Rifton is a heavy display typeface designed for use in large sizes. It is available as a regular and italic font or as one Variable Font with an italic axis. Installing the Variable Font offers users additional benefits because, in addition to the pre-defined “upright” and “italic” instances, the interpolations between them can be used. That allows you to have slanted text – but just a little less slanted than in the italic. Rifton is an all-caps design, but the letters mapped to the lowercase keyboard do not always have the same forms as the uppercase. That is most visible when it comes to the “s”, which takes a Star-Wars-style form (think of the Star Wars logo). The Rifton fonts also include OpenType features like ligatures – including some exciting discretionary ligatures – and super-wide alternate glyphs for several letters, including “B”, “E”, “F”, “H”, “L”, “N”, “P”, “R”, “T” and “Z”. Rifton is ideal for making a bold statement in headlines, poster designs, or logos. -

Meet Ornable Typeface, your font of choice for a captivating blend of Renaissance, Art Nouveau, Medieval, and Art Deco vibes. This single-weight typeface is designed for those seeking a font that embodies a rich tapestry of artistic nuances. With 35 meticulously crafted ligatures, Ornable ensures your text is not just seen but experienced. Dive into the charm of fractions for precise numerical representation and case-sensitive forms for a perfect interplay of uppercase and lowercase letters. Stand out effortlessly with the inclusion of a unique arrow symbol, adding a modern touch to your designs. Ornable adapts seamlessly to various themes, from the classic allure of Renaissance to the bold geometry of Art Deco. Whether you're crafting posters or logos, Ornable celebrates your creativity with sharp lines and intricate details. It's the ideal choice for projects that demand a touch of mystique and retro charm. Capture the essence of artistic movements with this typeface and step into a world where past and future converge – embrace Ornable and redefine the boundaries of your creative expression.

Abdo Rajab is the second version of the font FS Rajab which was designed by the type designer Abdulsamiea Rajab Salem for Future Soft company fonts. It is a leading company in Arabization field and producing the Arabic and Islamic programs beside the children programs. This font appeared between 1998 and 2000. In this version there were a lot of adjustments to keep the font in its spirit and uniformity between the various characters. Also added some new characters, which gave him another beautiful addition to be used in both title and text designs. Three weights (Regular, light and bold) have been created. Then the font was converted to OpenType to support Arabic, Persian and Urdu to be compatible with the various operation systems and modern software. The combination of modern Kufi and Naskh styles and varying between straight and curved parts made it a beautiful typeface appropriate to the titles and text, and able to meet the desire of the user in the design of ads and modern designs of various types of audio and visual.

Nebula is a modern display font that captivates with its futuristic design and striking aesthetics. Created with a combination of geometric elements and artistic touches, Nebula features sharp lines and smooth contours, exuding an elegant and contemporary impression. When you encounter Nebula, your eyes are immediately drawn to its unique characteristics. This font combines creative geometric shapes with innovative typographic elements, creating an outstanding and attention-grabbing appearance. Each letter in Nebula is meticulously crafted, showcasing a perfect blend of clarity and creativity.The strength of Nebula lies in its perfect balance between boldness and sophistication. With various weights and thicknesses, this font allows you to express messages in an engaging and impressive manner. In other words, Nebula has the ability to emanate a distinct power and impression for every design project you undertake. Moreover, Nebula is versatile and adaptable to various design contexts. Whether you use it in advertisements, posters, logos, or other media, this font will deliver exceptional visual appeal. Its clarity and legibility ensure that your intended message remains clear, while its unique character adds a captivating and distinctive touch.

We introduce our new script font called Blendhes. Blendhes is a strong bold script font inspired from Vintage baseball sport design. Blendhes has a standart OpenType Features. With the OpenType Features, Blendhes gives you so many options to create something awesome. Mix and match the alternate characters to add an attractive message to your design. Blendhes is great for Logotype, Branding Design, Logo Design, Badges, Digital Lettering Arts, T-Shirt/Apparel, Poster, Magazine, Signs, Advertising Design, and any vintage design needs. Blendhes Features : - Upper and Lowercase Standard Characters, Punctuation, Numerals. - Opentype Features such as Standard Ligature, Discretionary Ligature, Ornament (Trail and Swash), Contextual Alternates and Stylistic Set (ss01 - ss07). - Fully accessible without additional design software. - Includes a range of multilingual characters. You can access all those alternate characters by using a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Guides to access all alternates glyphs : http://adobe.ly/1m1fn4Y Please, Feel free to contact me by e-mail yyudhara@gmail.com for any question about my font, Extended License document and more.

Welcome fashionistas, we have designed a type family based on fashion and current trends. Trendy, the new font of our studio follows the same design line that represents us, processes with brush lettering, variety of characters, OpenType programming and a special touch that reflects a boho chic style. The soul of Trendy is inspired in the logotype of one of the most influential type foundries around the world. Because of its great contribution in graphic design we have decided to pay tribute by expressing our gratitude for being an icon in the design world, the most recognized type designers of the last years have been part of that type foundry and for being source of inspiration for new designers. Trendy represents a fashion house, a place that breathes fashion, there are inside 5 determining variables for designing time: Regular, Bold, Black, Display & Stencil. Discover this new way to see the glamour world all include in a type family. To know more about our new project, Trendy, visit our web site www.estudiocalderon.co and our portafolio in Behance.

The Core Sans N Family is a part of the Core Sans Series (Core Sans N SC, Core Sans N Rounded, Core Sans M, and Core Sans G). Letters in the Core Sans N Family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans N Family consists of 3 widths (Condensed, Normal, Extended), 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy, Black), and Italics for each format. It also supports WGL4, which provides a wide range of character sets (CE, Greek, Cyrillic and Eastern European characters). Each font includes support for Tabular numbers, Arrows, Box drawings, Geometric shapes, Block elements, Mathematical operators, Miscellaneous symbols and Opentype Features such as Proportional Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. The Core Sans N Family provides both OpenType (.OTF) and TrueType (.TTF) versions in the same package. We highly recommend it for use in books, web pages, screen displays, and so on.

Introducing OVERLAND, a modern and minimalist Sans Serif typeface with a touch of daring exploration. With slightly rounded corners, it has a strong and distinctive personality that makes it perfect for branding, editorial design, web, and mobile applications. OVERLAND is a versatile typeface that adapts to any environment. Its simplicity makes it highly legible, ideal for communicating clear and direct messages. But its imposing presence makes it stand out in any context, making it an ideal font for those looking to create designs with a touch of originality and style. With six different weights and designed in both uppercase and lowercase, it's a complete typeface family. Its minimalist style is elegant and refined, with its Super and Bold weights ideal for branding or headlines, while its lighter weights allow you to use it for medium or long texts. OVERLAND is a versatile and stylish choice for any project. Thank you for visiting our store, and please don't hesitate to contact us if you have any questions. We're here to help you create stunning designs.

A classic sans-serif typeface made with perfection and readability in focus, Stage Grotesk is your simple choice for textual representation at its level best. Created with a special focus on minimalism and simplicity in typography, this typeface can transform your design projects to another level of visual appeal. Stage Grotesk typeface family comes with a total of 14 fonts having 7 weights (Thin / Light / Regular / Bold / ExtraBold / Black) including upright as well as Italic versions of all weights. Handcrafted and designed with powerful OpenType features in mind, each weight includes extended language support including Western European & Central European sets. A total of 618 glyphs are included covering extra symbols, punctuations, and marks. Stage Grotesk is a perfect choice for graphic design, text presentation, web design, print, and display use. The typeface can be an amazing option for beautiful branding, logo/logotype design projects, marketing graphics, banners, posters, signage, corporate identities as well as editorial design. Adding extra letter-spacing for the upright capital letters will make this font perfect for minimal headlines and logotypes as shown in promo images here.

Sam Suliman is a condensed display face supplied in three weights – Regular, Medium and Bold – plus a set of handy italics (obliques). All six fonts are included in the value family pack. The fonts are inspired by lowercase lettering on a Sarah Vaughan album cover designed by Sam Suliman in 1962, a style which contrasts sharp tight outer corners with soft rounded counters. The letters were perhaps influenced by a Solotype font called Herald Square, but without that font’s aversion to diagonals, and adding distinctive perky ascenders/descenders on the lowercase r, a, u, g and n. The Sam Suliman fonts also add the nubs to d, m, p, and q. Suliman was born in Manchester, England in 1927. After working for McCann Erikson in London, he moved to New York where he took on freelance work designing album covers, particularly celebrated are his striking minimalist designs for jazz records. He moved back to England in the early 1960s, designing many book jackets, film titles and fabrics, also working in Spain and India before settling in Oxford in the 1980s.

Hello, Are you looking for a bold playful font? Do you want of creating Something that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Pocka a Playful Font Pocka a Playful Font, Inspiring from Playful typography. This font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for book cover, poster, packging, merchandise, logotype and much more. Pocka font includes Multilingual Support, among others : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa, Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Palo Slab is an epic font family made up of 9 weights in four widths, along with italic & oblique options to total a massive 108 styles. Using our 2020 release Palo as the base, the slab version began to take on its own life and personality to become a unique entity in its own right. From super punchy heavy weights to the delicate lighter weights, the Palo Slab super family is a versatile beast that offers you ultimate flexibility. The heavy weights ranging from Compressed Black to Wide Black are built with super tight spacing and love to be big and bold, so perfect for showing off your brand. The Italic styles add curves to the slab feel, providing a beautiful flow, but we've also included an oblique option if you want to use the blockier version. Palo Slab features extensive latin language support as well as OpenType features such as case sensitive punctuation, old style figures, scientific numbers and ligatures, + arrows. You can check out our 2020 release Palo here.

Honey Beachy is a retro display serif font that exudes a classic charm and bold character. With its design inspired by retro styles, this font brings an elegant touch and evokes a sense of the past. Each letter is meticulously crafted with careful attention to detail and proportion, resulting in a visually appealing and unique appearance. Honey Beachy is perfect for projects that require a vintage feel, such as posters, logos, packaging, and promotional materials that aim to capture a nostalgic and sophisticated atmosphere. This font will add a special touch to your designs and captivate viewers with its retro allure and distinctiveness. Honey Beachy Features: - Regular And Outline - Uppercase And Lowercase - Alternates And Ligature - Numerals & Punctuation - Accented characters - Multilingual Support - Unicode PUA Encoded While using this product, if you encounter any problem or spot something we may have missed, please don't hesitate to drop us a message. We'd love to hear your feedbacks in order to further fine-tune our products. Thanks and have a wonderful day .

Odisseia: Monospaced Typeface Made on Earth by Plau. Plau presents Odisseia, a monospace type family in 8 styles designed with simplicity of shapes and a humanist touch. We’ve ventured into monospace territory, where all letters must occupy the same amount of space. This style is usually associated with typewriters and computer terminal fonts. Like all monospaced fonts, every letter align vertically in a multi-line setting. The rhythm created is peculiar, since large letters such as m and w occupy the same space as narrow ones like i. Because we have 4 different weights: light, regular, bold and black the design of some characters have to be adapted to fit the same width and achieve a constant light/dark value throughout. These features make Odisseia suitable for a specific yet considerable range of uses, from computer coding to systemized communication such as brand identities. This style has been used from high-end brand identity to cutting edge digital applications. Odisseia sets a little shorter in comparison with other monospaced fonts, and bears a large x-height.

Mela was created with a pointed brush and walnut ink using thick brushstrokes. The original idea was to make a kind of urban graffitti with a fat brush, but the final result is more refined and elegant. Something new - light and bold together. The letters are a little bit slanted using sharp strokes, the brush gives the illusion of a fat-tipped marker. This handmade typeface has a lot of contrast, it brings together the beauty of the calligraphic shapes and strokes with the esthetics of a modern urban style. It creates a carefree feeling, contemporary, adding a perfect modern touch to your work. The possibilities for customized layouts are limitless, using the opentype ligatures and alternates to you make Mela your own. Mela Pro contains 473 glyphs: alternates, ligatures, icons, ornaments, and much more. Mela regular is limited to letters, figures and punctuation. Mela & Mela Pro are perfect for headlines and short texts. Use it for magazines, packaging, advertising, branding, posters, editorials, TV, movies and websites to give to your projects the unmistakable human touch of beautiful handwritten letters.

Looking for a font that’ll make your branding radiate playfulness? Something that’s versatile, stylish, and eternal? If you need to create a big, bold logo for your business, work on a poster for an event, or whatever your project may be. You only need to change one element to engage and convert your clients. Then this is the perfect font for you. Grindel Milk-A Display Font Grindel Milk is a display font designed to bring your branding to life and add a touch of elegance, cheerful, and style. We are hoping that through this playful font, you can maximize your designs! In turn, you’ll communicate the perfect idea to your audiences or clients. The best choice for branding projects, book/magazine cover, fashion designs, quotes, packaging, or even as a stylish text overlay to any background image. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Stylistic Sets Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

Shackie Handpainted is a striking custom lettering font, embodying the charm and flair of a script brush. This logotype font is perfect for projects requiring a cool and edgy touch, such as T-shirt designs and sign painting. With its unique hand-painted style, Shackie Handpainted brings a distinctive appeal to your creative work. The font's dynamic brushstrokes lend it the authentic feel of a sign painter's masterpiece, making it an excellent choice for projects that call for custom lettering and a personal touch. The Shackie Handpainted font family includes six expressive styles to suit various design needs: The weights Thin, Regular and Bold, with each thickness as Italic. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Harri –“stone” in Basque language– is a display font based on the peculiar letter forms used in signs and fascias all over the Basque Country. This idiosyncratic lettering style, very often used as an identity signifier, evolved from ancient inscriptions carved on gravestones which can still be found in the French part of the Basque Country (Behe Nafarroa, Lapurdi and Zuberoa).Harri takes some of its more significant features from those engraved letter forms, but also from the current overemphasized shapes derived from them, while keeping in sight their antecessors: the Romanesque inscriptions and ultimately the Roman Capitals. Gerard Unger once said “the black version of a font is a caricature of the regular”. This may explain how the odd heavy shapes in use in the Basque Country today might have evolved from their engraved roots, which are already an interpretation of Romanesque and Roman letter forms. This evolution is echoed in Harri through its weights, from the clean formal Roman-inspired light to the extreme expressive Basque-style extra bold.

Philip Bouwsma's Symposium Pro is a wide Carolingian script that can be set simply or with a wide range of flourishes. It takes its inspiration from the scriptoria of the twelfth century, particularly in Spain, where Christians, Muslims and Jews lived harmoniously in a brilliant culture for two centuries. As manuscripts were translated and copied to meet the Western demand for classical texts, calligraphic elements from Arabic and Hebrew spread throughout Europe, sparking a proliferation of new styles that brought the simple book hand to a higher level. Symposium Pro spans a broad range of time and space, from the court of Charlemagne to the Arabian nights and Renaissance Florence. Symposium Pro comes in four weights, ranging from Light to Bold, with each font containing over 1200 glyphs. Variations on every letter form, from swashes to subtle alterations, are plenty, with some even having up to 40 alternates. Also plenty are the embedded ornaments and flourishes, over a hundred of them. Keep that glyph palette handy for many pleasant surprises and easy setting solutions.

The Catenary typeface was designed with the goal of creating an extremely-readable sans-serif font that could weather the future. Inspired by the beauty of the catenary curve, it's a blend of the transitional and the geometric that allows it to be readable while keeping its forms precise and consistent. Every character in its set is unique, leaving no confusion between similar letter forms. Sixes and nines can be distinguished even when they're upside down or sideways. The number one, the lowercase-L, and the uppercase-I can never be confused with one another, even without context. Throw b, d, g, p, and q into a jumble and the challenge of distinguishing the characters can easily be overcome. The Catenary family consists of eight fonts, six of which, the standard light/italic, regular/italic, and bold/italic, work as both excellent text fonts and exceptional display fonts. The two bonus fonts, a stencil and a guerrilla grunge style, make for great additional display font choices. The Catenary family is extremely versatile and ready for your toughest design work.

A fairy tale, is a folklore genre that takes the form of a short story. Story tale, is a new type family for wonderous, romantic, magical and playful narratives brought to you by Resitenza. The 1970s were wild and whimsical times. Book covers from this time were iconic, innovative and enduring; bold colour and stylised pattern dominated. Story Tales forms were inspired by 70s books covers, and aims to encapsulate the zeitgeist of the time, but the typeface is by no means constrained to revivals of this era. There are nods to 60's flower power & psychedelia, chromatic type and decorative queues from the 1800s and the spirit of post-war era children's almanacks. It is also perfectly suited to inspiring curiosity, imagination and fantasy in today's audiences. Each of Story Tales 8 styles (4 upright and 4 italics) stack on top of one another giving the designer broad aesthetic range. This layering of styles and the ornamental illumination allows striking multi-coloured typography for your book covers, editorial and poster designs.

Eurostile® is one of the most important designs from the Italian font designer Aldo Novarese. It was originally produced in 1962 by the Nebiolo foundry as a more complete version of the earlier Microgramma, a caps-only font designed by Novarese and A. Butti. Eurostile reflects the flavor and spirit of the 1950s and 1960s. It has big, squarish shapes with rounded corners that look like television sets from that era. Eurostile has sustained the ability to give text a dynamic, technological aura. It works well for headlines and small bodies of text. The Eurostile font family has 11 weights, from roman to bold and condensed to extended. In 2009 Linotype released a revised version in the Platinum Collection under the name , with three weights in all three different styles. And additionaly there are now new weights for the Eurostile family as , and ."

Geometrical drawing of Fenomen Sans typeface goes back to the roots of the Bauhaus aesthetics and the entire architectural and design avant-garde of the 20th century. It is still a symbol of functional rationality, clean aesthetics in relation to shape, and of progressive thinking. Its popularity is timeless and permanent. The set contains eight basic alphabets of a square pattern, eight semicondensed, eight condensed and eight extremely condensed alphabets, all in Latin and Cyrillic alphabets. Every font of the family has four types of numerals, small caps and variant letters. The typesetting can fluently use all fonts simultaneously. The typeface originated between the years 2011–2014 and was subjected to a series of tests for the fluent legibility of narrow fonts even in extreme conditions. Narrow fonts provide this set with the maximum use also for newspaper typesetting. The typeface has an elegant, delicate design in thin fonts and sufficient legibility in bold. Mutual contrast produces creative tension. Font name acronyms described: SCN = SemiCondensed CN = Condensed XCN = ExtraCondensed

Hello, Are you looking for a bold rounded font? Do you want of creating Something that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Brogles a Playful Rounded Font Brogles a Playful Rounded Font, Inspiring from Playful typography. This font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for book cover, poster, packging, merchandise, logotype and much more. Brogles font includes Multilingual Support, among others : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa, Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

The Slatz Font Family is Vertical. It has a slender, consistent weight that is best used in limited, left to Right, space limitations as to maximize font height. Slatz font variations all have extremely clean edges and even the serif versions are crisply defined with a flat-pointed serif for an added unique character. The designed intent was for a tight kern, however evenly letterspacing these family members give a distinct personality and continues to command the negative space just as in tight kerned examples. The compatible relationship of these font family members, serif to sans serif, and regular to italic is seamless and the overall design coloring of words as sentences is well balanced and extremely legible. The Slatz Family fonts are matching members glyph to glyph yet there is a noticeable difference between the serif and sans serif members. The sans serif works in contemporary and vintage settings. The serif members work particularly well in vintage, period applications. The Bold and Drop versions of Slatz also fit the above descriptions and also work on their own.

Get ready to groove with our latest creation, RETRO DISCO font! RETRO DISCO brings the perfect blend of quirky boldness and unique letterforms, adding a dash of playfulness to your designs. With RETRO DISCO, the fun doesn't stop! You can easily play around with its uppercase and lowercase modes to find the perfect fit for any form you desire. But that's not all – we've taken it up a notch by offering 3 widths for each type: Narrow, Regular, and Wide! So no matter the project, this font is here to serve your creative needs. Features: Retro Disco Main File Has 3 Variable: Narrow - Regular - Wide Instructions (Access special characters, even in Cricut Design) Unique Letterforms Works on PC & Mac Simple Installations Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even work on Canva! PUA Encoded Characters Fully accessible without additional design software. Join the party and let RETRO DISCO be the life of your design projects. Embrace the groovy vibes and create something truly unforgettable! Enjoy Designing! Dharmas Studio

Like a lovechild of American Typewriter and Cooper Black, typewritten in melted chocolate, this is Margot. A bold single weight display typeface in roman and italic styles, Margot is boisterous but cuddly; warm but impactful. Margot comes fully loaded with a bunch of esoteric dingbats (grouped in the ornament feature), four figure styles (proportional- and tabular- lining, and proportional- and tabular- oldstyle), a spattering of swash capitals (K, Q and R), stylistic alternates and one discretionary gi ligature in the Roman. Stylistic alternates are split into stylistic sets thus: SS01 - alternate forms for ampersand and asterisk, and # changes to an attractive numero symbol. SS02 - in the Roman, a and g change to single storey versions; in the italic, the ae digraph changes to a less ambiguous double storey version. SS03 - the lining figure 3 gets changed to its alternate form. SS04 - the lining figure 4 gets changed to its alternate form. Margot is perfect for friendly headlines, logos, T-shirts (I love New York, perhaps?), food packaging and videogame apps. Margot gets its name from my equally boisterous and cuddly cat. Enjoy!

A variation of ”Helvetica according to the blur principle.“ The underlying typeface is ”Helvetica“, the only true ”run-of-the-mill“ typeface of the twentieth century. The distortion principle used simulates the photographic effect of halation and/or overexposure. The light weight, »DeFonte Léger«, nearly breaks on the thin points, whereas on those points where the lines meet or cross, dark spots remain. The characters are ”nibbled at“ from the inner and outer brightness. On the normal and semibold typestyles, »DeFonte Normale« and »DeFonte Demi Gras«, the effect is limited almost exclusively to the end strokes and corners, which appears to be strongly rounded off. The bold version »DeFonte Gros« is especially attractive. As a result of ”overexposure“, counters (internal spaces) are closed in, while characters become blurred and turn into spots; new characteristic forms are created which are astoundingly legible. The fat version »DeFonte Gros« is particularly appealing. “Overexposure” leads to drifted counters, letters blur into spots; new characteristic forms emerge, which are surprisingly easy to read.

Presenting ⚔️The Hero King Typeface⚔️ by alitdesign. The Hero King Typeface is inspired by action movie posters with the theme of war or knights in the night knight. The bold character of The Hero King Typeface is perfect for making hero movie titles, game titles, logotypes, halloween theme, t-shirt designs and so on with heroic themes. The Hero King Typeface has alternatives that you can combine between swashes and symbols that have the theme of heroes and war. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Hero King Typeface has a total of 1052 glyphs including symbol, multilingual. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn’t have Glyphs panel, you can install additional swashes font files.

Walkingblue This pair was inspired by old motorcycle poster design that i saw on some gellery, It was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool. We add some rough to make it retro feel, this font is bold so it can look strong if you use it for branding or even title for your retro poster design. Opentype features Walkingblue font has 204 character set included Walkingblue Font is very good looking in retro rough logotype, labels, t-shirt prints, product packaging, invitations, advertising and others. This fonts works with folowing languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu Thank you for using this font. LS

Kitchen Knife - Display Font a bold, quirky display font with a fun, trendy street style vibe. From posters designs to t-shirts and packaging, Kitchen Knife will give your designs that alternative minimal look and make your creative work look supercharged. Kitchen Knife was hand-drawn, making its outlines somewhat irregular and quirky. It has an almost hand-lettered look; the characters jump around the baseline giving it a charming but urban look and feel. With a Kitchen Knife , it will be very suitable for your project, which is related to fun, trendy street style vibe. Such as story books, illustrations, comic books, t-shirts, posters, greeting cards, logos, branding, stickers, svg, crafting. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

Proudly Present Thrasher Head - Raw Type, created by ikiiko Thrasher Head is distinctive handwriting and encapsulates the essence of street style. It gives every design project an urban vibe with its rugged and raw characteristics. This font is the perfect choice for people looking for a strong and influential typeface inspired by the rebellious spirit of street culture and graffiti. This font is designed to be versatile, making it suitable for a wide range of creative projects. Whether you're working on a skateboard deck design, streetwear stuff, or a poster for an underground event, this font will infuse your work with an urban attitude and a raw, handcrafted feel. The uppercase characters in Thrasher Head are bold and impactful, while the lowercase letters exhibit a slightly more refined style, providing a balanced mix of legibility and street-inspired aesthetics. This typeface is perfect for a poster event, movie title, streetwear stuff, magazine layout, fashion brand, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Bonus: Swashes & Ligature Multilingual Support Works on PC & Mac

Mr. Jenkins is designed to fill the void between the crazy, wacky and reckless comic style fonts, and the standard boring but very readable sans-serif typefaces. It makes for a distinctive bold headline, but is also quite legible at small sizes. It’s just off kilter enough to not take itself too seriously. A deceptively care-free font, each character was carefully drawn. The spacing and kerning of each letter and letter combination were painstakingly considered. Particular attention was paid to maintaining consistent optical weights and a spontaneous appearance. Mr. Jenkins is inspired heavily by humanist sans-serif faces such as Myriad and Lucida Sans, with its open apertures, and low contrast but almost calligraphic line weights. The lowercase a is single story in the italic face, but two story in the regular face. It contains uncommon features amongst many “quirky” fonts, including a full set of latin accented characters, lining and proportional figures, math symbols, standard fractions, foreign currency marks, contextual alternates, and even a few ligatures.

The thing is that many sans-serif typefaces are usually intended for universal usage. But sometimes faces that work fine in body text look not so good in large point sizes for display purposes when all the contrast in non-contrast sans-serif, or ink traps, become visible to the naked eye. Every designer solves this problem in his own way. We offer a drastic solution in our Stem: a sans-serif with optical sizing. The first part of the type family, Stem Display, is for use in largest point sizes, from 36 pt indefinitely. Stem Display consists of 12 faces of widths from Hairline to Bold, and it has true italics. The development of Stem type family will include Stem Text for body text and “traditional”, universal use, and Stem Caption for small point sizes. Stem is a geometric sans-serif with semi-closed aperture, large x-height and modern proportions of uppercase letters, like in famous Avenir and Gotham. Its important feature is a professionally designed and carefully tested Cyrillic glyph set.

Introducing Featherful, a handwritten brush font that embraces the bold and vibrant strokes of a paintbrush. With Featherful, you have a handwritten brush font that speaks the language of artistry. The characters in Featherful boast generous proportions, ensuring a visually striking impact in any design. The thick weight enhances the font's presence, making it suitable for various creative applications. What sets Featherful apart is its rounded letter shapes, creating a friendly and approachable vibe. The details within each letter mimic the expressive strokes of a paintbrush, adding an authentic and artistic touch. Enjoy the features here. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Featherful fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Eggad features letters on eggs. It can be a fun font to use at Easter or for any egg-related message. Some of the eggs - those on the upper-case keys - have their large end on the bottom and others - those on the lower-case keys - have their large end on the top. The font uses the contextual alternatives feature of OpenType to alternate the big-bottom and big-top eggs. If you only want eggs with big tops or with big bottoms, turn this feature off. Eggad comes in two styles, a regular style in which the eggs are outlined and a bold style in which the eggs are solid. Both are monospaced. The two styles can be layered to color the eggs. Alternatively, background color can be added (dot accent and ring characters) or the outline color can be changed (sterling and yen characters) using layers in the regular style. If you are typing numbers and you want the start to be big-bottom number, switch on OpenType style set 1.

An isolated letters typeface design with a comic feel. All letters start with a prominent circular dot. All final shape letters end with a smaller dot, in addition. The Nuqat (Arabic for dots) font family has four members which include two weights, normal and bold, and comes in regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in the latest Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. The Nuqat font family employs variable x-height values. Nuqat includes only Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Nuqat includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

Bronson is a sans serif family that comes in 7 weights. The Bronson font has a very bold body, but still has high contrast. This font looks very modern when paired with contrasting design colors. This font is impressive and features a clean and elegant font, professionally shaped, and as a result, it will easily match a variety of creations that require a different touch. Add it with confidence to your projects, and you'll love the results. This typeface is perfect for elegant logos, branding, promotions, book covers, magazine layouts, or simply as a stylish text overlay onto any background image. Bronson Features : Uppercase Lowercase Numbers & Punctuation Multilingual Support Simple installation All of features and special characters of this font are included in one file. So it is easy to accessed by using program or software that support the opentype like Adobe Illustrator, Adobe Photosop, and Adobe Indesign). This font also very easy to use because compatible for all software even for non-opentype supported. Please comment us if you have any questions Thank you and have a nice day. thank you

Pegah is a sans-serif font family designed by Naghi Naghashian in three weights. Pegah Light, Pegah Regular and Pegah Bold. This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Pegah supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Pegah design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Nima’s simplified forms may be artificial oblilqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. BaBa was developed for multiple languages and writing conventions. BaBa supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Adriane Text was designed between 2006 and 2007 with additional production completed by Silas Dilworth for this 2008 release [v1.002]. Focusing on text composition and unique typographic characteristics, details within the characters provide both personality and excellent legibility at small sizes. With a medium contrast, a predominantly vertical axis, and a generous x-height, it can be classified as a transitional typeface. This package of advanced OpenType fonts consists of the style-linked quartet of Regular and Bold weights accompanied by corresponding Italics, each of which include small caps and full support for Extended Latin character sets - now including Central European diacritics. Old style and lining figures are provided in both proportional and tabular spacing, and an extensive set of ligatures, ornaments, dingbats, and alternate ampersands are available across the family. The Italics possess a fluidity that contrasts with the staid posture of the Roman styles. The degree of inclination for the uppercase and lowercase characters are slightly different, offering an enhanced visual rhythm in the text settings.