I'm happy to present you my new Romanesque font from the Codex Gigas. The manuscript was created in the early 13th century in the Benedictine monastery of Podlažice in Bohemia. The codex was written in a handwriting atypical for the 13th century, which is actually a late version of the Carolingian minuscule. Texts about repentance and exorcism were written in large Majuscule (Square Capitals (Imperial Roman capitals written with a brush)). Majuscules first incised in stone more than two millennia ago, married to minuscule letterforms that evolved from manuscript hands of the eighth and ninth centuries. Majuscule font is the name given to a type of decorative upper-case letters used in inscriptions and, typically, at the start of a section of text in medieval manuscripts. They are characterized by their straight forms unlike rounded in Lombardic capitals with thick, curved stems. Majuscule capitals were also used to write words or entire phrases. The text is divided into words, punctuation marks are used consistently – periods indicate the end of a sentence and the middle of a phrase. You will get: * Uppercase glyphs * Numbers and symbols * Multilingual support * Ligatures * Free future updates Thank you!

Sodra is a wide-accented antiqua with sharp serifs and hints of futuristic forms. This typeface emerged from a passage in the Manifesto del Futurismo by Filippo Tommaso Marinetti. One short word was the inspiration and the guidance for the creation of this font. An attempt to create something unique and distinctive, an attempt to add a bit of futurism to something historical. The special aesthetics and expressiveness the type conveys will make you look closely at each letter and draw attention to your design. The font has been in development for a long time and painstaking work has been done on it. Large language support, about 470 characters and almost 4,000 kerning pairs. Hinting and testing the font itself in business and in a wide variety of applications. The uses of the type are very wide. Whether it's a branding, logo, identity or merch, a headline or product design. The nature of typeface is not limited to something rough and gloomy, on the contrary, it all depends on how you look at it. I've shown you my point of view, you in turn will see yours!

Hologram is a font inspired by a combination of the future and the past. The intention was to design a font that was most effective when applied to Largely Displayed text like Headings, rather than for smaller extended bodies of text. There are 3 distinctive styles offered in the Hologram font family. Each style contains over 350+ Glyphs per style with support for up to 26 Languages as well as specialised kerning & spacing. Display Sans: This style is the cleanest of the 3 fonts. There are no serifs attached to the ends of the strokes, although the stroke weight is varied from thick to thin depending on the letters. Display Serif: This style contains modern serifs at the ends of most character strokes that give more structure to the shapes. A majority of the serifs are horizontal in direction with few characters containing vertical serif details. Display Wedge: The most Bold of all is the Wedge Serif style offered. Featuring thick and thin triangular serifs at the ends of character strokes. This style is most effective in Large Displays & Titling uses. Designed by KAZER STUDIO

Soprani is a unique typeface inspired by a plaque found in New Zealand dating from the 1920s. The design was contemporized and brought 100 years into the future. The serifs are dramatically flared at the end of the stems, while in the middle, they contract. This leads to a unique shimmering effect that draws the eye and catches your user's attention. This typeface meets the demand for unique serif types that are both eye-catching and delicate. It’s a display face that's ideal for very contemporary work. This typeface has plenty of alternates and has a full complement of OpenType features. The 1920s inspire the design, with a bit of art nouveau and arts and crafts, yet the typeface is designed to meet contemporary design requirements. It has a unique elegance and the letterforms are condensed more than most. Soprani is suggested for table books, menus, and various promotional materials, newspapers, television, motion pictures and other media. There is a wide range of widths and weights available, from the thin, which is delicate and graceful, to a bold and robust black. Production assistance by Lucas Azevedo and ikern.

Meet Pawl, an affordable 48-font squarish sans family with a little grotesque in him! Oh, you may think you’ve got him pegged at first glance, but he’ll surprise you with his versatility. AND he's just been totally refurbished from top to bottom and boy, did he need it! Pawl lives in the same visual landscape as fantastic modular superfamilies like Eurostile, Agency, Geogrotesque, Barlow, and even the great American Gothics. Unlike those faces, though, he's nimble enough to switch between looks effortlessly. Pawl is energetic, aggressive, strident, and structural. Depending on how you use him, his voice can be retro, futuristic, industrial, or sleek. He can be sober or splashy, techy or oldschool. Use his alternate characters and stylistic sets to create looks ranging from Streamline Moderne to Futurism to Brutalism to Swiss. He works from small paragraphs all the way up to monumental signage. This guy is smart and useful, with a lotta looks! How many times have you needed multiple weights, styles, and widths for your hierarchy, but standard type families were either shockingly expensive or couldn't deliver? Pawl delivers. Give him a shot!

This font is a latin based version of the ogham alphabet used in the writing of the old irish language. It can be used on Latin keyboards. I will make a unicode font version of this font in the future. Ogham (/ˈɒɡəm/ OG-əm, Modern Irish: [ˈoː(ə)mˠ]; Middle Irish: ogum, ogom, later ogam [ˈɔɣəmˠ] is an Early Medieval alphabet used primarily to write the early Irish language (in the "orthodox" inscriptions, 4th to 6th centuries CE), and later the Old Irish language (scholastic ogham, 6th to 9th centuries). There are roughly 400 surviving orthodox inscriptions on stone monuments throughout Ireland and western Britain, the bulk of which are in southern Munster. The largest number outside Ireland are in Pembrokeshire, Wales. The vast majority of the inscriptions consist of personal names. According to the High Medieval Bríatharogam, the names of various trees can be ascribed to individual letters. For this reason, ogam is sometimes known as the Celtic tree alphabet. The etymology of the word ogam or ogham remains unclear. One possible origin is from the Irish og-úaim 'point-seam', referring to the seam made by the point of a sharp weapon.

UTOPIAN is a color font family based on primary colors and pure geometric shapes, influenced by Bauhaus, DeStijl and Art Deco. Its pure shapes and basic colors are inspired by the beauty of simplicity of modular order and grid, creating a perfect environment where all these elements live in a perfect color harmony. In the other hand, DYSTOPIAN, the black and white family, represents a close sibling in appearance and structure, that carries an opposite meaning, with a darker look and feel. Both typefaces are, somehow, a reflection of the divided views and posible outcomes that the future times ahead yield before us. Package: Utopian/Dystopian comes in file with a pre-defined color palette. You can always change the colors converting the text to outlines. Technical info to use: The package contains a normal TTF/OTF set of fonts in Black and White and a colorfont in SVG-TTF format. To be able to use the color file you need to have installed Adobe Photoshop CC2017 or Adobe Illustrator CC2018. Not all the browsers support color fonts so please be sure to use them as graphics.

Here’s a collection of border elements taken from the pages of nineteenth and early twentieth century type specimen books of various American foundries. Download the PDF provided for each font for simple guides to constructing various borders. All characters have identical widths, so use spaces between left and right-side elements. For best results, set solid (no extra leading) and use flush left, flush right or center justification to assure proper alignment.

Heath Notted is suitable for display like poster, halloween, witch theme. We created it inpired by the night, because some times night is not always just dark, but sometimes it's beautiful. Heath Notted is includes: - full set uppercase and lowercase letter; - numerals; - large number of punctuations; - ligatures, and swash. Please add this font as your favorit, hit like button, or follow me. I'll very happy for that and aprreciated it. Thank you!

The hand-lettered title on a piece of sheet music for 1938's "Don't Be That Way" (as recorded by Benny Goodman) featured squared letters with rounded corners, slight variants in line thickness and interesting "overhangs". Additionally, some letters closed off on one end while others were opened, giving the impression of a slight "maze" effect. This unique song title was enough of an inspiration to be turned into Musical Arrangement JNL.

Mosse is an extraordinary sans-serif typeface that designed for improve readability, formal but casual, with straight cut at terminal and reverse angled at spur and finial give a little bit sweet. Mosse is simple and identical, come with nine weights allowed you to use the right weight to the right proportions. Mosse also support many languages, thanks to extended latin glyphs. Mosse come with standard Adobe Latin 4 glyphs, world-ready and mark2mark support.

Lagom Grotesk is a contemporary neo-grotesque sans serif typeface with strong stylistic geometric contrasts. Its distinctive wide-open stance was designed to give the right visual consistency for branding and communications, representing the shifting contemporary aesthetics. The distinctive stance gives the right visual consistency for branding and communications. Lagom Grotesk is perfectly suited for headlines, large-format prints, brand identities, social media, advertising, editorial design, posters, magazines, logos, headings, body copy, digital and more.

Love Notes JNL is a total reworking of one of Jeff Levine's old freeware fonts. This revised version has an alphabet set jogged left and right in different upper and lower case variations. Playing around with the shift key will bring you the optimum results. On the left and right parenthesis keys are blank hearts logged left and right, and the corresponding fill fonts are on the bracket keys. (NOTE: You may have to do some manual adjustments, as the overlay placement can vary slightly in some programs.) There are numerals as well, and scattered around the keyboard are classic "message hearts" - just like in the boxes of candy. A backfill glyph for the numerals and message hearts is on the backslash key.

Geometrical drawing of Fenomen Sans typeface goes back to the roots of the Bauhaus aesthetics and the entire architectural and design avant-garde of the 20th century. It is still a symbol of functional rationality, clean aesthetics in relation to shape, and of progressive thinking. Its popularity is timeless and permanent. The set contains eight basic alphabets of a square pattern, eight semicondensed, eight condensed and eight extremely condensed alphabets, all in Latin and Cyrillic alphabets. Every font of the family has four types of numerals, small caps and variant letters. The typesetting can fluently use all fonts simultaneously. The typeface originated between the years 2011–2014 and was subjected to a series of tests for the fluent legibility of narrow fonts even in extreme conditions. Narrow fonts provide this set with the maximum use also for newspaper typesetting. The typeface has an elegant, delicate design in thin fonts and sufficient legibility in bold. Mutual contrast produces creative tension. Font name acronyms described: SCN = SemiCondensed CN = Condensed XCN = ExtraCondensed

Following from the continued popularity of the original MB Deco, here is Nuovo Deco, its new and improved big brother. Nuovo Deco comes in three weights, Light, Regular and Bold. A full character set of Caps and lower case letters, alternate characters, plus some very nice Ligatures to give some added art deco style and a much wider scope.

Wedding dress is a beautiful light handwritten font with a unique feel and looks stunning. This gentle font will look gorgeous on a variety of design ideas. This font is PUA encoded which means you can access all of the amazing glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.