502 search results (0.032 seconds)
  1. Futura Futuris by ParaType 25.00 USD
    Futura Futuris was designed by Paul Renner and published by ParaType. Futura Futuris contains 12 styles and family package options.

  2. BK Monolith by Konst.ru 10.00 USD
    Font with perspective for names, logotypes, titles, headers, topics etc.

  3. BK Bird by Konst.ru 10.00 USD
    Font for names, logotypes, titles, headers, topics etc.

  4. Bookseller Bk by Cyanotype 20.00 USD
    Bookseller Bk is a typeface designed for books and legible text at a small sizes. This typeface is the reinterpretation of a sample found in a French book, published between 1882 and 1893 and its author —Ernest Michel— lived between 1837 and 1896. This sample has influence from Didot, Scotch Roman and Clarendon (typefaces which were in use at that time). This reinterpretation expands the basic set for the contemporary era.Bookseller Bk includes small caps, old style figures, lining figures, fractions and basic Cyrillic alphabet. Everything in 3 different optical widths. You can save some lines with Reduced weight or fill some lines with Ample weight. All of them with italics, bold and bold italics. By the way you can expand Bookseller Bk family with the Caption size family, which includes 12 fonts for legibility at smaller sizes. Subhead & Title sizes are now in development.Finally this typeface was the result of the course Digital Reinterpretation of Classic Typography by Oscar Guerrero Cañizares at Domestika.Do you require additional glyphs? Please contact me to consider your request in order to expand Bookseller in further updates.

  5. Futura by Bitstream 29.00 USD
    Futura is the fully developed prototype of the twentieth century Geometric Sanserif.

  6. Futura by URW Type Foundry 35.00 USD
    Futura was designed by Paul Renner and published by URW Type Foundry. Futura contains 41 styles and family package options.

  7. Futura by Tilde 39.75 USD
    Futura was designed by Paul Renner and published by Tilde. Futura contains 18 styles and family package options.

  8. Futura by Linotype 35.00 USD
    First presented by the Bauer Type Foundry in 1928, Futura is commonly considered the major typeface development to come out of the Constructivist orientation of the Bauhaus movement in Germany.



  9. Futura Black by Bitstream 29.00 USD
    Josef Albers drew a stencil sanserif form at the Bauhaus in 1923 (published in 1926); Paul Renner and the Bauer design office made a similar design into a typeface in 1929, and rather confusingly included it in the Futura series. Many websites erroneously attribute the stencil design to Josef Albers, but there is no evidence that the two met or collaborated on Futura Black. In 1929 Josef Albers and Jan Tschichold corresponded on the “Transito” typeface (another very similar stencil typeface, while Paul Renner was working with Jan Tschichold.

  10. Futura Display by URW Type Foundry 35.00 USD
    Futura Display was published by URW Type Foundry. Futura Display contains 4 styles and family package options.

  11. Futura Maxi by Monotype 35.00 USD
    First presented by the Bauer Type Foundry in 1928, Futura is commonly considered the major typeface development to come out of the Constructivist orientation of the Bauhaus.movement in Germany. Paul Renner (type designer, painter, author and teacher) sketched the original drawings and based them loosely on the simple forms of circle, triangle and square. The design office at Bauer assisted him in turning these geometric forms into a sturdy, functioning type family, and over time, Renner made changes to make the Futura fonts even more legible. Its long ascenders and descenders benefit from generous line spacing.

  12. Futura Script by Linotype 35.00 USD
    Futura Script was designed by Edwin Shaar and published by Linotype. Futura Script contains 1 style.

  13. Futura PT by ParaType 30.00 USD
    Futura was designed for Bauer company in 1927 by Paul Renner.

  14. Futura SH by Scangraphic Digital Type Collection 26.00 USD
    Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

  15. Futura Classic by Wiescher Design 39.50 USD
    FuturaClassic is a recut of Paul Renners original Futura.

  16. Futura Black by URW Type Foundry 35.00 USD
    Futura Black was published by URW Type Foundry. Futura Black contains 11 styles and family package options.

  17. Futura EF by Elsner+Flake 35.00 USD
    Futura EF was designed by Paul Renner and published by Elsner+Flake. Futura EF contains 24 styles and family package options.

  18. Futura ND by Neufville Digital 45.25 USD
    Futura does give a restful, almost bland impression, which accords with Renner’s objectives. Futura seems classical, not only due to the form of its capitals, but also to the open, wide forms of the geometrical small letters. The typeface relies on notions of classical, yet contemporary form — harmony and evenness of texture.

  19. Futura SB by Scangraphic Digital Type Collection 26.00 USD
    Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

  20. Futura Arabic by URW Type Foundry 99.00 USD
    Futura is a modern bilingual typeface designed and created by two professional groups, each expert in their own field. One of the great names in typography, Futura is a geometric sans-serif typeface originally designed by Paul Renner for the Bauer Type Foundry in 1928. Futura is timelessly modern. In 1928 it was striking, tasteful and radical and today it continues to be a popular typographic choice to express strength, elegance and clarity. The Futura URW family has sixth weights for each - Latin and Arabic - variant (Extra Bold, Bold, Demi, Medium, Book and Light). Boutros Futura was designed to work harmoniously with the URW-Latin whilst respecting Arabic calligraphic and cultural rules. Futura is an exceptionally versatile typeface, suitable for headlines, sub-headings and body text at a smaller point sizes. It is a good choice for space-sensitive environments. Futura works well for short blocks of text copy and captions. The commemorative plaque left on the Moon in July 1969 features text set in Futura. Futura is a Registered Trademark of Bauer Types S.L.

  21. Futura TS by TypeShop Collection 24.80 USD
    Futura TS was designed by Paul Renner and published by TypeShop Collection. Futura TS contains 28 styles and family package options.

  22. Futura Next by Neufville Digital 45.25 USD
    The true origins of Futura never die; recently there has been new focus on the famous typeface in numerous publications, events and exhibitions. The book Futura, une Gloire Typographique has found worldwide acclaim and the city of Frankfurt, the cradle of the Bauersche Giesserei, as well as the Gutenberg Museum in Mainz, organized two exhibitions in 2016, in the honor of Futura.

  23. Futura Round by URW Type Foundry 35.00 USD
    Futura is THE prototype of a geometric or constructed linear sans serif and the font most commonly font of its kind used to date. Futura, very much influenced by the Bauhaus movement in Germany, was designed in 1927 by Paul Renner. Although being around for almost 90 years, Futura seems eternally young and fresh which also explains its continuous popularity with designers and typographers. Futura simply means efficiency and functionality documented by both its many usages as corporate type (e.g. Volkswagen, formerly IKEA, Vuitton, Shell, formerly HP, SMA and many more) as well as in various famous film projects (e.g. Kubrick, Anderson etc.). Futura’s iconic status was probably established when it walked on the moon with the Apollo 11 crew in 1969. It was used for the lettering of the plaque that was left up there.Now, URW has expanded its range of Futura styles by Futura Round with 14 additional styles.

  24. Futura Now by Monotype 49.00 USD
    For nearly 90 years, Paul Renner’s Futura has been as popular as it is versatile—from children’s books to fashion magazines to the plaque on the Moon.Futura is a typographic icon. Futura Now offers designers a chance to see Futura with fresh eyes. It’s more truly Futura-like than any digital version you’ve ever worked with. “It brings some much-needed humanity back to the world of geometric sans serifs,” says Steve Matteson, Monotype’s Creative Type Director who led the design team. “Despite its reputation as the ultimate modern typeface, Futura Now is surprisingly warm,” he explains. “It’s just as at home set next to a leafy tree as it is next to a stainless-steel table, because it skillfully navigates the border between super-clean geometry and humanist warmth.Futura Now—the definitive Futura—contains 102 styles, including: new Headline and Text weights; new Script and Display weights and styles; and new decorative variants (outlines, inlines, shadows, and fill). Its contemporary alignment of names and weights makes the family easier to understand and use, and its comfortable Text and judicious Headline subfamilies provide instantly refined spacing. With a large Latin, Greek, and Cyrillic character-set, Futura Now serves a wider international creative community. Futura Now is available both as individual OpenType fonts and as a set of Variable fonts, delivering limitless styles in a tidy digital footprint.



  25. Arrus BT by Bitstream 29.00 USD
    Arrus was designed at Bitstream by Richard Lipton and first released in 1991. Arrus is based on Lipton’s own hand-lettered calligraphic alphabets that draw their influence from classic inscriptional forms. Arrus has small cap and extension typographer sets available as well.

  26. Stuyvesant BT by Bitstream 29.00 USD
    Based on an engravers’ pattern plate, this outline form deriving from an English roundhand was fitted to linecasting matrices by Intertype about 1940.

  27. Charter BT by Bitstream 29.00 USD
    Bitstream Charter was designed in the mid-1980s by Matthew Carter. The typeface was designed with the limitations of low- and middle-resolution output devices in mind; hence the squared off serifs and lack of excessive diagonals and curves. The design, however, became an instant success on its own merits. It is an excellent everyday typeface for a wide variety of uses including books and technical manuals. Charter offers small cap, extension and alternate typographer sets that help to make it more versatile and functional.

  28. Chianti BT by Bitstream 29.00 USD
    Chianti was designed at Bitstream by senior designer Dennis Pasternak in 1991 and initially released in 1995. The intent behind the design was to provide a humanist sanserif of high readability at a wide range of sizes and weights.

  29. Roundhand BT by Bitstream 29.00 USD
    Roundhand BT was designed by Matthew Carter and published by Bitstream. Roundhand BT contains 3 styles and family package options.

  30. Maritime BT by Bitstream 29.00 USD
    Maritime BT was published by Bitstream. Maritime BT contains 2 styles and family package options.

  31. Amerigo BT by Bitstream 29.00 USD
    An original Bitstream typeface prepared by Gerard Unger to provide a typeface of tapered stroke that will work well at lower resolutions.

  32. Cooper BT by Bitstream 29.00 USD
    Cooper Black, commissioned by Barnhart Brothers & Spindler, is the best known of Oswald Cooper’s typefaces. Bitstream has expanded the 1921 original into a complete series of round-edged text faces.

  33. Monterey BT by Bitstream 29.00 USD
    Intertype’s reaction to ATF’s Murray Hill.

  34. Eroxion BT by Bitstream 49.00 USD
    Eroxion was designed by Eduardo Manso in 1997. It is a good example of degenerative typographic design, borrowing from techniques first explored in the early 1990s by the designers at Letterror.

  35. Melanie BT by Bitstream 49.00 USD
    Melanie BT was designed by Holly Goldsmith and published by Bitstream. Melanie BT contains 1 style.

  36. Missy BT by Bitstream 49.00 USD
    Missy BT was designed by Holly Goldsmith and published by Bitstream. Missy BT contains 1 style.


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