The type family consists of six well-distinguished weights, from hair-thin all the way to the one black as the deepest night. In line with the current trend, it touches all boundaries, it stretches beyond technical possibilities and in extremes, it is almost illegible – the counters are reduced to a hairline. All italics have the same proportions as their corresponding regular styles, which emphasises the block-like appearance of the set text. Monopol was designed to thrive on posters, exhibit stands, book covers, magazines, and in complex visual styles. Its twelve styles make it an ideal tool for creating a dynamic composition using solely typographic means.

In a specimen book from Stevens, Shanks & Sons, Ltd. of London (circa1930s) “Royal Gothic” was their version of a classic grotesk sans that had been in use as far back as 1899 when the Keystone Foundry called it “Charter Oak”. The terms "gothic" and "grotesk" were equally applied to early sans serif typefaces – at first not well embraced by printers as being too ugly (grotesque) for use. One familiar characteristic of early grotesk fonts (such as this one) is the numerous variations of character widths and shapes. By combining those two terms into a font name, the digital version of this design is called Gothic Grotesk JNL, and is available in both regular and oblique versions.

Tutorial : https://www.youtube.com/@madhalinestudio Deathmetal is a carefully crafted font, which features a very heavy black metal feel. This letter combines graffiti style and blackmetal style, giving a unique and cool new impression. Deathmetal suitable for metal band logos, merchandise, clothing, apparel, or anything that needs a black metal feel.

Brozo typeface is a versatile font with 18 styles, ranging from thin to black, thin italic to black italic. Its captivating and elegant look, complemented by multilingual support and a standard character set, caters to diverse designs. Brozo's minimalist yet sophisticated appeal ensures comfortable readability. Elevate your designs with Brozo's perfection.

The font HEXA is inspired by the Hexagon. The HEXA fonts are dynamically and uniquely designed typefaces based on the grid systems of the hexagon that extends infinitely. From this image, we have created the HEXA font. Hexa is Latin-based and a completely crafted font that consists of 3 typefaces. Each typeface contains 190 sets of characters. This font family is in all-caps fonts, and we provide different styles of uppercase and lowercase glyphs with the exception of letters c, ç, and comma/ single low-9 quotation mark. In lowercase glyphs, we emphasize the image, character, and identities of Hexa. The font family includes regular, black, and thin. We created the witty expression with Hexa’s regular identity; thin emphasizes the lines; black fills in the blanks. Hexa is a monospaced fonts. So kerning is not applied. We recommend using our fonts for big-sized uses. This typeface is a display font and looks more attractive in larger formats than on main texts. Features: -190 characters -Monospaced fonts -All-caps fonts (different styles provide uppercase and lowercase)

Nerone is a quasi-unicase display type family in four weights, from light to black. In its lighter versions, it's reminiscent of dignified flared serifs like Albertus. In its black version, it's comparable to display faces like Serif Gothic, with a hint of Mostra-like despotism... Inspired by ancient Roman capitals, Nerone takes a whimsical look at how they might turn into a black fatface, and how a matching lowercase might give the whole affair a whimsical feel — specifically when applied to fun branding and marketing uses. Part of The Ampersand Forest's Sondheim Series.

The Tazugane Gothic typeface family is the first original Japanese typeface created by Monotype. Designed by Akira Kobayashi, Kazuhiro Yamada and Ryota Doi of the Monotype Studio, the Tazugane Gothic typeface offers ten weights and was developed to complement the classic Latin typeface, Neue Frutiger. The design of the Tazugane Gothic typeface balances an original, humanistic style with elements of traditional Japanese handwriting. The two typefaces work together in a natural, seamless and adaptable manner so that Japanese and Latin texts can be used side-by-side for a wide range of applications, including in magazines, books and other print media; on digital devices; in branding and corporate identity systems; and in signage for buildings, highways and mass transit. Tazugane Gothic was updated to support the “Reiwa” new era symbol. Reiwa can be written as two kanji: 令和. This update to Tazugane Gothic includes Reiwa designed as a single ligature and is encoded as U+32FF. The inspiration for the Tazugane Gothic typeface is as elegant as its design. Since antiquity, cranes have been regarded in East Asia as auspicious birds for their noble appearance and elegance in flight. The typeface is named Tazugane Gothic in honor of the longevity of the crane, with the goal that it will be used for many years to come. The combination of the Tazugane Gothic typefaces’ traditional and humanistic elements, along with its intended ability to complement popular Latin typefaces, makes it one of the most uniquely flexible designs for applications where Japanese and Latin texts can be used together. The typeface family was created to have wide appeal, with a pleasing and consistent experience for readers, for use on screen, in print, in signage, packaging and advertising. Tazugane Gothic has 10 weights. The Light, Book, Regular, Medium and Bold weights are considered best for text sizes. The Ultra Light, Thin, Heavy, Black and Extra Black weights are recommended for headline sizes.

Spread a little love with the Be My Valentine display font. These capital letters are filled with love. 82 Glyphs. Letters A-Z, Numbers 0-9, Punctuation!?.’ In both Black & transparent (white) and black with colored heart. A-Z glyphs with colored heart are in lower case, check compatibility for colored fonts.

This typeface has its roots in the Egyptienne-family which became popular in the beginning of the 19th Century. To make the family more unique and personal, ”twists” have been crafted throughout the design. All together a family of 6 weights, including: Medium, Medium Italic, Bold, Bold Italic, Black and Black Italic.

All 6 fonts use the characters A - K and a - k to show two planets/stars/moons moving across each other. Nice and simple. There's a different number of points on the stars, or they're different sizes, and some appear to pass left-to-right, and some appear to pass the other way. Just type in ABCDEFGHIJK or abcdefghijk and you'll see. Two fonts have all the characters on the same level, (All-Black and Black+White). The Offset font has the 'sun/moon' with one slightly above the other and in black and white, and Half has them all-black. Partial has them even further separated in 2-tone. NearMiss is a very close shave. Comma, hyphen, and full stop/period give just a single symbol; there's a Space, and that's it.

Manometer Serif is a pneumatic ultra-black serif typeface with variable pressure. Fat but stylish.

Manometer is a pneumatic ultra-black slab serif typeface with soft corners and fine counters.

A modern black-letter, so to speak. Composed of a few basic elements with a wide-quill ductus. Faber Fraktur was based on the idea that it must be possible to create a modern black-letter type. The typeface is ”constructed“ according to the same principles as a script without serifs: as few varied basic forms as possible, omission of frills which make the type difficult to read and repetition of similar forms. The typical contrasting strokes of the original handwritten black-letter script are retained nonetheless. The elements of this typeface were even pre-formed with the quill. All characters are reduced to their basic skeleton. The fanciness and manifold ”breaks“ or fractures typical of black-letter typefaces are considerably reduced to just a few essentials. Faber Fraktur is a very legible type perfectly suitable for long texts. It does not appear nearly as foreign and archaic as the old black-letter fonts. The capital letters especially have a charm of their own radiating a kind of playfulness in spite of their severe form.

Red began as an experiment, and turned into a larger project. Most super-black type designs are constructed of extremely simple and geometric elements. Most of them do not include a lowercase alphabet. Red is designed to be simultaneously more human, as black as possible, and as readable as possible. VIew the full specimen here.

We RECOMMEND that you purchase both of these fonts to get the look like in the font preview image. Tutorials: https://www.youtube.com/@madhalinestudio Gorezack is a carefully crafted font, which features a very heavy black metal feel. Gorezack suitable for metal band logos, merchandise, clothing, apparel, or anything that needs a black metal feel

We RECOMMEND that you purchase both of these fonts to get the look like in the font preview image. Tutorials: https://www.youtube.com/@madhalinestudio Gorecobra is a carefully crafted font, which features a very heavy black metal feel. Gorecobra suitable for metal band logos, merchandise, clothing, apparel, or anything that needs a black metal feel.

Vivala bl has a high black ratio that supports a compact typographic style. It is particularly suitable for decorative typesetting, for example, for posters, logos, and book illustrations. Complementing the ornamental style, Black Letter has a narrow style that works well for smaller type sizes. And it is equipped with various contextual alternates and ligatures.

We RECOMMEND that you purchase both of these fonts to get the look like in the font preview image. Tutorial : https://www.youtube.com/@madhalinestudio Snoserose is a carefully crafted font, which features a very heavy black metal feel. Snoserose suitable for metal band logos, merchandise, clothing, apparel, or anything that needs a black metal feel.

JH Noha is a geometric modern Arabic typeface. It includes black, bold, medium and regular weights.

Cinematic English is a decorative font inspired by modern movie logotypes and classical black letter typefaces.

Electrónica font family has been designed for Graviton Font Foundry by Pablo Balcells in 2019. It is a rounded, geometric sans serif typeface with display details and sharp, playful shapes for a fun and laid back usage. Electrónica has been conceived to be most suitable for logos, headlines and display design pieces as well as short length text blocks. Electrónica consists of 12 styles, 8 of which containing small caps and glyph coverage for several language and 4 of which are free.

Estimo is an unusual, yet elegant type family of three styles in five weights. Originally developed as upper-case-only family, Estimo was inspired by the works of Bulgarian type and graphic designers in 1980’s. It is characterized by its lack of diagonal strokes (wherever possible), thus experimenting with letterforms without losing legibility. This unique typeface is suitable for all kinds of creative and editorial works, creating impact for headlines of all sizes, as well as readability for text blocks.

Douceur (pleasantness in French) is an all caps, serif typeface with a flourish. It was created by hand in one go: no sketches, no try-outs. The font comes in two styles: regular (outlined) and black. Due to style naming issues, the black version will show up as a different font. Douceur comes with all diacritics.

We RECOMMEND that you purchase both of these fonts to get the look like in the font preview image. Tutorials Photoshop: https://youtu.be/qfUNZr0m4n8 Procreate: https://youtu.be/R_5O_pfPBIY Sabersong is a carefully crafted font, which features a very heavy black metal feel. Sabersong suitable for metal band logos, merchandise, clothing, apparel, or anything that needs a black metal feel.

Nido is a cute and funny childish typeface, designed for logos, book titles, invitations, birthday cards, flyers, posters, advertising, etc. It comprises 5 styles: black, white, black italic, white italic and dingbats, which can be used nicely together. Nido is a new design by Sofía Mohr. See also Café Brasil http://www.myfonts.com/fonts/sofia-mohr/cafe-brasil/

In StamperRS all the letters are on little stamps. The upper-case letters are have black letters on white stamps and the lower-case letters have white letters on black stamps. The character set is limited. The letters are from the typeface Myhota, also by Ingrimayne Type. StamperRS was first released in 1995 with the name Stamper.

We RECOMMEND that you purchase both of these fonts to get the look like in the font preview image. Youtube Tutorials : https://www.youtube.com/@madhalinestudio Mask n eyes is a carefully crafted font, which features a very heavy black metal feel. Mask n eyes suitable for metal band logos, merchandise, clothing, apparel, or anything that needs a black metal feel.

Why use a simple emoticon to express unhappiness or sadness when you can have an entire font proclaiming your feelings? This is a font that may work for notes of sympathy, whether real or in jest. For the smiley version, see AllSmiles, and if you only want to proclaim a only a little sadness, you can temper the feelings with a plain version of the typeface, FebDrei. In the update of 2011, emoticons were added in the appropriate unicode slots (unicode 1F601 to 1F640 slots)