CONCEPT/ CHARACTERISTICS The base was a head-vein illustration. This served as a design grid. Novel letterforms were sought and found. Hand-drawn analog and digitized later. Experimentally, novel, fresh and an eye-catcher. Completely new insights into the human brain. A font for happy thoughts. ghostly visions, or simply for the next freshen party flyers. APPLICATION AREA The happy, creepy, Horror handmade font »Happy Brain Creepy Tha­la­mus« with many language support would look good at head­lines. Magazines or web­sites, party flyer, movie pos­ters, music Poster, music covers or webbanner. TECHNICAL SPECIFICATIONS Head­line Font | Dis­play Font | Handmade Horror Font "Happy Brain Creepy Thalamus" Open­Type Font with 283 gly­phs, alter­na­tive let­ters and liga­tures (with accents & €) & 1 style (regu­lar).

I've always loved drawing faeries and I love using them in my scrapbooking pages. So after hunting around for a unique decorative fairy font for my crafts I couldn't quite find what I wanted to use, so I decided to create a whimiscal set of fairy drawings and characters that would suffice. I was influenced in the drawing of the fairies by my love of the 3D poser graphics art,several awesome comics, Alphonse Mucha and several Masters of Art. These decorative Fairy dingbats would be great to use in fabric crafts,textiles, embroidery patterns, scrapbooking, greeting cards, Rubber stamps, name titles, Calligraphy, the possiblities I feel are endless when thinking of craft applications.

With the original Ranelte, Insigne Design pays tribute to the strong, simple forms of the long-lasting DIN series. Now, Ranelte Deco, a new variant on the classic-inspired font, makes a more specific statement with some unique styles that are clearly contemporary. It’s the type of face that you’ll find adds great value to your high-tech and bleeding edge design uses. Ranelte Deco is designed for title use and posters. Since it’s an experimental display font, there are no OpenType features, but the typeface fully covers Latin-based languages. Remember, even a timeless classic can be reshaped to something beautiful. See how the new style of Ranelte Deco can make your next masterpiece.

Proba Pro is a geometric sans with lowered x-height, prominent ascenders and descenders and a subtle humanist touch. It comes in 7 weights + matching italics each supporting numerous Latin-based languages as well as major Cyrillic languages. It is packed with OpenType features like ligatures, small caps, 4 sets of digits, 2 stylistic sets, superiors and inferiors, fractions, ordinals, and respective punctuation varieties including all-cap punctuation. There are also language-specific alternates for Romanian Ș/ș, Catalan punt volat, and correct small-cap versions for i/ı in Turk languages. Some of the styles of Proba Pro can be found in Mint Type Editorial Bundle together with other fonts which make some great pairs. Check it out!

When was the last time you listened to elevator music and found yourself humming along? And perhaps the tune you were listening to, got stuck in your ears for the rest of the day...the rest of the week? That's often what happens with elevator music: maybe you don't notice it - but it is there, and it could most likely be one of your all time favourites! :) My Elevator Music font does somewhat the same: it's nice and pretty harmless - but it works, perhaps even without you noticing! :) I've added 4 slightly different versions of each lowercase letter - and that goes for both Regular and Scratch versions. And they both have multilingual support, because elevator music is universal!

Being a geometric sanserif ocr-t comes in eleven weights from ultrawhite to infrablack (brightwhite, white, silver, lightgrey, grey, darkgrey, anthracite, black, jetblack). With more than 600 glyphs it covers all your typographic needs and manages to stay at the same place no matter which width you’re using. Its readability and legibility is more than fine although it needs no kerning. The infrablack is really black, in order to achieve this, the form of letters change from darkgrey to anthracite from upright to some kind of upright italic. This also gives opportunity to mix two weights with same colour but different architecture. Find also stylistic sets, alternate letters, lots of bullets, different arrows, hands and well: kind of hearts.

The mystic sadness of the sight Of a far town seen in the night. Like the poetry movement of the early 20th century, from which the font takes its name, Imagist relies on the power of concrete images and brings an organic vibration to the words it forms. Imagist is a lively and decorative serif typeface with prominent features that appear especially in the letters K, R, M, N, W, V, k, w, v and y. Powerful ball terminals also bring recognizable attraction. Imagist contains six weights and corresponding Italics. Italics have a cursive-style letter s for as Stylistic Alternate. Old Style Numerals and Small Caps can be found in all cuts. Poem by T. E. Hulme.

"Portiere" is a natural handwritten font, we created this font using a marker pen, the natural emphasis of the pen makes the round size random. We write one by one on the paper and then we select each glyph to be the font. This is how we get a natural impression. To sharpen the natural impression we made several ligatures because in natural writing you will not find the same composition. Activate the ligature and feel a natural writing sensation. This font is very suitable for writing quotes and short sentences. Even more so for text animations such as on YouTube and other social media. Its unique shape also allows it to be used for logos.

Lettering found on the cover of the 1923 song "I Love Me (I'm Wild About Myself)" can take on various graphical possibilities. Although its design is Art Nouveau in concept, it is somewhat reminiscent of the "bubble letters" most school kids used to doodle on notebook and portfolio covers; yet the lettering style also evokes the 1960s-70s Hippie movement. As a sidebar, a couple of lines from the song's lyrics were used by Jeff Levine's late mother to chastise him as a youth when he got "a little too full of himself". The lyrics were: "I love me! I love me! I'm wild about myself! I love me! I love me! My picture's on the shelf!"

Do you want your designs to have strong characters? Hirace is a display font in capital letters perfectly created to meet your needs. A racing theme sticks in its display, which is a brilliant idea. This font, in accordance with its theme, shows a strong brave character to use anytime designers need a large-sized text. Other incredible features are also available to maximize the design projects. Features: Multilingual Supports PUA Encoded Numerals and Punctuation Apply this font for any design projects such as posters, banners, logos, book covers, headings, printed products, merchandise, social media, and so on. Find out more ways to use this font by taking a look at the font preview. Get it now. Happy designing.

Placed in a hastily designed spaceship and launched toward Earth, SINGLE BOUND was found by a passing motorist who was astounded by this font's feats of strength and agility! As this collection of tall and handsome characters matures, you will discover more of its abilities and perhaps use them for the benefit of all mankind. Even in its secret identity, SINGLE BOUND can lift many times its own body weight and leap great distances, much like its alter ego, UP UP AND AWAY! Single Bound includes weights from Light to Heavy, with clean ("modern") and worn ("vintage") versions, support for Western & Central Europe and Vietnamese, and an available Variable Font for precise control of weight & italic.

Gyst is a neo-humanist sans-serif typeface that artfully blends the principles of Grotesque and Antiqua. With its classic uprights and the serifs in its true italics, Gyst spans the arc from a modern humanistic sans serif to a captivating calligraphic serif. Contrasting strokes and luscious, on the other hand razor-edged terminals reflect a sense of grace, thriving at the intersection of geometric precision and flourishing sophistication. Made for body text as well a s display use. In any situation, you will find the autonomous cursive posture to be a perfect playmate for the upright. Gyst comes in four upright and italic weights, all equipped with a whole lot Alternates and Ligatures.

PIXELOUT is a display font based on bold serifs combined with a psychedelic style and given a low pixel effect like in a game. With its pixelated stroke characteristics, this font is perfect for different or unique designs such as in games or for bands and music event posters. The uniqueness of this font is psychedelic-pixel, it can be categorized as a vintage font because usually old school games use this style plus it can be used for bands because psychedelic is also found in one genre of music. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Cheers!

Aquus is a contemporary all-caps display font that refines the elegance of a classic Didone with experimental interventions. Geometric elements and subtle details are found in its letters, many of which connect to ligatures. Most alternate glyphs can be switched automatically by use of the Stylistic Set function in OpenType-supporting applications, others you can access manually via the glyphs palette. You may try Aquus Linearis as a fashionable outline variant, which reveals its beauty especially when combined with imagery. Use them best for concise strings of characters, such as logotypes, packaging or magazine titles. Aquus Simplex is their sober companion, based on the same letterforms, minus the geometric ornaments and conjunctions.

Nutcase is a perfect example of a font that principally designed itself. I created a hexagonal template (the most economical form in nature by the way) and took out the center to increase the decorative element. I played around with it, creating some pleasing characters at first but it soon became clear it would translate into a complete alphabet, so I set to work applying the idea to both upper and lower cases. It wasn't all straight forward though, avoiding awkward characters and retaining legibility took a little perseverance but it eventually paid off. I thought of this primarily as a decorative display face but having tested it out, found it reads surprisingly well as body copy too.

Bhatary is a Retro Vintage Serif Font. This Bhatary is suitable to use, if you want to get a more vintage and retro impression in your typography project, but still maintain a modern style in it. Bhatary with a distinct appearance of Retro, 50's era. the golden era. It works well in posters, CD Cover, T-shirt / merchandise design, magazine,the possibilities are endless! #Retro #Groovy #Vintage #Serif #70s #60s #80s #90s #Psychedelic #RetroFont #VintageFont #1970s #1960s #Bubble #Funky #Funk #ArtNouveau #ArtModern #Retrowave #RetroType #HippyFont #LogoFont #PosterMockup #TrippyFont #WavyFont #GroovyFont #60sFont #HippieFont #Wavy #BohoFont #Hippie #Retro70sFont #Retro90s #Retro80sFont #RetroModern #Modern #Nostalgia #Nostalgic #Bubbly #DisplayFont #Ligature #Ligatures #Alternates #Fonts #Sporty #Baseball #CalligraphyFont

RensGazet is a decorative blackletter typeface with elaborate upper-case letters and condensed lower-case characters. It was inspired by the masthead of a short-lived weekly newspaper, The Rensselaer Gazette, which was published from 1857 until 1860. I could not find any existing digitized fonts that replicated this old typeface, so I decided to create an interpretation of it. I had samples of few letters in large point sizes and a number of others at a small point size, though these were blurry and not sharply defined. As a result, this typeface is undoubtedly considerably different from the original. Also, my spacing is much tighter than that in the source samples.

The techno sound of the 1990s, a personal computer, font creation software, and some inspiration all came together to inspire the F2F (Face2Face) font series. Alessio Leonardi and his friends had the demand to create new unusual typefaces, which would be used in the leading German techno magazine of the day, Frontpage. Even typeset as small as 6-points, in nearly undecipherable layouts, it was a pleasure for the kids to read and try to decrypt the messages. Hearts, candles, bombs, and peace signs are just some of the great elements you'll find in F2F Simbolico. This collection of ruggedly drawn symbols is meant to bring a smile to the reader's face.

In 1935, Rudolph Ruzicka approached W.A. Dwiggins at Linotype in the USA and handed him six typeface design sketches. These later led to the typeface family now known as Fairfield. The sketch called Script’ was forgotten until 1993, when sketches and designs were found in Ruzicka’s archives. Ruzicka Freehand was originally a more flowing calligraphy typeface which Ruzicka later developed into this strong and unusual form. The typeface is designed in two weights and their matching italics. The figures are clear, only just indicating the handwritten style in the italic forms, and combine into light and harmonic lines of text. Ruzicka Freehand gives texts a private and personal character and is suitable for middle length texts and headlines.

The BD Micron Font is the first typedifferent variable font. It is a very technical looking typeface great for use in sci-fi, science and electronic music related projects. The BD Micron Font alphabet designed together with H1reber was initially created as the display typeface for the communication and visual identity of the TechnoCulture 2 festival in Fribourg, Switzerland summer 2019. The technologic yet playful looking font shall break boundaries between technology, science, fiction and art. Creating characters, hence little robots out of the shapes found in the BD Micron Font glyphs and the variable font technology helped breathing live into the BD Micron Robots which is also availabe here at MyFonts

Designer Steven Skaggs wanted a versatile uncial typeface that was not simply decorative. Traditionally, a true uncial is a majuscule form, entirely lacking in ascenders and descenders. However, by designing Rieven Uncial, Skaggs found a way to use the true uncial as inspiration but retained a lowercase look and feel. Typically, uncials do not have italic forms but in order for Rieven to be a truly versatile face, it was imperative that it should be accompanied by an italic. The italic form owes much to the historical roots in the letra antigua cursiva of the 15th century humanist masters. Rieven Uncial was awarded a Certificate of Excellence in Type Design in the 2010 TDC2.

Circuity is a display font designed in a racing theme which provides a unique yet modern capital letter font. Each stroke shows a firm brave character. Due to its shape and size, it is suitable to apply for a large-sized text such as titles. Enjoy the interesting features to maximize the design projects. Features: Multilingual Supports PUA Encoded Numerals and Punctuation Circuity is definitely proper to use in any design projects such as posters, banners, logos, book covers, headings, printed products, merchandise, social media, and so on. Find out more ways to use this font by taking a look at the font preview. Thanks a lot for purchasing our font. Happy designing.

If there is one Fonts Café specially-priced pack that deserves the title "TEAM" it's "Universal College." Together, these two vintage, college-style fonts: the original CLASSIC, and our latest "DRAFT" pick, are the no-sweat, first line players for all your varsity design challenges and goals. Classy enough for every sport, season or celebration, and casual enough for any campus clothing creation. "Universal College" typefaces are also available individually: our original classic version has the handcrafted, retro feel that Fonts Café best-selling typefaces are world famous for. "Draft" has the edge that designers worldwide have come to expect from fontscafe.com and that you can find in many of our other retro and vintage typefaces.

Introducing Gradable, a mesmerizing script font that seamlessly blends elegance with boldness. This unique typeface is characterized by its graceful, connected letters that flow effortlessly from one to the next. With a low-contrast design, this font exudes a sense of stability, What sets Gradable apart is its distinctive swinging endings on select letters, adding a touch of playful sophistication to your text. These stylish flourishes give your words an air of dynamic movement, making your message stand out with a touch of charm. Gradable fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview.

Faery Dream is a modern high-contrast display font with bright positive character. Clean forms and a bit curly letter ends creates a friendly mood in any designs. It comes with Regular and Oblique version, Opentype features (stylistic alternates and standard ligatures). The easiest way to get alternate is to add number after character (for example A2, A3) or add Underscore after end character (for example a_ r_). The full set of alternates you can find in font presentation. Faery Dream Display is perfect for headlines, magazines, logotypes, food package, advertising and many others. Multilingual Support: Danish, Dutch, English, Estonian, Faroese, Finnish, French, German, Hungarian, Icelandic, Italian, Norwegian, Polish, Portuguese, Slovene, Spanish, Swedish, Turkish.

It seems that after the 1960s, very few display typefaces were being produced that had the desirability to transcend generations, as did many type designs of the past. In 1970, a local television station embraced a lettering style for its logo that was a cross between round point pen nib lettering and the modular, techno look complete with squared characters in a futuristic "space age" style. News Crew JNL was inspired by the few examples found of this particular font [in use by the station at the time] and was pretty much created from scratch in order to capture the 1970s era of experimental typography. It is available in both regular and oblique versions.

Goth icon and Saturday Night Live voice-over talent, Nicole Blackman grew up surrounded by design; her dad and her sister are architects, her mom is a retired fashion designer and her grandfather invented clip art. “No lie, Volk Clip Art in NJ,” she says. “Herb Lubalin designed his logo!” Sharing her grandfather’s fondness for fonts, Ms. Blackman created this alphabet. Her creativity sparked this lanky lettering’s theatrical nature in all caps and its supple beauty in upper and lower cases. Final fontification and adjustments were done by Chank Diesel. Blackman drew the original art for the alphabet in 1997; the newest version of the font was completed in 2006. Enjoy this seductive and stylish hand-drawn font.

Gilway is a playful, rounded display with tons of personality. This versatile typeface is inspired by the earliest examples of rounded types from the 19th century, such as Caslon Rounded (1836) and Schmale Runde Grotesk (1885). Gilway has a distinctive hand-lettered feel because of its subtle variances, which make it powerful and impactful yet incredibly friendly. Layered options allow you to combine the various styles, and a unique Opentype feature makes your letters dance! To take full advantage of Gilway's features, please download this one-sheet pdf file. Please take a look at this video demo to see Gilway family in action ! Gilway’s design is suited for a wide range of uses, including headlines, displays, packaging and logotypes.

Introducing Nur Hidayah Arabic Calligraphic Font this is an Arabic display style font that weaves intellect with imagination in a harmonious flow of letterforms. Nur Hidayah Arabic Calligraphic Font demonstrates a mysterious beauty of Arabic typography which is found to be essential for narrative content titling. The font is also suitable for branding and visual advertising. in the Arabic Language, Nur Hidayah refers to the Holy Enlightment. It also indicates the person who’s allready get a clear bright enlightment in their spiritual journey. The font features a unique writing style with a solid geometric structure which suits titling and creative heading. Nur Hidayah Arabic Calligraphic Font consists of three (3) style; Regular, dotted and Bold.

Klementina is a cursive typeface based on brush pen handwriting. It has flowing feminine shapes and letters drawn with care and love, much like you find in a romantic young lady's album. All characters settle into a line with ease, partially thanks to a number of ligatures and contextual alternates that help you avoid unpleasant combinations. This type is ideal to set something personal and touching. It will have this effect regardless of the presence of any sense in the text. Due to the attention paid to fine details it looks great even in big sizes. Klementina will come as a helping muse to any designer working with wedding invitations, announcements, gift and delicatessen packaging, or magazine layouts.

Yana is classy and confident. Its classical proportions convey worldly sophistication and experience. Designed as a versatile font for everything from text use to headlines and titling, you’ll find yourself using Yana in project after project. Yana is available in regular, bold, and italic variants, and includes two sets of swash capitals, each available in standard sizes, small caps, and mid-sized petite caps, ideal for adding beautiful, properly scaled flourishes to the middle or end of wordmarks. See what’s included! http://bit.ly/2bOpVXA These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Karmaline is a six-weight sans serif font family with a unique and expressive design. This font has some intriguing special features such as subtly tapered topheavy vertical strokes and selected wedge-shaped horizontal strokes. It is evocative of designs from Switzerland, Germany, and the Netherlands in the period spanning 1900 – 1930, but with thoroughly modern features like high legibility at small sizes, even inter-character weight and flow, and a high x-height. You'll find Karmaline's semi-condensed width to be useful for both strong headlines and for comfortable copyfitting in narrow column widths. This font also works very well when adding layered shadow and highlight effects, and is a great choice for logos.

Hummingbird is reminiscent of old-fashioned cursive penmanship found in treasured letters bundled together by silken ribbons or in worn leather-bound ledgers. Hummingbird is graced with an impressive number of contextual alternates (214!) that bring a flowing randomness to the typeface, creating a more natural handwritten appearance. The font also has 266 swashes including an entire set of decorated uppercase letters that add personality, emphasis, and beauty. See what’s included! http://bit.ly/2cdVw4d *NOTE* Basic versions DO NOT include swashes, alternates or ornaments These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

The productivity of the Berlingska Stilgjuteriet was made possible by the development of modern typeface art in Sweden in the 1950s. The typeface Berling was designed by Karl-Erik Forsberg for the Berlingska Stilgjuteriet in Lund. It belongs to the modern text typefaces and like most of these markedly shows the influece of the Neorenaissance. Berling Antiqua appeared in 1951 with a matching italic and by 1959, it was expanded to include five weights. Linotype offers Berling in four of them, roman and bold with their respective italics. In 2004 the Swedish publisher Verbum commissioned a complete redesign of Berling for the 21st century. Linotype assisted the designers of this new typeface, which came to be called Berling Nova.

Other guys may imitate him, but the original is still the greatest! Get in with the In Crowd and check out the font created by Mister Fontastic for Dave Gibbons Original Graphic Novel, The, ah, The Originals. Yes, Dave Gibbons now comes in lower case, it's not just what he does when he gets back from the off license. Be sure and pick up The Originals from Amazon -- now available in paperback, and probably still available as a hard case, much like Dave. After the crack about the case of beer above, I'm guessing you'll find me with a broken spine in the remainder pile. See the family related to Dave Gibbons Lower: Dave Gibbons Journal & Dave Gibbons .

Hello I'm really excited to introduce Pinkponk designed to become a groovy and vintage, this font has the potential to bring each of your creative ideas to the highest level. Combine with ligatures and special alternative glyphs so you can create a lots with layouts and compositions. Pinkponk brings a touch of 80's and 90's era bespoke custom typography to logos, websites, social media quotes, wedding branding, and more. Whats Included ? Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Thank you so much for checking out my shop, and please get in touch if you have any questions! at: dedukvic@gmail.com find more previews on my Instagram here : https://www.instagram.com/acekelgondolayu/?hl=en

Transat is a geometric sans serif typeface, with caps inspired by Art Deco signage — found inside the “Gare Maritime” (literally “sea station”) ocean liner terminals in both Le Havre and Cherbourg, France, in the early 1930s. The name “Transat” is the common shortening of “Compagnie Générale Transatlantique,” the company that operated majestic ocean liners like the SS Normandie out of Le Havre from 1862–1974. (Transat also has a more rational text-friendly companion font, " Transat Text ") Transat includes many OpenType features, such as ligatures (ff/ft/fft), small capitals, case sensitive forms, stylistic alternates, arbitrary fractions, and a full complement of proportional, tabular, and oldstyle figures. Transat is released in 5 weights plus including optically-corrected obliques.

Aksen is a humanist sans-serif typeface that draws influence from Roger Excoffon’s Antique Olive. Its design is formed by the rounded, curving letters found in ancient Greek and Roman inscriptions but is implemented with a contemporary and pragmatic approach. This typeface comes in 56 styles consisting of four widths and seven weights, each with matching italics. Also available in variable font format, Aksen Variable boasts three variable axes: width, weight and italic. These axes open up a plethora of stylistic choices making this typeface highly adaptable. Aksen is a versatile typeface that seamlessly blends contemporary humanistic aesthetics with a touch of historical sophistication, making it a perfect fit for a wide range of design applications.

Made in La Chaux-de-Fonds (Switzerland), Hyper Top is born while the designer (Bisou) watches "One from the Heart", a movie from Francis Coppola where Las Vegas is completely rebuilt in studio. The opening scene stages the signboard of the Dunes hotel and casino. This is the starting point of the most modern font ever designed by Bisou. Hyper Top is thought from ground up to give a strong impact. Dynamic, joyful, fast, this modern bold font is best suitable titles. It works perfectly with short texts for advertisement like candies, fireworks, protein bars or chewing gums. Just hang it over a prank and trap shop and see the coolest bad ass kids come in.

When master letterer Hugh Gordon and his student, Ross F. George developed a set of lettering pens between June 16, 1913 and Sept. 1, 1914, they had no idea that their invention (which they named Speed-Ball®) would still be in use nearly a hundred years later. The C. Howard Hunt pen company [originally of Camden, New Jersey] became the original (and sole) distributor of these pens. By 1915 an instructional booklet entitled "Modern Pen Lettering" was produced, and it was copiously illustrated with examples of layouts, lettering techniques and an assortment of alphabets for the user to learn. Nouveau Poster JNL is Jeff Levine's interpretation of a sanserif design found within the pages of this vintage publication.