The "Octavia VV" font family includes Regular, Italic, Bold, and Bold Italic fonts. Sans serif font type. The whole font family includes a large set of additional characters and letters with diacritics. Standard and Latin Extended support such languages - English, Danish, Spanish, German, Norwegian, Polish, Portuguese, French, Swedish. Standard and extended Cyrillic are supported by languages - Russian, Belarusian, Bulgarian, Macedonian, Serbian, Ukrainian, Kazakh, Kyrgyz.

Tact Slab is geometrically slab serif font, black and condensed looks glyphs, with an alternative glyph set to improve its use in different graphic contexts. Tact Slab is compatible with the sans serif font Tact. It is suitable for use in the fields of science, art, architecture, urban planning, techniques, electronics, advertising, futuristic themes, sport, film, computers, phones, video games, magazines... Contains all Latin and Cyrillic glyphs.

A grunge-oriented secret code font, Dekapot Deluxxe has mysterious underlines and accent marks that pop up at seemingly random locations as you type. But these morse-code-like dots and dashes are not random at all, they're simply attached to the preceding letter to make things seem more cryptic than they really are. Get it? Originally released as a Chankstore freefont back in the '90s, Dekapot (translated from the Dutch as "the broken font") has a newly bulked-up character set to add functionality and professionalism to its all caps display nature. These are fresh new versions of this font, made to replace prior versions formerly known as Dekapot Masss and Dekapot Deluxxe. Poke around a bit and you'll find new glyphs for Central Europe and a new Cyrillic character set in there, too. OpenType users get DEKAPOT-PRO with lots of language support. Special Mac PostScript and Windows TrueType is available for the individual Regular or Cyrillic version.

Celias is a geometric with sharp corners. The Celias family includes 7 weights, from Hairline to Black, with their corresponding italics. Each font includes OpenType Features such as Stylistic Alternates, Proportional Figure, Tabular Figures, Numerator, Superscript, Denominators, Scientific Inferiors, Subscript, Ordinals, Ligatures and Fractions. Celias family supports Latin and Cyrillic, all these languages are covered: Latin language support: Afrikaans, Albanian, Asturian, Azeri, Basque, Bosnian, Breton, Bulgarian, Catalan, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino, Finnish, Flemish, French, Frisian, Friulian, Gaelic, Galician, German, Greenlandic, Hungarian, Icelandic, Indonesian, Irish, Italian, Kurdish, Latin, Latvian, Lithuanian, Luxembourgish, Malagasy, Malay, Maltese, Maori, Moldavian, Norwegian, Occitan, Polish, Portuguese, Provençal, Romanian, Romansch, Saami, Samoan, Scots, Scottish, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, Welsh, Wolof Cyrillic language support: Adyghe, Avar, Belarusian, Bulgarian, Buryat, Chechen, Erzya, Ingush, Kabardian, Kalmyk, Karachay-Balkar, Karakalpak, Kazakh, Komi, Kyrgyz, Lak, Macedonian, Moldovan, Mongol, Permyak, Russian, Rusyn, Serbian, Tatar, Tofa, Tuvan, Ukrainian, Uzbek

Jano Sans™ Pro is a neo humanist sans serif that was initially created to be used as a text and display typeface in brand communication. The result is a type family with a relatable character and a collaborative profile. Designed with elegant forms, low contrast and a geometric feel, Jano Sans™ Pro is a highly legible typeface suited for any text application and typographic reproduction. Jano Sans™ Pro has 18 styles and its a workhorse type system. It covers 290+ languages, including Extended Latin, Cyrillic and Greek writing systems. With over 1800 glyphs per style, its Opentype features include alternative shapes, small caps, standard and discretionary ligatures, localized forms in Latin and Cyrillic, case sensitive forms, numerators and denominators, proportional and tabular figures, slashed zero, fractions and more. The techie personality and the huge set of features and glyphs makes Jano Sans™ Pro an excellent choice for a wide range of applications, such as branding, editorial, web and broadcast.

The Bitstream version of Trump Mediaeval of Linotype, 1954-60, by Georg Trump, a prolific German type designer. It seems to be his best typeface. It has a vigorous and assumed oldstyle roman and italic that is the sloped roman, except for the letters a, e, f. With its crisp angularity and wedge-shapes serifs, Trump Mediaeval appears carved in stone. It is a strong text typeface that is highly legible and especially useful for low-resolution output. It is useful in display work too. Cyrillic version developed for ParaType by Vladimir Yefimov and Isabella Chaeva and released in 2010. Cyrillic italics maintain the main feature of Trump Mediaeval to be the sloped roman, except for the letters г, д, и, й, n, т. There are old style figures, additional ligatures and fractions available at all styles and small caps at the Roman 55. Black style was added in 2011 by Vladimir Yefimov.

Mozer is a semi-condensed neo-grotesque type family of 16 styles ranging from Thin to Black matched with true italics. With a generous x-height, economical width, moderate contrast and overall solid appearance this typeface shows an uncompromising legibility merged with a contemporary spirit that has not lost its individuality, even in the small details like the discreet ink traps. Mozer covers Extended Latin, Cyrillic and Greek and is suited with plenty of OpenType features, such as localisations, ligatures; four type of numerals including figures and tabular; case-sensitive forms; alternatives etc. Mozer comes accessible and closer to all designer’s needs. Features: • Over 790 glyphs in 16 styles (Thin to Black); • Extended Latin, Cyrillic and Greek scripts for more than 130 languages; • Tall and balanced x-height; • Semi-condensed width proportions; • Moderate contrast and vertical stress; • Neo-grotesque characteristics and terminals with humanistic flavor. Designers: Ani Petrova, Mirela Belova, Nikolay Petroussenko

Dewi is a modern neo-grotesque multi-typeface family with closed forms. It includes 4 versions: condensed, normal, extended, expanded. In each version there are 16 font styles: 8 regulars and 8 italics (64 styles in total). The family contains weights from thin to black. Everything is ready to solve absolutely any graphic tasks. Dewi helps to create a unique and vibrant design consonant with the spirit of our days. Сontours remains neutral in a small size but when you work with large sizes Dewi shows his strong and confident character. Ideally suited for web design, logos and branding, navigation, printing, advertising and packaging, infographic, poster design, music covers and so many more. This typeface will be a real workhorse for you. Opentype features: old-style figures, tabular and tabular old-style, slashed zero, ligatures, fractions and automatic frations, circuled numbers, arrows and stylistic alternates for arrows, superscript and subscript. Multilingual support: Latin, latin extended, cyrillic and cyrillic extended (more than 70+ languages)

Lasiver is a simple, cool & dynamic type family. The Lasiver family includes 7 weights, from Hairline to Black, with their corresponding italics. Each font includes OpenType Features such as Stylistic Alternates, Proportional Figure, Tabular Figures, Numerator, Superscript, Denominators, Scientific Inferiors, Subscript, Ordinals, Ligatures and Fractions. Lasiver family supports Latin and Cyrillic, all these languages are covered: Latin language support: Afar, Afrikaans, Albanian, Asturian, Azeri, Basque, Bosnian, Breton, Bulgarian, Catalan, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino, Finnish, Flemish, French, Frisian, Friulian, Gaelic, Galician, German, Greenlandic, Hungarian, Icelandic, Indonesian, Irish, Italian, Kurdish, Latin, Latvian, Lithuanian, Luxembourgish, Malagasy, Malay, Maltese, Maori, Moldavian, Norwegian, Occitan, Polish, Portuguese, Provençal, Romanian, Romansch, Saami, Samoan, Scots, Scottish, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, Welsh, Wolof Cyrillic language support: Adyghe, Avar, Belarusian, Bulgarian, Buryat, Chechen, Erzya, Ingush, Kabardian, Kalmyk, Karachay-Balkar, Karakalpak, Kazakh, Komi, Kyrgyz, Lak, Macedonian, Moldovan, Mongol, Permyak, Russian, Rusyn, Serbian, Tatar, Tofa, Tuvan, Ukrainian, Uzbek

Core Narae Pro is an improved version of Core Narae released in 2012. This type family has improved a lot. First of all, we have rearranged a rhythmic text line to make it work well both as a headline and a text font. And this new version has more OpenType features, including Proportional Figures, Tabular Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. We have also added one more weight and improved kerning for using this type family effieciently. Finally, we exclude MS Windows 949 Korean consisting of 11,172 Korean letters and Symbols except Chinese to reduce the file size and price but added more glyphs that support latin,cyrillic,greek. Now, Core Narae Pro Family consists of 2 weights (Regular & Bold) and it supports WGL4, which provides a wide range of character sets(CE, Greek, Cyrillic and Eastern European characters). Its bending strokes and rhythmic feeling of this typeface make your works more friendly.

Singel is a neoclassical serif with semi-condensed proportions. As a contemporary interpretation, this typeface combines the rationalist modulated stroke with an elegant silhouette and crisp serifs. The altogether splendid appearance of Singel, completed with a full set of Small Capitals and true form of italics makes it perfect for any luxurious and graceful design. Other aspects of its characteristics include the consistency of 10 styles from Light to Bold; a coverage of Extended Latin and Cyrillic with span for more than 130 languages; a flawless functionality and support of many OpenType features, such as localizations, tabular numerals, inferiors and superiors, numerators & denominators, fractions, case sensitivity etc. Features: • Over 900 glyphs in 10 styles (Light to Bold); • Extended Latin and Cyrillic for more than 130 languages; • Tall x-height and Semi-Condensed proportions; • High contrast and modulated stroke with vertical stress; • Neoclassical characteristics and moderate apertures; • Full set of Small Capitals; • True form of italics; • Coverage of multiple OpenType features; • Suitable for wide design purposes.

Mr Chips is a love letter to modern text serif families like Century Schoolbook and Scotch Romans of all kinds. There's nothing precious about Mr Chips. He's built sturdily, but with a less upright stance than his forebears, with a lower, more relaxed x-height. Mr Chips is dependable and true, with recognizable shapes that make him a pleasure to read. He's a Clarendon, but without the bulkiness that makes Clarendons difficult in text. Mr Chips has character sets for Western Europe, Cyrillic, and monotonic Greek. He has a full set of true small caps for versatility and hierarchy, and some fun and functional ligatures. His alternate characters include a one-story a and g in the upright versions, straight and curly Ka's and Zhe's in Cyrillic, and two styles of ampersand. He's an all around usable, agreeable guy! Mr Chips is a companion typeface to Miss McGee, also from The Ampersand Forest!

Lumios is a freehand casual marker script that was created using Pilot Sign Pen. It has both extended Latin and basic Cyrillic support that is enhanced with oodles of ligatures (latin as well as cyrillic) and alternates. As a compliment to the script I also created Lumios Design Elements font that can be useful in brand design, greeting cards design etc. Both fonts were carefully traced by hand and have clean edges, hence they are safe to use in all graphic design software (including but not limited to Adobe Suite, Silhouette and Cricut Design, Affinity Designer etc) as well as on websites. The script is fully unicode mapped. To use it in Silhouette and similar applications that do not support OpenType features (yet), you may need to use your default Mac/Windows software such as Font Book or Character Map to select alternates you need. Lumios Marker is a perfect companion to Lumios Typewriter, sharing the same soft curves and clean letter edges.

An upright typeface family developed to meet the demand for letters to produce pupil material for handwriting as well as for reading. Upright letters with extended ascenders and descenders are ideal on screen. They facilitate word recognition. The exit strokes link words together visually, and in handwriting they lead to spontaneous joins along the baseline leading logically to a joined-up hand. Teachers can print desk strips, charts of letter families and alphabet friezes, as well as consistent material across the curriculum. Together these typefaces provide a valuable resource for special needs teachers. Typefaces developed to meet demand for letters that can be used to produce pupil material for reading as well as handwriting. Regular and Bold typefaces covering pan-European languages: 9 Latin, 6 Cyrillic, Greek, Turkish, 13 Baltic, 8 Rusyn, 6 Nordic, Vietnamese. How to access Stylistic Sets of alternative letters in these fonts Cyrillic Stylistic Sets examples Greek Stylistic Sets examples Vietnamese Stylistic Sets examples

Predige is a condensed and constructed sans type family, with a very low contrast. The Predige family includes 7 weights, from Hairline to Black, with their corresponding italics. Each font includes OpenType Features such as Proportional Figure, Tabular Figures, Numerator, Superscript, Denominators, Scientific Inferiors, Subscript, Ordinals, Ligatures and Fractions. Predige family supports Latin and Cyrillic, all these languages are covered: Latin language support: Afrikaans, Albanian, Asturian, Azeri, Basque, Bosnian, Breton, Bulgarian, Catalan, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino, Finnish, Flemish, French, Frisian, Friulian, Gaelic, Galician, German, Greenlandic, Hungarian, Icelandic, Indonesian, Irish, Italian, Kurdish, Latin, Latvian, Lithuanian, Luxembourgish, Malagasy, Malay, Maltese, Maori, Moldavian, Norwegian, Occitan, Polish, Portuguese, Provençal, Romanian, Romansch, Saami, Samoan, Scots, Scottish, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, Welsh, Wolof Cyrillic language support: Adyghe, Avar, Belarusian, Bulgarian, Buryat, Chechen, Erzya, Ingush, Kabardian, Kalmyk, Karachay-Balkar, Karakalpak, Kazakh, Komi, Kyrgyz, Lak, Macedonian, Moldovan, Mongol, Permyak, Russian, Rusyn, Serbian, Tatar, Tofa, Tuvan, Ukrainian, Uzbek

Softrobo Pro is the further development of Softrobo font provided by Koval Type Foundry in 2008. Provided in 3 most popular formats: OpenType PS, TrueType and Type1. Fine-built, straight but not official, with soft corners is suitable for short texts, placards and advertising. It was inspired by the 1970s when people were mad about robots, space and so on. I decided to create a font as if it were a progressive font of the 1970s. This font supports the Latin-based languages: Albanian, Basque, Bielorussian (Latin), Breton, Catalonian, Chamorro, Croatian, Czech, Danish, Dutch (with Flemish), English, Estonian & Setu, Faroese, Finnish, French, Frisian, Gaelic (Irish), Galician, German (incl. eszett), Hungarian, Icelandic, Indonesian, Italian, Latvian, Lithuanian, Maori, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Romanian, Saami (Lule & South), Slovak, Slovene, Sorbian Lower, Sorbian Upper, Spanish, Swedish, Tswana, and Turkish. It also supports the Cyrillic-based languages: Belorussian, Bulgarian, Crimian Tatar (Cyrillic), Karachay-Balkar, Kumyk, Macedonian, Russian, Serbian, and Ukrainian, Also included: ligatures, superior & inferior numbers set.

Phrasa is a robust humanist sans-serif typeface family which will carry you through most of your design needs. Designed for legibility, she truly shines in running text. However her solid (yet elegant) construction allows for usage in such settings as branding or signage. Phrasa's most prominent features are: 13 weights, from hairline to black Moderate x-height Large apertures Modern capitals proportions Designed for readability… … without sacrificing good looks True Italics Small capitals Adobe Latin 3 language range Cyrillic alphabet Old-style and tabular figures The idea behind Phrasa was to create a stylish typeface but with legibility in mind. The inspiration came from history, namely from two of the most legible typefaces known: Garamond and Gill Sans. The new typeface boasts a smooth, easy-on-the-eyes texture which allows the reader to simply sink into the text. It also posses a set of true italics to compliment it. Phrasa has a broad linguistic range, spanning from extended latin alphabet to cyrillic.

Murs Gothic is a bold sans serif with sharp dynamic forms. It is a collective image of American Gothics from the 19th and early 20th centuries. It is quite massive, has tight letter spacing and increased contrast. Somewhere elongated, as well as asymmetric details give it a characteristic emotionality and playfulness. Especially against the backdrop of neutral geometric sans-serifs. The set comes with 694 glyphs. Among which are Latin and Cyrillic characters, a couple of ligatures, alternatives, geometric symbols, arrows and much more! Murs Gothic consists of 56 styles that are adjustable in weight and width + italics. Or one variable font with 3 axes. This allows it to be very flexible and adapt to many different designs. All styles include an extended set of Latin characters and a basic Cyrillic. A font style Murs Gothic Wide Dark is free for unlimited use. Murs Gothic was designed by Maksym Kobuzan in 2023.

Marco is a lively text face, with an informal touch, inspired by 15th century Italian letter-forms with strong calligraphic traces and intended to be used primarily in continuous and intensive reading conditions. Marco is full of features required for high-quality book typography, including: strong language-support in extended Latin, Cyrillic and polytonic Greek, a multitude of swashes in the italic styles of Latin and Cyrillic, stylistic alternates to obtain the best possible solutions and other typographic niceties. Inspiration for Marco goes back to Italian humanist typography such as those of Nicholas Jenson or Aldus Manutius, and general influences from calligraphy. As a result, Marco has matured into a personal and unique text face where its lively and somewhat informal style is an ideal counterpart to its careful and ingenious crafting. Toshi Omagari’s Marco features a huge set of over 1900 characters per style —and almost 2600 in the italics— and is available in Regular, SemiBold, Bold with matching Italics.

Greenth is vintage, bold typeface with latin and Cyrillic support. Every font contains 1221 glyphs, tons of alternate glyphs, ligatures and multilingual support. It's a very versatile font that works great in large and small sizes. Greenth is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, numeral, punctuation and Symbol Each font contains 1221 glyphs Alternate glyphs Ligatures Cyrillic support - Russian, Ukrainian, Bulgarian and more Multilingual support - Afrikaans, Albanian, Bulgarian, Danish, Dutch, English, Estonian, Finnish, French, German, Icelandic, Italian, Norwegian, Portugese, Russian, Spanish, Swedish, Zulu To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Cy Grotesk is the result of combining the clear forms of mid 20th-century European neo-grotesks and the expressiveness of the 19th-century grotesques. It is display typeface with an eccentric character and a special rhythm. Symbols have sharp long angled spurs and large wedge incision between the bowl and the stem, diluting it with smooth curves and the tight aperture. Built like a multifunctional workhorse that has a wide range of font uses. This type family consists of 27 styles that are adjustable in weight and width. Or one variable font with 2 axes. From pure thin to radically black. From roomy key to catchy grand. All styles include an extended set of Latin characters and a basic Cyrillic. Features: – Total glyph set: 676 glyphs; – 27 styles (3 widths x 9 weights) + variable; – Support 210+ languages; – Latin Extended; – Cyrillic Basic. OpenType features: – Uppercase, lowercase; – Proportional, circled, tabular numerals, superiors, inferiors, fractions; – Punctuations and symbols; – Arrows; – Stylistic sets (ss01-ss10); – Ligatures; – Case-sensitive forms.

Revisal is a humanist sans family. Open forms are very useful for signage. The Revisal family includes 7 weights, from Hairline to Black, with their corresponding italics. Each font includes OpenType Features such as Stylistic Alternates, Proportional Figure, Tabular Figures, Numerator, Superscript, Denominators, Scientific Inferiors, Subscript, Ordinals and Fractions. Revisal family supports Latin and Cyrillic, all these languages are covered: Latin language support: Afar, Afrikaans, Albanian, Asturian, Azeri, Basque, Bosnian, Breton, Bulgarian, Catalan, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino, Finnish, Flemish, French, Frisian, Friulian, Gaelic, Galician, German, Greenlandic, Hungarian, Icelandic, Indonesian, Irish, Italian, Kurdish, Latin, Latvian, Lithuanian, Luxembourgish, Malagasy, Malay, Maltese, Maori, Moldavian, Norwegian, Occitan, Polish, Portuguese, Provençal, Romanian, Romansch, Saami, Samoan, Scots, Scottish, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, Welsh, Wolof Cyrillic language support: Adyghe, Avar, Belarusian, Bulgarian, Buryat, Chechen, Erzya, Ingush, Kabardian, Kalmyk, Karachay-Balkar, Karakalpak, Kazakh, Komi, Kyrgyz, Lak, Macedonian, Moldovan, Mongol, Permyak, Russian, Rusyn, Serbian, Tatar, Tofa, Tuvan, Ukrainian, Uzbek

Squad is a humanist sans serif with semi condensed proportions. Inspired by Adrian Frutiger’s perfectionist style this typeface is a harmonious breed of humanist heritage and contemporary simplicity. The balanced characteristics, clear and legible silhouette and simultaneously vivid appearance of Squad makes it perfect for any design purpose. The figures are evident — it consists of 18 styles from Thin to Black; covers Extended Latin, Cyrillic and Greek with span for more than 130 languages; flawless functionality and supporting many OpenType features, such as localizations, tabular numerals, inferiors & superiors, numerators & denominators, fractions, discretionary liga- tures, case sensitivity etc. Designers: Svetlin Balezdrov, Svet Simov Features: • Over 780 glyphs in 18 styles (Thin to Black) • Extended Latin, Cyrillic and Greek scripts for more than 130 languages; • High x-height and Semi Condensed proportions; • Moderate contrast and vertical stress; • Humanistic characteristics and open vertical terminals; • True form of italics; • Coverage of multiple OpenType features; • Perfect for text, headlines and web;

Red Amaretto is a script typeface influenced by different ancient writing styles. All characters are handwritten by use ink and flat nib pen on coarse paper, scanned, digitized and optimized for best quality without lost its handwritten visual appearance. Coarse glyphs edges are easy visible at medium and higher sizes. Character set support all official and semi-official languages in European Union writen in latin, cyrillic and greek scripts. Supported codepages: 1250 Central (Eastern) European, 1251 Cyrillic, 1252 Western (ANSI), 1253 Greek, 1254 Turkish, 1257 Baltic. Include also spacing characters (M/1, M/2, M/3, M/4, M/6, thin, hair, zero width space etc.) for professional text formatting. OpenType TrueType TTF (.ttf) font file include installed OpenType features: Access All Alternates, Localized Forms, Fractions, Alternative Fractions, Ordinals, Superscript, Tabular Figures, Proportional Figures, Case-Sensitive Forms, Stylistic Alternates, Contextual Alternates, Stylistic Set 1, Stylistic Set 2, Contextual Ligatures. Include also kerning as single 'kern' table for maximum possible backwards compatibility with older software.

Amika™ is a rational geometric sans serif with an engaging personality and a contemporary profile. The large x-height, minimal contrast and the double storey 'a' makes Amika™ a highly legible typeface suited for any kind of text applications, from display poster type to massive text layouts. Amika™ has 22 styles and it's a workhorse type system. Versatile and reliable, it covers 230+ languages, including extended Latin, Cyrillic and Greek writing systems. With over 1280 glyphs per style, its Opentype features include alternative shapes, small caps, standard and discretionary ligatures, localized forms in Latin and Cyrillic, case sensitive forms, numerators and denominators, proportional and tabular figures, slashed zero, fractions and more. With a tectonic touch, Amika™ is a prototypical sans serif of the New Media age that, due to its extensive set of features, conveys a great choice for a wide range of applications, from branding to broadcast.

Pieta is a wide sans type family inspired by old typeface lettering from Netherlands, with a more contemporary design. The Pieta family includes 7 weights, from Hairline to Black, with their corresponding italics. Each font includes OpenType Features such as Proportional Figure, Tabular Figures, Numerator, Superscript, Denominators, Scientific Inferiors, Subscript, Ordinals, Ligatures and Fractions. Pieta family supports Latin and Cyrillic, all these languages are covered: Latin language support: Afar, Afrikaans, Albanian, Asturian, Azeri, Basque, Bosnian, Breton, Bulgarian, Catalan, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino, Finnish, Flemish, French, Frisian, Friulian, Gaelic, Galician, German, Greenlandic, Hungarian, Icelandic, Indonesian, Irish, Italian, Kurdish, Latin, Latvian, Lithuanian, Luxembourgish, Malagasy, Malay, Maltese, Maori, Moldavian, Norwegian, Occitan, Polish, Portuguese, Provençal, Romanian, Romansch, Saami, Samoan, Scots, Scottish, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, Welsh, Wolof Cyrillic language support: Adyghe, Avar, Belarusian, Bulgarian, Buryat, Chechen, Erzya, Ingush, Kabardian, Kalmyk, Karachay-Balkar, Karakalpak, Kazakh, Komi, Kyrgyz, Lak, Macedonian, Moldovan, Mongol, Permyak, Russian, Rusyn, Serbian, Tatar, Tofa, Tuvan, Ukrainian, Uzbek

I'm happy to present you my new classic style font. It's a vintage serif font with my brush touches. I used dry strokes with rough edges decoration elements. Perfect if you want to add slight retro style to your project. I designed it for fashion labels, classic headlines, glamour posters, luxury identity, wedding invitations. You will get: * Uppercase glyphs * Numbers and symbols * Multilingual support * Free future updates Please feel free to request to add characters you need: kaer.pro@gmail.com Thank you!

vakaDi is stylish futuristic tech font designed for such areas as hi-tech, future, sport, space, army, games and many others. In the process of creating the font, we faced the choice of which letters are better - this or that... Each of them was beautiful in its own way and so we decided to include them all!:) Some you will find in upper case, others in lower case. Multilingual support (Latin extended). It is designed for header and text both.

Basika is a Display proto-typeface, a bridge from the past into the future of experimental typeface design. It’s a powerful communication tool for designers who want to create unique projects. The concept of Basika has been developed over many years and became a typeface throughout 2019. Basika was released in December of the same year. Basika comes in three styles, includes discretionary ligatures and stylistic alternates. Don't hesitate to get in touch at nos.ink. Basika current version: 1.2 - released in April 2022.

Spacerace is here to infuse a touch of the future into your projects. It is a modern, clean, multi-weight typeface heavily inspired by Science Fiction. It brings a sleek aesthetic to various design projects and conveys a sense of competition and progress. The geometric elements give the impression of space and exploration. Most glyphs have 'sliced through' alternatives for you to mix and match with the standard style. Available in Light, Regular, Medium, Semibold and Bold weights, all with matching oblique versions.

Agile Sans is a contemporary humanist font family with classicist roots. Hence its name, Agile Sans suits many occasions from branding to publications, web and applications. From formal to casual, bold to refined, this font covers it all. Agile Sans comes with nine weights with corresponding true-italics. Built-in small capitals and several numeral styles are included as well. If you’re seeking for an alternative to more common humanist sans serifs, look no further and grab a future classic.

Fashion Signature is an enchanting handwritten font. This versatile Monoline font has a wide spectrum of applications ranging from greeting cards, fashion, weddings, posters, beauty cosmetics, and logos to headlines and is guaranteed to add a romantic or casual feel to your next project. Add it confidently to your projects, and you will love the results. This font is PUA encoded which means you can access all the beautiful glyphs and swashes with ease! Add to your collection for future Design and projects!

Maggiore Font is a versatile and unique display typeface with a style all its own. The convex strokes and concave stroke ends set up a singular interplay of blade-like sharpness and plump softness. Maggiore can work very well in loads of different contexts and applications: product labeling and branding, cosmetics, fashion, social media banners, the performing arts, t-shirt logos, and even quaint vintage futurism. Combining the unique with the highly legible, Maggiore will be a great addition to any font menu.

Rayid (رائد): Pioneer. “What if we remove the curves?” This was the whole idea. Rayid could be used at its best for names, titles, headings and other large size contexts. It has the ability to catch the eyes of the target. It is a modern font which respects the traditions by futurism. *Arabic marks (Tashkeel) are included but if your design needs them, first check if they work properly for you.* Please DO NOT HESTITATE to tell me if you saw any bugs.

Mihaly is a geometric sans serif with a low contrast. It was designed with care to conserve the feeling of geometric rigor, referring to the constructivist ideal of the 20s. But the homogeneity of its proportions gives it a very modern neutrality, making Mihaly an interesting alternative to classic low-contrasted sans-serif like Din or Interstate. Designed for display setting, Mihaly Display is the first in a family of fonts, with the rest to be completed in the coming future.

Sisco is a complete font family of 18 weights intended for editorial use and brand identity. Open counterforms give it a touch of modernity and technological. Sisco is designed to be legible in small sizes in both paper and display devices. It contains a set of authentic Small Caps and various sets of numerals, fractions, ligatures, and an extensive map of suitable characters for most languages ​​based on Latin characters. Sisco is a typeface that will bring the future to your graphic projects.

A futurist headline typeface exploring the concept of sub-baseline interconnectivity and flow. Boasting over 450 glyphs, this typeface comes with an enormous amount of ligatures to achieve optimum flow between letterforms. Its sources of inspiration are endless (old science fiction, Arabic letterforms and 90s UK garage/rap album artwork featuring futurist custom type.) The typeface is best suited to headlines and larger type. Currently available in Bold with an Italic version coming in the not too distant future. Enjoy!

Gin is a futuristic decorative font that combines calligraphy, graffiti and typography. This font is inspired by the street art called calligraffiti where it is abstract and elegant. This font is suitable for those who are anti mainstream and out of the zone, this is a new face in the world of fonts, for those who are against this font it will be considered broken but for those who are from the future, this font is an answer to futuristic design needs

Kirshaw is not your grandfather's sans serif from the 1950s and 1960s. All those old classics like Helvetica, Futura, Franklin Gothic, and Univers are showing their age like an old Elvis Presley song. Kirshaw is a clean, rounded design with sharp contrasting edges. Like those classics, Kirshaw is easy to read in small body copy and captions, plus it's delightfully modern and stylish for headlines and logos. I designed Kirshaw and Kirkly while undergoing cancer treatment at Stanford Medical Center. Font design was always in the back of my mind and now I had extra time. Kirshaw is a distinctive, modern, easy-to-read sans serif family consists of 14 weights (including italics). It’s an Adobe Latin 3 Character Set containing 350 glyphs per style (including special characters).