Introducing Mister Honey Typeface Mister Honey Typeface is inspired by the classic victorian font style combined with western style which makes the Mister Honey font look cool and unique. This font is perfect for a bold and vintage Victorian concept design. Can be used for the design of alcoholic beverage packaging, pomade designs, barbershops and so on with the Victorian classic concept. Apart from that this font is very easy to use in both design and non-design programs because all alternates and glyphs are supported by Unicode (PUA).

Fourth is a contemporary roundhand script with a classic feel. It draws inspiration from classic Americana – baseball scripts, sign painting and branding. The family consists of seven weights with ornament extras for good variety in layout and logo development. The forms are rational and refined for consistency and legibility. Contextual alternates are included for smooth initial and ending forms. Stylistic alternates are available for the commonly substituted forms; s, r, l, f, k, and z. Fourth also features Swash capitals, swash lowercase, underlines and catchwords for custom styling.

Zart is a heavy yet delicately sensitive display typeface filled with character, a free interpretation of the classical French styles from the late eighteenth century, reimagined for modern use. While it’s vertical strokes carry the typical weight of this style, the thinness of the horizontal strokes is further extended into the characters with the introduction of large vertical ink traps. This allowed us to design slightly narrower letters which, coupled with shorter serifs, result in a overall darker expression, creating really impactful headlines. Zart is available in three versions: Regular, Italic and Script.

ITC Mudville was Christopher Wolff's entry in the 1998 U&lc Type Design Competition, for which he won an Honorable Mention (Display). Mudville evolved from variations on hand-lettering that Wolff had done on a variety of projects over the years. The underlying shapes of the letters are formal roman letterforms, but the actual strokes retain the look of letters sketched casually on a layout. Mudville straddles the line between inline and outline type designs. It recalls some of the styles of popular lettering used in display advertising in the '20s.

AFISH was born out of the need to create a variable serif display typeface – so that any headline on the poster would easily fit. The form of the letters comes naturally from Didone style typefaces, while many of the characters have an experimental form that will not leave the audience indifferent. AFISH will be ideal for posters and strong headline and branding use. The entire family consists of one weight and five widths. Karol Mularczyk and Małgorzata Bartosik worked on the project under the creative direction of Mateusz Machalski.

"The Enchanted Garden" is a dark, vintage-style font designed with simplicity and readability in mind, ensuring effortless legibility for all your creative ventures. From wedding stationery and Instagram quotes to contemporary logos, packaging, and websites, this versatile font complements a wide range of projects. "The Enchanted Garden" font is a valuable asset for those who cherish the art of handwritten expression. Its meticulously hand-drawn characters exude a timeless charm, infusing your headlines and titles with vibrant life. Moreover, it offers three alternative lowercase glyphs, expanding the horizons of your design possibilities.

Perhaps you’re looking for a lovely and approachable font. That is why I presented my new typeface! Gijsuy, please introduce yourself. The idea of spreading spilled ink and filling the shape of letters inspired this playful handwritten bold typeface. The rounded corners are pleasing to the eye and give the impression of friendliness to the viewer. Greeting cards, children’s books, quotes, posters, invitations, business cards, movie title banners, and more can all benefit from this design. of course, your various design projects will be perfect and extraordinary. Start using our fonts for your extraordinary projects.

Thima is a display font inspired by the liberty style revisited to the present day, hence it is free from the canonical compositional standards that make up the majority of fonts. Its elegant shapes are available in two versions: solid and outline. Thima’s unique features are enhanced by the perfect fusion between irregular and fluid shapes that coexist with right angles. Despite being a display font, the lowercase version is suitable for short and long paragraphs of text, while for large titles the uppercase shows off all its potential.

Rantika is a cute brush font, created with additional bold on the strokes and mostly curved edges of the letterforms. This font comes from the manual brush stroke which has an informal stroke thickness that makes the font looks more natural. Bring the happiness with Rantika, make your design more cheerful because you can use this font for cards, apparel, merchandise, invitation, food or menu design, poster, cute quote, holiday design, and many more! Fonts featured : Uppercase Lowercase Numbers Punctuation Accented characters Stylistic set Ligatures Thank you for watching

Lindsey Pro is a new handwriting style font with advanced OpenType features including alternative characters and ligatures. Lindsey Pro was created by Steve Matteson based on a teenager’s handwriting. It is a casual typeface design with irregular alignments and occasional connections. Lindsey is a fun font to use in a wide range of documents, from Valentine’s Day cards to invitations, memos, greeting cards, signs and correspondence. Lindsey Pro was developed to take advantage of the rich typographic OpenType features of applications Adobe Creative Suite, QuarkXPress 7, and Microsoft Expression.

Frygia is inspired by the astonishing mythology along with a new method and approach of type design. As an example, the construction of the lowercase g; the line structure which is slightly curved helps to aid the optical illusion and the integration of Industrial San Serif style making Frygia extremely compatible and ready for every usage on the layout. Frygia Family consisted of 20 styles and 10 weights, ranging from the thinnest Hairline to the boldest Black and a Semi Rounded corner to suit the concept of the typeface.

French type designer Xavier Dupré created this sans FontFont in 2006. The family has 14 weights, ranging from Hairline to Fat (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards as well as small text. FF Sanuk provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Num.91 is a strong and elegant street art display typography. Inspired by currently popular street art, this is the answer to the long-awaited need for a street art font. Num.91 is superior and very different from the street art fonts currently circulating. This font really has the soul of street art in it. And another amazing thing, you get bonus vector illustrations in it. Its weight is superior in posters, social media, headlines, titles, large-format print - and anywhere else you want to get noticed.

Addressotype is based on lettering from a vintage ad for the Addressograph-Multigraph Corporation, manufacturers of the Addressograph addressing machine. In days when the U.S. postal service delivered everything, mailing addresses were as important as email addresses are today. The Addressograph machines stamped out dog-tag-like plates that were used to print mailing labels at high volume. Embodying the company’s work ethic and durability, Addressotype recalls the gaspipe form of lettering popular in the 30s and 40s, updated to reflect the “streamlining” trend popular during the period.

Bonsai Paufo are a collection of dingbats fonts inspired in the ancient art of Bonsai. A beautiful work with organic forms and sensibility with the taste of the vegetal world, by Chyrllene K, who brings you with an amazing extra gift: Buying the family pack (two fonts) you get a special free bonus: the Victorian Advertising EPS PACK 2 with ten beautiful artworks (in eps) inspired in the Victorian ages magazine advertisings (see the banners). See all the glyphs from BonsaiPaufo in the pdf brochures at the gallery section.

Jalal is a modern Arabic text typeface with two weights: Jalal Light and Jalal Bold. Both of the fonts ship in the OpenType format, and include Latin glyphs (from Optima Demi Bold and Optima Bold) inside the font files, allowing a single font to set text in both most Western European and Arabic languages. The Jalal fonts incorporate the Basic Latin character set and the Arabic character set, which supports Arabic, Persian, and Urdu. They include tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.

Reinstaedt is a fancy new display font family designed from scratch by Andreas Stötzner. The very first sketches were inspired during a holiday spent in remote Reinstädt of Thuringia (Germany). Though bearing a rather formal appearance Reinstaedt still shows its hand-drawn origin. Reinstaedt gives a magnificent breath of fresh air to everything related to food, health, wellness, holiday – to the art of fine living. Enhance your designs by creating enchanting headlines! You can design thrilling type variations by multi-colored overlaying and by combining with ornamental embellishments.

A decorative capitalis font inspired by the renaissance font Rotunda and old calligraphic foundings. From the beginning my aim was to design a font which focusses on simplyfing historical typography. I wanted to give people the possiblity to write with letters which refer to history but still are readable and modern. It is perfect for headlines and logos that need a historical touch. The font Lucrezia and its dangerous forms (the stitchy endings) are also inspired by the history of Lucrezia Borgia, who as we know, was a very mysterious person.

Nicomedia is a modern sans serif type family with a contemporary, technical look that reflects the high-tech industrial age that we're living in. From thin to black, it contains 18 fonts in 9 weights with their true italic counterparts. With 529 glyphs, it offers support for all the languages with Latin script. When it comes to OpenType features it has stylistic alternates (for a, g, l, 0, 1), tabular lining, ligatures, superscript, subscript, denominators, numerators and fractions. It's perfect to create engaging brands, ads, websites, apps, animations and user interfaces.

An ad in the Oct. 27, 1919 issue of the trade magazine “The Moving Picture World” promoted “Princess Virtue” from Bluebird Pictures starring Mae Murray – The Adorable [as noted by the movie studio in the ad]. The Art Nouveau hand lettering emulated the style usually drawn with a round nib pen, but was given a specialized treatment for the ad. It was re-drawn in a more traditional ‘pen nib’ look for digital revival. The end result is Silent Movies JNL, which is available in both regular and oblique versions.

FREIBEUTER NR is a typical Western font but this is based on a FAMOUS Motorcycle Club from the television that everyone knows. The word FREIBEUTER is the German version of pirate. FREIBEUTER did in earlier times what pirates do, but they do it with the government togetherness. NR stands for NIEDERRHEIN, this is the area where I live and work. The PATCH Version is the best way to make fast a nice Banner or Patch with this font. You can use the WrapTEXT tool in Illustrator or Photoshop to wrap the banner in al forms!

Masterday Font is a retro bold script style font, come with clean and rough font version. Inspired from retro typography and lettering in the 70's and 80's combine with bold typography style. This font perfect for vintage and retro design, badge, logos,t-shirt, poster, branding, packaging, signage, book coverand so much more! it has an extensive lingual support, covering European and Asian Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers. Whats Include: Masterday Multilingual Support Alternates, ligature, Extrude/Shadow Thankyou Subectype Studio

These letters were developed to decorate the font Bowling and then were also used in the fonts Coffeemug and Teapot. For many years the InsideLetters family had only one family member, InsideLetters. An upgrade in early 2019 added two more family members, InsideLettersHalloween and InsideLettersXmas. The first puts the letters from InsideLetters on pumpkins and the second puts them on Christmas tree ornaments. In 2022 and oblique stye was added to the family. Inside letters is caps-only. It is a casual and playful handwritten sans-serif font.

Ryman Gothic is inspired by American Wood Types and Gothic Typefaces, mainly in the work of Edwin Allen and Morris Fuller Benton. The result is a hybrid combining gothic proportions with the contrast of wood types. While drawing consonants guided by gothic proportions, vowels were designed slightly wider, making them not only more legible when it comes to long text designs, but also more attractive. Ryman Gothic comes in 8 weights plus its matching italics, ranging from Thin to Heavy. Each weight includes extended language support (Latin + Cyrillic + Greek), ligatures, arrows and more.

We created a serif version of our popular "Werk" Sans Serif that will greatly enhance the Work family of fonts. Like “Werk” Sans Serif, “WerkSerif” is a sturdy, well-tuned font that is a true “werkhorse” with plenty of character without being overbearing. “WerkSerif”is an ideal choice for corporate branding offering a complete typographic solution with the sans and serif range of fonts — also a prime choice for distinctive and dynamic logotype use. “WerkSerif” comes in a range of offerings from Light to Regular, to bold and Black with matching Italics.

This typeface was inspired by a font used by Henrie Ballard. Ballard operated on Fleet Street at the Signe of the Bear in London, England. He was active in the industry from 1597-1608. The font is meant to capture the feel of the original typeface with the capability of reproducing the many ligatures that are part of what make that era's printing interesting. The Italic version has a dramatic feel that is almost handwritten in appearance. Every Proportional Lime font comes with a complete guide to its Unicode extended character set.

German type designer Jürgen Huber created this display and sans FontFont in 2002. The family has 5 weights, ranging from Light to Regular (including italics) and is ideally suited for advertising and packaging, editorial and publishing, poster and billboards, small text as well as software and gaming. FF Ginger provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Consent is an editorial serif font with unique lowercase. With special features, Consent will make your project more stand out and elegant. This font suitable for brand or title of the magazine. You also can use this font for logo, branding, and also versatile for any project! No need a complicated step for using the features. Just type in lowercase, uppercase, or both! You can also access the additional features from opentype ligatures. Just type equal + number (1-4) for the magic. Example =3. Try it in the type sample below!

Merlod has depicted its characters from Latin-American sign painting and reinterpreted them into modern approaches. This typeface is a friendly, fun and flexible family that is fun to use, consisting of 3 different styles that each comes with 7 weights. Each style of Merlod – Norme, Autre and Queue, possess a distinctive character but works together compatibly. Merlod also comes with a special stylistic set that allows the user to be creative and playful with the type, it helps enhance many different possibilities that certainly will spice up your design.

Squoosh Gothic is a serious new contender in the arena of headline fonts. Upright and condensed, Squoosh’s whimsical name belies its true nature. Though, that’s not to say it’s totally devoid of a sense of merriment – it just values a more orderly, regulated kind of tomfoolery. Mad-libs for instance, or The Times cryptic crossword. Its mature but unmistakably witty attitude can go a great distance to lending a sense of culture and an air of scintillation to your designs. Don’t miss out on this sanguine new font, Squoosh Gothic from Thinkdust, available now.

Introducing, Historica! the perfect font for those seeking a balance between classic and modern design. This display font boasts a unique blend of traditional and contemporary elements. With its abundance of ligatures, Historica offers endless opportunities for creativity and customization. Whether you're designing a logo, creating a menu, fashion, merchandise, poster, book cover, magazine, or crafting any other type of branding material. Historica is super versatile and can bring a unique touch to any project. So if you want to make a statement and stand out from the crowd, give Historica a try!

Stubby is a display type family with 11 styles, was made for titles, headlines and also packages, posters and everything that provide space for a rude, fat and widish type. You should try Stubby in your text blocks if you're looking for an informal shape with some handwriting taste, there are eleven styles mixing from a narrowed thin to a sloppy ultrabold. Stubby has a tight spacing made to fit in squeeze places, not so elegant or clean but definitely an original choice for your real life project.

Velour is an elegant display typeface, with thin, bracketed serifs. The typeface’s main features are the curved crossbar on ‘A’ and ‘H’, the long, sophisticated legs of ‘K’ and ‘R’ including an alternative ‘k’ automatically substituted in appropriate places, providing a consistent flow of text and a romantic feel. The typeface comes with a beautiful set of both standard and old-style numerals, two different ampersands and alternates with less complicated letterforms. Velour is available in 6 weights, from Thin to Bold, and supports Western, Central and South Eastern European languages.

Crafted with meticulous attention to detail, Green Peas Font offers a harmonious balance between beauty and elegance of nature. Green Peas Font combines legibility adnd Readibility with a touch of whimsy, making it perfect for both digital and print mediums. Its versatility allows you to seamlessly incorporate it into various projects, from website headers, quotes, inspirational messages, posters, stickers, social media graphics, or personal journals, to book covers, ensuring a consistent and visually striking presence. Unlock the extraordinary power of Green Peas Font and witness the transformative effect it has on your designs.

Northeast Railway is a product of argentine typographic archeology project called "Tipografía Histórica Ferroviaria" (Fabio Ares & Octavio Osores, since 2012). Is about the signboards of the stations of the line of the Argentine North Eastern Railway Company Limited (1987-1948). The letter of this signboards can be described as display type, with elementary geometric shapes and without line modulation. The principal font of the resultant family is the bold. The family is completed with complementary fonts of different styles. The proceeds from the sale of the fonts will be used to finance the project.

BluHead Studio LLC is pleased to announce the release of 9 fonts from the Churchward Design family designed by New Zealand typeface designer Joseph Churchward. BluHead Studio is in the process of digitizing many of the fonts in Churchward’s extensive library of exciting and unique designs and will be releasing them in OpenType format on a regular basis. Churchward Design Lines is the latest addition to the Churchward Design family. The family now consists of nine unique fonts, all based on a classic, straightforward geometric glyph forms, with the addition of Churchward’s quirky details.

Please meet Lanoline, a playful script typeface. As you can see, this typeface has a casual look yet still looks bold and stands out from the crowd. The swashes make the font looks even more unique. You can play around and mix and match the swashes, combining into a great logotype! Lanoline works perfect for you who needs a typeface for headline, logotype, apparel, invitation, branding, packaging, advertising and more. This typeface comes in uppercase, lowercase, with punctuation, symbols, numerals, stylistic set alternate, ligatures, and also support multilingual.

Orev Edge is altered modified from the form of the original "Orev" typeface. We added curved line in both inner and outer edges, including the structure of typeface. Import to be more friendly, the font family has smoother terminals that harmonize with the newly-added curved lines. With all of these features , "Orev Edge" is a prominent, eye-catching and unique typeface. It comes with 9 weights and italic type in order to suit for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing , as well as packaging.

Autor is a medium-contrast sans serif font with a dynamic stroke modulation. Its clean look and angled terminals give your designs a ‘sharp’ and contemporary feel. Autor Family comes in 7 weights, ranging from Thin to Black, with matching italics, resulting in a total of 14 styles. Autor is well-suited for editorial design, body text in books and magazines, headers and titles. It can also be used—as a display font—for logotypes, branding, advertising and publishing. The font includes a character set containing more than 400 glyphs that support over 200 languages.

Dranskof is a light-hearted, cheery font. It is inspired by a page from an extraordinary serbian publication for children by the writer, poet and journalist Duško Radović. Dranskof whimsical letterforms are full of joie de vivre, consisting of different glyphs on upper and lower case slots for added flexibility.The contextual alternates feature will instantly alternate glyphs. To literally add a twist here and there, Dranskof is equipped with a spirited set of stylistic alternates, easily accessible through stylistic alternates feature or by the glyphs palette. This is definitely a 'make feel good' font. Enjoy!