Ascender Serif was designed by Steve Matteson as an originative, unique serif design that is metrically compatible with Times New Roman. Ascender Serif offers refined on-screen readability characteristics and the pan-European WGL character set and solves the needs of developers searching for width-compatible fonts to address document portability across various platforms.

Arsis is a condesed modern headline face that was originally produced and cast in hot metal by the Dutch type foundry Lettergieterij Amsterdam. The Arsis font family was designed by Gerry Powell in 1937. Arsis is a Serif (Antiqua) Modern Style font. Arsis font family attributes include roman serif, Didone, elegant, formal, modern style, feminine.

The Irish monk Columbanus founded early monasteries across Western Europe starting in the Sixth Century, bringing literacy in his wake. As the Patron Saint of Motorcyclists, the adventurous Columbanus is both gallant and respected. The font is Classical Roman with a Celtic accent, great for a range of applications from the sacred to the profane.

ITC Isbell font is the work of Dick Isbell and Jerry Campbell of Detroit, Michigan, a highly stylized roman typeface which retains an exceptional legibility. The unusual arches and curves of several lowercase characters give the typeface its individuality. ITC Isbell font is ideal for advertising, brochures, menus, and a variety of other applications.

"Holland Matcha" – the handwritten font that adds a touch of organic elegance and warmth to your food and beverage brand. Elevate your identity with this unique, memorable typeface and make your culinary creations truly stand out. Explore "Holland Matcha" today for an unforgettable brand transformation. Features : - Holland Matcha Font - Multilingual, US Roman, Latin 1 Support

Ramban is a high quality blackletter typeface for your designs, with metal and gothic accents to make your designs even more exclusive. Can be use for various designs such as band logos, cloting, even film covers or tour posters. Includes Uppercase Letters and unique Roman Numbers with some extra bonus Ligature Characters. No Punctuation !

Arya is a display typeface, based on Roman proportions. It has three versions, differentiated by the amount of the drawn lines. Single is solid. Double is sturdy but light. Triple is versatile and includes alternatives. They can be combined in layers. Capsule versions (White and Black) are designed to do quick, simple and elegant labels.

Avenir Next Pro is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. This family is not only an update though, in fact it is the expansion of the original concept that takes the Avenir Next design to the next level. In addition to the standard styles ranging from UltraLight to Heavy, this 32-font collection offers condensed faces that rival any other sans on the market in on and off—screen readability at any size alongside heavy weights that would make excellent display faces in their own right and have the ability to pair well with so many contemporary serif body types. Overall, the family’s design is clean, straightforward and works brilliantly for blocks of copy and headlines alike. Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next Pro to life. It was Akira’s ability to bring his own finesse and ideas for expansion into the project while remaining true to Frutiger’s original intent, that makes this not just a modern typeface, but one ahead of its time. Complete your designs with these perfect pairings: Dante™, Joanna® Nova, Kairos™, Menhart™, Soho® and ITC New Veljovic®. Avenir Next Variables are font files which are featuring two axis, weight and width. They have a preset instance from UltraLight to Heavy and Condensed to Roman width. The preset instances are: Condensed UltraLight, Condensed UltraLight Italic, Condensed Thin, Condensed Thin Italic, Condensed Light, Condensed Light Italic, Condensed, Condensed Italic, Condensed Demi, Condensed Demi Italic, Condensed Medium, Condensed Medium Italic, Condensed Bold, Condensed Bold Italic, Condensed Heavy, Condensed Heavy Italic, UltraLight, UltraLight Italic, Thin, Thin Italic, Light, Light Italic, Regular, Italic, Demi, Demi Italic, Medium, Medium Italic, Bold, Bold Italic, Heavy, Heavy Italic. Featured in: Best Fonts for PowerPoints

Mummbler is your tiny, crunchy and lovely serif font with tall ascenders and deep descenders. Romantic, perhaps - but definately worth your next print project!

The swooshy swirls of the uppercase paired with the simple lowercase creates a very useful title font. Romantic and girly but still perfectly legible.

DF Mercat is a tribute to the famous marketplace situated at ‘La Rambla’ in Barcelona's historic centre. It is a picture font containing over 240 illustrations of fish, crustacean, clams, poultry, game, meat, sausages, herbs, vegetables, fruit, bread, butter, a variety of cheese, wines and spirits, small dishes, drinks (coffee, beer, soft drinks), ice cream, pastry, etc.

Hexagons are all over the place in nature : from honeycombs to snowflakes and the tiling patterns seen on fruits. That form guided me in the creation of this new font. So Exotile is a font inspired by nature. This typeface is ideal for display purposes. It comes in 3 different weights and support for different languages.

Shesek is an informal, loose, handwritten font without any frills. It is deceivingly plain, but when you use it, you will find out that Shesek has a distinct taste, not unlike its namesake, the Japanese plum, or Loquat. The Loquat is a soft, oval, yellow fruit which is grown mostly in Japan and Israel (where it is called ‘Shesek’).

Spring is in the air! My chickens are broody and are sitting on an ever increasing pile of eggs; my fruit trees are budding and the sun is shining! Sunny Weather is a happy kind of font: it was handwritten, using a Sharpie pen. It comes with double letter ligatures and a good dose of vitamin D!

Answer is a handsome, handwritten, and happy font family. Subtle variations in this unicase font can be found in upper and lower glyphs and in the handful of double-letter ligatures. Answer is balanced, squarish, roundish, fine, and fun, with a little sophistication and lots of handmade appeal. Answer posters also feature Atlantic Doodles, Kiwi Fruits and Shoebox Shapes.

The Quitador™ Sans family is a fresh and distinctive design with roots that go back to the original Quitador typeface. Like its slab serif relative, the Quitador Sans suite of typefaces is large with several weights of roman and italic designs, making it an excellent choice for a wide variety of print and on-screen projects.

Fine and Dandy JNL comes from the hand lettered title of the 1929 movie "Isle of Escape"; found on the sheet music for its theme song "My Kalua Rose". An engraved and fancy Roman, the style combines elements of Western, Art Nouveau and Art Deco into one attractive type design; available in both regular and oblique versions.

Paragon is a display Roman family of nine faces, combining elements of formality and fun. It embodies a high degree of contrast between near hairline horizontal strokes and bold vertical strokes. The family is offered in three widths and in regular, small capitals and title faces. Use Paragon to lend impact to your next design project.

ITC Humana font is the work of British designer Timothy Donaldson, an extended and versatile font family with a large array of variations. Donaldson first created ITC Humana Script with a broad-tipped pen and then went on to design the corresponding roman. ITC Humana is the perfect font for anything requiring both clarity and a touch of personality.

Centennial appeared in 1986 in honor of Linotype’s 100th birthday. The roman and light cuts of the font are reminiscent of the Century typeface, particularly on that of Linn B. Benton and Morris F. Benton, designed around the turn of the 19th century for the American Type Founders. Like Century, Centennial too embodies a cool, reserved neutrality.

Arcuata is a serif font family inspired by 1400 classic roman typeface with soft characteristics. It's featured with some uncial letterforms as alternates, for example in 'a' and 'd' letter, it also has a set of decorative capital letters alternates and ligatures. Arcuata complete family contains 10 styles, consisting of 5 weights from Light to ExtraBold with matching italics.

ITC Golden Cockerel font is based on designs created by Eric Gill in 1929 for the Gold Cockerel Press in England. These elegant and meticulously crafted typefaces were inspired by and modeled on Gill's skills of stone carving, calligraphy and wood engraving. The typeface family includes ITC Golden Cockerel Roman, Italic, Titling, and Initials and Ornaments.

Fashion Compressed and Engraved are the works of British designer Alan Meeks. Fashion Compressed is an elegant modern roman typeface suitable for a variety of advertising styles. The capitals can be used as initials or combined with the lower case letters. Fashion Engraved was produced when Meeks reworked Fashion Compressed, resulting in a beautiful, engraved typeface.

Burdigala X Sans is an open and spacious typeface, ideal for larger amounts of (printed) texts in brochures, magazines and books. Being wider than usual, it works especially well in media intended for on-screen reading, such as in Pdf-documents, e-books, applications and so on. Burdigala is the ancient Roman name of the city of Bordeaux France.

Piepie is very heavy typeface for titlings and captions. OpenType Format (.otf) with 461 glyphs! Super mini ascenders and descenders! Ultra big x-height! Fatty weight yet Sharpy sharp detail! Bring it on Retina display! OpenType alternates for K, R and Y! Mac Roman ✓ Windows 1252 ✓ Adobe Latin 1 ✓ Adobe Latin 2 Almost all Adobe Latin 3 Almost all

Hlad is incised sans serif family inspired by carved Roman letters. Hlad comes in 5 weights – Thin, Light, Regular, Semi Bold and Bold. It is a low contrast typeface, with asymmetric flare serifs and sharp bowl and shoulder endings. Hlad combines elegance of calligraphic endings with stable, solid constructional stems from sans serif group of typefaces.

Based on Times New Roman of Monotype, 1932, by Stanley Morison and Victor Lardent, and other versions of Times. It has many characteristics of an Old Style serif faces; it was designed for better legibility in combination with good economy. Widely used in books and magazines, reports and office documents, and also for display and advertising.

JY Pinnacle is a distinctive text family, with at least 3,100 kerning pairs (for text fonts) and collections of alternative characters for roman, italic and cap and small cap. Pinnacle has an awareness of tradition, but is individual and fresh. Its oblique axis for lowercase letters such as the o and e is meant to aid legibility.

Ponte is a high-contrast display typeface with smooth serifs, designed for impactful headlines. The ten-style typeface features over 80 decorative ligatures, with roman and italics available in five weights, ranging from extra light to bold. This offers a variety of options for sophisticated design applications. Elevate your compositions with Ponte's timeless elegance and aesthetic precision.

Goudy Titling was designed by Steve Matteson. It is based on the 2" wood engravings Frederic Goudy made for his book ‘The Trajan Capitals’ - a seminal book about the history of the Roman letter. These letterforms predate the work of Father Catich’s exhaustive study of the Trajan Column and, while remarkably faithful to the inscription, have Goudy’s interpretive fingerprints.

Romulo is a Roman typeface, inspired by the shapes and proportions of those used between the 19th and 20th centuries. Its height X is compensated to facilitate reading in blocks of text, providing readability in small bodies. With a crystalline appearance, it has a wide variety of Open Type functionalities that covers all the needs of the demanding designer.

As an ironic gloss on the unsophisticated “typewriter” genre, the Bodoni Egyptian Mono typeface channels the classic dignity of early 19th century letter forms, presenting a quite proper family of OpenType fonts, with a copious range of OpenType features—small caps, fractions, superior and inferior figures, alternate old style figures—rendered throughout five weights in both roman and italic.

Logotypia Pro is is made for one purpose: the design of modern logotypes, brands and headlines. Logotypia Pro offers: - unique and modern shapes - alternate swash glyphs - easy to build ligatures - connect glyphs with Logotypia's "connector-glyphs" - metrics optimized for display use - complete class based kerning - includes western (ANSI/Mac Roman) and russian alphabet (codepage 8859-5)

Roncial is an Ultra Bold font with a hint of serif. This is one of the fonts originally designed before the advent of digital and started out being a bolder, slightly serifed version of Folio Extra Bold which was one of the boldest fonts at the time (old metal set). It is available as Roman and Italic.

ITC Symbol font was designed by Aldo Novarese, a simple, straightforward design of understated elegance. It has just the hint of a serif to aid legibility. Book and medium weights have a light, even color and are perfectly complemented by the bold and black weights. The italics are clear and simple, a comfortable companion to the roman.

This elegant face with a few semi-script flourishes is based on Morris Fuller Benton’s Announcement Roman, designed for American Type Founders in 1917. It’s perfect for invitations, programs and all kinds of formal ballyhoo. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Flacon is a friendly, round and soft, yet elegant and extremely versatile typeface family with each seven weights for roman and italic. All fonts have an extended character set including small caps, ligatures and swash letters for better typography. Flacon can be used for texts as well as for headlines, logos, packaging, stationary and much more.

Amersham is a family of three copperplate display roman typefaces inspired by traditional sign writing techniques. The family consists of three typefaces which can also be overlayed to achieve multiple coloured typography. Use the Amersham family for headings, posters with a period theme and signage with flair. Just the thing for a retro-CD cover as well.

Alma Serif is a typeface that tries to combine the modern shape of serif magazines such as Times New Roman with the atmosphere of classic typefaces such as Baskerville. I was working on the universality of the typeface, so that it would be suitable for both long papers and books, but also for formatting narrow columns in magazines.

El Franco is a family designed by Ethan Dunham that represents what Roman lettering looked like in the 16th century. Derived from a typographic sample of Francisco Lucas, 1577, this font captures the feeling of rustic times. It comes in two versions regular and distressed. The distressed version has been weathered to appear old and worn.