ovalive is a versatile, bold and unique serif font. Combination between high contrast and Brutalism style, ovalive has a unique style with stylistic, alternates, ligatures and supports multilingual languages.

Sunday Market is a casual and playful sans serif font family. It is a family of six that supports multilingual languages. The font family is suited for any project.

Findon is a classic sans serif uppercase stencil typeface. It is reminiscent of the days before computers when the best way to reproduce letters quickly was to stencil them.

Moonllys is serif font, designed with elegant and classy style. Moonllys also perfect for title and body text, with featuring ligatures and alternates will makes your design look stunning.

Meet Engrace, a serif font family with elegant & stylish curves. She’s romantic, classy and modern all wrapped into one, and surely can not be missed in your font collection.

Entrée is a versatile sans serif font that works well in a variety of sizes and applications. It has a friendly, laid back personality and comes in six weights.

Almibar is a delicate and very elegant connected script font. Its classic style is perfect to be applied in any type of formal pieces such invitations, labels and menus.

Try Cheldro, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily.

Avocado is handwritten font. It's very suitable for the fashion industry and culinary. This font is crazy but readable, so it can be used for large amounts of text.

Relish is a more traditional sans serif version of our Guildford typeface, with round punctuation. Relish contains all the high-end features expected in a quality OpenType Pro font.

Introducing Arcinoll - Graffiti Font inspired by graffiti style with a fun theme very good for graffity poster, kids poster, flyer, childrenbook, cartoon, branding projects, Logo design, Quotes product packaging.

Anecdote JNL gives a serif treatment to Haute Couture JNL, which in turn was modeled after die-cut cardboard letters and numbers used for displays, signs and show cards.

Introducing Bargo - Sans Serif 3 Styles by Look Minus Today. Behind these 3 styles, we want to combine a typeface that can provide a different perspective. Regular which gives

Modernist sans serif with a "big" look and lots of weights. Compact, elegant and strong, Sense commands any kind of page -- from the largest headline to the smallest text.

MOTHEM font family with three modes, Black, ItalicBlack, and ThinOutline and supported by multiligual features. The shape has a sporty, strong, and futuristic impression, very perfect for classy designs.

PT Baroque Borders A is a baroque ornament-font for borders. Especially in combination with Fleischmann Gotisch you can made very impressive greeting cards, wedding invitations or decorative certificates.

Revue is a display face originally designed for Letraset. The heavy sans serif letterforms of this font are ideal for use in signage, on posters and in advertising display.

Elgista is modern serif display font with design choices and a combination between high contrast, experimental, and brutalism style. Elgista comes with stylistic, alternates, ligatures and supports multilingual languages.

Concave Tuscan Extra Condensed is a classic wood type sans serif design that is the basis for Table Wood JNL, which is available in both regular and oblique versions.

Drawn very small with a brush-tipped felt pen, Messcara has qualities of freedom, toughness, with a few girly loops thrown in for good measure. A true handwriting workhorse.

"French Flair" is our latest font pair! With a graceful decorative serif and contrasting light and crisp italic, French Flair duo can be handy in any trending design project.

Convicted JNL is a condensed, chamfered sans serif type design inspired by opening credits from the 1940 film of the same name – available in both regular and oblique versions.

Lemans is a versatile, bold and unique serif font. Combination between high contrast and Brutalism style, Lemans has a unique style with stylistic, alternates, ligatures and supports multilingual languages.

A bold, handmade stencil alphabet from the book “Lettering” by Harry B. Wright (1950) served as the model for Obscure Stencil JNL – available in both regular and oblique versions.

PT Baroque Borders B is a baroque ornament-font for borders. Especially in combination with Fleischmann Gotisch you can made very impressed greeting cards, wedding-greetings or decorative certificates.

Moderator JNL is a casual, light weight serif font that is perfect for headlines, short blurbs or display text. The font is available in both regular and oblique versions.

Claxon is reminiscent of the types from the 1920s Bauhaus movement. Designed with very short ascenders and descenders for tighter line spacing. Effective for short headlines and general use.

Inspired by ancient Semitic Scripts and designed in broad nib calligraphy, this is one more great font by Dr. Ada Yardeni. A classic serif font, both formal and romantic.

A revival of one of the popular wooden type fonts of the 19th century, a very useful design for display, or text, somewhat geometric in form, a bit narrow.

Cocktail - elegant retro serif with an artistic touch. Specially designed for vintage, retro, elegant projects, perfectly suitable for creating simple, lifestyle designs such as logos, title, packaging, and more.

Corbby is a versatile, bold and unique serif font. Combination between high contrast and Brutalism style, Corbby has a unique style with stylistic, alternates, ligatures and supports multilingual languages.

Marqana is an elegant and modern sans serif font. This font is ideal for writing web designs, business cards, or pretty much anything else that requires a unique touch.

Paula is a non-joining rough brush script with traces of the brush's backstroke that give it that typical look. Paula is an open script with very good readability.

PL Fiedler Gothic Bold is a display sans serif designed by Hal Fiedler. The distinguishing characters in the PL Fiedler Gothic Bold font are lower case q and t.

Modernist is a square font with very clean lines that is currently available in 4 weights. Works well in a number of sizes to create a stylish, modern look.

Need something VERY silly for your headlines and still keep the legibility?! Then Sillyheads could be your no. 1 choice! Sillyheads has got that funny, weird, cute, crazy look!

Cartelle is a sexy small caps bitmap design characterized by it's whimsical curls and ornate flourishes. It's inspiration came from a French poster design from the early 1900's.

Canbera is an old style serif font, its funky, round, hight-contrast and bold shape with a retro touch is perfect for displayed, head text, logotype and many more.

Now even more design possibilities with the popular DIN Next. With its technical and neutral character, DIN Next has earned a permanent place in contemporary typography. Now, DIN Next Slab expands the font family further, offering new design potential. Now comes the next step, DIN Next Slab, also produced under the direction of Akira Kobayashi. On a team with Sandra Winter and Tom Grace, Kobayashi is creating the new font variant based on the optimized shapes of DIN Next. The expansion will make the popular font all the more flexible and versatile. Apart from that, the geometric slab serifs underline the technical and formal nature of the font and emphasize a central design element of DIN Next. However, the team did have some challenges to overcome. While it is relatively easy to imagine DIN Next Light with slab serifs, the amount of available space quickly disappears when it comes to the Black styles. Winter explains that many tests and trials were necessary to find a compromise between space, letters and the serif shapes. Experiments with modified contrast in the weight or only one-sided serifs were quickly abandoned. The central, technical and powerful character of the font changed too much. Nevertheless, it was necessary to simplify slightly the shape of some letters, such as the ‘k’ or ‘x’, for example. These changes, first developed in the Black styles, were applied to all weights in order to lend the font a consistent appearance. Like DIN Next, DIN Next Slab also has seven weights, which cover the range from Ultralight to Black, each with matching italic. There are various character sets in all of the styles and the four middle weights have small capitals available. DIN Next Slab harmonizes perfectly with the styles of DIN Next: the basic letterforms and weights are identical. Both versions of the font can work together perfectly, not just in headlines and body text, but also within a text; they complement each other very well as design variations. With the new DIN Next Slab, Monotype expands the DIN Next super family consistently. With DIN Next Slab, you can underscore the technical and formal nature of the understated font not only in headlines, but in texts, as well. In this way, you have new and diverse potential for application, thanks to the way the different styles of DIN Next combine perfectly.

TT Nooks useful links: Specimen | Graphic presentation | Customization options TT Nooks is an experimental font family that includes a high contrast serif, TT Nooks, and an upright italic, TT Nooks Script. Despite the difference in style, both subfamilies get along well, which is partially thanks to their similar proportions. Each of the subfamilies includes 4 weights: Light, Regular, Bold and Black. The main subfamily is TT Nooks—a stylish high-contrast serif with a light touch of self-centeredness. If TT Nooks were a person, it would be an elegant lady with an independent and firm personality. In the original sketches of TT Nooks there were traces of a broad pen, but in the course of further evolution the typeface moved away from this style, retaining only the high contrast of strokes. In addition, in the process of design searches TT Nooks has obtained a touch of geometricity. The serifs in TT Nooks stand out especially visibly thanks to their geometric shape that resembles slippers. In addition to their peculiarity, such serifs add stability to the font and allow better compensation of the black and white ratio within the letters. TT Nooks has small capitals for Latin and Cyrillic alphabets, as well as a set of stylistic alternates (including some figures) that makes the typeface a bit more geometric. In addition, we have drawn more than 25 ligatures, including ligatures for capital letters, slashed zero and many other useful OpenType features. TT Nooks Script is a complementary family designed to harmoniously extend the main family and expand its scope. The forms of the characters in bold and light fonts of TT Nooks Script are quite different. For example, Black & Bold have high contrast strokes and an open aperture, and in Regular & Light the aperture of the characters is closed. TT Nooks also has small capitals for Latin and Cyrillic alphabets, ligatures, oldstyle figures and other OpenType features. In light faces, TT Nooks Script is more humanist and has artifacts inherent to the continuous movement of a flat pen. In bold faces, TT Nooks Script has a very dense and dynamic typing rhythm, and the shape of the letters begins to geometrize. We had had the difficult task of preserving the continuity of forms between bold and light faces, and we have managed to solve it thanks to the found rhythm, which united different fonts, and proximate stylistic solutions.