With its well-defined characters that are readily legible even in the small font sizes, Mantika Sans by Jürgen Weltin is ideal for typesetting. The elaborately designed and highly individual set of italics enhances the attractiveness of the font.Jürgen Weltin developed the Mantika™ Sans sans serif font using older designs for an serif font as his inspiration. Nothing more than the merest suggestion of the original serifs has survived. Bevelled line endings and the slight variation in thickness of verticals, in particular, provide Mantika Sans with a very dynamic character that evokes manuscript. Short ascenders and descenders give the font a compact appearance that is also underscored by its condensed proportions. Weltin has achieved his aim of producing a typeface with excellent legibility even in small sizes not just by means of the x-height, which is tall in comparison with the capital letters, but also by using clearly defined and well differentiated designs for critical letters, such as i", "I" and "l". Lower case "i", for example, has a serif while the "l" has a curved base.In addition to uppercase numerals, Mantika Sans also has lowercase or old style numerals that have been designed so that they can be used in both tabular and proportional settings. The uppercase numerals are slightly shorter than the uppercase letters, ensuring that the latter can be sympathetically incorporated within continuous text.The Mantika Sans italics are very unusual. They are inclined at only 4.5° (the usual angle for italics is 10 - 12°) and so appear to be almost upright. In addition, they also have quite distinctive forms. The overall effect calls attention to their curvilinear, manuscript character, enhances contrasts and further emphasizes the terminals. Weltin explains: "Within the variety of forms of the italics there are many contrasting terminal elements that create dynamism. The result is a diversity of interaction between the rounded and angular forms". Mantika Sans Italic thus has all the features of a display typeface, but can also be happily used on its own to set longer text passages. Mantika Sans is available in two weights; Regular and Bold, both of which have corresponding italics sets. Mantika Sans has been designed so that the widths of the four related cuts are identical, meaning that a change of font within a single layout will have no effect on justification. In addition, the members of the Mantika Informal font family, designed by Jürgen Weltin in 2010, also have the same thickness. Other font families having weights with equal thickness can be found in the "Linotype Office Alliance series".The Mantika Sans character sets are paneuropean. There are characters for setting texts in Eastern European languages, Greek and Cyrillic. There is also a range of special symbols, including right-angled brackets, subscript and superscript lower case letters, together with numerals, arrows and many different bullet points.As a vibrant and highly legible text font, Mantika Sans has a broad spectrum of potential applications. Its unusual italics are not just perfect for use in display text. The fact that it has only four cuts means that Mantika Sans is particularly suitable for office use or for the setting of business reports. Its excellent legibility even in the small font sizes also makes it ideal as a text for electronic reading devices; this also applies to Mantika Informal.At the 3rd International Eastern Type Design Competition Granshan 2010, Mantika Sans was awarded in the category Greek text typefaces."

ISO GPS symbols without frames for producing ISO GPS specifications in documents such as CAD drawings, word processor documents, spreadsheets, and slideshow presentations. Full set of symbols and modifiers from ISO 1101:2017 (without frames), ISO 1660:2017 (without frames), ISO 14405 (including all size modifiers), ISO 1302 (surface texture symbols) and ISO 8062 series (castings). Fully compliant with the ISO 3098 series and ISO 7083. Use in conjunction with IMA ISO GPS Frame font to create the full range of ISO GPS specifications This fonts is sold with a single user licence, contact Iain Macleod Associates Ltd (www.macleod.co.uk) for multi-user licences, site licences or corporate licences.

Whereas blackletter types were hand written, Text letterforms are drawn using a series of graphic shapes that slot together in a series of permutations, one set for lower case and another for the upper case. As the link between the method of construction of the letterforms has been removed from the appearance (the quill pen with which they were written resulting in the angle and sharp stresses) there is no logic for these stylistic elements to work in any set way. As this fundamental rule of the blackletter style has been removed the typeface has become something other than a typical or derivative blackletter font.

The designer-favorite Blue Goblet series has been extended once again with Blue Goblet Frames and Vignettes. These animated and lively frames and vignettes can be resized easily without any loss of quality, and can easily be converted to outlines and modified. Combining them to form unique compositions or inserting them into chapter headings are just a few ideas for these versatile ornaments. Please see the sample .pdf to see all 96 Frames and Vignettes in action, and be sure to check out the rest of the Blue Goblet series, especially Blue Goblet Frames and Vignettes #2 Blue Goblet Frames and Vignettes is a collaboration between insigne Design and Portland Studios.

Pakenham is a typeface that truly exemplifies the transformative power of typography. Inspired by the timeless elegance of Steile Futura, a work of art by the legendary Paul Renner, Pakenham has taken the world of typography by storm with its innovative and captivating design. At its core, Pakenham is a sans-serif typeface that exudes an aura of modernity and sophistication. Its gently curved corners and generously scaled loops give it an effortlessly chic and trendy look, while its clean and sharp lines keep it rooted in the world of minimalist design. But Pakenham is not just a pretty face. It is a typeface that is brimming with oddities and anomalies that will add a unique and personal touch to your creations. Its superelliptical design is unlike anything you’ve seen before, making it perfect for designers who are looking to break free from the shackles of conventionality and embrace their creative freedom. With four different weights, two widths, italics, and special effect styles, Pakenham is a typeface that offers an unprecedented level of versatility. It is a true workhorse, capable of adapting to a wide range of design projects and styles. Overall, Pakenham is a typeface that is a must-have for any serious designer. Its combination of elegance, modernity, and versatility make it a true gem in the world of typography. So if you’re looking to take your design game to the next level, look no further than Pakenham. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Angostura—the sans-serif typeface that’s set to revolutionize your designs! Drawing inspiration from the bold and beautiful American sign lettering of the 40s and 50s, Angostura is a truly unique typeface that’s sure to turn heads. With low crossbars that harken back to the industrial deco signage of yesteryear, and monocular “a” and “g” that pay homage to the mid-century Futura craze, this font is a true original. But that’s not all; Angostura comes in a range of styles, from Ultra-Light to Bold and everything in between, making it a versatile choice for any project. And if you really want to take things to the next level, be sure to check out the spray-paint, wood grain, and stencil variants—these special editions use ligatures to create bespoke letter pairs that add an extra layer of realism and authenticity to your work. So, why choose Angostura? Simple—this typeface is full of character and individuality, allowing you to convey your message in a tone that’s both distinct and memorable. Whether you’re working on a branding project, a website redesign, or a print campaign, Angostura is the typeface that’s sure to take your designs to the next level. So, what are you waiting for? Try it out today and see the difference for yourself! Most Latin-based European, Greek, and some Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greek, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Ukrainian, Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Otago is a classic all caps Art Deco font. Clean, crisp and very, very legible. I took my inspiration for this font from a 1920's postcard. Otago comes with a bagful of diacritics.

Wooden Okadio Serif is a single weight black serif, modern casual typeface perfect use for headline, logo, magazine, and any editorial design needs also readable body text. I hope you like it, keep awesome!

»Guilloche B« is a set of graphics that join with each other to form very sophisticated, op-art-like borders. Try them on lots of different assignments, they form very surprising bands or patterns.

The DUALIS, aka the serif-detesting Garamond, combines specifics of 2 typeclasses: Sans Serif & Antiqua. When the Garamond is too old fashioned and the Optima is worn out, the Dualis will fit the gap.

Luxurious Bolgan serif with an elegant serif font style with a unique character by combining geometric shapes with organic curvy details. This is a unique typeface for your personal personality. Inspired by old style serifs and contemporary serif fonts. The extreme contrast between thick and thin strokes gives a harmonious and stylish look. The elegance and sensuality of serifs are enhanced by binding, alternating, and sweeping. Bolgan Features: multilingual PUA encoded alternative binder. Perfect for a variety of uses. From greeting cards to magazines, wedding invitations, logos to websites etc. To be able to access alternative fonts, make sure the software you use can support opentype features such as Microsoft Word, Paint, Adobe, Corel draw, Cricut and other applications. If you need any help please contact me :)

The font collection is called "Helight", it is a display font with crafted themes. These collections contain sans serif, script and dingbat. The sans serif comes with 3 style typefaces (regular, inline and outline). This product give more extras illustration pack (13 hand-drawn illustrations). The Helight matches apply in some designs such as the logotype, poster, label, badge, packaging, apparel, branding, and more custom design. Helight features : 3 style typefaces in sans serif (regular, inline and outline) Uppercase, lowercase, numeral, symbol, punctuation, ligatures in script All-caps, numeral, symbol and punctuation in sans serif Multilingual PUA Encoded Helight includes : 5 fonts (script, sans serif and dingbat) 13 hand-drawn illustrations in dingbat Thank you for your support and choosing us.

Melrin – Display Typeface: A Floral Serif Wonder Introduction to Melrin Introducing Melrin Floral Serif Typeface, a display typeface that blends artistic flair with functionality. Its unique design features serifs that bloom like flowers. Ideal for retro designs, Melrin captures the essence of nostalgia in each character. Design and Aesthetics Melrin stands out with its floral serif accents, reminiscent of blooming flowers. This aesthetic makes it perfect for projects needing a touch of vintage elegance. Its bold structure embodies strength, while the delicate serifs add a soft, artistic touch. Versatility and Usage Beyond retro designs, Melrin excels in various applications. It’s a top choice for circus-themed graphics, posters, and branding materials. Its versatility extends to digital platforms, enriching websites and online ads with its unique charm.

BERGURAU is a versatile and unique serif typeface, a result of half side curved serif and half side straight serif experiment. BERGURAU has a unique style with stylistic, alternates, ligatures and supports multilingual languages. Create unique & beautiful logotype, use it as an elegant solution for your next magazine layout, or choose BERGURAU for any graphics that require a sleek look with a elegant flair.

This font is the result of many years of research between full and empty. The combination of capital letters is very powerful while remaining in the traditional art of an ancestral Zen style. AWAX is perfect for your titles and logos and can also be used in paragraphs. You have to go very very closely to admire the detail work done while scrupulously respecting legibility and balance.

Hello Everyone, Introduce our new collection, Brexo – Extended Sans Display famous logos of Technology and brands that have very strong characteristics, very suitable for posters, t-shirt, packaging, branding, logotype and more. Brexo font with strong and challenging nuances. very suitable for the title, typography, clothes, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional.

Hello Everyone, Introduce our new collection, Thematheka - Bold Display Sans With 29 Ligatures, Inspired from famous logos of Technology and brands that have very strong characteristics, very suitable for posters, packaging, branding, logotype and more. Thematheka font with strong and challenging nuances. very suitable for the title, typography, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional.

A very cheerful font. This font is very thick and suitable for use in children's games or animations. With this font, write very attractive, happy and comic titles and use it easily in graphic works. The design of this font looks sloppy and messy, but when you write your own text or title, while each letter is messed up, the text is completely connected.

The font collection is called "Polands", it is a reverse contrast display for crafted fonts. These collections contain serif and sans serif font. Every font comes with 4 style typefaces (regular, rounded, rough and textured). This slab serif font includes some alternates and ligatures. The Polands matches apply in some designs such as the logo, poster, label, badge, packaging, t-shirt, branding, quotes and more custom design.

A bold sans serif with occasional rule-breaking vertical serifs on some characters was found within page examples from the book "100 Alphabets Publicitaires" ("100 Advertising Alphabets"). Although a few of those vertical serifs extended above the cap height in the hand lettering, they were made more uniform to keep a consistency in the digital version known as Peppermill JNL. Available in both regular and oblique versions.

Black Stage - Retro Serif Font Black Stage is a charming and eye-catching retro serif font. With a combination of an elegant serif style and a classic vintage touch, this font conveys a feel reminiscent of a bygone era but retains a timeless elegance. Features : - Ligatures & Alternates - Letters, numbers, symbols, and punctuation - No special software is required to use this typeface even work in Canva - Multilingual Support

Clark Hairline is a sans serif with calligraphic touch, it is part of a large Type System still in production. The main idea is to create a sans serif for use as a text face.

Lucida is a family of fonts with one basic design, but offered in two variations. It has both serif and sans serif characters. Lucida is suitable for books/text, documentation/business reports, posters, advertisement, multimedia.

Introducing a serif font that effortlessly encapsulates the essence of timeless beauty and enduring elegance. With meticulously crafted serifs and refined details, Sanke pays homage to classic design principles while seamlessly blending with modern sophistication.

Lucida is a family of fonts with one basic design, but offered in two variations. It has both serif and sans serif characters. Lucida is suitable for books/text, documentation/business reports, posters, advertisement, multimedia.

Caveman is a very rustic font, suggestive of prehistoric cave art when man first learned to draw and to express emotions through painting. It comes in four styles and two sets of very decorative dingbats.

Curvalith rich serif with letters that seem modern unique serif typefaces. Perfect for branding, logos, invitations, mastheads, and more. Mariegold has 15 ligature on Uppercase and Lowercase thus making it look more attractive and unique

Kaluny Pro is a humanistic style font. It has two versions: one slab serif and one non-slab serif. Modern and with some classic features, it is easy to read and forms a homogeneous set.

Lucida is a family of fonts with one basic design, but offered in two variations. It has both serif and sans serif characters. Lucida is suitable for books/text, documentation/business reports, posters, advertisement, multimedia.

Lucida is a family of fonts with one basic design, but offered in two variations. It has both serif and sans serif characters. Lucida is suitable for books/text, documentation/business reports, posters, advertisement, multimedia.

Wally is an elegant hand-drawn script that has a very even flow and is readable down to very small sizes. Since it has a similar design it can be mixed with Novita and Novido.

Lucida is a family of fonts with one basic design, but offered in two variations. It has both serif and sans serif characters. Lucida is suitable for books/text, documentation/business reports, posters, advertisement, multimedia.

Lucida is a family of fonts with one basic design, but offered in two variations. It has both serif and sans serif characters. Lucida is suitable for books/text, documentation/business reports, posters, advertisement, multimedia.

A next generation gothic with that clean legible corporate look, very simple yet very dignified. Great for text and head lines, just about any application. If you are tired of seeing Helvetica try Paladium Gothic.

A fun, clean, retro sans serif.

Ultra light sans serif for labelling.

Very neat kid-friendly handwritten lettering.

Photocopied sans serif with some attitude.