I'm not sure where the inspiration for Tirade originally came from, but it looks like a good rant, hence the name.

A futuristic styled font that takes influences from 1970s music and film. Examples include: David Bowie, T-Rex, Rollerball & Logan's Run.

Press Run JNL is a reinterpretation of the classic typeface Cheltenham Condensed taken from actual screen captures of vintage newspaper headlines.

AZ Storm was inspired from old '70's skateboard logo. This font was designed for use as a fun bold headline.

Spur Stencil JNL gets its inspiration from the single word "stencils" lettered on a vintage package of Glass Wax Christmas stencils.

Technical Expertise is a unique and eye-catching display font that takes inspiration from various shapes and expands them into letters.

Oporto is a modern font which blends the cosmopolitan and bohemian mood from Oporto city in a elegant and timeless design.

Here's another gem from Blandford Press' Pen & Brush Lettering and Practical Alphabets. Pleasant, playful and packed with personality, this typeface rocks.

The Squab typeface was designed to be simple, big and bubbly for projects from poster to t-shirt design or animation.

AZ Kiss font is inspired from sketches. This font is designed for use as a worn and antiqued headline or subheadline.

Stencil Designs JNL collects twenty-six decorative designs from various vintage sources for use as spot embellishments, borders and corner pieces.

PyeMan is a rounded block typeface influenced by home computer games from the 1980s. Examples include Asteroids, Defender and Pac-Man.

A turn-of-the-century Art Nouveau display font, originally from the Aktiengesellschaft fuer Schriftgiesserei und Maschinenbau, Offenbach, revived and extended.

Wine Stoney font is inspiration from simple cloud. This font can use for comic style , cartoon, and serious like horror themes.

Skippie - a typeface specially designed for children's titles - contains different weights from Thin to DemiBold, with extras, dingbats and many alternates.

Passo Borgo is a blackletter typeface inspired on classic vampire filmes from 50"s and in Dracula's Bram Stoker novel... creepy...

A bold and arresting geometric font built from parallel stripes. Most effective in short headings or logos at larger, display sizes.

Originally compiled by George Nesbitt (1838) this font has newer lowercase designs. Probably comes from an earlier French font, never acknowledged.

C-V dashes are transcribed from 72-pt ornaments designed by Enric Crous-Vidal and issued by Typefoundry Amsterdam c. 1950.

Designed by Les Usherwood. Digitally engineered by Paul Hickson. Another typeface from Les Usherwood that was released after his 1983 death.

Saddle Hitch JNL is a Western font inspired by a few words set in a decorative typeface from an 1887 publication.

Fun and Games JNL was redrawn from the lettering found on the cover of a 1935 Speedball® Lettering Pen book.

A thin, very elegant caps-only cross-stitch font, based on an embroidery pattern from the end of the 19th century.

JH Rawan is a modern geometric typeface; it is derived from JH Dima black ; typical for corporate identity, headlines, branding & signage...

Playful JNL takes its name from the obviously playful lettering found on the title of a piece of 1940s sheet music.

Print Spots JNL once again gathers together various and sundry vintage letterpress ornaments, embellishments, borders and spot illustrations from various sources.

Another charming handlettered gem based on the work of lettering artist Samuel Welo, from the 1927 edition of his Studio Handbook.

Easy Living JNL is a bold Art Deco type face modeled from the name of a 1930s magazine entitled "Country Living".

Tabloid Press JNL is one of a number of classic typefaces re-drawn from screen captures of actual vintage newspaper headlines.

PF Bague Sans Pro is a versatile monoline typeface with a distinct and eye-catching personality. Despite its inspiration from early 20th century geometrics, it diverts from the mechanical rigidity of those typefaces by incorporating humanist characteristics, such as subtle variations in stroke width and open counter shapes with vertical endings. This is a very clean and legible typeface with a warm and well-balanced texture which is ideal for intense editorial use in magazines and newspapers. Bague Sans’ most remarkable feature is its vast array of uppercase alternates and ligatures which truly shine when set at display sizes. This typeface is automatically transformed into a flexible, charming and stylish typeface with strong modern aesthetics. From classic to modern, from excessive to neutral. Bague Sans Pro is a multipurpose typeface which offers enormous possibilities and variations for editorial design, branding and corporate identity. Bague Sans Pro signifies freedom and personal style. This superfamily includes 18 weights from Hairline to Ultra Black with a consistent and well-refined structure. Each style consists of 1063 glyphs with more that 330 alternates and ligatures and an extended set of characters which support simultaneously Latin, Cyrillic and Greek. Download the complehensive PDF Specimen Manual to explore the unlimited text variations of Bague Sans Pro.