AZ Imperial font was inspired from miscellaneous vintage tin packaging. Complete with an "old look" to the line work with barely a serif still visible. Ideal for use as headline or sub-head text in you design.

The hand lettered actors’ credits on a title card from the 1937 film “Shall We Dance” served as the model for Formal Event JNL – an Art Deco sans serif font available in both regular and oblique versions.

Adelyne is a modern hand-lettering font make from handwriting ideas in font design. This font includes full Alphabetical glyphs, Numerals, and punctuation. Adelyne is perfect for invitations, monograms, wedding, fashion, branding, labels, hand-lettering or logotype.

Paksa is a decorative sans-serif typeface. The name of this typeface is derived from the Thai word that means “bird.” It is suitable for use in text headlines, sub-headlines, packaging, posters, and other print media.

Brilliant Summer is an enchanting handwritten font. This lovely and fresh script font has a wide spectrum of applications ranging from greeting cards to headlines and is guaranteed to add a romantic feel to your next projects.

Salt & Pepper is cute handwritten, but also Crafty. This versatile script font has a wide range of applications ranging from greeting cards to kids’ crafts, and is guaranteed to add a sweet touch to your next design.

Cool doodads from the cold war...spaceships, moderne coffee pots, boomerangs, cocktail glasses, etc. A must for decorating your cyber-bachelor pad; a requirement for the retro lounge crowd. Don't be a square, daddio, get Satellite today!

Ariata™, from Malou Verlomme, is three typefaces in one. Like phases of the moon, they gracefully meld from one to the other. The “Text” weights are sturdy designs that perform as well in blocks of copy as they do in the occasional headline. The “Display” versions of Ariata are delicate but confident designs that shine in large sizes, while the “Stencil” typefaces are eye-catching and provocative. Each version is available in four weights, from a forthright regular to a robust black, making for a family that is comfortable taking on a wide variety of tasks. The individual designs can be combined with each other to create a distinctive, yet cohesive typographic statement, or stand on their own as confident communication tools. If you want a little more variety, Ariata’s solid glyphic shapes will serve as a dynamic counterpoint to just about any Humanistic sans. Space economical and distinctly original, Ariata easily creates commanding headlines, pull-quotes and subheads. Packaging, game branding, posters, book jackets and advertising design are all also within its comfort zone. While primarily intended for print applications, Ariata’s full-bodied x-heights, generous counters and clear apertures make for a design that is also at home in many digital environments. Verlomme is an award-winning Senior Type Designer at Monotype. He has a degree in graphic design from l'École Duperré in Paris, and an MA in Typeface Design from the University of Reading. He taught type design at several universities in Paris and still occasionally lectures and gives workshops. His typeface Camille has the honor of being part of the collection at France’s Centre National des Arts Plastiques (CNAP). Verlomme also designed Placard® Next, Madera™ and Johnston100, London’s new underground branding typeface. Click here to see all of https://www.monotype.com/studio/malou-verlomme Malou Verlomme’s typeface designs.