. Hello Almeida inspired by modern calligraphy style this font is a fun theme very good for display, tshirt design, craft, quote sign, logotype and etc

The December, 1935 movie poster for James Cagney in “Public Enemy” has its title hand lettered in a bold, squared, slab serif type style. Now digitally recreated as Lawbreaker JNL, it is available in both regular and oblique versions.

Presswood JNL was modeled from the title font used on the cover of a specimen book issued by the Delittle Wood Type Company of York, England. This bold, friendly sans serif is available in both regular and oblique versions.

Very few letter types with the context of grunge style fonts offer hierarchies to differentiate words in sentences or paragraphs. With Navaja I developed a font family that meets this need. This family is useful to organize the information into a hierarchy with an eroded look. Its central idea mixes grotesque, geometric and humanistic letter conventions. This way, Navaja is a grunge-sans with dense proportions to make graphic design with eroded character. Its main purpose appeared when one of my customers asked me for a t-shirt design for a fan club of an important football player. For this reason its starting point were stained and muddy letters characterizing the toughness and coldness of the sport. Over time their glyphs began to imitate the robustness of "wood type & Tuscan Type" widely used in posters in the late nineteenth century. Its purpose was strengthened in a family with 6 members that when mixed they produce mind catching contrast levels ideal for designing T-shirts, stickers, flyers, brochures, posters, billboards, cinema or TV. Therefore its variants are short up and down height X combined with different widths that by working together produce information that radiates outstanding apparently destroyed controlled violence. Navaja Dingbats consists of 52 illustrations useful for frames and textures. In that vein, the origin of each member comes from skeletons of Roman and Italic calligraphy. The low amount of contrast between thick and thin lines matching the contours apparently gnawed but strictly regulated by optical adjustments equating the sum between full and empty areas. Factors such as finishes, shapes and counter internal and external forms are meticulously planned although its scruffy look which strategic arrangements are offset to provide color typographical homogeneous. And in conclusion, I have plans to continue expanding the family with more complete versions in the future.

Rae's Monogram Family is a contemporary take on monograms. Rae's Monogram One letters are best used as the right and left letters. You can add Rae's Monogram Two for the middle letter. Rae's Monogram Doodles One are 50 small illustrations to use with the monogram. If you don't see the one you want take a look at over 1,000 others in Outside the Line's Doodle font library. Of course just because it was planned this way doesn't mean you have use them this way. Use your imagination! You can use just one font, or two or all three. Commercial Licensing: Rae's Monogram Doodles One uses Outside the Line's normal licensing if you are using an illustration alone or not in a monogram on commercial goods. Plz read the http://www.outside-the-line.com/license/ Rae's Monogram One and Two offers Impression Licensing. If you don't intend to sell any items made from these fonts you don't need an additional license. But if you do, to make it easier Outside the Line offers the added ability to buy this license upgrade at the time you place your order. Plz contact Rae directly to do that. By default, you're allowed to sell 250 items in total without any additional licensing required and should you intend to sell more items, additional levels of licensing can be purchased now or at any time in the future. To be clear, 250 items doesn't refer to how many different items you may create but rather refers to the number of total sales of any item or items created with these fonts. If you have any questions or need additional commercial licensing feel free to contact Rae at hello@outside-the-line.com She is always happy to hear from you.

The Aviano collection returns, refined into a new, mid-contrast sans-serif inspired by the design and style of early 1900ís American engravers. Engravers would meticulously carve lettering into copper plates for printing, and often these letters, for more impact, would be extended and only utilize capitals. While taking inspiration from the past, Aviano Gothic is distinctly one-of-a-kind, and is not a revival, but instead is based on the structure of pre-existing Aviano type families for interchangeability and interoperability. Aviano Gothic has been diligently honed to be sinuous and seductive, making it great for high-end work such as including jewelry, beauty, and other luxury products. The full Aviano Gothic family presents you with six distinct weights and is full of OpenType options. Available with the face are deco alternates for replicating inscriptions and signage of the í20s and í30s. Style sets are offered, together with four full sets of art deco-inspired alternates, swashes, and titling, in addition to an expansive range of other alternates to help ìunique-ifyî your layouts. Aviano Gothic also features forty discretionary ligatures for inventive typographic compositions. Begin planning your work with Aviano Gothic by looking at these options in the instructive .pdf brochure. OpenType-able applications, including Quark or the Adobe suite, allow for the comprehensive benefit of the ligatures and alternates. This typeface also features the glyphs to aid a broad number of languages. Several variants have been made to extend the usefulness of the typeface, and it makes for a fine substitute for Copperplate, ITC Blair or Engravers Gothic. Aviano Gothic also pairs perfectly with the other members of the Aviano collection, including the original Aviano, Aviano Serif, Aviano Sans, Aviano Didone, Aviano Flare, Aviano Future, Aviano Wedge, Aviano Contrast and Aviano Slab.

Shueitai is a typeface that has been undergoing development for more than a century, starting from the days when Dai Nippon Printing Co., Ltd. (DNP) was still known as Shueisha. As Japan underwent rapid modernization during the early years of the Meiji era, Shueisha, believing that printing was a business befitting a modern civilized society, began operations with a focus on letterpress. Before long the company expanded into developing its own typefaces. In 1912 it completed a full range of Mincho type, in sizes from Sho-go (#0 size, 42pt) through Hachi-go (#8, 4pt), which it called "Shueitai" a new style that came to form one of the two mainstreams of Japanese typefaces and continues to have a significant influence on font design even today. The Shueitai typeface is distinguished by abundant variations matching the size of type and the changing demands of the times. Whether it is the spirited and powerful Sho-go, the delicate and flowing San-go (#3, 16pt), or the bright and solidly reassuring Shuei-Mincho L, all Shueitai typefaces share a vibrant brushwork that adds an expression of eloquence and a burst of brilliance to every printed word. Currently, Shueitai is composed of 17 kinds of fonts useful for various purposes. The world has witnessed vast changes in the environment surrounding the printed world, with the tran-sition first from letterpress to Desktop Publishing, and most recently to e-books. But no matter how this environment might evolve, the written word remains the basis of communication, and the importance of beautiful and readable typefaces stays unchanged. In preparation for the changes that will inevitably come during the future, DNP will continue to evolve the Shueitai designs from now on. Through its continual reinvention, Shueitai, a typeface consistently adopted at the vanguard of the industry, perhaps represents Japanese innovation at its very best.

Hello! Introducing a decorative font — Qimzy. It's a smooth shape bold typeface with seamless sticky effect. This font includes lots of multilingual characters (check out a screenshot with available letters and signs). Thank you and wish you a peaceful sky!

A modern font with a Typeface display style, very attractive, coupled with several lowercase ligatures. This font is available in 3 thickness styles such as regular, Bold, and Out line . This font has uppercase, lowercase, numbers, punctuation, and language support.

Can't decide whether you're feeling archaic or modern today? Try Fidelma. Fidelma is drawn entirely with straight lines, no curves, giving it a rough but still readable look.Includes four fonts: Regular, Bold, ExtraBold, and a nifty set of Drop Caps.

Cybernaut is a bold, distinctive display font with a futuristic feel. It is ideal for all branding, advertising and publishing projects, and particularly well suited to science and science-fiction based applications. It boldly goes where no font has gone before!

Cinzeled Victorian Alphabets is a bold and imposing display font. Add it to your creative ideas and notice how it makes them stand out! Letters crafted to obtain the cinzeled style from the press works from XVIII and XIX centurys.

Cloverdale JNL is another addition to Jeff Levine's revivals of classic wood type fonts from the 1800s. Bold, broad and in the "cowboy" style, this typeface goes well with projects featuring the Old West, Victorian times or old-fashioned nostalgia.

Bohemian Hunter Bohemian Hunter is an All-Caps contemporary display / spur serif typeface. It comes packed with 9 different font files including 3 weights. What's included? 9 Font Files Light, Regular, Bold Clean, Rough, Stamp Versions Western European Characters Included

Goodbees is built from a bold base, unique combinations, smooth curves, and sharp edges. Goodbees is best uses for headings, Logo types, quotes, apparel design, invitations, flyers, posters, greeting cards, product packaging, book covers, printed quotes, album covers, movies and more.

Introducing Radens Vintage Bold Script, Inspired by Modern Vintage & Retro style and combination with old american traditional style. that will fulfill your design needs for quotes,sporty theme, logotype, wordmark, etc. This has many opentype features and support multi language.

Hushy is a Rounded Bold and modern display typeface featuring characters that stand out from every background. It has multilingual language, it useful for your a cool and coolest project up next. Suitable for logos, posters, packaging, branding, cool invitations, etc.

Blink Urgent - Modern Bold Serif Font is a stylish font It has both modern and retro look. Comes with alternatives and ligatures, helps to create stunning logos, quotes, posts, blog posts. branding projects, magazine imagery, wedding invitations, and much more.

Silk Display is a serif retro and bold display font. This font is PUA encoded which means you can access all of the glyphs and alternates with ease! It would look great on headlines, magazines, logos, branding and so much more!

"Polythem" is a beautiful high bold script font that makes for gorgeous logos, posters, wedding invitations, blog posts, social media, and more! Polythem Script includes ligatures to make everything look totally hand-done, and alternates for each letter. Thanks for visited

Paletone is hand lettered sans in two style, Regular & Bold. With the organic and handmade feels, you can use this font for any project. This minimalist font also suitable for the project with earth tone color. Also good for quotes.

Make room for Brogado JNL! This bold, yet squat slab serif font takes command when set into headlines. Although not thoroughly in the Western mold, Brogado JNL can still exude enough macho appeal to make its point strongly, yet clearly.

Hurley 1967 is a bold script, with clean lines and smooth curve combined with beautiful features! Simply amazing fonts, comes with 7 styles. Hurley 1967 has a bunch of styles as a families to designed lettering style logotype using the fonts.

Hendrix bubble is a modern and classic display font with its own unique style and modern looks. This typeface is perfect for an elegant & bold logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more.

Mad Rascal is an Extra Bold display serif with large and soft inktrap. It comes with 24 styles and Variable support. It’s ready to make a lasting impression on your merchandise, quote designs, header text, logos & branding, advertisements, and much more.

I was watching last episode of Tonight Show with Letterman when I develop NT Tonight Show. My idea, I want to make a font that represent showbiz industry. Voila, here's Tonight Show. A contrast, bold, versatile. With swash and alternate option.

A sans-serif font that I created when long raining in my city. The shape is clean with a dynamic semi-bold stroke. It's suitable for a minimalistic, "less is more" design and useful for display and larger body text.

A bold and dynamic typeface that exudes energy and creativity. With its expressive brush strokes and commanding uppercase characters, Maxigo brings a distinctive and modern feel to your design projects, making it perfect for headings, titles, brandings, packagings, flyers and logos.”

The Torino font family was designed by Alessandro Butti in 1908 for the Nebiolo foundry in Turin. Torino is a narrow face in the Bold weight; the condensed weight is so narrow that it should be used in over 14pt.

Alonga is modern serif family that comes in 3 weights: Light, Regular and Bold. Characterized with high contrasted stems and sharp triangular serifs ñ all wrapped in elegant geometric letter shapes. Contains Tabular and OldStyle Numerals, Ligatures, Numerator, Denominator and Fractions.

Jelly Billy is a fun handwritten font featuring a quirky, bold, and modern style! It will work perfectly with packaging products, merchandise or pretty much any design of spring or summer season that requires a touch of happiness and joy.

As its name suggests, PlainPensle is a handwriting font that emulates printing and writing with a pencil or ballpoint pen. The plain and bold styles have hand printing that is ordinary and nondescript. The italics and bolditalics contain simple handwritten cursive.

Rough Rider is a handcrafted bold italic typeface. Intended as a rough display style typeface it’s perfect for illustrative titles, logotypes and small texts. Initially developed for a logo design, Rough Rider was expanded to a full Central European character set.

Hi there! Introducing a vintage font with rough textured effect. It's a bold western style font with slab serifs and decorative spikes. Dusky Rough supports most of west european and cyrillic languages (please check out a screenshoit with all available characters).