Cullion is a new departure for Greater Albion, being a modern Fraktur, embodying future trends sch as highly stylised glyphs, a single case of lettering and highly evolved letterforms. At the same time it can trace its inspiration back to blackletter traditions, and is inspired by the sort of ironwork to be found in a medieval portcullis. The resulting typeface can sit happily in traditional, modern or futuristic design work. As the gallery images suggest, it does rather lend itself to work with a 'horror' theme, but it could have many other uses too-even in religious work. Cullion is particularly effective in poster headings.

Rough and ready, bold and urgent. Or playful and fun in bright colours. The original letters were cut from actual potatoes, then scanned in and converted to vector outlines. Lighter and more heavily inked versions were used for the three variants. Using Opentype character-substitution technology, Salvation rotates through three versions of each letter to create a naturally uneven printed effect. Unlike hot metal type, the potatoes were cut the right way around. This produced reversed prints, which were then flipped back in Photoshop. Originally produced for Hughes' Get Lettering activity book, the font was then extended to cover numbers, punctuation and full European language support.

Sign and Display JNL is a long-overdue companion font to 2009’s Sign and Poster JNL. The original design models were Art Deco influenced die-cut cardboard letters and numbers manufactured by the Duro Decal Company of Chicago. Square in shape with rounded corners, the thick cardboard letters were used for making show-cards and other display signage. Subsequently, Duro used the same style of lettering to manufacture water-applied decals for boat identification and other uses. It was a set of these decals (with a black outline and yellow interior) that inspired the outline typeface Sign and Display JNL, which is available in both regular and oblique versions.

HeyPumkin is a letterbat font designed for use in the late autumn, when the leaves are falling and the harvest is underway. October 31 is an especially good time to use it. The upper- and lower-case letters are almost identical. If you want a version of this face without the pumpkins, try Ingone. Buried in the font is another set of letters on pumpkins. They are on unicode characters in the 2400 block, circled digits and letters. These characters can also be accessed using the OpenType stylistic sets feature. (The alternative characters are further developed in a separate typeface, part of the InsideLetters family.)

French type designer Xavier Dupré created this sans FontFont in 2009. The family has 6 weights, ranging from Regular to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards as well as web and screen design. FF Masala provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Masala super family, which also includes FF Masala Script.

Severe is a clean, contemporary, condensed, geometric font family. There are 2 fonts in the Severe family, Severe Lower Case and Severe Small Caps. The small caps versions has small caps in place of the lower case alphabet. The lower case and small caps versions have the same uppercase alphabet, numbers, punctuation, symbols and miscellaneous characters. In addition to the cap height numbers there are small cap height numbers in each. The Severe fonts are ideal for headlines, titles, branding, small blocks of text or wherever a fresh, contemporary, condensed font is desirable. Severe Lower Case and Severe Small Caps are sold only as a set priced at $20.

Koya Sans is a contemporary, humanist sans with a friendly yet clear and distinct personality. It is designed for excellent legibility, particularly for long continuous reading. The sharp terminals add liveliness and variety to the carefully crafted letterforms. Koya Sans, a highly versatile type family consisting 12 styles that are designed to work equally well on paper and on screen. The family ranges from Thin to Black variations, with complimenting italics. Inspired by a trip to the Buddhist temple of Kōyasan south of Osaka, Japan, this carefully crafted sans serif typeface with its sharp terminals loosely emulating the sharp corners of the temple’s pagoda roof.

Sunbest Mora is a curly designed serif family font that consists of 9 weights from Thin to Black. Sunbest Mora also includes a bunch of alternate characters (PUA Encoded) and ligatures characters to give you a wide range for creating attractive typographic design results for many different projects such as logo, branding, poster, magazines, labels, merchandise, invitation, presentation, advertising, quotes and so much more! FEATURES: OpenType support Playful to use (with ligatures and alternates options) Multilingual support PUA Encoded If you need support or more information about this item, please kindly contact me: ekahermawanputu@gmail.com Thank you so much...I really hope you enjoy when using it!

Introducing, Longline. A retro bold script which will bring you back to 60s feel. This typeface has the extrude version so you can create your retro effect font in ease. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

I am not sure if there is such a thing as a Sunday Fish. But anyway, now you have a font with that name! My idea of a Sunday Fish is a lazy, goofy and kinda laid back one. One you'd like to play around with, and a friend for life - not that kind of fish that ends up on your plate! :) Sunday Fish has massive language support and 4 different versions of each lowercase letter, and these automatically cycle as you type! It comes in 4 different layered versions, which works well together - just play around with the layers and your favourite colours!

MTT Roma is designed to re-create the atmosphere of the city of Rome of the 21st century. The studio for the letterform evolved from the Trajan Column alphabet. Suitable for both display and body-text usage, stylistically MTT Roma aims to distance itself from the proliferation of geometric sans-serif families of its time. The result is a sharp, subtly humanist typeface inspired by modern day Rome, the city of contrasts and eternal beauty. Featuring an extended character set to support Central and Eastern European as well as Western European languages, the typeface comes with six weights – from thin to black — with matching italics.

Basic Sans Cnd: A new sans. Designed by Daniel Hernández Basic Sans Cnd is a narrower version of Basic Sans. It is a family of Grotesque features with a functional, neutral and seeming clean style that looks to keep a neutral (or basic) appearance on paper, but including lots of details that give it a unique personality. Basic Sans Cnd is a sans-serif typeface well-suited for publishing projects, medium-sized text, branding, posters, headlines and more! This font family comes in 7 weights—ranging from Thin to Black—plus matching italics and it has a set of 416 characters that support 206 different languages.

Teaspoon was originally designed by Haley Fiege as a project-specific font in 2007, then completed and produced by Canada Type for commercial viability in 2008. With a personality that can only be described as “ironic cute”, it serves as a much needed alternative for the old overused poster faces, such as Cooper Black and Gill Sans Extra Bold. Words that look good set in Teaspoon include puppies, rainbows, salmonella poisoning and Tom Cruise. Teaspoon is available in all popular formats, comes with plenty of alternate characters, and supports a wider than normal range of Latin-based languages, as well as Cyrillic and Greek.

Shiver me Timbers and Splice me Mainbrace! There's strange goings on in Smugglers' Cove... A gathering of thieves, brigands, piratefolk and back-stabbing blackguards the likes of which have not been seen since the days of Redbeard! Someone'll be swinging from the yardarm or walking the plank if the map identifying the location of the fonts created for Grim Todd McFarlane's SPAWN: THE DARK AGES doesn't turn up soon! With full European language support, automatic alternates, Manga characters and Crossbar I Technology™, Cutthroat is the perfect font to embody a voice with authority and a biting edge.⁠ See the family related to Cutthroat: Cutthroat Lower

Viprox is a strong and elegant display typeface, created to maximize the use of horizontal space. Crafted from hand-drawn sketches and perfected in digital, Viprox consists of thin, regular, bold, and stunning black. Viprox makes a strong impression in print, headlines, video, and social media – whether paired with a contrasting typeface or on its own. Use this font to get an amazingly stunning project look. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Introducing, Mortina - a vintage sans serif font duo. Inspired by 50s 60s signages, this font made to bring back the good ol' days. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Two fonts (Thin and bold style) numbers and punctuation multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Marons is my first font release of 2020. I created Marons from the initial sketch to the digital process and until it was released it took less than 2 months after I launched Black Quality. Marons is an elegant font that I combined from script and serif fonts, thus creating a unique and bold impression. Each Marons letter also has an additional alternate glyph and many variations of swash options, so you can use this font to create logo designs, header texts, t-shirt designs, YouTube cover texts, wedding designs, and others. With its many glyphs, Marons is indeed worthy of being called a collection of fonts in early 2020.

Hernández Bros, is a typeface designed by Daniel and Eli Hernández. Born in the year 2021, in the midst of the Covid pandemic, from a collaborative spirit where everything called them to work together as family, in order to obtain better results in such trying times. The Hernández siblings, started a ping pong of drawings based on Bulfinch found in the 1912 ATF catalogue. From this exercise, Hernández Bros was designed, a modern Sans Serif, with 8 weights ranging from Extralight to Black. This is an elegant font, with beautiful and harmonious contrasts, which makes it ideal for titles, brands, editorial design, magazines among others.

Immi 505 is another of Tim Donaldson�s prolific works. Inventive and fun-loving as always, Tim used a pen nib called a ?Brause 505? to create the letterforms for this design. The Brause 505 was an invention of Karlgeorg Hoefer. Hoefer created his typefaces Salto" and Saltino" with this nib. The other part of the name, Immi, is the nickname of Donaldson�s five-year-old daughter Imogen. The resulting unusual curves and open character of Immi 505 create a distinctive rhythm and color appropriate for short blocks of ad copy, titles, music CD covers, and Web page headlines where a bit of extra width is needed."

Lucida Grande is a humanist sans serif font with a large x-height, clear letterforms, and space-saving economy. Its easy reading qualities make it legible for printing and screen displays even down to small sizes. Lucida Grande is part of the Lucida superfamily of fonts from Bigelow & Holmes. Lucida is highly regarded for legibility and its extensive range of type styles. The Lucida Grande family has eight fonts with weights from Thin to Black with matching italics. Each font has 674 glyphs and supports the W1G character set. This includes Latin, Greek and Cyrillic alphabets to support many languages in Europe, the Americas, and worldwide.

German type designer Verena Gerlach created this slab FontFont in 2011. The family has 10 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing as well as logo, branding and creative industries. FF Karbid Slab provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript character, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Karbid super family, which also includes FF Karbid, FF Karbid Display, and FF Karbid Text.

Árida pays homage to the Argentinian city of San Juan, located in the semi-desert Cuyo region, where cacti are abundant; a characteristic feature of arid habitats. Árida, inspired by the vegetation of the place, looks sharp and aggressive at large sizes but it also feels friendly at a smaller scale⁠—portraying the dichotomy between humans and nature. Árida comes in 5 weights, ranging from Regular (with a matching italic) to Black. The Regular variant contains 773 glyphs and its Italic counterpart is composed of 939 glyphs. The font also includes small caps, different styles of figures, ligatures, and stylistic and contextual alternates, among other OpenType features.

The concept is “Geo-Soft”: characters are constructed from arcs of circle connected by orthogonal straight lines, with few diagonals and nary a sharp corner. The effect has an engaging tension, as soft edges are carefully balanced against rigorous structure. All four of the main weights, including italics, have exactly the same metrics. Beyond these basic styles, suitable for both text and headline, there are additional display fonts—Extra Bold and Black for density, and College, Rust, Rough and Medium Shadow for decorative detail. As options, minuscule-form “a” and “e” are provided at cap height for the classic unicase style, in all 14 fonts.

Strato Pro font family is a modern serif typeface family with readability and legibility in mind. Inspired by Classic Roman typeface design, Strato Pro has 16 weights, which range from book to black with small caps, and an ornament set if you want to give your creation a distinctive elegance. Strato Pro includes functions with all the OpenType features you would expect in a modern serif font family, such as stylistic alternates, discretionary ligatures, pro kerning, ornaments, language support, case-sensitive forms, old-style figures, and many more features. Strato Pro has an extended character set to support Central and Eastern European as well as Western European languages.

The techno sound of the 1990s, a personal computer, font creation software, and some inspiration all came together to inspire the F2F (Face2Face) font series. Alessio Leonardi and his friends had the demand to create new unusual typefaces, which would be used in the leading German techno magazine of the day, Frontpage. Even typeset as small as 6-points, in nearly undecipherable layouts, it was a pleasure for the kids to read and try to decrypt the messages. Bubbly black letterforms dancing across the line: this is F2F Tagliatelle Sugo, a funky font from Alessio Leonardi. Try it out in a big headline today!

Galpike Sans is a neat and clean variable font. The typeface is versatile to blend in your design- with 9 weight, ranging from regular, medium, thin, bold, semibold, extrabold, light, extralight and black & 18 styles + variable type to touch a lot of personality. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design. Features: Variable Font uppercase & lowercase numbers and punctuation multilingual 9 weight & 18 Style PUA encoded More about variable fonts : https://creativemarket.com/blog/what-is-a-variable-font if you have any questions don't hesitate to send our email at letterhend.com/tutorials/using-opentype-feature-in-any-software/

Valverde is a super-serif font family with 2 widths condensed and normal, each width consists of 18 fonts and has a complete weight from thin to black combined with beautiful italic cuts to meet the needs of any design in any format. Inspired by the type of vintage look that has recently become a trend, this letter character has an elegant, sharp impression. Opentype features such as Stylistic Alternate and Ligature on the Valverde family make it look more aesthetic so that it fits in a classy modern look. Stunningly beautiful and modern serifs make them an essential addition to any type of tool kit.

Makro is a family of extended display sans fonts with an imposing profile with six weights, ranging from Light to Black. This series is distinguished by the excessively contrasting shapes and tones of the shapes on each opening joint and adjusted open counter. This font was designed primarily for large display text that demands more space, such as on out-of-home graphics, headings, titles, or another similar application. The most recent version of Makro supports variable weight and italic axes, as well as OpenType features such as alternatives, circled numbers, etc. In addition, the family has enlarged its linguistic repertoire to incorporate Cyrillic in addition to Latin.

Mazaeni is a bold serif font family that includes 5 Weight regular to Extra Black which is inspired by something simple, elegant, usable, and versatile. Mazaeni is a daring and playful display typeface perfect for logotypes, posters, and editorial use. Includes wide language support, optional ligatures, OpenType alternates, and more. One thing to note about Mazaeni is the letter spacing. It was intentionally for clean reading if you wanted to use it for the body type, so I recommended setting the spacing a little tighter for display use (around -5 to -25 should do!). All typefaces from Kereatype include free updates, new features, and free technical support.

Cayuse is a super-slab, all-caps titling face that tips its hat to the classic French and Italian “fat face” serifs of the nineteenth century. Structurally, Cayuse utilizes a reverse-stress stroke configuration—with thick, meaty slab serifs and sinuous, spiked connecting strokes. This crackling contrast gives Cayuse a very black, dense texture, and the ability to combine and contrast well with other typefaces. Arm yourself with Cayuse to create richly-textured, high-impact typography for packaging, editorial, brand identity, posters, signage, and many other applications. What's more, Cayuse also features an array of “word logos”, providing you even more options for creating dynamic typography.

A retro seventies idea of the Futuristic typeface, Automatic is a reflection on the simple and innocent ideas of the future from our past. To reach to moon, to colonize other planets, feed and clothe the earth, and spread peace throughout the universe and our own planet. Those ideals of the future are now changed forever by genetics, and the progression towards automation, amongst others. Will the future still be an innocent place for our children, or something out of a Terminator or Matrix like film...? Put the retro techno edge into your designs, and bring the dreams of yesteryears future back into our future!

IMPuzzled uses the OpenType feature of Contextual Alternatives to alternate two sets of characters. The sets are on two puzzle pieces that tessellate, that is, fit together to fill the plane with no gaps or overlaps. Empty pieces are on the brace keys and can be used to fill spaces. The black or solid style is designed to be used in a layer under the regular style, though it can be used alone if adjacent pieces are given different colors. This unusual font has limited uses but may be appropriate when the topic is related to the broad areas of puzzles, puzzled, and fitting pieces together.

German type designer Jörg Hemker created this sans FontFont in 2002. The family has 16 weights, ranging from Extra Light to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries as well as sports. FF Zwo provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Zwo super family, which also includes FF Zwo Correspondence.

In the opening scenes of the 1938 Three Stooges comedy “Tassels in the Air” the Stooges are working as maintenance men inside an office building. Their immediate job requirement is to paint the tenants’ business names on the corresponding office doors with pre-cut stencils. Of course, they get it all wrong. Nonetheless, the stencils appear to be a hand cut sans serif design in a squared or ‘block’ style with rounded corners, and some of the applied lettering made for an interesting challenge to recreate as a typeface. The end result is Maintenance Stencil JNL, which is available in both regular and oblique versions.

Isard is a very agile typeface, honoring its name, which is the name of a type of mountain goat from the Catalan Pyrenees. It is a multipurpose sans serif typeface with a down-to-earht elegance, thought for information design as well as branding. Isard is warm and friendly which also makes it suitable for advertising, packaging, and magazine. It has a contemporary feel to it with its squarish curves, it has being built with legibility in mind, bearing a considerably large x-height. The family covers two scripts, Hebrew and Latin. It has seven weights, from the very sturdy Black to the delicacy of the Thin, with its italics.

Linotype Go Tekk is a part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contest. The font was designed by the German artist Critzler and is available in three weights, thin, medium and black. Go Tekk is a cool, constructed with unusual cross strokes, appearing in almost every character at exactly the same height. The capital letters do not end on the baseline, rather drop even farther down than the descenders of the lower case letters, making it necessary to allow for generous line spacing. Linotype Go Tekk is a relatively static font designed exclusively for headlines and displays.

I present my funny font with "Hocus Pocus"cutouts This is a playful font in the style of a cut-out "all capital letters". Lowercase letters are filled with letters (A, O, B, etc.), and uppercase keys have ordinary black letters. :) Great for sweet greeting cards and invitations, for playful branding and quotes, for unusual packaging and much more! This font is unique and simple:) Font Features • character set A-Z, A-Z; • 1 languages (English); • numbers It is recommended to use it in Adobe Illustrator or Adobe Photoshop Made with love ♡ Thank you for stopping by, and I wish you a creative day!

Inspired by 1920's Art Deco, Artisual Deco is a 2020's celebration dedicated to the hundred-year-old history of geometric design. This retro typeface will be the perfect fit for your logo designs or graphic project. Drawn, created and published in 2021, the typeface has vintage letterforms with a classy personality. Artisual Deco contains ten high-quality styles: Thin, Light, Regular, Bold and Black with each weight provided as Upright and Italic. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Introducing Fire Hell – a fiery font inspired by the intensity of death metal. With flames dancing within each letter, this font is tailor-made for death metal, black metal, gothic, horror, and other heavy music genres. The sharp, angular design adds a touch of darkness, making it the perfect visual companion for bands seeking a fierce and impactful typographic identity. Unleash the power of Fire Hell to set your artwork ablaze and embody the relentless spirit of heavy music. Ignite the darkness with this visually striking font! Fire Hell features: Allcaps Beginning Uppercase alternate Ending Uppercase alternate Numbers and punctuation PUA Encoded Characters OpenType Features

Parandea, a vintage serif typeface, seamlessly blends the essence of bygone eras with a touch of modern sophistication. Each letter in Parandea exudes timeless charm, featuring elegant serifs and fine details that harken back to the craftsmanship of vintage typography. The typeface’s well-balanced proportions and graceful curves evoke a sense of nostalgia, making it a perfect choice for projects that demand a classic and refined aesthetic. Parandea’s versatility shines through, whether it’s used for branding, editorial design, or any application where a touch of vintage character is desired. With its distinctive yet understated elegance, Parandea captures the spirit of the past while maintaining a contemporary allure.