Churchward Montezuma is the latest OpenType font family released by BluHead Studio, LLC. from the exciting and unique typeface library of Joseph Churchward. The cut-in motif gives this four weight serif family a unique look suitable for display work, and the lighter weights hold up well in text.

This is the "Starslang Phat" font, which is similar to the original "Starslang" font featuring starring vowels. The evolved font design has a heavier weighted text body and rounded contours. The result is a font that has a warm, natural, and curvy feel; with a fun urban impression.

The title card “Airplane Hydraulic Brakes” in the beginning of a WWII armed services training film had the words "hydraulic brakes" hand lettered in an Art Deco slab serif style. This served as the model for Training Film JNL, which is available in both regular and oblique versions.

Tangled PW is suitable for display use for titles, etc. This font contains the basic characters. Uppercase, lowercase, numerals, and basic punctuation. See the character map for all of the included characters. Tangled PW is available in OpenType and TrueType format which are both included in the same package.

Cift Serif is inspired by the work of charming lettering artists with a combination of Old Style Display Bold. Each letter is modified so that the distance, width and weight can give the beauty of the alternates given. A passionate curve gives a touch of beauty to this font.

Lettering on a 1927 menu by prominent poster artist Razzia provided the inspiration for this decidely Deco typeface. The restaurant itself was the setting for one of Georges Simenon’s many Inspector Maigret novels. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

The name Otis arose from an incident in a shopping mall in which, realising my shoelace was undone while on an escalator, I bent down to tie it, became aware of the approaching end, panicked, fell over, and in the process happened to notice the escalator's brand name.

Ailey Display is inspired by the work of charming lettering artists with a combination of Old Style Display Bold. Each letter is modified so that the distance, width and weight can give the beauty of the alternates given. A passionate curve gives a touch of beauty to this font.

AndrewAndyCollege is an outlined font derived from the Ingrimayne font AndrewAndreas, a san-serif face. In 2018 the inside and the middle ring were separated out and made independent fonts. They can be used alone, or layered with the original to produce letters with two or three colors.

Society Dame JNL is a stripped-down version of Jeff Levine's Florida JNL without all of the extra embellishments. Retaining all of the same characteristics, this solid letter typeface is a perfect compliment to the original, or as a stand-alone design that fully embodies the Art Deco period.

A font with a strong graphical appeal, based on the logotype lettering for the comic magazine of the same name, designed by Dutch illustrator Joost Swarte. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

This face was part of a continuing evolution of an almost unreadable typeface. There are two styles, one with stripes and one without. The striped style can be placed in a layer above the unstriped style to give the letters two colors. Zebraw was derived from the typeface Porker.

Tally Text Light is an early photolettering type, sometime in the 1940s, when words were hand assembled from individual film positives of the letters, then re-photographed. We made the bold face version of Tally Text Light by optical trickery long before the computer came into general use.

A vintage metal stencil from a saw mill with the term "reusable skid" was the model for Saw Mill Stencil JNL. Although the original was what would be termed a semi-stencil (some letters did not have 'breaks' in them), the font was designed with a more traditional look.

Introducing Magent – Display Typeface A Fusion of Style Magent sets itself apart as a striking Display Typeface that seamlessly merges the timeless elegance of serifs with the contemporary allure of sans serifs. This extraordinary fusion not only shatters monotony but also injects a vibrant energy into your designs. Fun and Playful Typography Magent exudes an unmistakable aura of fun and playfulness. It’s the font to choose when you want to infuse your projects with a touch of whimsy and character. The result is content that not only stands out but also leaves a lasting and memorable impression. Endless Creative Versatility An outstanding attribute of Magent is its sheer versatility. This font effortlessly adapts to a multitude of design contexts, spanning from posters to branding and beyond. Its adaptability makes it a true chameleon in the world of creativity. Memorable and Engaging Magent’s dynamic blend of serif and sans serif elements guarantees that your content remains not only memorable but also engaging. It captivates your audience and leaves them with a vivid and enduring impression, ensuring they keep coming back for more. In Conclusion In summary, Magent – Display Typeface is a font that defies conventions. It’s a design masterpiece that harmoniously combines aesthetics with a playful spirit. Whether it’s branding, posters, or an array of creative projects, Magent is a one-of-a-kind font that captivates your audience and infuses your content with vibrancy and charm.

BF Konkret Grotesk Pro, designed by Guido Schneider, is a contemporary grotesque with a straightforward style – but a very individual touch. Inspired by classic grotesque typefaces, Konkret Grotesk Pro impresses with its unique character and rhythm: It’s elegant and edgy, flexible and forceful. The Pro family supports up to 220 Latin-based languages. Each of the 16 fonts contains more than 1500 glyphs, including small caps, 7 figure sets, fractions, many ligatures, currency symbols, alternates, special characters and other useful symbols. 11 style sets give you the option to individualize and adjust the typeface to the requirement of your design, without changing the general visual feeling. In this way you can also switch the simply slanted styled Italic into a “real Italic”. BF Konkret Grotesk Pro is a typeface family that can adapt to many requirements without losing its character and expression. The range of 8 weights provides all possibilities. Due to the lovingly designed details, Konkret Grotesk Pro works both in small sizes as well as in display applications. Thus, Konkret Grotesk Pro is ideally suited for contemporary and demanding typographic tasks, both in the fields of editorial design, branding, posters and advertising. (The new Pro edition is the extended and optimized version of the previous BF Konkret Grotesk.)

Fun, illustrations of guy stuff. This font is another of the many doodle fonts from Outside the Line. Goes well with Diva Doodles and Diva Doodles Too.

Squarish could have been the Universe or Helvetica of the 1980's, if only it was designed then. Now it is just a little quirky gridded typeface.

Jazzy serif based on swing jazz record album covers in the first half of the 20th century. This is very good for children’s picture book, package too.

Wolfsburg is a classic blackletter stencil typeface. It is reminiscent of the days before computers when the best way to reproduce letters quickly was to stencil them.

This baby's got a fancy look to it. I personally used it for the nameplate at my frontdoor. You oughta do the same for your frontdoor too!

To start with one personal fact: I really like to listen Rahsaan Roland Kirk. He was a multi-instrumentalist, real grandmaster and unique jazz virtuoso. The way he improvised and walked through variety of different music influences are admiring. One of things he liked is to modify instruments, so he modified soprano saxophone and got an instrument called manzello. When I was looking for good name for this typeface, it came on my mind that Manzello could be the perfect one. It has the symbolic background from the instrument and theoretically in my head, it's imagined as typeface that rely on stable classic examples, but graphically designed and modified to match modern standards. Manzello contains a dose of characteristics of display typefaces with terminals that aren't perfectly rounded, high contrast between stems and good balanced Italics with elements of fine calligraphy. It's a small font family, something what I was always looking for to have as first text solution in my web and graphic projects.

The Rosetta Stone, or Rashid Stone, was accidentally found by a French soldier during an excavation in the fortification of Egypt. The stone was inscribed in three languages, intended to be sent to three major Egyptian temples. These languages are: Demotic (the language used by the people in Egypt), Hieroglyphic and Ancient Greek. This font contains ancient greek.

The “Moorish arch” treatment of certain letters on a 2001 book on Dutch design, executed by René Knip, provided the inspiration for this exotic unicase typeface. The font also includes arabesque designs in the brace, florin and section mark positions. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

Few fonts reach the goal of simulate properly the hand writing aspect. Based on the hand writing of Manuel Corradine, Corradine Handwriting fonts have a lot of automatized alternates and ligatures that give them a natural hand writing feeling. Initially we were offering just the upright version of Corradine Handwriting but now here is the nice italic version.

If you're searching for the perfect beat, let us guide your soul deep into the abyss. Reach higher ground with the ambient textures and boomboy shredder baseline of this funky dope font created by our digital chemist and cerebral craftsman, John "JG" Roshell. Rave un2 the joy fontastic. Rain or shine, you are covered, see you on the dancefloor.

Jungle Drums JNL is based on the hand-lettered title on the 1929 sheet music of its musical namesake. A bold, free form design with a hint of the Art Deco movement of the coming decades, this casual typeface has the vintage charm to enrich many design projects. Jungle Drums JNL is available in both regular and oblique versions.

The title hand lettered onto the 1933 sheet music cover for “Yours is My Heart Alone” represents the classic Art Deco typographic features of unusual character shapes and widths, yet at the same time it projects simplicity in geometric design. This served at the basis for Deco Diva JNL, which is available in both regular and oblique versions.

Good ideas never will die. Based on the concepts of former Leipzig student Volker Küster in the mid-1960s, I redrew and digitized the basics and extended them into a complete multilingual caps-only poster font which I named “Brocken”. Its letter-forms strongly remind me of the mighty rocks covering the highest peak, Brocken, in Northern Germany.

Correntino Railway is a product of argentine typographic archeology project called “Tipografía Histórica Ferroviaria” (Fabio Ares & Octavio Osores, since 2012). Is about the signboards of the stations of the line of the Argentine Correntino Economic Railway (1892-1969). The letter of this signboards can be described as display type, with elementary geometric shapes, vertical line modulation and slight contrast.

The 1884 specimen book of San Francisco Palmer and Rey Type Foundry featured this elegant design under the name Oxford. The decorative caps, combined with the centered small caps, have a timeless appeal. Both versions of the font include complete Latin 1252, Central European 1250 and Turkish 1524 character sets, with localization for Moldovan, Romanian and Turkish.

Thannhaeuser’s mid-1930s display blacklettr font as a fresh and extended redesign called Staufer Gotisch. This font contains a bunch of useful ligatures, and it is recommended to activate both Standard and Discretionary Ligatures. To reach the numero sign, type the combination N-o-period und activate the OT feature Ordinals. The # key is occupied by the round s.

Mercurius Script font was designed by the Hungarian wood engraver and type designer Imre Reiner in 1957 for the Monotype Corporation. The expressiveness of this bold script typeface is the result of Reiner's use of a bamboo pen for Mercurius Script's elemental shapes. Used sparingly, Mercurius Script font gives even the dullest headlines genuine spirit and excitement.

Urban Hive : reinterpreting three-dimension to the typeface A blueprint consists of two-dimensional elements changes into a three-dimensional structure. What works would be created by reversing the process? The building components were divided into three parts : Facade, Inside space and Construction materials to apply all the features to the typeface. This is Facade version.

This typeface was developed for the Different Ground exhibition identity (and that explains the name of the font). The aim was to make an absolutely geometric, constructed font. Sometimes even too geometric and too much into it's own rules. But at the same time to make it look very humane, sometimes imperfect and weird, but alive and not soulless.

In designing Minion font, Robert Slimbach was inspired by the timeless beauty of the fonts of the late Renaissance. Minion was created primarily as a traditional text font but adapts well to today's digital technology, presenting the richness of the late baroque forms within modern text formats. This clear, balanced font is suitable for almost any use.

You wanted the best and you got the best! Originally created for the KISS: PSYCHO CIRCUS comic in the late '90s, this thick/thin font is one of our most versatile and popular offerings. ⁠ Features automatic alternates, Manga characters, Western & Central European language support and Crossbar I Technology™ to place that character in exactly the right spot!