Letterpress Sorts JNL adds to the growing library at Jeff Levine Fonts of classic dingbats, embellishments, cartoons, ornaments, etc. all re-drawn from vintage source material.

Neographic is one of the first fototype fonts that had been designed by Robert Barbour and produced from the Monotype UK office for the Photolettering machine

The powers of the SparkyType and PizzaDude combine to bring a font straight from the future. Nine Thousand is dripping with computer energy and robotic precision.

Each font contains 101 decorative ampersands. These fonts include ampersands from various display fonts in the CastleType Library as well as antique, ornate and calligraphic ampersands.

This is an extension of Alquitran, but now converted into a family from the Thin to the Black Line, it contains dingbat, inspired by the Pichação!

The words “Benny Goodman & His Orchestra” on an appearance poster for the band from 1936 were rendered in a beautiful semi-script style of hand lettering.

Wishkey is a cool and interestingly designed display font. It will elevate a wide range of crafting ideas from cards to branding, labels, and much more.

Cool hand drawn font crafted from textured dry brush, this is Rongjam. An all caps typeface that very recommended for outdoor projects, sport, hipster, and youth.

A product of the Inland Type Foundry, some say stolen from a hand lettering job done by Goudy. (Goudy was one of those who said it!)

Display Engraved JNL was inspired by the bold, engraved Sphinx Blanc from the Deberney & Peignot circa 1925, and is available in both regular and oblique versions.

Rancher JNL was inspired by classic wood type. This wide, slab serif typeface is reminiscent of wanted posters, broadsides and other printed matter from the 1800s.

Letterpress Assistants JNL once again combines a choice of cartoons, embellishments, ornaments and sales helpers (all redrawn from vintage source material) into one handy digital font.

Texarkana JNL is based on classic condensed wood type from the 1800s, and is embellished with stars on the top and bottom for a decorative look.

If you require an authentic wood type era typeface, Wooddale is your match. This face was revived with care from samples in antique type specimen books.

Kardust TS is a part of Kardust family, which is born from it skeleton to suit Transportation and Sport, but it will suitable for any purpose.

Printers Dingbats JNL gathers another assortment of classic cartoons, borders, embellishments, sales helpers and whatnots into one digital file; all re-drawn from vintage source material.

Tamarac JNL offers the look of wood type with added serifs. Use Tamarac JNL when you need a change of pace from the "regular" serif fonts.

AZ Barista font is inspired from 1920's Poster art, namely Leonetto Cappiello designs. This font was designed for use as a worn and antiqued headline.

Stenson JNL is another "lost" stencil typeface, re-drawn from punches made by a commercial stencil machine as used in rubber stamp shops and industrial warehouses.

Art Student JNL is a limited character set font inspired by hand lettering found on the box for a learn-to-draw set from the 1950s.

Bremen was designed at Bitstream by Richard Lipton and released in 1992. It is based on German poster art from the period between the World Wars.

AZ Indian font is inspired from the original early 1900's Indian Motorcycle Logo. This font is designed for use as a worn and antiqued headline.

Retail Monoline JNL is a light weight sans serif extracted from the inline of Retail Price JNL and is available in both regular and oblique versions.

Nouveau Era JNL was adapted from the title of a hand-lettered advertisement found on the back of a 1920s-1930s piece of vintage sheet music.

Fagies is a modern and bold sans serif typeface featuring characters that stand out from every background. Suitable for logos, posters, packaging, branding, invitations, notes, etc.

The powers of the SparkyType and PizzaDude combine to bring a font straight from the future. Nine Thousand is dripping with computer energy and robotic precision.

On a clear day you can see all the way to URAL from a high place in Helsinki. There your eyes will meet strange permafrost letters.

A juicy, mighty-morphing, modular font extracted from the crevices and convolutions of the brain, with nifty coding to cram every gap with tails and curlicues.

Gengboy is a fun bold Sans Serif typeface featuring characters that stand out from every background. Suitable for logos, stickers, posters, packaging, branding, invitations, notes, etc.

Letterpress Helpers JNL continues a series of vintage cartoons, border and corner elements, stock designs, sales helpers and other embellishments re-drawn from vintage source material.

Ziga is a whimsical, wavy and chic display font. It will elevate a wide range of crafting ideas, from cards, to branding, labels and much more.

DB Trees includes several familiar and not so familiar tree designs with plenty of room for creativity to grow. Makes fun additions to your creative projects.

In 1948, Mergenthaler Linotype released the first weights of Trade Gothic, designed by Jackson Burke. Over the next 12 years Burke, who was the company’s Director of Typographic Development from 1948 through 1963, continued to expand the family. Trade Gothic Next is the 2008 revision of Jackson Burke’s design. Developed over a prolonged period of time, the original Trade Gothic showed many inconsistencies. Under the direction of Linotype’s Type Director Akira Kobayashi, American type designer Tom Grace, a graduate of the MA Typeface Design in Reading, redesigned, revised and expand the Trade Gothic family. Many details were improved, such as the terminals and stroke endings, symbols, and the spacing and kerning. Moreover, there are newly added compressed widths and heavy weights perfect for setting even more powerful headlines. Trade Gothic Next brings more features and better quality for today’s demanding typographers. Trade Gothic Next® font field guide including best practices, font pairings and alternatives.

The Gold Rush is over, the prospectors have made their fortune and the mine has been worked out! The inhabitants of Boomtown USA have moved on -- the saloon is dry, the sheriff has hung his hat and the only visitors to the local whorehouse are tumbleweeds. Yeah, the buildings remain -- hollowed out husks carrying memories of bar room brawls, high noon shootouts and high stake poker games between outlaws -- but if you take a walk down the street be careful not to kick up too much dust... Turn the corner and you might see Ol' Toothless Joe standing on the corner sucking on a bottle of whiskey... And don't walk too slowly past the storefront of the undertaker -- that guy made his living putting strangers like you in a wooden overcoat from sunrise to sundown. Spooks and Spectres linger everywhere... there's a sign just down the road -- didn't you see it? "Ghost Town! Abandon Hope all who Enter Here!"

The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate A (Antiqua), Corporate S (Sans Serif), and Corporate E (Egyptian) is a design program of classical quality, perfectly in tune with each other. Weidemann says: “My ASE trilogy, quite like triplets, is in perfect harmony and covers all needs of modern typography!” Initially exclusively designed for DaimlerChrysler as a corporate font, the ASE trilogy may be now licensed and used without restriction. URW++ digitized the ASE for DaimlerChrysler and Prof. Weidemann and is the exclusive licensing agent for this outstanding and extremely popular typeface program. Meanwhile, URW++ enhanced the Corporate ASE family in regular, bold, italic, and bold italic by Greek, Cyrillic, and all additional Latin characters to cover Eastern Europe including the Baltic Rim, Romania and Turkey. Corporate ASE in regular, bold, italic, and bold italic is now available in the WGL 4 character complement.

The Unit Gothic series was released by Hamilton Manufacturing Co. in 1907. This sans serif family features one of the first multi width/weight type 'systems' anticipating the Univers font system by 50 years. This set of 7 fonts was designed to aid in press room efficiency and with its incremental variation in widths gave poster printers unprecedented flexibility in fitting copy while using consistently harmonious fonts. This HWT release is the first ever digital version of these fonts. Each font contains 600 glyphs including Greek and Cyrillic character sets as well as alternate characters which are based on the actual special character production patterns from the Hamilton Wood Type Museum collection. HWT Unit Gothic system features: •HWT Unit Gothic 716 - 50% wider •HWT Unit Gothic 717 - 25% wider •HWT Unit Gothic 718 - (Standard width which others are based on) •HWT Unit Gothic 719 - 25% narrower •HWT Unit Gothic 720 - 50% narrower •HWT Unit Gothic 721 - 62.5% narrower •HWT Unit Gothic 722 - 75% narrower

The term “Surf Bum” was a slang phrase used to casually describe anyone who spent as much of their time as possible at the beach catching waves in the 1960s. The Revell Company was a well-established maker of plastic model kits such as military airplanes, monsters from Universal horror films and other such items when it hooked up with custom car designer Ed “Big Daddy” Roth to develop a model kit line capitalizing on the surfing fad that was sweeping the West Coast at the time. A number of crazy-looking hot rods, dune buggies and what-have-you were turned out, and one such kit (“Surfite”, with Figure) featured a futuristic one-person dune buggy. It was on the box for the model that the words “with Figure” appear in a casual, brush design type face. Those few letters were the inspiration for creating a new retro type face entitled Surf Bum JNL, which is available in both regular and oblique versions.