In old Latin language Lineam mean line and that what Lineam is: a line based Sans Serif Display font. Lineam is a simple and clean looking font family and can be used for a range of cases. It is a modern sans serif font with geometric feeling and comes with 8 weights and matching italics.

German type designers Eva Walter and Ole Schäfer created this display FontFont in 1996. The family contains 3 weights and is ideally suited for advertising and packaging, festive occasions, editorial and publishing as well as poster and billboards. FF Dotty provides advanced typographical support with features such as ligatures. It comes with proportional oldstyle figures.

The Flipped Toast display font is a playful and biteable look. There is a combination of modernity, playfulness, and formality in it. Your projects will be more fun with it since it contains so many alternates and ligatures. It's perfect for greeting cards, logos, posters, and anything else that needs a fun and happy look!

Weatpoint is a playful and beautiful handwritten font. It’s great for comics, cartoons, birthday invitations, and any creative project that needs a fun look! Weatpoint is a flowing and elegant handwritten font, created with the help of a brush pen. Get inspired by its unique and beautiful style and add it to your favorite designs!

Danish type designer Per Jørgensen created this script FontFont in 2002. The font is ideally suited for advertising and packaging, festive occasions, film and tv as well as software and gaming. FF Falafel provides advanced typographical support with features such as ligatures and alternate characters. It comes with tabular lining and tabular oldstyle figures.

Scaffold is the sans serif family created for people who love well balanced kerning and weight. With a rectangular shaped structure and solid weight that makes it look strong and elegant. From hairline to heavy Scaffold comes with multiple languages and OpenType features such as ligatures, localized forms, fraction, ordinal, superscript, numerator, dnominator and subscript.

MGN Jovial (2023) by Morgana Studio is a sleek font perfect for futuristic logotypes, embodying a minimalist and avant-garde design. Its versatility shines in tech logos and futuristic app interfaces. The color palette, featuring metallic tones and futuristic blues, amplifies its high-tech appeal. Scalable and legible, it encapsulates modernity and sophistication in design.

KNOPA This is a fun and playful font family, which will perfectly fit into children's projects or funny modern designs and logos, with it you can make playful designs by changing styles and combining them with each other. This font has three weights ( light, regular, and bold ) and an outline style for each weight.

The Contour font is a futuristic letter set, inspired by architecture and future style. Suitable for amazing projects: hud, web, movie or music, and especially logo and headline. The Contour is an amazing futuristic font with linear space and color spot shapes. Your download will include Uppercase and lowercase letters Punctuation Numbers Multilingual coverage

Dutch type designer Donald Beekman created this display FontFont in 2000. The family contains 4 weights and is ideally suited for festive occasions, film and tv, music and nightlife, poster and billboards as well as software and gaming. FF Noni provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Glamline Font is classic and modern sans serif font carefully designed and well looking with Latin Extended character set. It is good for Text and Headers with lowercase and uppercase letters both! Glamline ideally works in luxury, fashion, cosmetics, wine and food areas. Please see the large preview images to see how it works.

Hello Everyone, Introduce our new collection Travelista - All Caps Ligature Font and display for posters,t-shirt, packaging, branding, logotype and more. Travelista font with strong and challenging nuances. very suitable for the title, typography, clothes, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional.

German type designer Thomas Marecki created this display and script FontFont in 1994. The family contains 2 weights: Skinny and Fat and is ideally suited for music and nightlife. FF Tag Team Marker provides advanced typographical support with features such as swashes, ligatures, alternate characters, and case-sensitive forms. It comes with proportional oldstyle figures.

An elegant and beautiful looking font that is perfect for your project and supports multilingualism. Can be applied to various kinds of print and digital media such as boutiques and salons, women's jewelry, wedding invitations, business cards, photographer watermarks, clothing, creative posts and more. For reference, see preview. Features: -Uppercase -Lowercase -Numeral -Punctuation -Ligature -Multilingual

Yarikha is a geometric display font and works best in display applications, such as posters, logos and titles. It has five weights: regular, semibold, demibold, bold and extrabold, each available in italic, making a total of ten styles. Each style has a full upper and lower-case, accents, punctuation and a selection of monetary symbols.

Jalebi font is quite like its namesake, the Indian deep-fried sweet. It is fat(tening), uneven, crunchy and addictive. Jalebi is an all caps font, but upper and lower case glyphs differ slightly and can be mixed. An ideal font for fat headlines, product packaging, signs and posters. Comes loaded with calories and diacritics!

German type designer Manfred Klein created this blackletter FontFont in 1991. The font is ideally suited for film and tv, music and nightlife, poster and billboards as well as software and gaming. FF Carolus Magnus provides advanced typographical support with features such as ligatures, alternate characters, and stylistic alternates. It comes with proportional lining figures.

ISZO is a modern precision, seamlessly blending tech innovation with humanist elegance. Sleek lines and meticulous geometry reflect architectural brilliance. Subtle curves evoke approachable essence. Resonating with standardization and excellence, ISZO captures the contemporary design and typography's future—a harmonious balance of allure and human connection, ideal for conveying technical prowess and artistic sensibility.

Mechaniclove is a gorgeous and bold handwritten font, crafted to give your headlines and logotype projects a retro touch. This font reads as strong, confident, and dynamic and can add tons of nostalgic character to your designs. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Creamer is a gorgeous and bold handwritten font, crafted to give your headlines and logotype projects a stylish touch. This font reads as strong, confident, and dynamic and can add tons of nostalgic character to your designs. Creamer is PUA encoded which means you can access all of the glyphs and swashes with ease.

Roelle will look beautiful on holiday invitations, wedding invites and stationery, logos, and more. Test it out below and watch the posters to see how it could look for your next project! Includes: Opentype SVG with ligatures Uppercase and lowercase Numbers and punctuation Foreign language support Check out my blog: www.instagram.com/zloillev pinterest.com/dmitriychirkov7

Ulysses was created by English designer Timothy Donaldson in 1991, an impulsive, dynamic alphabet in handwritten style. The sketchy strokes, the clear slant to the right and the light stroke contrast lend the font its flow and energy. Ulysses suggests randomness and individuality and is therefore perfect for invitations, greeting cards and other personal correspondence.

A fun and fresh font that encapsulates both summer and winter with its tall, hand rendered style. A versatile style,the family works well for all kinds or projects from window displays to music albums The Sun and Rain family consists of three weights, light, regular and bold. The weights cover diacritic, Greek and Cyrillic.

Built with both thick and thin lines this display font uses heavy round terminals giving this almost didone-style font a more playful and slightly stylish look. Perfect for magazines and publications as well as for identity and branding. The character set contains typical OpenType features in addition to small caps, and old style numbers.

Jump is a lighthearted, handwritten script. Its quick and informal style is perfect for short notes and messages to convey charisma. The letters 'jump' up and down on the baseline giving words and sentences a lively impression. Try out Jump for invitations, cards, and announcements when you are aiming for the hand-made effect.

Looking to add a touch of elegance and luxury to your message? Meet Honfleur, the typeface that’s guaranteed to take your design to the next level. Inspired by the beautiful lettering on an antique perfume poster, Honfleur boasts a stylish design that exudes sophistication and refinement. Its exceptionally wide alphabet is perfect for making a bold statement, and is sure to grab the attention of anyone who lays eyes on it. Whether you’re designing a high-end fashion brand, a luxury product, or just want to add a touch of class to your next project, Honfleur is the perfect choice. With its distinctive charm and luxurious feel, this typeface is sure to make a lasting impression and elevate your message to the next level. So why settle for an ordinary font when you can have the beauty and elegance of Honfleur? Try it out today and see for yourself just how much of a difference it can make in your designs. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

The world has ended, and all that remains is chaos and destruction. The remnants of civilization are scattered, and the once-great cities are now nothing more than ruins. In this post-apocalyptic wasteland, communication is more critical than ever. Your message needs to cut through the noise and grab attention, but how can you do that when everything around you is broken and damaged? Enter Octynaz—a typeface that perfectly captures the desperate spirit of this new world. With its severe damage and broken counters, Octynaz embodies the shattered landscape of the post-apocalypse. But it’s not just a broken typeface—in fact, it’s even more powerful because of its flaws. OpenType-aware programs will automatically substitute bespoke pairs to produce a grungy, realistic appearance that will make your message stand out. When you use Octynaz, you infuse your words with frantic authority and shattered vigor. You’re not just communicating—you’re commanding attention. Your message becomes a rallying cry for those who remain, a beacon of hope amidst the darkness. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

The Dalecarlian runes, or dalrunes, was a late version of the runic script that was in use in the Swedish province of Dalarna until the 20th century.The province has consequently been called the "last stronghold of the Germanic script. When Carl Linnaeus visited Älvdalen in Dalarna in 1734, he made the following note in his diary: The peasants in the community here, apart from using rune staves, still today write their names and ownership marks with runic letters, as is seen on walls, corner stones, bowls, etc. Which one does not know to be still continued anywhere else in Sweden. The Dalecarlian runes were derived from the medieval runes, but the runic letters were combined with Latin ones, and Latin letters would progressively replace the runes. At the end of the 16th century, the Dalecarlian runic inventory was almost exclusively runic, but during the following centuries more and more individual runes were replaced with Latin characters. In its last stage almost every rune had been replaced with a Latin letter, or with special versions that were influenced by Latin characters.

Explorer - a classy typeface collection. Explorer collection includes following: • 8 Fonts - a clean and textured version of each • Catchwords • Swooshes • Pictures Explorer’s core is a strong script type with straight edges. All the fonts are designed to work nice together. Here’s a short introduction to the styles: •Explorer Script is equipped with Contextual Alternates that make the connections between letters smooth. In addition it has Swash, Stylistic and Titling Alternates for standard characters for more customised look. Explorer Script has three weights. •Explorer Sans is a wide all caps sans-serif that doesn’t shy away from taking it’s own space. Explorer Sans has two weights. •Explorer Condensed is a sturdy all caps condensed sans-serif with rounded edges. Explorer Condensed has two weights. •Explorer Serif is a bulky all caps serif. •Explorer Swoosh is a collection of strokes and swooshes designed to go with the Script. Try adding a connecting one in the end of a word written with Script or place a loose swoosh above or below a word. •Explorer Catchword is a collection of catchwords designed to go with Explorer fonts.

The Novera family is a sharp geometric sans in ten weights plus matching italics, available in two versions – Modern and Classic. It has a contemporary, approachable and multifunctional yet characteristic design, that comes with an extensive glyphs set of 1000+ glyphs per font, meeting all typographic demands. The Design Vertical terminals, circular shapes and angular apexes – Novera truely breathes geometry! But the concept goes beyond the application of rational geometry. The intension was to create a highly legible family suitable for every day usage inspired by the work of Paul Renner, Eric Gill or Jakob Erbar, combining the geometric with the human and the functional with the unconventional. Although Novera is inspired by the past, its appearance is unmistakingly modern. Modern vs Classic Novera is available in two versions - Modern and Classic - born from the same source file but with different characters set as default. This creates subtle but effective distinctions such as the double-storey a (Novera Modern) which is optimized for legibility in longer text paragraphs, as opposed to the single-storey a (Novera Classic) which allows a purely geometric appearance. Another distinguishing feature are the ascenders on Novera Mondern, which extend above the cap height for an elegant presence, compared to the ascenders on Novera Classic, ending at the cap height, for a compact and helvetica-flavored look. Novera Modern was intended for usage in body copy, whereas Novera Classic was planned for headlines, short paragraphs or logos, but both versions can be used vice versa too, of course. Alternate Characters To maintain neutrality and a modern appearance, the standard character set largely dispenses with idiosyncratic forms. This is in contrast to the alternative forms with the gill-like lowercase letters g and t as well as a traditional shape of S and the German ligature t/z, which traces back to old German spellings. Also inspired by German poster designs from the early 20th century are the elongated i-dots and dieresis-dots that can create eye-catchers in headlines or logos. By the way, both versions, Novera Modern and Classic, can be created via stylistic set 1, 17 and 18. Opentype Features and Symbols The family comes with many opentype features to support modern typesetting. This includes ligatures, different number sets or alternative shapes for texts set in all caps. If you like arrows and other shapes, you will love Novera! The family has a built-in extensive symbols-set including 48 different arrows and various geometric shapes or icons. Weights With its 40 styles and 1000+ glyphs per font, the Novera family covers all thinkable design scenarios from branding to web, app or editorial usage. It blends in perfectly in text heavy paragraphs with its mid-weights like Light, Regular, Medium or Bold or stands out like a monument in headlines and posters with its extreme weights like Thin, ExtraLight, Black or Ultra. Testfonts If you like to test the fonts before buying the full version, please follow the link below. Please note, all test fonts are available for evaluation purposes only and contain a limited character set! A commercial license for the full version must be purchased separately. Please send a mail to contact@renebieder.com for more information. Download the test fonts here: https://www.renebieder.com/test-fonts

Malito Fashion is an elegant, thin lettered and stylish serif font. It is defined by smoothness and delicacy and is perfect for fashion branding or editorial designs. Add it confidently to your projects, and you will love the results.

Gojacky Bold Script Font is a gorgeous and bold handwritten font, crafted to give your headlines and logotype projects a stylish touch. This font reads strong, confident, and dynamic and can add tons of nostalgic character to your designs.

Display Dots Three Sans and Serif are display fonts not intended for text use. They were designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Three Sans and Serif include an uppercase alphabet, numbers, and punctuation.

Agustaf Bold Script Font is a gorgeous and bold handwritten font, crafted to give your headlines and logotype projects a stylish touch. This font reads strong, confident, and dynamic and can add tons of nostalgic character to your designs.

Inspired from geometric curves and circles, an audacious lower case display face with some alternate characters in Upper and Lower case glyphs. Great for Logos and Logotypes, headlines and larger text. Works well with smaller strap lines as well.

Display Dots Three Sans and Serif are display fonts not intended for text use. They were designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Three Sans and Serif include an uppercase alphabet, numbers, and punctuation.

Toscography is inspired by vernacular and naive hand-painted walls and signs from Brazil. It feels organic, spontaneous and fresh and it has a light texture on its characters that makes it feel like it is starting to decay.

Being Strong is a layered script and is inspired by bold, hand-lettered, vintage scripts. It includes OpenType features and additional accented characters, and is great for logotype, posters, badges, book covers, t-shirt designs, packaging and any more.

Display Dots Four Sans and Serif are display fonts not intended for text use. They were designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Four Sans and Serif include an uppercase alphabet, numbers, and punctuation.