Platinus Script Pro is the latest example of what has now become a Sudtipos tradition: Adapting conventional calligraphic methods from the last two centuries to produce modern digital scripts for the current one. This time the resulting font explores the evolution of invitation scripts from the classic commercial lettering of the 1930s to the ideas clearly visible in the greeting cards of the 1980s and 1990s. Most base characters are made up of a single stroke, with some of the strokes driven from the top down, and some from the bottom up, putting the emphasis on the casual but precise fluidity of the hand, an emphasis magnified by the expert use of loops and swashes everywhere. The Platinus Script Pro family comes in two weights, each loaded with alternates and Latin-based langauge support, for more than 570 characters per font. Platinus Script Pro is great for product packaging, as well book covers, menus and greeting cards.

Nick Curtis's love affair with typography began when he was barely past adolescence, in a neighborhood alley of East Dallas. On a routine patrol for tossed treasures, he came across a type specimen catalog: a big, fat green binder displaying hundreds of fonts! He was hooked. Curtis's career has taken him from production art to graphic design to art direction, but type has always remained his graphic passion, especially the provocative designs produced from the late 19th through the early 20th centuries. Curtis's inspiration for ITC CuppaJoe comes from Art Deco lettering, but not from the typical sources. Depending upon your age or your interest in early twentieth-century package design ITC CuppaJoe might look familiar. Its foundation is the label art for Bokar, A&P's premium coffee during the 1930s. Curtis built on the gently sweeping curves and bold angular strokes of the original coffee-can lettering to create a distinctive typeface that commands attention. Rich, full-bodied, satisfying - now that's a ITC CuppaJoe!

SG Scratter is a dynamic and eye-catching display font that is sure to make any design stand out. With its sharp and crisp edges, this font exudes a sense of boldness and confidence that is perfect for headlines, logos, and branding projects. This font is available in six distinct styles, each with its own unique personality and character. From the sleek and sophisticated SG Scratter Regular to the more daring and adventurous SG Scratter Bold, there is a style to suit any design need. With its clean lines and modern aesthetic, SG Scratter is versatile enough to be used in a variety of design applications, from print to digital media. Its legibility and clarity make it a great choice for everything from posters to websites. So if you're looking for a font that combines elegance and edge, look no further than SG Scratter. With its sharp angles and bold lines, it's sure to make your design pop and stand out from the crowd.

The Distillery Set is a collection of 5 fonts: Display, Strong, Script, Caps, and Icons. The fonts' influences are in lettering from different eras and styles. They reflect forms from the Arts & Crafts movement, the Roman majuscules, artistic printing, traditional tattoo lettering, sing painting and showcards from the early XX century and some typography trends started from 1970s America and being used today like chalkboard art or handmade labels in packaging. This is collection of fonts that strongly hints of the spontaneous ways of pencil on paper, the dynamic rebellion and simultaneous imperfection and elegance of DIY. This set contains a wide range of characters, including alternates, ligatures, variations on ascenders and descenders, initials and terminals, icons and ornaments, providing endless application possibilities. The different fonts can be used individually, but of course it is their combination in use that creates the magic. The Distillery Set was designed by young talent Carolina Marando. Alejandro Paul produced and expanded the digital work.

Reliant is a free interpretation of the classic design from fonts "BernhardSchoenschrift", originally designed by Lucien Bernhard and "Liberty", designed by W.T. Sniffin for ATF in 1927, following the original designs from Lucien Bernhard. This enhanced OpenType version has complete sets in Greek and Latin alphabet with Central European, Vietnamese, Baltic and Turkish complete resources with all diacritic signs and punctuation marks plus extra characters belonging this ranges. A Cyrillic alphabet completes the font, and we thanks to Dmitry Greshnev from Green Type. He help us to fix our original Cyrillic alphabet to the Cyrillic readers. We added a extensive set of ligatures (stylistic and contextual alternates plus discretionary ligatures) providing a lot of letterform variations that make your design really special, plus swashes and tails ornaments (to artistic increase any letter of this font) more fractions and number ligatures (a strange idea from Iza W). Over 800 glyphs which you have total access using software such as InDesign, Illustrator, QuarkXpress and others.

This type crept up the sense that it was made in Eastern Europe by poorly trained urbanites from a crippled nation, or that it is the remains of a contemporary gothic (like Eckmann) stencil. The choice of what this type signifies is up to the public. Lately I like the idea of 'putting on' (in McLuhan's sense) a genre of idea that is somewhat different from my tradition's beliefs, and fitting a core category of that toward a teleological/eschatological advantage. Therefore postmodernist/apocalyptic carelessness (which I may 'put on' by using this type) is how I abstain from the cravings of immortality, or more so that wanting it is pointless. It’s stands as memento morí; that I will have to die someday. I have to become less, He must become more. Of course, Interzone may signify a classic Joy Division track from Unknown Pleasures as well as the Cold Warish ongoings of conflicted eastern European life. I considered naming this Lunik 9.

Manwriting is an extensive typeface with hundreds of ligatures used to simulate human handwriting. Perfect for forging papers and love-letters!

I'm not sure where the inspiration for Tirade originally came from, but it looks like a good rant, hence the name.

A futuristic styled font that takes influences from 1970s music and film. Examples include: David Bowie, T-Rex, Rollerball & Logan's Run.

Press Run JNL is a reinterpretation of the classic typeface Cheltenham Condensed taken from actual screen captures of vintage newspaper headlines.

AZ Storm was inspired from old '70's skateboard logo. This font was designed for use as a fun bold headline.

Spur Stencil JNL gets its inspiration from the single word "stencils" lettered on a vintage package of Glass Wax Christmas stencils.

Technical Expertise is a unique and eye-catching display font that takes inspiration from various shapes and expands them into letters.

Oporto is a modern font which blends the cosmopolitan and bohemian mood from Oporto city in a elegant and timeless design.

Here's another gem from Blandford Press' Pen & Brush Lettering and Practical Alphabets. Pleasant, playful and packed with personality, this typeface rocks.

The Squab typeface was designed to be simple, big and bubbly for projects from poster to t-shirt design or animation.

AZ Kiss font is inspired from sketches. This font is designed for use as a worn and antiqued headline or subheadline.

Stencil Designs JNL collects twenty-six decorative designs from various vintage sources for use as spot embellishments, borders and corner pieces.

PyeMan is a rounded block typeface influenced by home computer games from the 1980s. Examples include Asteroids, Defender and Pac-Man.

A turn-of-the-century Art Nouveau display font, originally from the Aktiengesellschaft fuer Schriftgiesserei und Maschinenbau, Offenbach, revived and extended.

Wine Stoney font is inspiration from simple cloud. This font can use for comic style , cartoon, and serious like horror themes.

Skippie - a typeface specially designed for children's titles - contains different weights from Thin to DemiBold, with extras, dingbats and many alternates.

Passo Borgo is a blackletter typeface inspired on classic vampire filmes from 50"s and in Dracula's Bram Stoker novel... creepy...

A bold and arresting geometric font built from parallel stripes. Most effective in short headings or logos at larger, display sizes.

Originally compiled by George Nesbitt (1838) this font has newer lowercase designs. Probably comes from an earlier French font, never acknowledged.

C-V dashes are transcribed from 72-pt ornaments designed by Enric Crous-Vidal and issued by Typefoundry Amsterdam c. 1950.