Introducing a vintage look label font family named "Road Rage". All available characters you can see at the screenshot. This font have 4 styles - Regular, Shadow, Rough and Rough Shadow. This font will good viewed on any retro design like poster, t-shirt, label, logo etc.

Dr Bones is one of those halloween themed fonts, it looks like a series of bones. Dr. Bones is good for some Halloween themed graphic designs, such as logos, banners, t-shirts, posters, products, advertising, or other designs. make your design more attractive with Dr. Bones Font.

Superion is a supercharged, street-wise brush font bursting with energy. Extra attention was given to quick strokes and sharp details. This font is perfect for challenging jobs, titles, t-shirts, websites, hoodies, clothing, headline, logotype, branding, advertising, event and various energetic print and digital media projects.

In 1935 Ludwig & Mayer released Walter Höhnisch’s Skizze. This beautiful font was completely redrawn and redesigned for today’s usage. The following letters have stylistic alternatives: E, F, P, S, and T. To get access to all ligatures, it is recommended to both activate Standard and Discretionary Ligatures.

Qubicles Sans is a modern sans serif font designed with calligraphy style for a wide range of need. The font is suitable for any branding project like logo, t-shirt printing, sporting design, and many more. It will look assertive in a wide range of contexts.

Analogy is a bold typeface that is strong, geometric, and confident. Manifolds will give your design alternatives a modern look and make your creative work stand out with lots of unique ligatures. highly recommended and those who are planning a poster design, logo, headline, t-shirt, etc.

Black Panther is textured brush font, a contemporary approach to design, with a handmade natural and irregular baseline. Suitable for use in title design. Such as apparel, invitations, book tittles, stationery design, quotes, branding, logos, greeting cards, t-shirts, packaging design, posters and more. Designers: khaidir

Relix, emulating the old videogame's screen fonts, that's a good font to non-formam small texts, names, logotypes, titles, headers, topics etc., developed from the original Reliant's Intellecta typeface. Big sizes of this font can be used for texts on posters, t-shirts and other surfaces.

Aryaduta is a romantic and gorgeous looking typeface. It can be used for various purposes, such as logos, wedding invitation, t-shirt, letterhead, signage, news, posters, badges and more. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Neurotic is a geometric modern minimalist square sans serif display font. An experimental combination between angled and straight lines makes this a unique typeface design. Easily access the styles with uppercase and lowercase. Perfect usage includes logo, poster, display, headline, t-shirt design and many more.

Azteria is a modern display font with a dashing appearance, bold, strong and powerfull. the luxury can be seen from each point. with a retro and classic style to keep it dashing all the time. This font is perfect for logos, t-shirts, decals, stickers and more

Harlon This is a display font in two headings, sharp corner and rounded corners. This font is perfect for titles, book covers, logos, T-shirt printing, packaging and much more, and also this font includes stylistic alternates.This font is easy to use and has OpenType features.

Carlotte is a romantic and beautifully flowing handwritten font. It is suitable for logos, business cards, weddings, t-shirt designs, books, magazines, quotes, fashion, watermarks, invitations, signatures, packaging. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Introducing a vintage look label duo font named "Heavy Boxing". This family includes regular bold and strong font and cute handwritten script font. Regular font have different small and capitali letters. This font will good viewed on any retro design like poster, t-shirt, label, logo etc.

Roselina Script is a modern calligraphy, with a vintage feel. moving baseline and elegant touch. Can be used for various purposes.such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. Including initial and terminal letters, alternates, ligatures and multiple language support.

Introducing our latest Modern Slab called Qoxiem can make your logotype become more interesting. inspired by the decorative arts and architecture movement Qoxiem fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges, t-shirts and many more that are beautiful.

Introducing Bataler Vintage Font with elegent and professional style, perfect for adding some romance and charm to your designs. This script functions most strongly as a display or headline font. suitable for logo, logotype, branding,wedding, fashion, label, book cover, t-shirt, instagram post, and other

Ramadhan Mubarok is a font with an Islamic theme, this font is suitable for your Islamic design needs, This font is perfect for products, clothing, t-shirts, food products, beverage products, book covers, magazines, posters, flyers, and other designs. If you have any questions please contact us

Hypne Pop is inspiring by retro pop culture, groovy, and funky. Hypne Pop comes with 9 weight unique regular and unique slanted style. Hypne Pop have a different characters in every style. This font also suitable for making headlines, stickers, T-shirt design, logotypes, poster, magazine, etc.

Galileo, a vintage font family made by brush. Each letter that has been hand drawn and then scanned, which makes the font unique and special. Galileo contains 4 styles and can be used for headlines, t-shirts, logos and posters. Appreciate this project and follow us :)

The first versions of Nimbus Sans have been designed and digitized in the 1980s for the URW SIGNUS sign-making system. Highest precision of all characters (1/100 mm accuracy) as well as spacing and kerning were required because the fonts should be cut in any size in vinyl or other material used for sign-making. During this period three size ranges were created for text (T), the display (D) and poster (P) for small, medium and very large font sizes. In addition, we produced a so-called L-version that was compatible to Adobe’s PostScript version of Helvetica. Nimbus was also the product name of a URW-proprietary renderer for high quality and fast rasterization of outline fonts, a software provided to the developers of PostScript clone RIPs (Hyphen, Harlequin, etc.) back then. Also in the 80s, a new, improved version of the Nimbus Sans, namely Nimbus Sans Novus was designed. Nimbus Sans Novus was conceptually developed entirely with URW’s IKARUS system, i.e. all styles harmonize perfectly with each other in terms of line width, weight, proportions, etc. On top of that, Nimbus Sans Novus contains more styles than Nimbus Sans. Now, Nimbus Sans is also available as Round (like the popular URW fonts Futura Round and Eurostile Round). The Round versions are intended to facilitate the work of designers and typographers. The fonts can be used directly, without further preparatory work in graphic programs as finished, high-quality Rounds.

The first versions of Nimbus Sans have been designed and digitized in the 1980s for the URW SIGNUS sign-making system. Highest precision of all characters (1/100 mm accuracy) as well as spacing and kerning were required because the fonts should be cut in any size in vinyl or other material used for sign-making. During this period three size ranges were created for text (T), the display (D) and poster (P) for small, medium and very large font sizes. In addition, we produced a so-called L-version that was compatible to Adobe’s PostScript version of Helvetica. Nimbus was also the product name of a URW-proprietary renderer for high quality and fast rasterization of outline fonts, a software provided to the developers of PostScript clone RIPs (Hyphen, Harlequin, etc.) back then. Also in the 80s, a new, improved version of the Nimbus Sans, namely Nimbus Sans Novus was designed. Nimbus Sans Novus was conceptually developed entirely with URW’s IKARUS system, i.e. all styles harmonize perfectly with each other in terms of line width, weight, proportions, etc. On top of that, Nimbus Sans Novus contains more styles than Nimbus Sans. Now, Nimbus Sans is also available as Round (like the popular URW fonts Futura Round and Eurostile Round). The Round versions are intended to facilitate the work of designers and typographers. The fonts can be used directly, without further preparatory work in graphic programs as finished, high-quality Rounds.

Smallstep - One geometric sans serif with a free spirit. If we presume that geometric typefaces play with the idea of what typography would look like in the future when all unnecessary elements would disappear, than most of their designers seem to envision the future in a rather metropolisque kind of way. We love geometric faces, but the cold and heartless feelings that most of them leave is just not our cup of tea. That is why we are happy to bring some optimism in that genre with our new typeface. We called it Smallstep. Smallstep is a typeface that follows the traditions of classic geometric sans serifs like “Futura”, but is at the same time friendly and whimsical. We took the liberty to deviate from the standard sans serif glyphs while drawing some characters (such as ”a” and ”r” ), others (“w” “k”) are completely redesigned. Probably the biggest trademark of this typeface is the way vertical lines in most lower case characters are “cut” so they end in a 60 degree angle. Smallstep is over all a expressive face, which means it brings some emotions to your design and feelings in itself, and should be used accordingly. Other than that, it is suitable for both headline and body text, print and web. So what kind of name is “Smallstep”? We view the type design process as a form of evolution: There can be no typeface that differs drastically from the current standards, since its characters would be unrecognizable and thus unreadable. But at the same time there are hundreds of faces that differ a little, and still manage to make a difference by moving with small steps towards better and more refined looks. Smallstep consist of 4 weights, that cover all the features, that are expected of a modern Opentype face: kerning pairs, ligatures, true italics and alternative characters, plus a set of symbols, that will help you start off your designs more easily.

ROMANICA is a relaxed humanist sans with subtly curved corners and slightly flared glyphic terminals that are expressively angled where appropriate. Romanica has the authority of the ages without the harshness of many classically inspired typefaces. All eight fonts include a full complement of Latin Extended-A characters, Welsh diacritics, Irish dotted consonants, and additional oldstyle numerals. ROMANICA is available in three packages - • Basic Family (Regular, Italic, Bold & Bold Italic) • Light (Light & Light Italic) • Medium (Medium & Medium Italic)

CONCEPT/ CHARACTERISTICS »Kon­strukta Humana Sten­cil« aka »Hot Cold« is a modern desi­gned sans serif type­face with huma­nist influ­en­ces and Sten­cil cha­rac­ter. The par­ti­ally strong line thick­ness dif­fe­rence (line con­trast) gives the font a touch of ele­gance and crea­tes ten­sion as fats. The font comes in 3 font styles. From ele­gant warm ten­der­ness »Thin« to the solid, bold, and robust­ness cold »Regular«. APPLICATION AREA The »Thin« font weight would pro­bably dig on fes­tive invi­ta­ti­ons and »Regu­lar« as con­cise pos­ter font. From head­lines in maga­zi­nes or web­sites about pos­ter design and fly­ers to t-shirt design. Just type it. TECHNICAL SPECIFICATIONS Head­line Font | Dis­play Font | Sans Serif Sten­cil Font »Kon­structa Humana Sten­cil« Open­Type Font (Mac + Win) with 375 gly­phs & 3 styles (regu­lar, light, thin). With alter­na­tive let­ters, liga­tures, accents & €.

Ciutadella Rounded is not only a font with soft corners, it has a real rounded terminal across all the weights. It was a challenge to achieve a rounded effect in close counters characters, especially in the heaviest weights where there is less space available to accommodate the round ending. Suitable to be used across a wide range of applications, from identity systems to publications. It is available in Open Type format and includes Alternate Characters (‘a’, ‘t’ and ‘&’), Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. It supports Central and Eastern European languages. The type family consists of 10 styles, 5 weights (Light, Regular, Medium, SemiBold and Bold) plus italics. For more details see the PDF. See also Ciutadella and Ciutadella Slab.

The font primarily had a strong body. Family has a four layered experience. All and in harmony. This font has a strong personality, that makes it perfect for use in headline sizes. Also use for print, motion graphics, logo design, packaging design, t-shirts and more. By using layers, you can design different colors and sizes by repositioning lights and shadows. This will allow you to take your designs to the next level. Using this unique font, you'll have a lot of fun and produce beautiful materials. You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support. There is nothing as satisfying as to do a good quality and properly job. You can enjoy using it.

Does the world really need one more vernacular pop culture typeface? We here, at astroluxtype shout a resounding yes! Sure, at myfonts.com, you can find the apex of fine font design that will have your mind and eyes burst with joy at the level of sophistication and craftsmanship they exhibit- Koo Koo Puff Light Condensed and Regular Condensed are not one of those fonts. But if kooky goofy is your thing, we're selling it at the astroluxtype booth. Koo Koo Puff Regular Condensed is the companion font to Koo Koo Puff Light Condensed. Both fonts includes an upper and lowercase glyph set. Regular Condensed has a different upper and lowercase “O” from the original Koo Koo Puff Light Condensed. Spacing metrics are looser, as well. The font is not a match for Light Condensed, it is a separate font. Both are headline display faces, for optimum usage it is recommended to be set at 48 points or larger in size. Look to astroluxtype’s Sugarbang ! as the first in a series of fonts inspired by vintage product packaging, Koo Koo Puff is the second release in the Cerealboxx series. The third font is in the fridge getting cool now, watch for it in the future. Rave on you design genius.

Very few letter types with the context of grunge style fonts offer hierarchies to differentiate words in sentences or paragraphs. With Navaja I developed a font family that meets this need. This family is useful to organize the information into a hierarchy with an eroded look. Its central idea mixes grotesque, geometric and humanistic letter conventions. This way, Navaja is a grunge-sans with dense proportions to make graphic design with eroded character. Its main purpose appeared when one of my customers asked me for a t-shirt design for a fan club of an important football player. For this reason its starting point were stained and muddy letters characterizing the toughness and coldness of the sport. Over time their glyphs began to imitate the robustness of "wood type & Tuscan Type" widely used in posters in the late nineteenth century. Its purpose was strengthened in a family with 6 members that when mixed they produce mind catching contrast levels ideal for designing T-shirts, stickers, flyers, brochures, posters, billboards, cinema or TV. Therefore its variants are short up and down height X combined with different widths that by working together produce information that radiates outstanding apparently destroyed controlled violence. Navaja Dingbats consists of 52 illustrations useful for frames and textures. In that vein, the origin of each member comes from skeletons of Roman and Italic calligraphy. The low amount of contrast between thick and thin lines matching the contours apparently gnawed but strictly regulated by optical adjustments equating the sum between full and empty areas. Factors such as finishes, shapes and counter internal and external forms are meticulously planned although its scruffy look which strategic arrangements are offset to provide color typographical homogeneous. And in conclusion, I have plans to continue expanding the family with more complete versions in the future.

The Catenary typeface was designed with the goal of creating an extremely-readable sans-serif font that could weather the future. Inspired by the beauty of the catenary curve, it's a blend of the transitional and the geometric that allows it to be readable while keeping its forms precise and consistent. Every character in its set is unique, leaving no confusion between similar letter forms. Sixes and nines can be distinguished even when they're upside down or sideways. The number one, the lowercase-L, and the uppercase-I can never be confused with one another, even without context. Throw b, d, g, p, and q into a jumble and the challenge of distinguishing the characters can easily be overcome. The Catenary family consists of eight fonts, six of which, the standard light/italic, regular/italic, and bold/italic, work as both excellent text fonts and exceptional display fonts. The two bonus fonts, a stencil and a guerrilla grunge style, make for great additional display font choices. The Catenary family is extremely versatile and ready for your toughest design work.

Geometris Semi-Condensed is a modern versatile sans-serif typeface. What differentiates Geometris Semi-Condensed from the other fonts is its exceptionally distinctive design. Brilliantly suited for graphic design and display use and perfect for logotypes, t-shirts, packaging, brand identity, books, magazines, newspapers, posters, billboards, and advertising.

Heart of Saint George is elegant handwritten calligraphic font. It comes with uppercase and lowercase characters, a set of punctuation marks, numbers, Cyrillic characters, ligatures and multilingual support. Ideal for logos, quotes, posters, branding projects, product packaging, t-shirt, book cover, greeting cards and applicable for any graphic design.

Hi! This is a new classic Celtic font. With spirals, knots and animals’ faces. СelticSpiral font is perfect for printing of graphic arts, posters, packaging and t-shirts. The font is presented in usual and color versions. Only uppercase letters from A to Z and numbers set (36 characters)

Noka is a powerful display geometric sanserif with a lot of personality. Its clean structure refers to a more digital and technological atmosphere. Letters P F T L are narrower than usual to create a distinct feeling. Diagonal strokes of letters V v W w A are parallel.

Rosacfild is a bold script font. This fantastic typeface is best suited for headlines of all sizes, as well as for blocks of text that have both maximum and minimum variations. Use it to create standout headings, promote your online sales, Instagram quotes, business cards, t-shirts, and invitations.

Introducing a vintage look label font named "Original Absinthe". This family includes seven styles - Regular, Inline, Shadow, Inline FX, Shadow FX, Full and Aged. The posters show the result of combining them. This font will be great for any retro design like poster, t-shirt, label, logo etc.

This is a playful child-like typeface perfect for any fun quirky design work! This font can be used for anything such as T-Shirt designs, phone cases, greeting cards, invitations, mugs and so much more! Get creative! Thanks for checking out this font. I hope you enjoy it!

HiBaby is a beautiful hand-painted font, with an organic, fun design and with a mixture of lowercase and uppercase, making it interesting and unique. This fonts can be used for various purposes such as headings, signature, logos, wedding invitations, t-shirts, letterhead, signage, labels, news, posters, badges etc.

Above Ground this is a handwritten brush font for a wide range of design ideas. It is perfect for creating posters, flyers, integrating blogs, banners, designing social pages, designing T-shirts, magazines, book covers, packaging and much more. This fonts is easy to use and has OpenType features.