Hoodie & Sweater is a bold handwritten sans serif font. A new fresh handmade font with smooth edges. This font is support multi language. Available in OTF file. This font will perfect for many different project ex: quotes, logo, blog header, poster, branding, fashion, apparel, letter, invitation, stationery, etc….

Black Mint is a bold handwritten sans serif font. A new fresh handmade font with smooth edges. This font is support multi language and available in OTF file. This font will perfect for many different project ex: quotes, logo, blog header, poster, branding, fashion, apparel, letter, invitation, stationery, etc….

Potato Peel is a handwritten sans serif font. A new fresh handmade font with smooth edges. This font is support multi language and available in OTF file. This font will perfect for many different project ex: quotes, logo, blog header, poster, branding, fashion, apparel, letter, invitation, stationery, etc….

Streamline Moderne is a gorgeous serif typeface that is both classically elegant and modern. Create beautiful wedding invitations, use it as an elegant solution for your next magazine layout,logo, powerpoint templates design , quotes teks or choose Streamline Moderne for any graphics that require a sleek look with a vintage flair. Create something beautiful today with Streamline Moderne. What's included? - Uppercase Characters - Lowercase Characters - Multilingual support for various languages including: French, German, Spanish, Portuguese, Italian, Dutch, Finnish, Swedish, and more.

Goudy Modern/Open was designed by Frederic Goudy, who was inspired by the caption of a French engraving. It is Goudy's first attempt at a "modern" face, but with less contrast and rigidity normally found in Bodoni style Modern faces. Goudy Modern was designed later in 1918 after viewing a proof of Goudy Open with the line filled in. Not a true modern face, but still a Goudy classic. The Pro versions include ligatures, varieties of numerals and Central European character sets.

François Boltana was a French prolific lettering artist during the late 20th Century. He created the Stilla typeface in 1973. Stilla is a cursive “Fat Face”-style design, reminiscent of the first large advertising and display types produced in the wake of the successful Bodoni, Didot, and Walbaum text faces. Because of this pedigree, Stilla is the perfect headline choice for applications that look back to the 19th century. Stilla could also be used for very short headlines or big logos.

Goudy Modern/Open was designed by Frederic Goudy, who was inspired by the caption of a French engraving. It is Goudy's first attempt at a "modern" face, but with less contrast and rigidity normally found in Bodoni style Modern faces. Goudy Modern was designed later in 1918 after viewing a proof of Goudy Open with the line filled in. Not a true modern face, but still a Goudy classic. The Pro versions include ligatures, varieties of numerals and Central European character sets.

Alinea is a typeface in 3 styles (Sans, Incise, and Serif) conceived for being mixed in the same document. Alinea incise is a flare serif (incise in French). It finds its origin in the roman letters carved in stone. The great advantage of such a style is that it can be associated to any other style of typeface. The most famous flare serifs are: Optima of Hermann Zapf, Pascal of José Mendoza, Amerigo of Gerard Unger and Alinea Incise of course!

French type designer Albert Boton created this serif FontFont in 2003. The family has 7 weights, ranging from Light to Bold (including italics) and is ideally suited for book text, film and tv, editorial and publishing as well as small text. FF Tibere provides advanced typographical support with features such as swashes, ligatures, small capitals, petite capitals, alternate characters, and case-sensitive forms. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Werdet Script is a calligraphic typeface, inspired by the samples of the calligraphy “Batarde” created the first half of the 19th century by the French calligrapher Père Werdet. It has expanded on the original samples, creating a complete typographic family with five weights. The typeface explores the power of Opentype to simulate a manual writing. Thanks to the "contextual alternates” function, ligatures, alternate figures, initials and final forms, are automatically configured to offer an aspect with human decisions to mechanically written texts.

Introducing Celiro medieval sans serif font that is very fresh and unique style handmade. Celiro Typeface is perfectly suited to logo, stationery, poster, apparel, branding, wedding invitation, card, tagline, layout design, and much more !!

Anulika is a new calligraphy font which is fresh, funny, interesting and with a cute heart that can be connected. It is suitable for greeting cards, branding materials, business cards, quotes, posters, and more!

Introducing Venily - a playful display font that is very fresh and unique style handmade. Venily Typeface is perfectly suited to logo, stationery, poster, apparel, branding, wedding invitation, card, tagline, layout design, and much more !!

Glaudusa is a new calligraphy font which is fresh, funny, interesting and with a cute heart that can be connected. It is suitable for greeting cards, branding materials, business cards, quotes, posters, and more!

Introducing Aahill Typeface - a font that is very fresh and unique style handmade. Aahill Signature Typeface is perfectly suited to logo, stationery, poster, apparel, branding, wedding invitation, card, tagline, layout design, and much more !!

A couple of years before the second World War, Marcel Jacno, the popular French graphic designer who in the 1930s designed iconic posters for Gaumont and Paramount and famously illustrated the Gaulish helmet that first adorned the Gauloises cigarette packs in 1936, was asked by Deberny & Peignot to design a calligraphic typeface for the advertising market. Jacno's Scribe design, billed by D&P as a "virile ad writing" typeface, was released to some great fanfare in 1937, enjoyed some time of French spotlight, and was ready to make waves in the rest of Europe before the war broke out and snuffed its chances at international recognition. However, samples of it can still be found in some specialty post-war publications as an example of a trend that lasted a couple of decades, when Western European type manufacturers commissioned famous visual artists to design typefaces in order to capitalize on the artists' fame - the trend that brought us standards like Futura and the long list of Lucien Bernhard and Imre Reiner faces. This exclusive digital version of Jacno's design expands on the original concept with a large character set that includes plenty of alternates, a couple of different ways for seamless lowercase connections, three sets of figures, and extended Latin language support, adding up to over 540 characters in a one big, contextually-programmed font.

Belgato is a vintage-inspired typeface with delicate details. It comes in six weights – plus italics! – for a total of 12 fonts, making it a highly versatile display face. The variable font version allows for ultimateweight and slant customization in print and web. Belgato has Latin, Greek, and Cyrillic alphabets, and supports dozens of languages, making it ideal for multilingual branding, publications, ads, social media, and more! I had so much fun designing this typeface, playing with classic serif letterforms to create an elegant, mid-century modern vibe. Belgato Light is fresh, airy, and delicate – perfect for feminine branding. By contrast, Belgato Black boasts fat curves with thin details, perfectly-suited to bold layouts and retro branding projects. Each Belgato font has 665 glyphs, encompassing: - the Latin alphabet (including hundreds of accented characters) - the Modern Greek alphabet - the Cyrillic alphabet (for Russian, Ukrainian, Bulgarian, and Serbo-Croatian) - discretionary ligatures - stylistic and alternate glyphs - numerals (lining and old style), small figures, and fractions - extensive punctuation, symbols, and diacritical markings Software: No special software is required to use Belgato fonts. You can even use these fonts with Canva! To access Belgato’s variable font features, ligatures, and stylistic alternates, it is best to use software that supports these functions (Adobe programs, Corel Draw, Sketch, etc). Languages: Belgato supports dozens of languages which use the Latin, Greek, and Cyrillic alphabets. Among the most common languages it supports are: English, Bulgarian, Catalan, Croatian, Czech, Danish, Dutch, Filipino, Finnish, Flemish, French, German, Modern Greek, Hungarian, Icelandic, Indonesian, Italian, Luxembourgish, Maltese, Norwegian, Polish, Portuguese, Russian, Serbo-Croatian, Spanish, Swedish, Swiss German, Turkish, and Ukrainian.

Standing tall as an Illinois cornfield in September, Cornhusker Regular is a strapping condensed sans designed by a champion cornhusker. Inspired by 1940s Midwestern signage, it's warm & charming characters are perfectly at home in logos, beverage bottles and food packaging, restaurant menus, travel advertisements, websites, stationery, handmade product packaging and so much more. If you're looking for a hand-crafted typeface with punch (who can fit into tight spaces!) then Cornhusker Regular is the font for you. This inspired revival excels in both retro & modern designs. Cornhusker Regular includes capital letters, small caps, and alternate cuts (with diacritics) of A, E, F, J, X, Y, ᴀ, ᴇ, ғ, ᴊ, x, ʏ, 0, 1, 2, 3, 4, 5, 7 and a sharp German double s in both cap and smallcap. This font is not affiliated with or endorsed by the University of Nebraska. WHAT'S INCLUDED Cornhusker Regular includes an installable digital Opentype Font file in a single weight. This file contains a basic Latin character set with a full set of uppercase and small caps, multilingual diacritics, numbers, international currency figures, punctuation and pagination symbols. The font also includes alternate cuts for select uppercase and smallcap letters (located in stylistic sets). It is compatible with Adobe CS and CC, Microsoft Word and other type editing apps. SUPPORTED LANGUAGES Afrikaans, Alsatian, Basque, Bislama, Breton, Catalan, Chamorro, Danish, Dutch, English, Faroese, Finnish, Flemish, Franco-Provencal, French, Frisian, Friulian, Galician, German, Greenlandic, Icelandic, Indonesian, Irish, Italian, Ladin, Latin, Luxembourgish, Malay, Manx Gaelic, Northern Sotho, Norwegian (Bokmål), Norwegian (Nynorsk), Occitan, Portuguese, Rhaeto-Romance, Romansh, Sami (Inari), Sami (Lule), Sami (Northern), Sami (Skolt), Sami (Southern), Scottish Gaelic, Spanish, Swahili, Swedish, Tagalog, Walloon and Welsh.

Royal Blossom belongs to my extended family of blackletter fonts that are derived from the famous Royal Bavarian Fraktur. Ayres Royal and Monkeytails also belong to this elaborate set of blackletter fonts; that's why I now offer the lot for an exceptional price. All fonts can be mixed and used together. Your type designer with a crunch for history, Gert Wiescher.

Tshikona is casual and vigorous font with a taste of African spice. Although creating an impression of handwritten informality, Tshikona is a carefully crafted font, making it easy to use in any display setting, either for headings or as an informal body font. The line of the letters is reminiscent of the angular, dry branches of trees in the African veldt.

This font has wide letterforms and bends which echo the continuous roads traveled on when reaching distant holiday destinations. The typography aims to be clear and legible, as do helpful road signs. This font can function as headings, subheadings and body text.

Staly Home Handwritten Script Font is an exquisite handwritten font, masterfully designed to become a true favorite. It maintains its classy calligraphic influences while feeling contemporary and fresh. Fall in love with Stay Home and bring your projects to the highest levels.

Andina is an exquisite handwritten font, masterfully designed to become a true favorite. It maintains its classy calligraphic influences while feeling contemporary and fresh. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Andalusia Signature is an exquisite handwritten font, masterfully designed to become a true favorite. It maintains its classy calligraphic influences while feeling contemporary and fresh. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

A different view of Japanese - fresh, modern and traditional!

Brasserie, the font, is a tribute to all brasseries since they are wonderful places to relax and enjoy food, wine and friends. It is also a salute to Parisian neon sign makers who continue in their difficult quest to adapt type, including script, into fragile, gas-filled, electric glass tubes. I tried to capture the spirit of these neon signs and combined it with the loosely styled handwritten menus written on blackboards that are usually placed outside Brasseries. You will find Brasserie to be very useful in many situations where you need clarity with style in a reasonably compact width. It is also creates an unusually even texture in sentences. Brasserie is a fairly upright script with a large x-height, which helps to save on overall width. Like a brasserie, the font is a relaxed and informal script, useful for logo, packaging, menus, editorial, advertising, invitations, etc and is available for Mac and PC in Opentype, Truetype and Postscript versions. In France, a brasserie is a café doubling as a restaurant with a relaxed setting, which serves single dishes and other meals. It can be expected to have professional service and printed menus (unlike a bistro which may have neither), but has more informal eating hours than a full-fledged restaurant. Typically, a brasserie is open every day of the week and the same menu is served all day. The word 'brasserie' is also French for brewery and, by extension, "the brewing business".

Qellia is a modern variable font family with lots of style and creativity. Qellia is designed with beautiful ligatures and unique alternate characters. The tall and slim nature of the Qellia characters gives the font an elegant and classy look. The font family contains 10 fonts and 1 variable font, there are 5 weights, and each weight has an oblique. The variable version makes it easy to manually adjust the weight and slant. The Qellia font family has multilingual support for languages such as: Danish, English, Finnish, French, German, German (Switzerland), Norwegian Bokmål, Norwegian Nynorsk, Portuguese, Spanish, Swedish, Swiss German. Qellia is designed with unique letters, this makes it perfect for a wide range of projects such as: branding, magazines, logos, wedding invitations, editorials, product packaging, advertisements and much more. If you a looking for something modern, nostalgic and chic for you next project, Qellia is the font for you.

Introducing Alinton Signature Typeface - a font that is very fresh and unique style handmade. Alinton Signature Typeface is perfectly suited to logo, stationery, poster, apparel, branding, wedding invitation, card, tagline, layout design, and much more !!

Love Julia is a new calligraphy font which is fresh, funny, interesting and with a cute heart that can be connected. It is suitable for greeting cards, branding materials, business cards, quotes, posters, and more!

Ruby is a poster font with proud geometry and rounded terminals. With its roots in skateboard graphics it is young, fresh, strong and confident. Ruby comes with two complimentary styles for adding that precious sparkle.

Big Tales is a monoline script font. It maintains its classy calligraphic influences while feeling contemporary and fresh. This versatility will appeal to a wide range of crafty ideas, from letterheads and titles, to stationery.

Introducing the Dalovet script, a font that is very fresh and unique style handmade. Dalovet script is perfectly suited to logos, signature, stationery, posters, apparel, branding, wedding invitations, cards, tagline, layout design, and much more.

Introducing Alvaise Signature Typeface - a font that is very fresh and unique style handmade. Alvaise Signature Typeface is perfectly suited to logo, stationery, poster, apparel, branding, wedding invitation, card, tagline, layout design, and much more !!

Introducing the Berlins script, a font that is very fresh and unique, handmade style. Berlins script is perfectly suited for logos, signatures, stationery, posters, apparel, branding, wedding invitations, cards, taglines, layout designs, and much more.

Marlyca Script is a new calligraphy font which is fresh, funny, interesting and with a cute heart that can be connected. It is suitable for greeting cards, branding materials, business cards, quotes, posters, and more!

Inspired from archaic slavonic calligraphy, with a modern, fresh and spontaneous look, Architype AD-2014 is a display font designed for impactful and original headlines that has somehow to do with historical or religious content.

Haston Hailey is a new calligraphy font which is fresh, funny, interesting and with a cute heart that can be connected. It is suitable for greeting cards, branding materials, business cards, quotes, posters, and more!

Peperoncino is a sans serif font. Designed first with a marker, the irregular strokes create a fresh handmade feeling. After the big success of Peperoncino Family, we create its vintage version adding some "rusted" elements.

Redmirable is a new, fresh, and modern font with a calligraphy style. It can used for anything from promotional material, logotype, branding, handwritten quotes, to product packaging, signage, labels, newsletters, posters, merchandise and branding projects.

Decora Pro font family is designed by Naghi Naghashian. A modern interpretation of classic Roman characters in 1 weigh and 2 styles: Regular and Regular Italic. It is a Liaison between the classic Roman typeface and script style. The character set of this Font family supports most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish. There are 17 additional symbol characters: euro, litre, estimated, omega, pi, partialdiff, delta, product, summation, radical, infinity, integral, approxequal, notequal, lessequal, greaterequal, and lozenge. It also includes the characters necessary to support the following central European languages: Croatian, Czech, Estonian, Hungarian, Latvian, Lithuanian, Polish, Romanian, Serbian (Latin), Slovak, Slovenian and Turkish.