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  1. Futura by Bitstream 29.00 USD
    Futura is the fully developed prototype of the twentieth century Geometric Sanserif.

  2. Futura by URW Type Foundry 35.00 USD
    Futura was designed by Paul Renner and published by URW Type Foundry. Futura contains 41 styles and family package options.

  3. Futura by Tilde 39.75 USD
    Futura was designed by Paul Renner and published by Tilde. Futura contains 18 styles and family package options.

  4. Futura by Linotype 35.00 USD
    First presented by the Bauer Type Foundry in 1928, Futura is commonly considered the major typeface development to come out of the Constructivist orientation of the Bauhaus movement in Germany.


  5. Futura Black by Bitstream 29.00 USD
    Josef Albers drew a stencil sanserif form at the Bauhaus in 1923 (published in 1926); Paul Renner and the Bauer design office made a similar design into a typeface in 1929, and rather confusingly included it in the Futura series. Many websites erroneously attribute the stencil design to Josef Albers, but there is no evidence that the two met or collaborated on Futura Black. In 1929 Josef Albers and Jan Tschichold corresponded on the “Transito” typeface (another very similar stencil typeface, while Paul Renner was working with Jan Tschichold.

  6. Futura Display by URW Type Foundry 35.00 USD
    Futura Display was published by URW Type Foundry. Futura Display contains 4 styles and family package options.

  7. Futura Maxi by Monotype 35.00 USD
    First presented by the Bauer Type Foundry in 1928, Futura is commonly considered the major typeface development to come out of the Constructivist orientation of the Bauhaus.movement in Germany. Paul Renner (type designer, painter, author and teacher) sketched the original drawings and based them loosely on the simple forms of circle, triangle and square. The design office at Bauer assisted him in turning these geometric forms into a sturdy, functioning type family, and over time, Renner made changes to make the Futura fonts even more legible. Its long ascenders and descenders benefit from generous line spacing.

  8. Futura Script by Linotype 35.00 USD
    Futura Script was designed by Edwin Shaar and published by Linotype. Futura Script contains 1 style.

  9. Futura PT by ParaType 30.00 USD
    Futura was designed for Bauer company in 1927 by Paul Renner.

  10. Futura Futuris by ParaType 25.00 USD
    Futura Futuris was designed by Paul Renner and published by ParaType. Futura Futuris contains 12 styles and family package options.

  11. Futura SH by Scangraphic Digital Type Collection 26.00 USD
    Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

  12. Futura Classic by Wiescher Design 39.50 USD
    FuturaClassic is a recut of Paul Renners original Futura.

  13. Futura Black by URW Type Foundry 35.00 USD
    Futura Black was published by URW Type Foundry. Futura Black contains 11 styles and family package options.

  14. Futura EF by Elsner+Flake 35.00 USD
    Futura EF was designed by Paul Renner and published by Elsner+Flake. Futura EF contains 24 styles and family package options.

  15. Futura ND by Neufville Digital 45.25 USD
    Futura does give a restful, almost bland impression, which accords with Renner’s objectives. Futura seems classical, not only due to the form of its capitals, but also to the open, wide forms of the geometrical small letters. The typeface relies on notions of classical, yet contemporary form — harmony and evenness of texture.

  16. Futura SB by Scangraphic Digital Type Collection 26.00 USD
    Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

  17. Futura Arabic by URW Type Foundry 99.00 USD
    Futura is a modern bilingual typeface designed and created by two professional groups, each expert in their own field. One of the great names in typography, Futura is a geometric sans-serif typeface originally designed by Paul Renner for the Bauer Type Foundry in 1928. Futura is timelessly modern. In 1928 it was striking, tasteful and radical and today it continues to be a popular typographic choice to express strength, elegance and clarity. The Futura URW family has sixth weights for each - Latin and Arabic - variant (Extra Bold, Bold, Demi, Medium, Book and Light). Boutros Futura was designed to work harmoniously with the URW-Latin whilst respecting Arabic calligraphic and cultural rules. Futura is an exceptionally versatile typeface, suitable for headlines, sub-headings and body text at a smaller point sizes. It is a good choice for space-sensitive environments. Futura works well for short blocks of text copy and captions. The commemorative plaque left on the Moon in July 1969 features text set in Futura. Futura is a Registered Trademark of Bauer Types S.L.

  18. Futura TS by TypeShop Collection 24.80 USD
    Futura TS was designed by Paul Renner and published by TypeShop Collection. Futura TS contains 28 styles and family package options.

  19. Futura Next by Neufville Digital 45.25 USD
    The true origins of Futura never die; recently there has been new focus on the famous typeface in numerous publications, events and exhibitions. The book Futura, une Gloire Typographique has found worldwide acclaim and the city of Frankfurt, the cradle of the Bauersche Giesserei, as well as the Gutenberg Museum in Mainz, organized two exhibitions in 2016, in the honor of Futura.

  20. Futura Round by URW Type Foundry 35.00 USD
    Futura is THE prototype of a geometric or constructed linear sans serif and the font most commonly font of its kind used to date. Futura, very much influenced by the Bauhaus movement in Germany, was designed in 1927 by Paul Renner. Although being around for almost 90 years, Futura seems eternally young and fresh which also explains its continuous popularity with designers and typographers. Futura simply means efficiency and functionality documented by both its many usages as corporate type (e.g. Volkswagen, formerly IKEA, Vuitton, Shell, formerly HP, SMA and many more) as well as in various famous film projects (e.g. Kubrick, Anderson etc.). Futura’s iconic status was probably established when it walked on the moon with the Apollo 11 crew in 1969. It was used for the lettering of the plaque that was left up there.Now, URW has expanded its range of Futura styles by Futura Round with 14 additional styles.

  21. Futura Now by Monotype 49.00 USD
    For nearly 90 years, Paul Renner’s Futura has been as popular as it is versatile—from children’s books to fashion magazines to the plaque on the Moon.Futura is a typographic icon. Futura Now offers designers a chance to see Futura with fresh eyes. It’s more truly Futura-like than any digital version you’ve ever worked with. “It brings some much-needed humanity back to the world of geometric sans serifs,” says Steve Matteson, Monotype’s Creative Type Director who led the design team. “Despite its reputation as the ultimate modern typeface, Futura Now is surprisingly warm,” he explains. “It’s just as at home set next to a leafy tree as it is next to a stainless-steel table, because it skillfully navigates the border between super-clean geometry and humanist warmth.Futura Now—the definitive Futura—contains 102 styles, including: new Headline and Text weights; new Script and Display weights and styles; and new decorative variants (outlines, inlines, shadows, and fill). Its contemporary alignment of names and weights makes the family easier to understand and use, and its comfortable Text and judicious Headline subfamilies provide instantly refined spacing. With a large Latin, Greek, and Cyrillic character-set, Futura Now serves a wider international creative community. Futura Now is available both as individual OpenType fonts and as a set of Variable fonts, delivering limitless styles in a tidy digital footprint.

  22. Futura No 2 by URW Type Foundry 35.00 USD
    Futura No 2 was designed by Paul Renner and published by URW Type Foundry. Futura No 2 contains 10 styles and family package options.

  23. Futura No 8 by URW Type Foundry 35.00 USD
    Futura No 8 was published by URW Type Foundry. Futura No 8 contains 1 style.

  24. Futura Black EF by Elsner+Flake 35.00 USD
    Futura Black EF was designed by Paul Renner and published by Elsner+Flake. Futura Black EF contains 1 style.

  25. Futura ND Black by Neufville Digital 45.25 USD
    Futura ND is part of Neufville Digital's BAUER CLASSICS collection.Futura ND Black was completely digitized anew from the original sources of the Bauersche Giesserei, now hold by Bauer Types, SL in Barcelona.

  26. Futura Shaded SB by Scangraphic Digital Type Collection 26.00 USD
    Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

  27. Futura Display SB by Scangraphic Digital Type Collection 26.00 USD
    Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

  28. Futura Display SH by Scangraphic Digital Type Collection 26.00 USD
    Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

  29. Futura Script SB by Scangraphic Digital Type Collection 26.00 USD
    Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

  30. Futura Shaded SH by Scangraphic Digital Type Collection 26.00 USD
    Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

  31. Futura Display EF by Elsner+Flake 35.00 USD
    Futura Display EF was designed by Paul Renner and published by Elsner+Flake. Futura Display EF contains 1 style.

  32. Futura Script EF by Elsner+Flake 35.00 USD
    Futura Script EF was designed by Edwin Shaar and published by Elsner+Flake. Futura Script EF contains 1 style.

  33. Futura ND Display by Neufville Digital 45.25 USD
    Futura ND is part of Neufville Digital's BAUER CLASSICS collection.Futura ND Black was completely digitized anew from the original sources of the Bauersche Giesserei, now held by Bauer Types, SL in Barcelona.

  34. Futura Round SB by Scangraphic Digital Type Collection 26.00 USD
    Futura Round SB was designed by Paul Renner and published by Scangraphic Digital Type Collection. Futura Round SB contains 1 style.

  35. Futura ND Alternate by Neufville Digital 45.25 USD
    Futura ND Alternate reintroduces the original glyphs of Paul Renner, that were abandoned after a few years of sales of casted types by the Bauersche Giesserei. These glyphs now comply with actual trends. The j, l and t with hook give a fresh new look to Futura; they are especially fit for corporate design and webfonts. The new text image is very distinct when compared to the familiar Futura typeface. Moreover, the letter r with point gives new graphic flair, as well as the choices of different a's. Finally, designers can obtain beautiful results with the flat m and n, as well as with the triangle based g.

  36. Futura Index EF by Elsner+Flake 35.00 USD
    Futura Index EF was designed by Paul Renner and published by Elsner+Flake. Futura Index EF contains 1 style.

  37. Futura Round SH by Scangraphic Digital Type Collection 26.00 USD
    Futura Round SH was designed by Paul Renner and published by Scangraphic Digital Type Collection. Futura Round SH contains 1 style.

  38. Futura Headline EF Pro by Elsner+Flake 103.00 USD
    The design of Futura seems to be timeless. This typeface family which had been developed in 1926 by Paul Renner for the Bauer Type Foundry in the style of constructivism and as part of the Bauhaus movement, experienced, however, in the course of the past 90 years, repeated time-appropriate revivals which guaranteed its on-going popularity. The version of the Futura EF Pro contains the original character constructions which Dennis Megaw described as the “first designs of Futura” in 1938 in “20th century sans serif types, Typography no. 7” (See: Dr. Christopher Burke: Paul Renner, Princeton Architectural Press, New York 1998). What makes it exceptional is the extension into three weights: “Text”, “Headline” and “Index” which came about as part of a degree dissertation at the Hochschule für Bildende Künste (HFBK) in Hamburg. In this context, the accompanying documentation “Die Kritik der reinen Futura” (“The Critique of the Pure Futura”) by Katharina Strauer was published by the Materialverlag, Hamburg, in 2003. Some copies are still available at Elsner+Flake.

  39. Futura Text EF Pro by Elsner+Flake 103.00 USD
    The design of Futura seems to be timeless. This typeface family which had been developed in 1926 by Paul Renner for the Bauer Type Foundry in the style of constructivism and as part of the Bauhaus movement, experienced, however, in the course of the past 90 years, repeated time-appropriate revivals which guaranteed its on-going popularity. The version of the Futura EF Pro contains the original character constructions which Dennis Megaw described as the “first designs of Futura” in 1938 in “20th century sans serif types, Typography no. 7” (See: Dr. Christopher Burke: Paul Renner, Princeton Architectural Press, New York 1998). What makes it exceptional is the extension into three weights: “Text”, “Headline” and “Index” which came about as part of a degree dissertation at the Hochschule für Bildende Künste (HFBK) in Hamburg. In this context, the accompanying documentation “Die Kritik der reinen Futura” (“The Critique of the Pure Futura”) by Katharina Strauer was published by the Materialverlag, Hamburg, in 2003. Some copies are still available at Elsner+Flake.


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