DEVILE is a gothic medieval font; its something new for me I never tried to create a font like this before so check it out –

This Grey Shadow font is create font special moment like wedding party, wedding invitation, happy party, book cover and something cute moment and lovely moment.

Tasmik literally means thickening, this font is thick like extrabold in wight, impressed firm but flexible, suitable for display text and the center of interest.

This Dingbat font is designed to work well with the Van Condensed family. The dingbats in it have the same round treatment like the typeface.

A basic handdrawn and scanned text that could be used for scrapbooks and the like. This font is a cross between Italican Oblique and Czaristane.

Behold the allure of Midkaiser – where innovation converges with design mastery, creating an experience that transcends the ordinary. Prepare to be captivated by the future of typography! Midkaiser is not just a font; it’s a testament to visionary design. Elevate your creations with a futuristic allure that has already earned accolades across the design universe. Crafted with precision, Midkaiser boasts a seamless blend of boldness and sophistication. Empowers your brand to stand out, leaving an indelible imprint on your audience’s perception. Covers a wide variety of languages, included Vietnamese. See the details in the preview images. Ignite your creativity, transform your designs, and leave a lasting impression with Midkaiser – Your Gateway to Futuristic Tech Fonts!

The tale of Pumpkinseed began with a bit of hand-printing I noticed on the dinner menu at a local restaurant. I took a menu home for future reference. Several months later, some similar hand-lettering on another dinner menu caught my eye. I became a sort of connoisseur of hand-done menu lettering. After tweaking and adjusting a few of these menu-inspired (uppercase) characters, I placed them -- along with some other designs -- in an online Type in Progress survey. They won. So I finished the caps, drew out the lower case from scratch, created three weights and oblique styles. The result: Pumpkinseed, a full-featured casual hand-lettering face. Comes in Light, Medium, and Heavy.

A typographic conundrum presented itself with the hand lettered title on the cover of the 1919 song "I Am Always Building Castles in the Air". The capitalized portion ["Castles in the Air"] was a hybrid mix of a few Art Nouveau-influenced rounded letters, yet along with this were squared letters with rounded corners (reflecting the upcoming Art Deco movement to take place in about another decade). As a complete alphabet, it didnít mix as well as in those few short words. What to do? It was decided to go with the squared look and save the rounder characters for a future project. The end result became Last Date JNL; available in both regular and oblique versions.

Stettinum Nicodemus Pro is a project to revitalize lettering from tenement houses in Szczecin. The project includes the digitization of letter remains from ul. Kaszubska in Szczecin to form functional fonts. The main idea of the project was to preserve the disappearing remnants of Szczecin's typographic past, which, despite the span of glyphs limited by time, can be an inspiration for many future extensions of the already established family. Stettinum Nicodemus Pro Sansum is a family of typefaces consisting of 7 variations. The block structure with a regular structure and a relatively high minuscule allows for many different applications. Versions 700, 800 and 900 are intended for titles, headings and emphasis, typefaces 300 to 600 are text typefaces.

Rotato Sans is a geometric sans-serif typeface that brings a fresh, modern look to any design. This minimalist but distinctive font is defined by its crisp composition and symmetrical elements — designed for optimal legibility at all sizes. Available in three different weights, Rotato leaves an understated impression of elegance & futurism! Currently available in three standard weights (more coming soon): Rotato Sans Bold – Strong and futuristic Rotato Sans Regular – Clean and crisp Rotato Sans Light – Elegant and modern FEATURES Three (3) Font Weights + Italics Numbers & Punctuation Special Characters Rotato Sans is a dynamic font that works great across various applications: from branding & logos to technology & fashion — whether in a giant heading, or paragraphs of body text.

Meta Link is Sans Serif inspired by future techno and sport great for product logo, poster, headline, card logo, web, magazine, packaging, stationery and much more. Easily creates your own logo types with font. Meta Link have 4 weight fonts with italic style also has an Open Type feature to access a large selection of unique alternative letters and many ligatures to make it easier for you to create. Meta Link can be accessed perfectly on design applications such as Adobe Illustrator, Adobe Photoshop, Corel Draw, Affinity Designer but does not rule out the possibility that it can also be accessed using web-based applications such as kittl, canva, artboard studio and others.

Raven hair and ruby lips, it may have been a trick of the light but I'm sure sparks flew from her fingertips. I definitely heard echoed voices in the night, of a restless spirit on an endless flight. If I remember correctly she held me spellbound in the night, with dancing shadows and firelight. Yes, I think I did see a crystal ball on the table, showing the future, the past and I did drink the potion she offered me, when I really should have gotten out of there fast. And that's my story and I'm sticking to it, your honor. It was that girl with the white hair, I'm telling you. She has my wallet too.

A clean sans serif, originally constructed as a proprietary font for a German IT-company. From the beginning it was designed to work both in print and on screen and experience shows that it performs well in both environments. First released as a commercial typeface with GarageFonts in 2002 and later with the Fountain Type Foundry (2004). During 2007-08 the family was expanded and upgraded into a full OpenType Pro package. The company Jura have since long used Stalemate as part of thier corporate identity. They have also licensed special versions with full support for Greek and Cyrillic languages. This will be available as a commercial option in the near future.

The future is right here, today, and Areon Flux comes to point that out. It’s a font family consisting in three weights that makes it a notable choice for designers that have to do with techy, futuristic layouts or printing materials. The lettering design appeal as sharp, powerful, distinctive and kind of modular, remembering the upcoming space exploration opportunities that are ready to enlarge our horizons in the next years. Areon Flux family is designed and published in late ‘20/ early ’21 and has an established discount for more that 30% for all the weights buyed together that makes it a versatile fresh and modern display not to be missed by edgy designers.

Estefania is based on Retro Bold Script Typeface that could fit any Graphic Project. Using bold and contrast strokes to get eye-catchy and smooth looking, this project is just born and will come with other styles and more glyphs in the future. Drawn manually by hands, and reform into a clean Typeface. Natural stroke from original lettering. It can be used for Titles or even for writing. In this font, you will get : - TTF & OTF files - WOFF & WOFF2 - Over 299 Glyphs - 11 OpenType features - Support Multilingual languages Get Estefania now! It will be best used for any design requirement, many fonts will come with a unique concept. Thank you! Best Regards, FM-STCO.

Afiche Script is an engaging vintage-flavored script font that features excellent legibility and versatility. It's equally suited for large logo and headline applications as it is for longer text passages, being very readable even at small sizes. The appealing curves and rounded finials give it a casual and fun vibe, and the subtle reverse stroke contrast makes it a standout choice to catch the eye as being something new and different. The capitals dip below the baseline, providing a lively bounce to each line of upper and lowercase type.

Nicomedia is a modern sans serif type family with a contemporary, technical look that reflects the high-tech industrial age that we're living in. From thin to black, it contains 18 fonts in 9 weights with their true italic counterparts. With 529 glyphs, it offers support for all the languages with Latin script. When it comes to OpenType features it has stylistic alternates (for a, g, l, 0, 1), tabular lining, ligatures, superscript, subscript, denominators, numerators and fractions. It's perfect to create engaging brands, ads, websites, apps, animations and user interfaces.

Linotype BioPlasm is a display face created by Italian design Mauro Carichini in 2002. It distorts and deletes parts of letters, creating the appearance of a living, typographic organism in pages of text. Lines set in Linotype BioPlasm seems bubble to the surface, and always hints at some sort of unrevealed secret. Although only parts of most letterforms are visible, the high x-heights of Linotype BioPlasm's letters make its text surprisingly legible for such a concept-font. For usage in products ranging from Sonic to Science, Linotype BioPlasm may be the font for you!

This hand-crafted font was designed for architect, blueprint and drawing use. Small font sizes have good contrast and are very easy to read. Larger font sizes create distinguished-looking headings. This font is also a good choice for adding a personal hand lettered touch, as opposed to fonts with perfectly formed lines and curves or other script fonts that are less formal and often difficult to read. The font resembles a cross between comic and VAG fonts. Architect Small Block started its life as small block letters on vellum ... hence its name.

In Norse mythology, Yggdrasil is the tree of life, which grows right into heaven - maybe even space! It has deep roots, which grows into three different worlds. I made this font in hope that someone with a love to Norse mythology could use it - maybe even for something viking themed! I don’t think that the gods of Norse mythology ever heard of contextual alternates or multilingual support - but I added it, without even asking! - Yggdrasil has 5 different versions of each letter (in both Regular and Rough) and supports loads of different languages!

Christopher Matthews originally drew Piccadilly for Letraset in 1973. Piccadilly is a decorative, all caps display typeface with a high degree of stroke contrast. All of Piccadilly's letterforms are made up of a single, curvy line. The thick" elements of each letter are five lives, while thin elements are made from one or two. In order for all of this detail to be clear, Piccadilly should be used in large point sizes, i.e., from 36-point on upward. Piccadilly's style is reminiscent of both the Art Deco and Disco eras."

Linotype Tapeside is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. British designer Stephan B. Murphy created this typeface with light, regular and bold weights, each with its matching italic. Consciously awkward, the characters line themselves up and produce a young, lively image. Linotype Tapeside is best for headlines and shorter texts in point sizes of 12 and larger and its varying stroke strengths allow this font to be set more universally than others of its kind.

SK Clumster Sans is an extravagant multilingual geometric grotesque, developed under the impression of the unique and exciting aesthetics of font design. Its structure is enlivened by an innovative combination of geometric and organic shapes that transform the familiar letter pattern. SK Clumster Sans creates a unique visual impression through a combination of shapes, a large symbolic and weights set, in addition to lively and dynamic angles and lines. The font is suitable for creating original design works that reflect the creative potential of the author and his bold experiments in the field of design.

Slinky Chic, svelte and slinky, FS Sophie was inspired by and designed in partnership with ATTIK UK. With clean lines, simple, elegant curves and dynamic forms, it brings a feminine sophistication to text and headlines in publishing and advertising. Kinky FS Sophie’s engaging simplicity arises from its construction, using a modular set of core, rounded shapes and straight strokes, drawn and then repeated to create letterforms. An extra technical detail of occasional, short 45-degree diagonals adds a distinctive little kink to Sophie’s cool exterior. Alchemy By some kind of typographic alchemy, the combination of simple curves and lines with unexpected twists to the shapes of characters creates an unusually spirited and lively design in all three weights and their italic sets. Born for the spotlight, FS Sophie is a natural for big headlines, pull quotes and other high-profile text elements.

Frutiger Capitalis Regular and Outline belong to the group of typefaces for the Linotype’s Type Before Gutenberg project. However, they are not based on direct historical sources. At first glance, they may seem related to the roman type Capitalis Monumentalis, but upon closer examination, the fonts reveal a vitality unknown to the characters the Romans etched in stone. Frutiger confesses that creating Capitalis was “a liberation”. After working on so many sophisticated and meticulously designed typefaces, Frutiger Capitalis was a breath of fresh air. Stylistically, Frutiger Capitalis Outline forms a bridge to Frutiger Capitalis Signs, a whole universe of its own. Frutiger Capitalis Signs is a personal cosmos of symbols, many are immediately “legible”, others leave room for interpretation. Some of the symbols are the product of Frutiger’s imagination, such as his “Life Signs” — soft, hand drawn figures whose lines have no apparent beginning or end, creating both interior and exterior spaces, new forms emerging at each glance. These contoured drawings have accompanied Frutiger throughout his professional life, a fantasy garden which has provided an important balance to his many years of disciplined typeface design. Yet he does not consider himself an artist. Frutiger says he simply “wants to tell stories, to draw thin lines, create contours of signs; that is my style”.

ROARRR! THE STYLES -Pantera Pro is the most complete style, and although its default look is mono-rhythmic it gets really playful and crazy like the examples of the posters by just activating the Decorative Ligatures button in the Open-type Panel of Adobe Illustrator. However, I recommend using also the Glyphs Panel because there you'll find much more variants per letter. Pantera Pro is in fact, coded in a way the combination of thicknesses will always look fantastic. -Pantera Black Left, and Pantera Black Right are actually “lite” versions of Pantera Pro: They have very little Open-Type code, so what you see here is what you get. Pantera Black Left has its left strokes thick, while Pantera Black Right has its right strokes thick. -Pantera White is a lovely member in this family that looks lighter and airy, hence its name. With the feature Standard Ligatures activated (liga) the font gets very playful. -Pantera Caps is based on sign painters lettering and since it follows the same pointed brush rules as the other styles, it matches perfectly. -Pantera Claws like its name suggests, is a set of icons that were done by our dear panther. THE STORY It is said that typography can never be as expressive as calligraphy, but sometimes it can get close enough. I tend to think that calligraphic trials, in order to work well as potential fonts, need first to go through very strict filters before going digital: While calligraphy is synonym of freedom (once its rules are mastered), type-design, in the other hand, has its battlefield a little tighter and tougher. When I practice pointed brush lettering, there are so many things happening on the paper. And most of them are delicious. The ones who know my work may see that although many of my fonts are very expressive, my handmade brush trials are much more lively than them. With that in mind, this time I tried to go further and rescue more of those things that are lost in the process of thinking type when first sketches are calligraphic. I wondered if I could create something wild, hence its name Panther, by understanding the randomness that sometimes calligraphy conveys and turning it to something systemic: With Pantera, I created an ordered disorder. Like it happens a lot in many kinds of lettering styles, in order to enrich the written word the scribe mixes the thickness of the strokes and the width of the letters. Like one of my favorite mentors say (1), they make thoughtful gestures Some lively strokes go down with a thick, while some do that with a thin. Some letters are very narrow, meaning some of them will need to be very wide to compensate. Why not?. The calligrapher is always thinking on the following letters, and he/she designs in his head the combination of thicks and thins before he/she executes them. He/she knows the playful rhythm the words will have before writing them. It takes time and skill to master this and achieve graceful results. Going back to the font, in Pantera, this combination of varying thicknesses and widths of letters were Open-Type coded so the user will see satisfactory results by just enabling or disabling some buttons on the glyphs panel. I'm very pleased with the result since it’s not very easy to find fonts which play with the words' rhythm like Pantera does, following of course, a strong calligraphic base. I believe that if you were on the prowl for innovative fonts, this is your chance to go wild and get Pantera! NOTES (1) Phrase by Yves Leterme. In fact, it’s the title of a book by him. EPILOGUE Esta fuente está dedicada a mi panterita

Remember those plastic Popsicle sticks that clicked together and you could make things from them with your sticky little fingers? Things like... camp crafts. Well, no� Of course you don't. You were too young. That�s why there is Campcraft. This is a fun loving dot-matrix font, or it would be a fun loving dot-matrix if the vertical and horizontal grid lines didn't pile up at the intersections. Then again, it wouldn't be any fun if they didn't pile up at the intersections, would it? Strictly a display type... Campcraft is excellent for what the name suggests. I goes well with Christmas sweaters, beaded jackets and purses and that time when we were all happy children with sticky little fingers.

Imagine a font that embodies the cozy warmth of a holiday sweater. The Xmas Knitted Font is a whimsical creation that brings to life the spirit of the season with each letter. Crafted meticulously, it mimics the intricate weave of yarn, evoking the charm of hand-knitted patterns. Each character is adorned with festive elements like snowflakes, holly leaves, or reindeer motifs, creating a delightful tapestry of holiday cheer. The font exudes a nostalgic, homemade feel, reminiscent of cherished moments by the fireplace, sipping cocoa, and sharing stories during the festive season. Its playful yet comforting design makes it perfect for adding a touch of seasonal magic to invitations, greeting cards, or any project seeking a dash of Christmas spirit.

Presenting Mindstay, a elegant vintage serif font that exudes timeless charm and elegance. Its clean lines and meticulous attention to detail embody the essence of classic typography, making it a chic serif font. Whether you're creating a vintage-inspired logo, a retro-themed poster, or an elegant typographic composition, Mindstay adds a touch of refinement and sophistication to any project. Its meticulously crafted serifs and distinctive letterforms evoke a sense of nostalgia and grace, transporting your designs to a bygone era. Features : Uppercase & lowercase Numbers and punctuation Alternate Characters Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. !

While Walking along the shore of our Main Port to Europe in Rotterdam, The Netherlands, my 14 year old son Jules first hardly dared to step in the mud for he was wearing his brand new sneakers. Concentrating in where he put his feet, he noticed he made a character! The FootPrint-Regular was born! The FootPrint-Regular is a powerful header-typeface, but funny enough it's usable as small copy too! Blaze your Trail! Anything you can imagine on Police investigations, Bloodhound Thrillers, Trails, Tracks and Traces, anything about Outdoor Stores, Tracking or even maybe Pedestrian Clubs, or things like Survival Sports, Walking Events or Hiking Gear; Blaze'm your FootPrint-Regular Trail on all Banners, Blimps, Ads and Doormats!

Nyfors was a sudden idea. I noticed an ad in a magazine, with some handtexted words. I don't recall what the ad was about, neither the words. When I later on tried to remember how the single characters looked like and began to draw them, the result wasn't bad at all. I am not longer sure that they resemble the characters in the ad, but it doesn't matter. Nyfors is a nice handtexted typeface, whatever its origin. There is a small stream in Tyresö where I live and work, called Nyfors. During some centuries there was a center of small scale industries along it, and they used its water to run their machinery. The typeface has its name from that stream. Nyfors was released in 1995.

Tabac Slab was created by combining several contradictory influences, the result of which is a universal linear font. The combination of brisk serifs and refined calligraphic details in the structure of the characters serves to create an original concept that mixes influences from both book and advertising graphics. Serifs aid legibility in long texts, while small drawn details realise their full potential in sizes of twenty-four points and larger. The basis for our Egyptienne was Tabac Sans, with which Slab logically forms a harmonic duo. The addition of bracket-less serifs caused the typeface to thicken and become solidly anchored on the lines, giving a firm answer to all typographers who like to complain about the slight exuberance of grotesque fonts.

Opake™ is an experimental typeface design that steps away from regular design conventions. Instead of basing the design on a calligraphic tool or geometric shapes, Opake™ is the result of the exercise of creating letters with a single continuous loop line. This unseen technique makes the overall design very unique. Though unconventional, the design resonates with some familiarity because of its calligraphic stroke terminations and some shape decisions that might resemble Cooper Black. In the end Opake™ is a cutting edge non-connecting script font, with a warm and happy feeling. Ideal for large headlines and general display use, but also branding, posters and apparel. If you like unconventional solutions and edgy design, Opake is the font to go for.

The Coast is a Sans Serif type family inspired by enamel signs from the 1920s. The Coast has a large x-height which gives the font a friendly look and guarantees great performance in very small sizes. The Coast family also works great in huge sizes since it has some very special and highly elaborated characters like the small “e” and “g” which distinguishes it from an ordinary Sans Serif. The family includes real small caps, small capital figures, medieval and monospaced lining figures for information in tables. Coast and Coast Wide both come with a variety of special characters, alternates, mathematical symbols and the unusual ligature “rt”. Also on board: the german capital letter “sharp s” = ẞ. That’s about it.

The Roman alphabet has seen endless variations in interpretations of its classical form, and various wood type styles managed to explore everything from XXX condensed to hyper extended and expanded. This delicate and handsomely proportioned extended Roman was issued by Page Manufacturing Co. in 1872 and released as simply “No. 251” after Page was acquired by Hamilton. It is a rare font to find in print shops, most likely due to the very fine lines that would no doubt be less durable that bolder gothic jobbing fonts. While being quite wide, it still holds the elegant grace of wide Romans such as Craw Modern. This new digitization features a full Western and Eastern European Character set as well as ligatures and alternate characters.

Although initially inspired by the neon sign in front of Canter’s Delicatessen in Los Angeles, the design of Deliscript Upright and Deliscript Slant soon took on a life of its own–and its own distinctive look. Like its sibling Metroscript, Deliscript has many features that expand its usability such as the the variable length tails which can be accessed in 6 different styles, and the never before seen crossbars which can be extended outward in either direction from the lower case “t”. Throw in the special “WordLogos”, tons of ligatures and foreign accented characters, and you have a recipe for typesetting that approaches the look of hand-lettering. For a better understanding of its unique features please download The Deliscript User Manual—available in the Gallery section.

Meet Moreno – a semi serif typeface full of personality and flavor. A display typeface in its nature Moreno is free and informal yet stable and trustworthy. Moreno comes with extensive OpenType support - with its more than 15 OpenType features Moreno is giving you a great variety of stylistic alternatives as well as wide range of ligatures, tabular lining numerals, oldstyle numerals, fractions and many more. It comes in 8 carefully chosen weights from Extra Thin to Black plus their matching italics. Together with the 4 additional styles, Moreno becomes a diverse type family of 80 fonts suitable for a wide range of design needs like retail, package, food, branding etc. With its language support - over 200 languages, Cyrillic included - it is ready for world domination!

A pixelated typeface with asymmetrical serifs intended to depict emojis in coarse mosaic shapes and represented in two styles that perfectly complement each other – Mono (casual font) and Mosaic (color font). The main font feature is a large set of pictograms, which are activated using the Stylistic Set and typed right in a text with a keywords like :smile: :happy: :sad: :pear: :rose: :horse: :bike: :house: and so on. Read more about Depicto font family concept, features, pictograms, color font, emoji skin tone, how to use it, and the applications support: https://michaelrafailyk.com/depicto See the complete list of 600+ pictograms: https://michaelrafailyk.com/typeface/specimen/Depicto.pdf Scripts: Latin, Greek, Cyrillic, Hebrew Languages: 480+ The promo image “Serpant Mosaics” used a photo of Nick Verlice from Pexels

Introducing Grindale - Modern Classic Serif Font Grindale is a modern take on the classic serif font that combines timeless elegance with a contemporary edge. This font is perfect for creating elegant headlines, logos, and other design elements that demand attention. With its clean lines and classic serifs, Grindale is a versatile font that will add a touch of sophistication to any project. Its modern design makes it a great choice for a wide range of projects, from branding and advertising to editorial design and more. FEATURES - Stylistic Alternates - Ligatures - PUA Encoded - Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word Hope you Like it. Thanks.

Berkin – Display Font is a captivating sans-serif typeface that breaks free from monotony with its playful and eye-catching design. Its stems and letterforms carry a dynamic and non-uniform style that instantly grabs attention, making it perfect for display purposes. Berkin’s unique design adds a sense of energy and spontaneity to your projects, ensuring that they stand out in a crowd. Whether you’re creating eye-catching headlines, signage, or branding materials, Berkin injects a distinctive and lively personality. This font is like a burst of creativity in the world of typography, making it an exceptional choice for projects that demand a playful and attention-grabbing aesthetic. Berkin’s playful and non-conformist approach ensures your designs are unforgettable and exude an enthusiastic and dynamic vibe.