AstroNaut is an 8 font family consisting of 4 weights with italics. It's angular construction takes influence from various science fiction films including: Blade Runner, Alien, Minority Report & 2001: A Space Odyssey.

This is derived from the Marder, Luce foundry's face called Rivet. A nip and a tuck here and there plus the addition of a lowercase make this into a potentially useful font.

This face was designed by Andre Guertler’s class in room 505 at the Kuenstgewerbeschule in Basel. It follows the principles of Frutiger’s Egyptienne, and won the first of the VGC type competitions.

Ornamental font, based on samples of Alphonse Mucha, who was an Art Nouveau painter and decorative artist. This collection contains simple elegant frames, which are easily assembled from modules in different configurations.

Voter JNL is a collection of fifty-two vintage images selected out of the numerous dingbat offerings from Jeff Levine Fonts and many modified to fit the theme of elections and voting.

A 1916 recruitment poster from World War I seeking men to join the Army’s Signal Corps provided the lettering inspiration for Recruitment JNL, which is available in both regular and oblique versions.

Oksana Text Swash has swashed initials and ampersand for Oksana Text italics in six weights from Thin to Heavy. For all-in-one fonts please look to OpenType version of Oksana Text.

Playing around with a previous design, Jeff Levine came up with Cut Paper Stencil JNL, a typeface with both an Art Deco flair and the look of letters made from cut paper.

This design from Jeff Levine defies description. It's kind of techno, somewhat of a novelty and definitely unusual. Diagon JNL is the perfect font for projects that need a very different look.

Take a trip to a tropical paradise. This brush style font has an exotic appeal with alternate uppercase characters borrowed from the font, Babylonica. The OpenType Pro version offers extra alternate characters.

Taken from the hand-lettered name on a 1930s-era tin for Cadet condoms, Bed and Bath JNL is pure Art Deco with thin line weight and varying character widths and shapes.

Made in a soft style with inktrap variations, Agressiva font combines authenticity with uniqueness so that it looks different from others. suitable for use in casual themed graphic designs such as logos.

Personal Note JNL gets its inspiration from a semi-calligraphic pen alphabet found in the 1960 edition of the Speedball® lettering textbook and is offered in both regular and oblique versions.

The first inspiration for Missiva was a sixteen century letter from S. Francisco Xavier (St. Francis Xavier) but then I adapted my own handwriting in order to have the basic character set.

This Arabic typeface family was created by Younes Alaboudi. Yanson proudly incorporates a timeless geometric style with humanistic nuances. Featuring three weights from Light to Bold, Yanson supports OpenType features for Arabic.

From an early 20th century sign painter's copy book. We gave it a softer treatment than many of the faux-Asian faces have. We also added a lowercase, as is our wont.

Zanoix is based on text from an old horror poster. Comes with ligatures for both double letters and numbers. You will need to use OpenType supporting applications to use the auto-ligatures

Art Nouveau typeface ‘Aloysius’ draws inspiration from Wiener Secession Movement. You can use this font to create posters, greeting cards, scrapbooks, CD labels, T-shirts, coffee mugs, digital videos websites and banners.

Roadway is an original typeface with an antique accent, inspired by Clarendon woodtypes from late 19th century. It comes in three matching varieties, with extended character sets and a lot of personality.

Antique Stencil Borders Two JNL is the follow-up collection to the July, 2018 release of Antique Stencil Borders JNL and features twenty-six more decorative stencil borders from various vintage sources.

The hand lettered opening titles from the 1944 Laurel and Hardy comedy “The Big Noise” served as the inspiration for Movie Screen JNL, which is available in both regular and oblique versions.

This beautiful roman style typeface is inspired from an E.C. Matthews book. Although the book we have is dated 1967, the style appears to have been created in the 1920s or 30s.

LinoLetter is a fresh new interpretation of a newspaper text font. The impression this font makes is of clarity and objectivity, making it suitable for anything from basic text to multimedia applications.

Limousine JNL takes the basic outline shape of Crestview Six JNL (an actual design from the Art Deco era) and gives it a stylized treatment as a solid black letter display face.

Introducing Himalaya Typeface a rounded vintage monoline. Himalaya is clean modern-vintage display font which inspired from old school letterpress 1.Uppercase,lowercase, numeral,punctuation & Symbol 2.Regular 3.Multilanguage 4.Alternate

Martini™ typeface is a slab-serif based typeface that included six weights, two styles from ExtraLight to Black with advance typographical support with features such as discretionary ligatures and alternate characters.

TrueLove is my script for those occasions when you want to show someone that you really love him or her, when what you have to say really comes deeply from your heart.

Tabique is a typeface inspired by architecture and construction, built from geometric planes with straight lines, his glyphs has been designed to be heavy and connect as if they were concrete blocks.

Casual Stencil JNL was modeled from a set of stencils used for store display work that are reminiscent of brush style casual lettering made popular by sign painters and show card artists.

Amulet evolved after a trip to Dublin, Ireland. It has a Celtic calligraphic influence which must have subconsciously come from looking at ancient manuscripts and the Book of Kells in Trinity College.

New to the Great Lakes Lettering library is Mon Voir. Mon Voir is the signature lettering style from Jenna Rainey a talented calligrapher and illustrator and the artist behind Mon Voir studio.

Lordela started with a custom lettering logo for a local tech company, finally rejected. It takes some inspiration from the copperplate calligraphy writing and the blackletter alphabets. Entirely designed with straight lines.

The Initiales grecques were made by Firmin Didot ca 1800. When set at 22-pt, the AR font will match the size of the Corps Vingt-Deux from which it is derived.

Shanghai JNL is loosely based on the title lettering from “Charlie Chan in Shanghai”, one of the long-running series of detective films featuring the Asian sleuth and his “number one son”.

This font from the same family as Scripio A and Scripio B. The truth it more likely their cousin, very much it is not similar to them. Though looks not so bad.

The Bentele-Unziale letters are transcribed from letters drawn by Prof. Ernst Bentele which are displayed in Hoffmanns Schriftatlas (1952). The size of the original is matched when set at 84 pt.

Print Promoters JNL is another batch of classic dingbats re-drawn from vintage source material. This collection features stock words and phrases with a few decorative embellishments thrown in for good measure.

Narrow Nouveau JNL come from the hand lettered title on a 1907 song folio for George M. Cohan's "The Talk of New York", and is available in both regular and oblique versions.

Tylbor was inspired by vernacular German typography but mostly by handwritten signs found on the archive photographs from the late 40s of the 20th century. Tylbor contains 14 styles in 7 weights.