Book Jacket is arguably the most famous of all typefaces done in the Typositor era. Designed by Ursula Suess over an entire year, and published in 1972, Book Jacket became an instant success story that lasted well into the 1980s (even though it was copied by Phil Martin who published it under the name Bagatelle shortly after its release). Almost 40 years later, Ursula Suess and Canada Type consolidate their talents to bring you a revised, improved and expanded digital version of this film type classic, including small caps, additional swashes and new alternative forms. Book Jacket is available as a 4-font package in Mac PostScript and universal TTF format, or a single Pro OTF which includes features for small caps, swashes, caps to small caps, stylistic alternates, and class-based kerning.

A revival of one of the popular wooden type fonts of the 19th century, condensed, bold, curved serifs, a very useful design for display.

Poster Plain JNL and its oblique counterpart offer the simple, hand-lettered look of home-made poster board projects with a bold, friendly typeface.

Biotech is hand painted typeface with a messy, rough and strong feel, perfectly suited for any design occasions. Get inspired by its bold charm!

Case Closed JNL is a bold, slab serif stencil font inspired by a set of brass stencils spotted for sale in an internet auction.

In 1951 Alessandro Butti cut a fontfamily for Nebiolo which he called Fluidum. Both weights, light and bold, were now revived and named Butti.

Corn font is handwritten with a casual impression, this font has two styles, namely regular and bold, suitable for use in casual themed designs.

Bold yet distinctive, Capstan is a stand out slab serif ideal for signage, headlines, branding and other applications intended to convey strength and character

Dephiana is an elegant and bold stylish script font. Great for logos, wordmarks & signboard. Has several stylistic alternates that can be used as needed.

Designed by Aldo Novarese and released in 1955, the Ritmo Bold font has broad, tapered strokes that have been drawn with a square nib.

Rettaya is a cool, bold display font. It will elevate a wide range of crafting ideas, from cards, to branding, labels and much more.

Sini is a warm and delicious hand-lettered fontface in two styles: bold and ornaments. Sini is recommended for use as a display typeface.

Oddsorts is delighted to present Bradley Wayside and Bradley Chicopee as its début offerings. Begun in 2000 as a wedding gift for the designer’s wife and used privately for years, they’re finally available to the public. The fonts were inspired by the masterful art nouveau lettering of Will H. Bradley, whose posters for Ault & Wiborg printing inks and Victor Bicycles continue to draw collectors after more than a century. Wayside and Chicopee expand the twenty-odd characters Bradley drew into a comprehensive multiscript system that includes modern Greek and extended Cyrillic alphabets, ordinals, automatic fractions, and ornaments. Bradley Wayside and Chicopee derive much of their charm from an organic mix of shape and spacing intrinsic to hand drawings. Mimicking that spirit in type used to mean painstaking substitution and adjustment of characters. The Bradley fonts make imaginative use of OpenType’s power to achieve the same effect — minus all the work. Wayside and Chicopee contain alternate forms for every letter — up to seven for some characters. Part of what makes these Bradley types delightfully “smart” fonts is that the fonts themselves actually choose the variation best suited to a letter’s place in a word. All you need to do is turn on your software’s “Ligatures” or “Contextual Alternates” option and the Bradleys do the rest. The alternates even work in most word processors. Bradley Wayside and Chicopee are available in “Standard” and “Pro” editions. The Pro editions sport all the bells and whistles, including the alternates. They support over one hundred forty languages and include localized forms especially for setting Bulgarian, Serbian, Polish, Romanian, and Turkish. The Standard editions are geared toward casual use and are ideal for license as webfonts, where streamlined character sets mean faster load times.

Thalweg serif typeface is a project focused on the digitalization and development of the Thalweg font. The font was originally designed in 1993 by the Bulgarian artist Ivan Kyosev. In 2018 Ani Dimitrova began the revival of the Thalweg font and converted the drawings into a digital form. The existing set of characters required some necessary expansions such as the development of capital letters, alternative symbols and many other functions. Furthermore, some additional weights were developed which aimed to make the font more complete. Thalweg was completed in 2020 with 16 weights ranging from Thin to Black with extra drawn italics and small caps versions, each style containing more than 1100 glyphs. The font comes with an extended coverage of the Latin, Cyrillic and Greek Scripts. All of the weights are specifically equipped for complex, professional typography with Open Type Features. These features include: Small Caps, Ligatures, Discretionary Ligatures, Superscript, Subscript, Tabular Figures, Old-Style Figures, Circled Figures, Arrows, Matching currency symbols and fraction. The Thalweg serif typeface is a perfect choice for body text, branding design, web design, editorial design and more. Ivan Kyosev (1933-1994) was one of Bulgaria’s most famous artists whose work influenced several generations of bulgarian designers. He was born on February 5, 1933, in the city of Burgas. In 1957 he graduated in illustration at the National Academy of Art in Sofia led by Prof. Iliya Beshkov. Mr. Kyosev was a member in the management of the “Graphics and Illustration” section in the Union of Bulgarian Artists, member of the UBA board, artist in the publishing houses “September” and “World”. Together with Boris Angelushev, he worked on the layout design of the “Literary Front” newspaper. Furthermore, in 1963 - 1964 he was the main artist in the publishing house “Prosveta”. Ivan Kyosev excelled in the field of illustration, book design and library layouts in various genres (classics, children's literature, poetry, journalism, memoirs, etc.). He is also the author of many fonts.

Graffiti Bomerang is a bold display font that captures the rebellious spirit of street art. Its thick, uppercase letters feature jagged edges and unique embellishments that evoke the look of spray-painted graffiti. This font is perfect for creating eye-catching titles and headlines for urban-inspired designs, music posters, and other projects that require an edgy and daring style. The font’s bold and unapologetic personality is sure to make a statement.

Palestra - a modern sans serif font in four style : Regular, Italic, Bold and Bold italic. In this font, I can see many alternatives for the lowercase and most common ligatures that fit perfectly with this font style. This font can look more classic without serifs and more expressive with alternative substitutes, try to play with them and you will get the uniqueness in your project. All characters in this font are PUA-encoded.

Eleonora tends to defy standard categories. Had the typeface been designed in about 1790, it might've been called a "late transitional face" and lumped together with Bell and Bulmer. But it's a modern typeface, showing more restraint in its finer details than even Baskerville. Also noteworthy: it has no traditional, script-like italic but a more severe oblique with baseline serifs and other roman features. Has regular, italic, bold, and bold italic styles.

Looking for a big, bold, black typeface? Meet the fat solid curves of Blonk! This type is based on hand-drawn letterforms with basic curves and angles, so it still retains softness and has a handcrafted feel. Yet, its boldness suits poster design, packaging, and other uses that needs to draw attention, in an quirky yet distinctive way. All glyphs are handcrafted by illustrative designer Zeptonn. Prepare to make a Blonk statement!

Antique Vintage - Script font is a type of font that features thick and prominent strokes, giving it a bold and impactful appearance. The letters are usually interconnected, creating a flowing and handwritten look. The boldness of the font makes it stand out and grabs attention, making it a popular choice for headlines, titles, and logo designs. It exudes confidence, strength, and creativity, making it suitable for various design projects that require a strong visual impact.

Introducing Becham: A bold sans-serif font that commands attention with its strong presence. With its impactful lines and modern appeal, Becham adds a bold touch to your projects. Elevate your designs with Becham's assertive style, making a striking statement that can't be ignored. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

Get RAD with this unique, fun, handwritten font by Cardigan. This pack includes two fonts. A bold, brush font with a supporting thin, handwritten script font. These typefaces ooze good vibes, adding a fun and edgy style to any design. Whether you need a hand drawn feel to a logo or a bold organic font that jumps off any page. No Bad Days has your back and is a total dream to work with.

Walbert is a bold and bold new display font. This blocky font creates a brave and strong style. It is suitable to meet your various design needs that are currently trending. With a style like this, this font will be suitable in use for comic, logo's, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, logo's, t-shirts, book covers, name card, invitation cards, greeting cards, and all your other lovely projects.

Two pieces of vintage sheet music (“Honeymoon Hotel” and “By a Waterfall”) from Warner Brothers' 1933 musical “Footlight Parade” featured a hand-lettered bold alphabet with a touch of the 1930s Art Deco influence. These song sheets served as the basis for Pocomoke JNL. As informal and casual as the design is, its strength is in the boldness of the letter forms (which showcases the era of pen-and-ink display lettering).

Just in time for the sale season. Ad Words is a font of words you would use if you did retail ads. Some words in script, some print, some bold, some not. Plus 2 starbursts. Enlarge the starbursts and then reverse one of the words out of it… like Now! Win! or Free! Other Outside the Line fonts work with this one, check out Architectural Lettering Regular and Bold, Plz Print or Plz Script.

Play your imagination in design with this original marker font, ROXY! This bold, loud and proud all-caps font was hand-drawn with an accurate marker, maintaining the authentic high-resolution brush detail in each stroke. This font also includes ligatures, multilanguage, and unique swashes, making your design BOLD and outstanding in the crowd. Roxy Font will be the perfect choice for poster designs, header text, album covers, packaging, product designs, merchandise, logos, advertising & more.

Zoney is a rustic slab serif typeface family. The lettering was hand-painted by Mans Greback between 2019 and 2021. It will give any project a handmade, natural and down-to-earth look. The font comes in four styles: Regular, Italic, Bold and Italic Bold It has very extensive lingual support, covering all European Latin scripts as well as Cyrillic. The font contains all characters you'll ever need, including all punctuation and numbers.

Proudly presenting the newest handwritten font called Sans Andreas. These font made by handwritten style, so all shape looks unique and natural. Sans Andreas is a family font, with 4 styles regular, italic, bold, bold italic. Sans Andreas is also perfect for all your project that has sense fun, playful, art, and .etc If you have any questions or technical support don't hesitate to comment, message or contact java.indonesian@yahoo.com. Have a nice day.

Introducing Strong Grandpa, a super bold retro script font which will bring back to 60s - 70s fell. Inspired from retro typography and lettering in the 60's and 70's combine with bold typography style. it’s great for any project that needs a retro vibe or vintage touch. Strong Grandpa is perfect for vintage and retro design, badge, logos,t-shirt, poster, branding, title, heading, packaging, signage, book coverand so much more!

Journal Republica is a serif typeface inspired by the beauty of classic serif and calligraphic style, fused with modern appeal to blend with modern needs. His family is Regular, Italic, and Bold. Journal Republica offers many possibilities to be applied in many graphic or editorial projects. The Regular weights are suitable for short paragraph, and Bold weight are perfect for headlines, perfectly suitable for display purpose such as branding, editorial, book covers, and packaging.

panderman is a simple modern san serif font with 4 font styles. Simplicity and modernity are the basis for making this font. Perfect for branding, logos, invitations, mastheads, and more. The panderman also includes the full set: Uppercase and Lowercase Multilingual Symbol Number Punctuation Alternative multilingual 4 font styles (Regular, Italic, Bold, & Bold Italic) Hope you enjoy our fonts and if you have any questions feel free to message & I'm happy to help. Thank you.

Introducing "Almond Buttery" - A Playful and Retro Bold Font with Curvy Elegance and Stylistic Flair Get ready to infuse your designs with a touch of whimsy and nostalgia with "Almond Buttery," a dynamic and bold font that pays homage to the retro aesthetic while adding a modern twist. With its curvaceous letterforms and an array of stylistic alternates, "Almond Buttery" is a versatile typeface that's ready to add character and charm to your projects.

Baraksawa is a Bold, Condensed Vintage Serif Font. This typeface has many alternatives with swashes that can make your lettering/logotype more attractive. Bold serifs and grainy effects make this font even more unique. This font is perfect for logos invitations, labels, magazines, books, greeting/wedding cards, packaging, fashion, make up, stationery, novels, labels, or advertising purposes. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Rocktypes is Display Font This font describes about about strong, bold, taft, manly, hard, power, stiff, mighty, brave, gallant, rigid. FEATURES - Uppercase letters - Numbering and Punctuations - PUA Encoded Characters - Multilingual Support - Works on PC or Mac USE Rocktypes works great in any branding, logotype, magazines, poster, social media posts, clothing, advertisements, product packaging, product designs, label, company profile, quotes and any projects that need STRONG and BOLD taste. Enjoy using! Thanks. HIRO.std

Introducing, Chenile Deluxe bold font duo. Chenile Deluxe is a handwritten pair of bold font that designed to complete each other. this font is perfect for branding, packaging, logotype, quotes, headline, etc. Features : uppercase & lowercase numbers and punctuation multilingual alternates and ligatures swash PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Chuster - Retro serif Chuster is a serif font that carries a retro theme, presenting a bold and attractive font appearance. With a design inspired by a retro aesthetic, Chuster exudes a strong and bold impression, perfect for design projects that want to convey a vintage or classic feel. Features : - Regular, Outline - Ligatures & Alternates - Letters, numbers, symbols, and punctuation - No special software is required to use this typeface even work in Canva - Multilingual Support

A DISTANT SOIL is a classic bold and beautiful science fiction/fantasy comic book series by creator, writer, artist AND letterer Colleen Doran! A DISTANT SOIL is being remastered and re-released by those awfully nice chaps at Image Comics and Colleen commissioned Comicraft to create the definitive bold and beautiful Colleen Doran font, based on her original pen lettering, so that she might re-letter the series without excessive eye strain or hand cramp.