Berfung is an elegant and commanding black condensed sans-serif font that exudes a sense of modern sophistication. With its tall, slender letterforms, this typeface makes a bold statement, offering a perfect balance between space efficiency and visual impact. The even stroke width and sharp edges contribute to its contemporary aesthetic, while the condensed design allows for efficient use of space, making it ideal for impactful headlines, striking signage, and sleek branding applications. Berfung’s distinctive presence and streamlined structure make it a versatile choice for design projects that demand a refined, edgy, and space-conscious typographic solution.

Steak and Cheese - a Savoury Font Collection Packed with flavour, Steak and Cheese includes following: • Brush - Two weights of a connected Brush Script with Contextual, Swash, Titling and Stylistic Alternates • Pen - Three weights of a connected monoline Script with Contextual, Swash, Titling and Stylistic Alternates • Slab - Two weights of a chunky Slab Serif with rounded corners • Condensed - A bold and tight condensed Sans Serif with rounded corners. Steak and Cheese fonts are designed to work together - in pairs or more. Steak and Cheese is great for branding, posters or any display use. All fonts are PUA encoded and have a wide language support.

The "Fou" typeface family was designed as an alternative to "Trade Gothic condensed bold". During the design process of a normally wide font variant a system developed that responds to white space and changing proportions. Thus, round transitions become rectangular and vice versa, space is made and space is taken away. This system and the associated changes are continued on a model with semi-serifs. "Fou" can also be used as an alternative to Din or the wider Q-Type, but in comparison offers more room for emphasis with its italics and condensed styles, expert sets and numerous special characters.

SomaSlab Tall has all the same characteristics as SomaSlab, transferred into a style which has been condensed along the horizontal axis only. Available in 2 weights, XBold & Heavy, with an extended Latin character set and several glyph alternates for maximum versatility.

GS Frank is an uppercase display typeface inspired by the classics DIN, Eurostile and a dash of Futura. Perfect for prints, t-shirts, posters and such. Supports Basic, Western European, Central European and South Eastern European latin characters.

Signage JNL shows the heavy influence of the perennial favorite Futura Black with a couple of minor changes here and there. The design was inspired by a set of British brass stencils for sale in an online auction.

Yet another san serif typeface, Yassitf is a generic sans, a font meant to blend in rather than stand out. It has little contrast and is almost monoline. It includes three widths: condensed, narrow, and regular. The widths have four to six weights: ultra thin, thin, light, plain, bold, and extra bold. Further, each width and weight combination has both upright and italics styles. The thirty fonts in the family contain several open-type features, including both proportional and tabular (monospaced) numbers.

Based on the feedback provided by manga letterers and translators, Blambot's new comic book dialogue font meets their specific needs for condensed type, unique manga-related glyphs like stars, wavy dashes, and hearts. In addition, Blambot has included contextual alternates to cycle through six sets of alphabets, three sets of numerals, and various punctuation for a more organic, "hand lettered" look. The set includes for fonts: Regular, Italic, Bold, and Bold Italic, each with extensive diacritical letters for multi-language support.

Stamen is the answer to a big question: What would happen if one tried to create a typeface that was ‘out of time’? If a type designer was to turn off the internet and put away the type specimens and just try to explore limbic, phantom history, what might that look like? No slavish explorations of the past. No gropings toward the future. No exhaustive core sample of the contemporary. Instead, using what one remembers of history and our collective vision of the future (usually a future imagined from the past) and channeling that into something that is, hopefully, new… The Bentons meet Frutiger for a Manhattan on a space station while Matthew Carter sways to the sweet sounds of the chorale that occasionally played through the halls of Stephenson Blake. This smear of implicit history expressed without explicit reference—this is Stamen: a family of 12 typefaces with a ton of alternate characters. The bold weight was designed for the LP “I Thought the Future Would Be Cooler” ( http://ittfwbc.com/ ) by the band YACHT in response to their request for a typeface that was ‘lost in time’, and refers to neither strict historical models nor purely futuristic forms. I built a small family out from there. It works well in text, but just as well for display setting. I think you’ll enjoy using it.

AZ Grampa font was inspired from old content type on vintage tins. This font utilizes an "old look" to the line work which is designed to have a "worn feel" to it. Ideal for use as content text in you design.

The above-the-store signage for many newspaper stands, soda shops, candy stores, luncheonettes and pharmacies of the 1950s and early 1960s were what was referred to as “privilege signs” provided by one of the major cola brands. Consisting of the brand’s emblems on the left and right, the remainder of the sign would carry the desired message of the storekeeper (such as “Candy – Soda – Newspapers”) in prismatic, embossed metal letters. Inspired by these vintage signs, Privilege Sign JNL recreates the condensed sans serif lettering style in both regular and oblique versions. The typefaces are solid black, but adding a selected color and a prismatic effect from your favorite graphics program can reproduce the look and feel of those old businesses.

Touch Tone introduces a condensed lowercase and oblique italics to the uppercase font inspired by the "Dr. Strangelove" movie titles – designed by Pablo Ferro. Touch Tone's naive hand-drawn strokes rely on a quirky variable width-brush. They are looser, more textured, tactile, more informal, with quirky nervous lines. A family of four fonts: it includes two weights, light and medium, and both with roman and italics. All the fonts include the same patterns and ornaments. However, many of the “medium” font weight ornaments are beefed up to visually match. Touch Tone utilizes OpenType features. It imitates handcrafted lettering by including 2 glyphs for each U&lc letter (4 sets) – all kerned with care. This medley avoids a repetitious appearance so each sentence looks original and hand-drawn. The uppercase includes two widths – extra condensed and extended. Add whimsy and eccentricity by mixing the extra condensed caps with extended caps and the lowercase alphabet. Use the Contextual Alternates, or Stylistic Alternates features panel, or select the alternates in the Glyphs palette. Touch Tone includes oldstyle numerals, a variety of retro patterns, dingbats, speech bubbles, icons, banners, graphic arrows and ornaments. Each font includes 403 glyphs. Suitable for display or text and many European alphabets. Purchase both weights, roman and oblique italics to emphasize words. Touch Tone combines cool graphics and patterns with OpenType. Generously apply Touch Tone for added warmth and a "Rat Pack" groovin' message.

Spective is a unique and stylish Display serif font that is absolutely perfect for editorial headlines. Her natural, bold and slender figure is perfect for posters, t-shirts, and magazine and movie covers. This calm and bold typeface is a content creator's best friend. Hope you enjoy this font!

Ferguson is a geometric slab serif which made with a mono-line concept and versatile style. Inspired by old western and magazine designs. Ferguson has a straight and consistent line to give neat looks. Ferguson is made for editorial and formal purposes. but still flexible to use it in other typographic projects. This font family has 6 weights and 2 widths that gives you many options on your designs projects. - Regular versions: Comes from Light, Normal, Medium, Bold, Black, and Ultra Black. Very recommended for editorial use such as body text, sub-headline, and tagline. The bolder weights are goods for headline too. Strong and geometric! Suitable for sports themes, social movement, masculine and logotypes. - Condensed versions: Available in Light, Normal and Bold. Great choice for a headline, and display. This condensed designed a bit minimalist than regular version to keep the readability. Also, there is Bold Shadow style to complete the vintage movement which happening now. Suitable for a poster, magazines, and clothing project. Ferguson font family has up to 28 accents: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Romanian, Slovak, Spanish, Swedish, Turkish, Zulu. Fonts featured : - Uppercase - Lowercase - Numerals - Some symbols - Diacritics Thank you. Hope you like it and enjoy!

Blackheat is a bold, condensed sans with 4 styles inspired by the title of the sports poster. We designed it to look very energetic, taking into account the thickness and density of each glyph. Extra ligatures give you even more possibilities. This family is suitable for the titles, clothes, posters, magazines, brochures, packaging, websites and much more.

Lichtspielhaus Slab is an ultra condensed handwritten typeface based on Lichtspielhaus. It still transports you back to a time where neon lights and marquee letters decorated cinema facades. This time with Slab. There are 8 styles: Hairline, Thin, Light, Regular, Medium, Bold, Black and Heavy. “Lichtspielhaus Slab” is the third part of a Type Noir Quadrilogy.

Export Drive is a bold condensed stencil font of the kind traditionally used to mark tea chests, packing cases and other goods in transit. Nowadays of course its applications are universal, although it is particularly well suited to branding or publishing projects which strive for a sense of freshness, urgency and immediacy, or a rugged, rough-and-ready feel.

Porlane™ is a condensed sans-serif typeface created to be used for bold titles with distinctive shapes into a display fonts way to make it legible for contemporary use. Come with single weight, legible and expressive shapes. Its glyph catalog provides an easy to compose system for Latin languages with high x-height and tight line spacing.

Gerry Powell, typographer, industrial designer, and director of typographic design for American Type Founders, designed Onyx font for ATF in 1937. A very popular advertising type in the 1940s, Onyx resembles an extremely condensed, bold member of the Bodoni family. Onyx is a good display font, with proportions that make it readable even when space is at a premium.

Eckhardt Headline JNL is a bold, condensed sans serif font. This is part of a series of typefaces popular with the sign trade. Named in honor of the late Albert Eckhardt, Jr. - a talented sign writer and a good friend of type designer Jeff Levine - it is available in both regular and "slant" for extra emphasis.

Crosseur is a versatile, modern and unique condensed san serif font. Designed by Eotype Studio, It has a unique style with stylistic, alternates, ligatures and supports multilingual languages. Create unique & beautiful logotype, use it as an elegant solution for your next magazine layout, or choose Crosseur for any graphics that require a bold look with a unique.

This slab serif is a general purpose type in six weights. The lighter weights are useful for short passages of text. The heavier weights are a versatile tool for setting headlines. Available weights are Extra Light, Light, Regular, Semibold, Bold, Black. Silica was designed to withstand condensation using horizontal scaling without compromising the weighting scheme of the design.

Chupada is an ultra-condensed font family noted for their exaggerated x-height, which consists of five different weights, accompanied by their italic version. It contains all the central european characters and Cyrillic. Chupada with its bold semi-modular forms make it ideal for use in headlines, posters, titles and anywhere you need for create impact.

Gardo Grotesk is a bold condensed display typeface designed to make a strong impact. Armed with eye catching ligatures and catchwords, combined with its striking visual features, Gardo Grotesk grabs the attention of the reader effortlessly. Gardo Grotesk's Opentype Features include Standard and Discretionary Ligatures, Alternates, Catchwords (Contextual Alternates), Case Sensitive Forms, Fractions, Scientific Inferiors, Superscript and Tabular Figures.

Fifties is a mix of classic geometric and a bit of humanistic grotesque. The goal was to create the font for present with look to the past. In other words, I tried to came back the Modernism aesthetics of XX century into nowadays. The result gives you 60 styles including Italic (Slanted). Your typography may be airy and elegant with Expanded Thin, catchy and expressive with Condensed Bold or dynamic and sharp with Expanded Bold Italic. You will find your way to use this family certainly. Theatre posters or party flyers, vintage t-shirt or modern web service, movie titles or magazine header and even infographic – Fifties will suit you everywhere. You may use the completed styles or may use a Variable Font. To make it as you want to. Weights: Thin / Light / Regular / Medium / Semi Bold / Bold. Widths: Condensed / SemiCondensed / Medium / SemiExpanded / Expanded OTF and Variable Font (TTF) OpenType features: Stylistic alternates for A, G, K, M, N, R, W, a, e, g, j, m, n, r, t, u, w, y; Fraction figures; Subscript and Superscript figures; Tabular figures; Typographic spaces: Em / En / Third / Quarter / Thin / Sixth / Hair

An image spotted on the internet of a brass shipping stencil for the Royal Quality Brand (for the John H. Fitch Company of Youngstown, Ohio – a coffee and spice merchant). The lettering style for “Royal Quality” was a hand-cut, condensed, slightly flared sans serif with various character flourishes, giving the letters a stylish, somewhat regal look. Expanding on this idea, a full character set was developed and redrawn digitally as Royal Stencil JNL, which is available in both regular and oblique versions.

Sheet music for the 1910 composition "Good-By Betty Brown" has its title hand lettered in a thick and thin, condensed sans serif design reminiscent of lettering found in later comic strips and books of the 1930s and 1940s. Transcending both the Art Nouveau and Art Deco styles, Funny Papers JNL gets its name from the slang reference Americans of the early 20th Century gave the Sunday comics pages in their local newspapers, and is available in both regular and oblique versions.

NorB Note is a handwritten text font with an angled fat marker lettering style. You can use this font with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! NorB Note comes with 3 weights, each with their matching Italics, Oblique and in a Light, Normal and Condensed version. (a Chalk version is also featured!)

In a career spanning the early 1900s through 1940, George M. Cohan wrote and produced over 50 plays, 300 songs and was also an actor, singer and dancer. Many of his works honored his Irish roots, and the cover of one piece of sheet music called “The Irish American” (1905) had its title hand lettered in a condensed Art Nouveau type design with tiny spurred serifs. This is now available digitally as Dress Rehearsal JNL, in both regular and oblique versions.

Drustic Dialy - Four Combinations Rustic Fonts With a lot exploring the typographic design, content, and style. Most of them are created with the combinations of the typeface. Referring to the outdoor, vintage and old style design there so many great artwork with the textured typeface. So, I in collaborations with my friend choose the styling like this, without needed to add any rough filter effect. The Four Combinations, helps you to create the made a pair of your typography artwork. Comes with the Serif Style, Sans Style, Condensed (also in italic), Script (Original and Halftoned texture) and the last is Catchword for complete the small pieces of artwork.

A 1940s travel poster for the Florida East Coast Railway (which then carried passengers but is now a freight line) had the railroad’s name hand lettered in a bold Art Deco sans. This inspired Passenger Train JNL, which is available in both regular and oblique versions.

Inside the pages of the August, 1930 issue of “The New Movie Magazine” is an ad for Warner Brothers-First National Pictures – hand lettered in a bold Art Deco sans. This was the basis for Movie Production JNL, which is available in both regular and oblique versions.

Skyfire is a Sans Serif font inspired by digital interfaces, spaceships, and galaxies, embodying cosmic adventure and progress. Its sleek design is perfect for branding and tech projects, promising a future full of possibilities. Ideal for space-related work, it immerses viewers in a universe of wonders. With Skyfire, each stroke is a cosmic journey, merging imagination with design. A guiding light for bold projects, it leads to new horizons and innovates in typography.

Dave West's eponymous Futura Casual, designed for Photo-Lettering, Inc. in the 1960s, inspired this loosy-goosy take on a classic face. Both versions of the font contain the complete Unicode Latin 1252 and Central European 1250 character sets.