Looking for the perfect all-caps display font to accentuate your next project? Lemonade Stand is a stylish yet childlike sans that doesn’t take itself too seriously. The characters are wispy in nature with minimal contrast. They were designed to loosely mimic the strokes of a thin paintbrush. Lemonade Stand is equipped with Basic Latin, Extended Latin, diacritics, and Cyrillic. Feature it in a logo, on packaging, or in a children’s book.

Viento is the evolution, devolution and revolution of the classic Brisa font. Drawn in a rough way for quick times in a fast culture, this font is a top-of-the-range option for casual text, invites, recipes, menus and of course, packaging your favorite express lane foods. Viento comes with programmed features for ligatures and kerning, and extended support for a large number of Latin lingos. Designed by Koziupa and digitized by Ale Paul.

Based on William H. Page’s Clarendon Extended wood type from the 1800s, Clarified JNL is digitally available in both regular and oblique versions. In the days of wood and metal type, foundries often made changes to an existing design to make their font more unique and different from their competitors. Clarified JNL is different from Clarenwood JNL (which is partially based on another wood type Clarendon and features many alternate letter forms).

Magis® is a modern sans serif with a geometric touch. It comes in 18 weights, 9 uprights, matching italics, and variable font. Magis® bringing energy and making it suitable for modern design. Designed with powerful OpenType features in mind. Each weight includes extended language support (+ Cyrillic), arrows, ligatures, and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as editorial design.

Lorelei is an exuberant and bouncy script. The ink seems to be slathered onto the surface in a casual and spontaneous manner, making for a flowing and feminine script that is perfect for invitations or greeting cards. The script also contains a large number of OpenType alternates and ligatures to extend the impulsive nature of the lettering. Lorelei is named for a young German maiden that supposedly threw herself into the Rhine.

Soapy is a decorative font family, naturally scented and dermatologically tested. With extended language coverage, Soapy fonts are all-caps with 2 design options for each letter. There are also stylistic alternates with bouncy baselines – simply turn on the feature to instantly put your words to float. Or to dance, depending on your point of view. Stack styles for easily add colors to your compositions. Put a smile in your headline! Get Soapy!

Condensed sans family Sidro comes in 9 weights – from extreme light Thin to dark Heavy. Compact, solid and still new and recognizable, Sidro is designed with purpose to serve in every project. It is tightly spaced family which is ideal for space saving in variety projects – from posters, packages and branding in general, to websites, editorial usage and applications. Sidro comes with Small Caps, Fractions and one Stylistic Set in extended Latin character map.

Nullomis is a modern display font inspired by Soviet Period, anti-utopia and Ancient Rome (I don't know why). It was originally planned to create an ultracondensed headliner, but now it’s a flexible font set with 49 styles or just one Variable Font with all capabilities. Best using for posters, headlines and tags. Extended latin glyph set 7 weights 3 widths Alternate crossbar heights or all of this and more in one Variable font

Loophole is a visually striking display typeface in 3 weights (Light, Regular & Bold), its DNA firmly rooted in the Cyclic Sans family which makes the perfect foil to this somewhat decorative font styling. The Loophole name is quite simply based on the ubiquitous hole motif, which is strategically deployed on each character across the 3 font styles. Each font contains an extended Latin character set covering Western & Central Europe, the Baltic States & Turkey.

Compact and condensed, Fazon font family belongs to design inspired by vintage typefaces. It is available in 7 weights – from Light to Black. Contrast in letter design gets higher as weights get thicker which assigns dose of display elements in heavier weights of Fazon. Contains 5 stylistic sets (4 for uppercase and 1 for lowercase letters) and fractions. Fazon covers extended Latin character map. Ideal usage: packages and labels, posters, titles, websites.

Amigos is a classic handwritten script font for luxury / signature / branding / logotype / wedding invites / greeting cards / promotional graphics. Amigos is completely handmade with more than 140 hours of artistic craftsmanship bringing perfection and aesthetics at its level best. The font includes extended language support including Western European & Central European sets. Advanced Kerning & Essential Ligatures: We have performed advanced, in-depth kerning to make sure the font looks amazing on all possible letter combinations.

MT Bleu Feelin — is a display font with a monospace typographic feel. Please pay attention to Small Caps, Oldstyle Figures, and Alternates. Good for music album covers, posters and magazines. Inspired by the electronic band from Bandung, Bleu House, which has a light and edgy electronic pop experimental music character, the idea emerged to create a font that changes from sound to visual language, namely font. The use of the design for this font is for Display, and while it is issued one regular weight, in the future will develop multiple masters and other experiments. The design concept of the MT Bleu Feelin Mono Regular font is to take a 45 degree diagonal and geometric cut technique. also every corner is rounded which gives a dynamic impression like electronic music. I created this font design because I like visual experiments, and applied it to the character of the font. By using monospaced font characters have an even width. This is a unique feature in that most fonts are 'proportionally' spaced with characters varying in width. While monospace is perfect in certain ways, it is a proportional font that reigns supreme. Proportional fonts are faster to read. however, the MT Bleu Feelin Mono Regular font is intended for display fonts. MT Bleu Feelin Mono Regular supports language settings - Western Europe - Central Europe - Southeastern Europe - South American - Oceania - Esperanto

Virginia Neo is more than an update to the original Virginia family, designed in 1970 and strongly influenced by the popularity of Futura and Kabel in that era. Virginia Neo is a completely redrawn version based on the original design which won its designer first place ahead of 5,000 other submissions to the Lettergraphics International Typeface Design Competition in the same year. The original typeface family comprised 5 weights, the lightest of which was omitted from the initial 2008 digital offering but has now been included in the Neo version, along with a new Heavy weight rounding out a family of 6. Each typeface includes more than 450 glyphs, enough to satisfy more than 80 languages plus a smattering of ligatures, useful geometric ornaments and arrows. Virginia Neo fits the compact, comfortable-tightness of seventies-retro typography currently re-emerging in today’s advertising. Its high readability, femininity and elegance makes it suitable for subheads, headlines, posters, branding and the web.

FranklinGothicHandCond is another part of a series of hand-drawn fonts from way back in time – before computers changed the way we worked in advertising. When I was in advertising – before computers – a very time consuming part of my daily work was sketching headlines. I used to be able to sketch headlines in Franklin Gothic, Times, Futura, Helvetica and several scripts. We had a kind of huge inverted camera – which we called Lucy. We projected the alphabet onto a sheet of transparent paper, outlined the letters with a fineliner and then filled them in. It was very tedious work, but the resulting headline had its own charm and we had a permanent race going on who was best and fastest. I won most of the time! They used to call me the fastest "Magic Marker" this side of the Atlantic. Great days, just like today! Your sentimental type designer from the past, Gert Wiescher.

Tipo Pèpel strikes again with a lush splurge on pure basic geometrical shapes and sizes, those that inspired Paul Renner’s typographic milestone “Futura”. A new look to classic shapes, bringing them back plenty of delightfullly details as the lowercase cursive forms’ long tiles that break the supposed linearity expected from a purely geometrical font. Rhythm given by hidden details in each character of each weight, push “Naste” out of German geometric sobriety, will help us to easily create typographic hierarchies upon the many weights available and the many and accurate details. Excellent results with minimal effort. Wide ‘x’ height, restrained ascending and descending stems; thick but elegant, easy to read and in need of generous white space around, where it feels comfortable. More is better than less. As usual in Type Pépel, full sets of Opentype alternatives and Unicode support for 104 languages ​​plus Cyrillic. 16 weights of typographic beauty in all its glory.

Typeface Laborat™, designed by Kristína Jandová, is a Grotesk typeface that combines the geometry of a circle and a square. The visual message of geometry is applied to stylistic sets and modified by special characters, including abstract forms or symbols, that turn the typeface into a visual “graphic” language. The basic character of the typeface lies in the default set based on the circle-like shapes of letters. The stylistic sets 01 to 03 are characterized by different geometrical modifications of the growing character and the idea “from circle to square” applied on the letters a, f, g, l, r, t, u, y. By using these different alterations of consistent letterforms, it offers a playful space for everyone. The first inspiration of the typeface origins in Paul Renner’s Futura sketches, that were a celebration of geometrical playfulness of modernism meeting constructivism. It is modified into a new contemporary “wave” of typography as a graphical method. Laborat comes in six weights, from Hairline to Heavy.

FranklinGothicHandBold is another part of a series of hand-drawn fonts from way back in time – before computers changed the way we worked in advertising. When I was in advertising – before computers – a very time consuming part of my daily work was sketching headlines. I used to be able to sketch headlines in Franklin Gothic, Times, Futura, Helvetica and several scripts. We had a kind of huge inverted camera – which we called Lucy. We projected the alphabet onto a sheet of transparent paper, outlined the letters with a fineliner and then filled them in. It was very tedious work, but the resulting headline had its own charm and we had a permanent race going on who was best and fastest. I won most of the time! They used to call me the fastest "Magic Marker" this side of the Atlantic. Great days, just like today! Your sentimental type designer from the past Gert Wiescher

Envisage is a distinctive new grotesk design by Alex Kaczun. Characterized by distinct details throughout as particularly visable in the capitals A, H and N. There is a more organic and natural feel to the overall design as in the sutle curves introduced in many of the lower case letter forms, specifically the a, h, m and n. And, especially evident in the warm overall curves within the l‘case g. In addition, incorporating flexibility in form and function, Alex has also included alternate letter forms in this OpenType font; allowing the graphic designer a choice in the overall look and feel. Envisage has impact and zeal. It's a wonderful choice for a distinctively unique headline treatment, and works equally well in text in a large range of point sizes. Use this friendlier sans serif as an alternate to Futura and Gill Sans. We think you will like what you see. The large Pro font character set supports most Central European and many Eastern European languages.

Lost Souls is intended to represent something old, retro and innovative at the same time.

Eloquence has a modern aesthetic with a strong classical influence – this is the “Renaissance Remixed”. While being inspired by the first printed texts of the Renaissance period, this typeface has contemporary features such as a high x-height, open bowls and counters, along with razor-sharp serifs and terminals. It has been designed specifically for creating a pleasant reading experience. With a comprehensive character set, Eloquence can comfortably handle printed documents such as novels, magazines, annual reports, along with their equivalent online/digital formats. This 14-font family also has a few tricks up its sleeve by means of some neat, complementing discretionary ligatures and alternates that will prove to be useful embellishments to your typography. Small Caps are included too, along with corresponding diacritics meeting the Latin Extended specification. You can view more details, design examples, and a specimen PDF at eloquence-font.com Key Features: • 14 font family – 7 weights in Roman and Italic • Small Caps, Alternates, Ligatures, with Proportional, Old Style, Small Cap, Fractions, Numerators, Denominators, Superior, and Inferior Figures • Full European character set (Latin Extended) • 900+ glyphs per font.

Endorphin is a stylish oblique sans-serif font family with weights ranging from Thin (100) to Black (900). Features: Available in 9 weights Over 550 glyphs supporting extended Latin Ideal for display texts: Titles, Logos and Headlines etc. Perfect for branding and rebranding Supports OpenTypes features like Ligatures and Stylistic Alternates Symbols for 10 major currencies including Bitcoin provided in all weights Description: The Endorphin font signifies racing forward. Each oblique character manifests that feeling of achievement and happiness that one gets after a great workout or after a refreshing game. Every character effortlessly integrates with modern design standards and interfaces. The fonts are professional and have a strong personality in them. This makes Endorphin perfect for use in modern apps and websites. Endorphin is built for the designing and marketing squads. It has a trendy geometric characteristic which is ideal for any branding and rebranding. Endorphin has lot of OpenType features (like ligatures and alternates) and the Extended Latin character set supports over a hundred languages. Race Forward!

A great addition to every graphic designer's toolkit. Realest™ is a modern slab serif display font designed with mathematical precision. The entire typeface is crafted with consistent angles & measurements down to the smallest detail. It is built on mathematics. For this reason, it is a highly versatile display font, ideal for branding, logos, websites, ads, graphics, clothing & printable materials. What makes Realest™ stand out is its classy yet modern style. It could be classified as 'futuristic' (due to its square-shaped structure), yet the slab serif details add a touch of class that most futuristic fonts lack. This gives it a unique character, making it ready to perform well in a wide variety of creative projects. Features: • A unique fusion of Modern & Slab Serif styles. • Designed with mathematical precision. • The characters share the exact same dimensions (where possible). • Monospaced (with even spacing between characters). • Comes with a generous number of alternate glyphs & accented characters. • Available in both Regular & Extended (wide) styles. • Highly versatile Realest™ Extended is a completely free font that can be used in commercial projects.

Queenica - Sans serif font family - Multilingual supports, 12 Style If you're looking for a stylized sans serif font, Queenica might be the font you're looking for with its unique structure. Queenica is a distinctive modern sans serif font. It offers rich solutions to your creative projects with its alternative versions. You can easily use the sans serif font feature in many areas. You can create your text with normal characters and highlight bold characters and titles. This font offers a wide variety of styles to help you discover the best mood for your projects, from body text to large headlines, from classic to modern and bold styles. Well suited for books and magazines, magazine covers, editorials, headlines, websites, logos, invitations, branding, advertising and more. CHARACTER RANGES : Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, General Punctuation, Currency Symbols, CJK Symbols And Punctuation, Private Use Area (plane 0), Alphabetic Presentation Forms -Uppercase typeface -Lowercase typeface -Numbers -Symbols With this font you can create your unique designs. If you have a question, please contact me. Have a good time.

With Antipol Variable, the reversed stress font was supplemented with Wide and Extended cuts in the Hairline weight. The ability to stretch single letters extremely wide is an exclusive goodie of the Variable version. Antipol is a Sans Serif design that reverses the conventions of a regular Latin Sans Serif. With a weight emphasis on the horizontals and its vertical terminals Antipol radiates a 1970s charisma known from the like of Antique Olive. Its modern and avantgardistic attributes are most pronounced in the Hairline weight, where ultra thin lines meet distinctive arrowhead-corners. This particular weight is meant for display settings, think full-page magazine titles or posters. Antipol Wide and Antipol Extended are a generous statement for graphic design with enough space to let the type breathe: art catalogs, lead texts, invitations, letterheads or brand identity. Any style comes with a wide range of OpenType features that goes beyond a standard display font: Small Caps, Proportional and Tabular Oldstyle Figures and Lining Figures, Fractions, and much more.

Moviemania - Sans Serif font Family - Multilingual - 12 STYLE Moviemania font family is a modern sans serif typeface with its sharp lines and soft turns that form its characteristic structure. It offers you two alternative concepts in your preferences with its sharp lines in upper cases and soft lines in lower cases. It has an ideal modern structure in your preferences for branding and identity creation in today's modern world. Absolutely perfect for movie titles, magazines, branding, branding identity, posters, logo designs, packaging designs, websites - all digital platforms and more! This font can meet your needs in all modern and classic creative projects. CHARACTER RANGES : Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, General Punctuation, Currency Symbols, Letter like Symbols,Arrows, Mathematical Operators, Miscellaneous Technical, Geometric Shapes, Miscellaneous Symbols, CJK Symbols And Punctuation, Private Use Area (plane 0), Alphabetic Presentation Forms GLYPH COUNT : (543) Uppercase typeface Lowercase typeface Numbers Symbols Multilingual With this font you can create your unique designs. If you have a question, please contact me. Have a good time.

Based on the classic Sol design by Marty Goldstein and C.B. Smith, published by VGC in 1973, Sol Pro goes above and beyond the call of revival/retooling to include plenty of optical improvements to the original design, more weights, italics, small caps, biform shapes, alternates, and extended language support. This particular design is one of the more prominent forefathers and strong influencers of the soft, streamlined aesthetic that has been going strong in branding and geometric design for more than 40 years now. It cuts all links to melancholy and classic empire shapes, and introduces smooth contrast modulation that communicates sleek, adaptable youth, confidence, knowledge, and modern hi-tech presence. This is not your grandfather's Eurostile. This is your offspring's global hope, optimism, and total awareness. Sol Pro's extended character set and range of weights and widths makes it quite suitable for applications of all sizes, from small collateral to product branding and massive marketing campaigns. The Sol Pro complete family comes in 20 fonts, each containing over 520 characters. Available in single fonts or value-maximizing packages.

*Mont Specimen: http://bit.ly/montsp *Scroll down for the FREE DEMO fonts Features: • 744 glyphs in 20 styles; • Extended Latin, Cyrillic and Greek; • Perfect for headlines and logos; • Prominent x-height; • Distinctive pointed triangular bracketed “t”; • Coverage of multiple OpenType features; • Suitable for web, print, motion graphics etc. Mont is a geometric sans serif consisting of 10 weights ranging from Hairline to Black with matching italics. It supports Extended Latin, Cyrillic and Greek — more than 130 languages all together. The balanced characteristic of Mont with unique details, such as the pointed “t” and the prominent x-height makes it perfect for strong headlines and outstanding logos, but also suitable for long text. Mont comes with a range of OpenType features — including tabular figures, advanced typographic features such as ligatures, fractions, case-sensitive forms, superscripts, subscripts etc. The typefaceʼs versatility and merits make it easy to confront any graphic design challenge — web, print, motion graphics etc. Up with Mont to the top and beyond!Mont™ Font Field Guide including best practices, font pairings and alternatives.

Rubber B is a heavy display typeface with very tight open counters & character spacing and non-existent closed counters. It is an amalgam of styles and influences that demands attention. It is comparable with the highly geometric experimental fonts of the '90s and early '00s, but also heavily inspired by decorative fonts of the '60s and the psychedelic poster art of the '70s. Bold and loud, yet delicate, almost calligraphic in some cases. It works with Latin & Extended Latin, Cyrillic & Extended Cyrillic and Greek. It comes with 1,500+ glyphs, with more than half of them being ligatures. It also contains several Stylistic Alternates as well as Localised forms (available through the Open Type Features and also as ligatures). All these features are available in order to not only make sure that it works with as many languages as possible, but also that depending on the specific glyph or ligature one chooses to use, they have the ability to alter the emotional character of the word(s) they’re setting. Ideal for titles and logos, as it works best in medium and large sizes.

Sintesi Sans. Sans meets serif. Are you looking for a robust, contemporary but nonetheless an elegant font? Sintesi Sans might be exactly what you are looking for. Sintesi Sans builds together with Sintesi (SemiSerif) and Sintesi Semi an extended family. However each of the three member of the Sintesi-family accomplish the «synthesis» between Sans and Serif on its own way. Sintesi Sans scores because of its readability, robustness and contemporary style. It is a true Sans Serif and therefore really flexible, universally applicable especially as a body text font and in a broad number of other applications. Worth mentioning is the particularly slim «Extrathin» style, which elegance is not to be outbalanced. Thanks to the good readability and the wide set of styles and glyphs, Sintesi Sans suits to a wide spectrum of applications. Download a free trial package of the extended family with a reduced character set – check it out! Download a free trial version of Sintesi Sans with a reduced character set. Check it out!

ACEISIDA is a font that supports over 100 languages from around the world. Basic and some Extended Cyrillic, Basic, Additional and Extended Latin, Basic Greek, and some newly added characters recently entered into use in everyday life. ACEISIDA is a font that elegantly combines the timelessness of antique design with the modernity of the grotesque. The absence of serifs results in a universally readable and sophisticated format. It was designed to focus on the main text, complementing other design fonts without disrupting them. This font is perfect for those who appreciate minimalism and refinement, and its smooth lines make it suitable for various design projects. It adds understated elegance to any design, making it the ideal choice for those who value simplicity, modernity, and sophistication. The font includes many glyphs for the Kazakh language, catering to the ongoing transition to the Latin script and accommodating various spellings. It also features a basic set of characters and glyphs with accents for the Greek language and an uppercase version of the letter “eszett” for German.

Mellow Serif is a soft and friendly typeface. It looks compelling in large point sizes due to the rounded terminals and calligraphic details. Mellow Serif also works well in body text with a small leading size as it has even proportions and a large x-height. Mellow Serif includes ten styles—five upright and five italic, ranging from Light to Extra Bold. The typeface supports extended Latin, extended Cyrillic, and Greek. The character set also includes old style figures, small caps in the Light, Regular, and Medium upright styles as well as stylistic alternate sets that slightly change the way Mellow Serif looks in large point sizes. The Regular style also has alternative letterforms with swashes. Mellow Serif is great for book printing (from fiction and children’s books to science literature), headings, and large texts on the web as well as for toys and confectionary packaging. It also works perfectly with a rounded sans serif Mellow Sans. Mellow Serif was created by Natalya Vasilyeva, an expert in designing text and calligraphic typefaces, and released by Paratype in 2023.

In Greek mythology, Argo was the ship on which Jason and the Argonauts sailed from Iolcos to Colchis to retrieve the Golden Fleece. The Argo Nova font is an adventure though geometric sans universe with a touch of humanistic feel, bringing a different look with curved vertical strokes and high contrast on thicker weights. Designed with OpenType features, it includes extended Latin support, fractions, tabular and old-style figures, ligatures and more. With no excess in mind, it came in 10 styles (5 uprights and is matching italics) and it is a font family ideal for text, branding, signage, editorial, print and web design creations. 5 weights: Thin, Light, Regular, Bold and Black Matching italics Lining and old-style figures with proportional and tabular spacing Ligatures on “f” Alternate characters for a, æ, g and ß Fractions Ordinals Extended language support, designed following the Underware Latin Plus character set, with 534 glyphs, supporting 219 Latin based languages (see https://underware.nl/latin_plus/languages/). * Some features require an application with OpenType support.

Debacle is a super bold contrastive display face built upon pure geometric shapes. Sharp, angular lines are countered against obtuse rounded forms creating a striking visual discord. Select inner corners are rounded, giving characters dual attributes, while linear round-end counters simultaneously contrast and compliment the square-ended punctuation and symbols. Stylistically, Debacle’s prominent letterforms effortlessly create type-as-image text settings. Its style relates to the lush display typefaces from the seventies, yet is highly contemporary in its refinement and finish. Features include: Precision kerning Basic Ligature set including ‘f’ ligatures (ae, oe, fi, fl, ffi, ffl, ff, fh, fj, ft, tt, th, ct, st, la, aj, fa, ls, es, ev, ew, tz, lv, lw, ti, it, ea, kv, ka, ky, yx, xy, yy, km, yw, wy, yv, vy, kw) Alternate characters (O, Q, _, $, ®, •) Slashed zero Full set of numerators/denominators Automatic fraction feature (supports any fraction combination) Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

Handwriting of a strong Carelian personality revived: It’s autumn time once again, harvesting season, mushroom & berry time – the favourite season of my Karelian aunt Katri. A postcard she sent me more than twenty years ago had inspired me to SyysScript, “Script of Autumn” in Finnish. Katri had a very kind but also energetic personality, and I always thought her handwriting was a mirror of it. By making SyysScript I felt I could revive some of her unforgettable character. My Finnish autumn font has by now become a favourite for many and is branding fine food in both the Eastern and the Western hemisphere – even far beyond the arctic circle. “SyysScript“ is actually a growing family. For enhanced functionality in small sizes I added “SyysScript Eco” a year ago, a style with shortened extensions and simplified letterforms especially suited for packaging. And this autumn, a special one for Finland which is celebrating its 99th birthday, SyysScript grew again: Two long awaited newcomers, “SyysScript FeltTip” and “SyysScript FeltTip Eco” joined the family. They are bolder and softer than the previous styles but keep their positive, lighthearted feel. Use them to make a powerful individual mark on any background. – They are equally well suited for paper, packaging, a screen or even a concrete wall! Language support: Western and Central European, Extended Cyrillic.

Middle Thread is a Script Font with a retro style. Soft curves are combined with high-contrast glyphs, conveying an attractive retro and vintage quality. This font consists of 4 Middle Thread Fonts Regular, Extrude, Swash and Swash Extrude, with many unique ligatures and alternatives provided. Great in layout design for quotes or body copy, best used as a display for posters, headings, logos, branding, magazines, product packaging, and a wide variety of things. Mix Regular and Swash to create a unique and very beautiful look, especially when you add the Extrude feature of the font, it really adds uniqueness and interest by looking even more amazing. What do you get: Middle Three Regular, Swash, Extrude and Swash Extrude OTF, this font is accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, it even works in Microsoft Word. Fully Encoded Characters are accessible without additional design software. Fonts include multilingual support. Images used : All photos/images/vectors used in the preview are excluded, for illustration purposes only. (www.vecteezy.com) Feel free to follow, like and share. thank you very much for checking my store!

EUROPEAN SOFT PRO ABOUT FAMILY: What makes "European Soft Pro" elegant, friendly and contemporary is its very rounded curves with very open terminals. "European Soft Pro" has been designed with a higher "x-height" than other fonts in its class to make tiny readability more obvious in any use situation. It will be ideal for use in small sizes such as business cards or mobile applications. This typeface is also equipped with powerful OpenType features to satisfy the most demanding professionals. It has solid features like case sensitivity, small, true capitals, full ligatures, tabular figures for tables, old style figures to elegantly insert numbers into your sentences and more alternative characters to give personality to your projects. The extended, "European Soft Pro" supports around 85 languages in the Latin, Cyrillic and Greek scripts, and its non-Latin components were developed with native consultants. With over 1200+ glyphs per style, "European Soft Pro" cares about localised letterforms and has the OpenType features to match. FEATURE SUMMARY: - 9 weights: Thin, ExtraLight, Light, Book, Regular, Medium, Bold, ExtraBold, and Black. - 4 widths: Normal, Narrow, Condensed, and Extra Condensed. - Matching italics (12º) for all weights and widths . - Matching small caps for all weights and widths. - Lining and old style figures (proportional and tabular). - Alternate characters (A, G, M, N, R, U, a, g, l, m, n, u, y). - Unlimited fractions. - Automatic ordinals (1st, 2nd, 3rd, etc.). - 24 Dingbats + 19 Social Media and Block Chain icons. - Extended language support: Most Latin-based scripts (including Vietnamese), Cyrillic, and Greek. - Extended currency support. You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support. You can enjoy using it.

EUROPEAN SANS PRO ABOUT FAMILY: What makes "European Sans Pro" elegant, friendly and contemporary is its very rounded curves with very open terminals. "European Sans Pro" has been designed with a higher "x-height" than other fonts in its class to make tiny readability more obvious in any use situation. It will be ideal for use in small sizes such as business cards or mobile applications. This typeface is also equipped with powerful OpenType features to satisfy the most demanding professionals. It has solid features like case sensitivity, small, true capitals, full ligatures, tabular figures for tables, old style figures to elegantly insert numbers into your sentences and more alternative characters to give personality to your projects. The extended, "European Sans Pro" supports around 85 languages in the Latin, Cyrillic and Greek scripts, and its non-Latin components were developed with native consultants. With over 1200+ glyphs per style, "European Sans Pro" cares about localised letterforms and has the OpenType features to match. FEATURE SUMMARY: - 9 weights: Thin, ExtraLight, Light, Book, Regular, Medium, Bold, ExtraBold, and Black. - 4 widths: Normal, Narrow, Condensed, and Extra Condensed. - Matching italics (12º) for all weights and widths . - Matching small caps for all weights and widths. - Lining and old style figures (proportional and tabular). - Alternate characters (A, G, M, N, R, U, a, g, l, m, n, u, y). - Unlimeted fractions. - Automatic ordinals (1st, 2nd, 3rd, etc.). - 24 Dingbats + 19 Social Media and Block Chain icons. - Extended language support: Most Latin-based scripts (including Vietnamese), Cyrillic, and Greek. - Extended currency support. You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support. You can enjoy using it.

Double Quick is a fast, handwritten font with excellent legibility. It was designed to look like a quick grocery list, a hasty 'I Love You' note penned down on a Post-it or a home improvement to-do list. Comes with extensive language support.

This childish script by Monotype designer Steve Matteson strikes a great balance between informality and legibility. The TrueType versions have been extensively tuned (hinted) for high legibility at small sizes on screen at a quality level termed ESQ (enhanced screen quality) by the foundry.

Bertolessi is a Roman face made fun, with a healthy dose of filigree curves thrown into the mix. It's an ideal compliment to our extensive Bertoni family, but can be used anywhere a bit of humour and flair is required. Get with the curls!