A revival of one of the popular wooden type fonts of the 19th century, condensed, bold, curved serifs, a very useful design for display, upper and lower case.

BD Westwork is a very condensed, bold and distinctive display typeface – great in combination and in contrast with delicate illustrations, photos and body text with and without serifes.

Based on vintage wood type, Nostrand JNL is a tall, condensed serif face - named for an avenue in font designer Jeff Levine's home town of Brooklyn, New York.

A font family in continuation of the bb-book A , also kicking up weight, width and contrast, but upside down. 4 styles: condensed, regular, expanded and ultra-expanded.

The thin, condensed serif lettering found in a 1937 magazine ad for Chris Craft boats inspired Formal Invite JNL, which is available in both regular and oblique versions.

Welcome to the futuristic world with The Bokrun, a future-themed font that will color your design projects! Get a unique experience with a modern, futuristic, and sci-fi touch that radiates from each letter. The Bokrun presents impressive futuristic styling with a sophisticated and dynamic design. This font will give a fresh and innovative look to any project that needs a touch of the future. With The Bokrun, you can easily create modern and evocative designs. Not only that but The Bokrun is also equipped with great features that will give you unlimited creativity. Alternate ligatures and characters allow you to create unique and interesting letter combinations. Also, the different font variations give you the flexibility to express your ideas in greater depth. Another advantage of The Bokrun is its multilingual support, so you can communicate with audiences from different languages without any barriers. This font will take you on an international and worldwide design journey. Explore a futuristic world with The Bokrun, and let your every design be a window into the future. Get a modern, futuristic, and stunning design experience with this font. Don’t miss the chance to own The Bokrun, the perfect solution for your future projects that require a modern and futuristic touch. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Config Rounded is a condensed geometric sans with rounded corners. Config’s sibling, this typeface was influenced by geometric sans with circular forms on the tops and bottoms of characters, but the proportions have been condensed by incorporating straight sides for a design that is efficient yet friendly. Use it for a subtle softness that still looks modern and strong. With 10 weights, there are options to fit the need—black and thin for extreme uses and intermediates for more common needs.

Supria Sans™ and Supria Sans Condensed is an extended family of 36 fonts designed by Hannes von Döhren. It contains two widths, six weights and three styles, including the curvy, feminine Italic as well as the more conventional Oblique. Although it is inspired by the utilitarian clarity of Swiss type design, subtle curves and fine detailing impart a more playful character to the whole Supria Sans family. Supria Sans™ is equipped for complex, professional typography. As an exclusively OpenType release, these fonts feature small caps, five variations of numerals, arrows and an extended character set to support Central and Eastern European as well as Western European languages. Supria Sans™ received the “Certificate of Excellence in Type Design” at the TDC2 (2011).

Steelplate Gothic Pro is a sans serif font family with traditional and drop shadow weights. It shares letterform similarities to conventional Copperplate Gothic families, but has no spur serif endings. Most of the original designs came from the Western Type Foundry when BB&S acquired it in 1918; all were cut by Robert Wiebking. It was recast in 1954 by American Type Founders (ATF). Steve Jackaman (ITF) designed and produced a digital version of the original single weight in 1997. In 2017, Jackaman completely redrew and expanded the family, adding entirely new condensed variants and true small caps. Steelplate Gothic Pro has a masculine, industrial feel, and works effortlessly at display and subhead sizes. It shares letterforms with its sans serif sister family, Barnsley Gothic.

Redig is a bold condensed display typeface with an assertive and athletic aesthetic. Inspired by newspaper headline typefaces from early 1900s it has chamfered corners with rounded edges that smooths out some harshness and generous x-height to its lower case characters. Redig will shine when used big. And I mean BIG. This is certainly a case when “bigger is better” really is the truth. Redig comes with an oblique style and ligatures and works best in headlines, logos, branding, social media or any display type use. Use it big.

Sinyal is an oblique style condensed font, and in a very different style from the others. Its weight excels in posters, social media, headlines, magazine titles, clothing, large print formats - and anywhere else you want it to be seen. Inspired by design styles that are popular today, and this is the answer to all the needs of every idea that you will pour in this modern era. Sinyal offers you: Sinyal- A clean Bold italic font including Upper & Lowercase characters(ALL CAPS), Ligatures Character Supports Multi linguage (Latin Western Europe), Numbers and Punctuation

Fuuld is a brutalist condensed modern display font that mixes organic and geometric, hand made, and digital production. it has a contemporary look perfect for logos, posters, branding, magazines, and avant garde social media accounts be it instagram, TikTok, or whatever. The cool thing about this font besides how cool it looks is that it uses less ink than a regular font in its weight. this makes it perfect for any environmentally conscious print projects. Try the font with no fill and a stroke for a whole new style.

A tall condensed sans serif font If you are looking for letters with attitude, Madfool is the perfect fit. It's a memorable, strong and elegant typeface. Madfool is a modern clean sans serif font. With bold stroke, fun character. To give you an extra creative work. Madfool font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Madfool font.

The Modern Times is the most popular font developed by me. It was sold more than any other of font that I created. The earlier version supported Western Europe, Central/Eastern Europe, Baltic, Turkish, Romanian, Cyrillic, Greek, Georgian languages. Last year, I decided to update it. The new version is called TA Modern Times. Its OpenType features include 1200 glyph, Stylistic Alternates, Stylistic Set 01–12, Standard and Discretionary Ligatures, Numerators, Denominators, Subscript, Superscript, Ordinals, Contextual Alternates and Kerning. Currently, supported languages are as following: Western Europe, Central/Eastern Europe, Baltic, Turkish, Romanian, Cyrillic, Greek, Hebrew. Additionally, the font has multiple styles such as Semi Condensed, Condensed, Extra Condensed, Ultra Condensed, Rounded, Inline, Outline, Semi Expanded, Expanded, Extra Expanded, Ultra Expanded. 6 previous versions of the font are FREE. You may download and enjoy it. Latin Plus languages supported 95% Latin Plus diacritics included 88% TA Modern Times OpenType features list: aalt, calt, case, dlig, dnom, frac, kern, liga, locl, numr, ordn, salt, sinf, ss01, ss02, ss03, ss04, ss05, ss06, ss07, ss08, ss09, ss10, ss11, ss12, subs, sups TA Modern Times graphic presentation at Behance

Broadgauge Ornate originated from MacKellar, Smiths & Jordan in 1869 and was only available as an all caps font with numbers. Today this old beautiful wood type rises again from the archives complete with original numbers and an all new lowercase. An all caps Greek character set has also been added plus accented characters for western, central and Eastern European countries. Included in each font file are two sets of left and right pointing hands located on the Less Than and Greater Than keys and also on the Bracket keys. Because this font works well with a Las Vegas theme I've decided to make the pointing hands gambling related with one set of hands rolling dice and the other holding cards. The condensed versions were created because in today's computer graphics applications people stretch and condense fonts to fit their project but don't notice the change in vertical stroke widths or line thickness. After compressing the letter shapes of each Broadgauge Ornate condensed font the vertical lines were corrected making sure they were the proper width or thickness. The results are balanced condensed versions that weren't simply compressed with out consideration for their appearance.

Story Fresh is a family script font, with 5 styles: brush, bold, medium, normal and light. Story Fresh a work that is purely handmade, has its own characteristics with the style of monoline. this is perfect for invitations, signatures, blogs, social media, business cards, product brands. FILE INCLUDE - Story Fresh Brush (OpenType,PUA) - Story Fresh Bold (OpenType,PUA) - Story Fresh Medium ( OpenType,PUA) - Story Fresh Normal ( OpenType,PUA) - Story Fresh Light ( OpenType,PUA) OpenType features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. special greetings for all, all of us all smoothly in running the routin

Lankie is a clean, contemporary, geometric, condensed sans serif font. The font is ideal for headlines, titles, branding, small blocks of text or wherever a fresh font is desirable.

Linotype Freytag is a condensed display face with simple, geometric shapes. With its highly readable and trendy letterforms, it is perfect for flyers, advertising, packaging, posters and magazine headlines.

An inline version of the Latin bold condensed, and designed on the suggestion of Robert Harling. There is a double white line, which was originally engraved in Latin type.

Hand Cut Stencil JNL is a condensed Roman typeface modeled from an antique tin stencil hand cut for shipping merchandise. The design is available in regular and oblique versions.

Concave Tuscan Extra Condensed is a classic wood type sans serif design that is the basis for Table Wood JNL, which is available in both regular and oblique versions.

Convicted JNL is a condensed, chamfered sans serif type design inspired by opening credits from the 1940 film of the same name – available in both regular and oblique versions.

Jeff Levine's Newshawk JNL emulates the tall, condensed headline fonts often used years ago when an urgent story broke and a newspaper rushed an "Extra" edition to the streets.

IxD is a modular, semi-futuristic sans serif that uses its geometry to evoke the kind of future we all thought we'd have back when we were kids: sleek, assertive, cool. Many of its deep cuts and unusual letterforms are strikingly out of the norm, but they still feel inviting.

Hand lettering used on the packaging of a space-themed rubber stamp toy set is the basis for Space Deco JNL. Blending the classic thick-and-thin line weights of the Art Deco style with sharply angled cross strokes evoked a sense of movement and "future" in this unique lettering design.

Futuristic Ballad is a modern, stylish and elegant font. It comes with uppercase and lowercase characters, a set of punctuation marks, numbers, Cyrillic characters, an alternative set of latin and cyrillic, ligatures and multilingual support. This font is suitable for use in future technology projects, branding, logos, posters, product packaging, etc.

A modern fraktur briefly based on the typeface Deutschmeister originally designed by Berthold Wolpe in 1934. With a lot of blackness and playful style it is well suited for posters, signage on windows or a book cover. Only one wight for now, but it may be expanded in the future.

Introducing new typeface. Qomarun- A modern, luxury, fashionable display serif font. It has unic construction for future style. Qomarun perfectly used for product presentation, elegant logo design, packaging or invitation cards or heading text. it is allcap with symbol and multilingual support Features Two style/ Numbers & Punctuation / Extensive Language Support/ligature

Graphically drawn face with a somewhat mono weight thick to thin contrast. Zone was designed for all media and can be used in a wide range of point sizes. Similar to FreeZone but with small flared endings. Family includes common capitals and alternate lowercase characters. Zone requires subjective display kerning and compensation.

Introducing Bilground - Handwritten Fonts Beautiful handwritten fonts with strong characters are now here to accompany your design projects. You can apply it to wedding designs, logos, quotes, social media posts, video content display etc. See some of the previews above for reference. Features: • Uppercase • Lowercase • Numeral • Punctuation • Multilingual • PUA Encoded • Opentype Features Thanks.

Here's yet another variation of the classic Futura Black Art Deco stencil form of display lettering. The inspiration for this typeface came from various images of the Blossom Dairy Co. restaurant, originally opened as an ice cream and sandwich shop located on Quarrier Street in Charleston, West Virginia. The restaurant first opened in 1938 as an outgrowth of the Blossom Dairy Co. itself, and existed under various ownerships until it permanently closed on Nov. 11, 2016. Digitally redrawn as Local Eatery JNL, it is available in both regular and oblique versions.

Olio is a chunky geometric sans serif typeface. The bold version takes inspiration from classic geometric fonts like Futura and works well when creating clean, balanced typography. The inline version is the same font with a stylish and decorative stripe effect to each character. Olio inline is a nod towards graphic design champion Lance Wyman and his typographic treatment for the iconic Mexico 68 Olympic identity. Although both versions are designed in reference to great (timeless) graphic design from the past, they have a contemporary finish making them suitable for any design purpose or application.

Oliva & Oliva Italic are two strong and funky display fonts. Influences came from typefaces like Futura Black by Paul Renner and Motter Ombra by Othmar Motter, but also Stilla by François Boltana and Allegro by Hans Bohn lay on the desk. All these ingredients were mixed to a new and contemporary type experience and packed in proper OpenType files Oliva & Oliva Italic are OpenType Pro, featuring full Western, Central European, Baltic, Turkish and also Cyrillic language support. They contain ligatures, superior numerals, and a stylish set of decorative ornaments and arrows.

The family tree of this friendly face runs deep. Its primary inspiration is Twentieth Century, designed by Saul Hess as a monoline version of Paul Renner’s Futura. The design was reinterpreted by Herb Lubalin as Avant Garde in the 1970s. This version softens the harsh geometry of the original designs with rounded line endings: the result is a warm, inviting face that is elegant, confident and inviting. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

The first Antique Olive fonts were produced by the French type foundry Olive, in 1962-1966 and designed by poster designer Roger Excoffon (1910-1983). All Excoffons fonts are flamboyant, elegant and highly stylistic. They include the Banco, Mistral, and Calypso fonts. Antique Olive was launched to rival Helvetica and Univers, but the shapes it took were totally refreshing. Antique Olive is probably the most striking Sans Serif since Futura and Gill, and more refined than either. It is perfect for posters and display material as it works well in larger sizes.

Litera was designed in 1983 by Michael Neugebauer, who used the same strict constructed design found in his typeface Circulus. In its figures are the clear geometric forms of the circle, triangle and rectangle, which were also the main forms of Bauhaus designs. The overall look of Litera is modern, clear and light. Distinguishing characteristics are the openness and the e and P and the particularly long cross stroke of the G. The cool Litera is best for middle length texts and headlines. Similar typefaces include Futura from Paul Renner and Avenir from Adrian Frutiger.