4,818 search results (0.02 seconds)
  1. Round Branch Monogram by MonogramBros, $12.00
    Round Branch Monogram Font is a perfect shaped monogram font consisting of 52 letters. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Round Branch Monogram Font comes with font file in OTF format.
  2. Pesto Fresco Italic by Resistenza, $29.00
    Pesto Fresco Italic is a new version of Pesto Fresco handwritten lettering system, a font family built of 27 styles. Overlapping Pesto Fresco Italic Regular with any of the other decorative styles you will get different graphic effects, so just choose the one that fits best with your layout. This font can be used for different purposes from packaging design to web design.
  3. Rech Munchase by Trustha, $15.00
    Rech Munchase is a handmade script font. Rech Munchase is perfect for logotypes, posters, apparel designs, labels, website headers and much more!
  4. Dizzy Fence by Putracetol, $22.00
    Introducing Dizzy Fence, a quirky and blocky display font. This font is perfect for your projects related to kids, which is playful and fun. This font also has 2 versions, clean and rough. Dizzy Fence also perfect for branding design, posters, apparel, logotype, header, quote, invitation, greeting card, cover, poster, fashion design and any more. Come with lot of ligatures character, its help you to make great lettering. This font is also support multi language.
  5. Back Fence by Bogusky 2, $15.00
    A clever font derived from wood planks
  6. Fresh Bionik SE - Personal use only
  7. Kreme De Fresh by PizzaDude.dk, $20.00
    Kreme de Fresh is most likely the lacking ingredient for your next project!
  8. Ranch Hand JNL by Jeff Levine, $29.00
    Ranch Hand JNL is a tall, condensed wood type with slab serifs. The font is somewhat bolder in weight than Nostrand JNL, but like its counterpart, fully captures the spirit and flavor of Nineteenth Century advertising, fliers and notices.
  9. Sweet and Fresh by Gleb Guralnyk, $12.00
    This smooth, modern typeface named "Sweet & Fresh" has a trendy look with nice rounded shapes and multi-lingual support. Thank you and have a nice day!
  10. Mo' Funky Fresh by ITC, $29.99
    Mo' Funky Fresh is the work of New York designer David Sagorski. It is an all capital typeface which includes a set of alternative capitals, compatible symbols and lively illustrations. Mo' Funky Fresh brings to mind sunny days, tiki bars, surfboards and cool drinks and is a great choice for headlines requiring a vital, energetic look.
  11. Linotype Fresh Ewka by Linotype, $29.00
    Linotype Fresh Ewka is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This fun font was designed by Polish artist Dariusz Nowak-Nova and each letter seems to be a work in itself. The fine hair lines are decorated with tiny squares and look like wires with nodes while the thicker strokes have indefinite contours and seem to have been made with a thick brush. Linotype Fresh Ewka is suitable for headlines in large point sizes.
  12. The Fresh Prince by Knorke, $11.50
    The Fresh Prince Graffiti Font was sketched with a standard felt tip marker - Street Style. We had the idea to this after some beers and the discussion about the wackness of the most Graff Fonts.
  13. Ranch Land JNL by Jeff Levine, $29.00
    Ranch Land JNL is based on a classic French Clarendon wood type, many of which were popular in the 1800s and are now associated with either Western motifs or circus events.
  14. Ale and Wenches BB - Personal use only
  15. Vtg Stencil France No3 by astype, $28.00
    The Vtg Stencil fonts from astype are based on real world stencils from several countries. All styles offering an extended Latin character set. » pdf specimen «
  16. Vtg Stencil France No1 by astype, $40.00
    The Vtg Stencil fonts from astype are based on real world stencils from several countries. In the case of French stencils the challenge was special, because of the varieties of different widths and weights between the stencil sets – so I made France No. 1, No. 3 and No. 5. The most unique and eye-catching elements of typical French stencils are the figures 1, 2, 3, 7 and a specially 5. The figure 5 changes in style on smaller stencil sizes, its bobble getting replaced by something like a “breve”. The letters J and Q can differ in style too. While the local stencil lettering styles are gradually disappearing in other countries, there are regions in France, such as Normandy and Brittany, where these stencils are still in use today. They are used for technical lettering, which is what stencils were originally intended for, but also for ads and information signs in a more artistic or patriotic context. Over the time, these stencil letters became a globally recognized landmark of French design and French taste. All styles offering an extended Latin character set. » pdf specimen «
  17. Ongunkan France Glozel Runic by Runic World Tamgacı, $100.00
    In March 2010, Émile Fradin, a modest peasant farmer from central France, died at the age of 103. To his grave he took the secret behind one of the most controversial archaeological discoveries of the 20th century. A discovery which put into question the very origins of the written word and the paternity of European culture. It was the uncovering of peculiar artefacts would come to be known as the Glozel runes. The discovery of the Glozel runes On the first day of March 1924, a not yet 18-year-old Fradin was ploughing his family’s field in the hamlet of Glozel, when his cow stumbled into a hole. When he and his grandfather, Claude, looked closer, they discovered a mass of broken stone, under which lay an underground chamber. Within, they discovered pottery fragments, carved bones, and a peculiar clay tablet covered in bizarre characters that neither of the two could decipher. The family requested a subsidy for excavation works to be carried out, but were refused by the regional authority. With that disappointment, it seemed as though the discovery would fade into obscurity. However, the following year, news of Fradin’s unusual clay tablet reached the ears of the physician and amateur archeologist, Antonin Morlet. By the end of May 1925, Morlet began the first of his excavations.4 Within the first two years alone, he had amassed some 3,000 finds.
  18. Vtg Stencil France No5 by astype, $28.00
    The Vtg Stencil fonts from astype are based on real world stencils from several countries. All styles offering an extended Latin character set. » pdf specimen «
  19. JI Picket Fence - Unknown license
  20. Fence Post JNL by Jeff Levine, $29.00
    The inspiration for Fence Post JNL comes out of an early 1900s manual for sign writing. A number of changes were made to make the design more aesthetically pleasing, but it retains its novelty effect of evoking the look of wooden fence posts or Western-themed typography.
  21. Ecolier - Unknown license
  22. Georges - Personal use only
  23. Leftheria by Sea Types, $19.00
    Leftheria structure is designed from the Greek order Ionic columns and their capitals, is a condensed typography with vertical emphasis.
  24. Rougon by VanderKeur, $30.00
    The reason for Nicolien van der Keur to design the Rougon font was the translation of twenty novels written by Emile Zola, a French writer, and translated by Martine Delfos. It follows the lives of the members of the two titular branches of a fictional family living during the Second French Empire (1852–1870) and is one of the most prominent works of the French naturalism literary movement. This series deserved a font with French roots and corresponded to the period in which Zola’s books were written and published, the period between 1870 and 1893, the end of the nineteenth century. Extensive research into French historical typefaces has led to a type specimen from the French type foundry Deberny et Cie in Paris around 1907. It turned out to be good and helpful source as it contained a sample of a typeface that reflected the content and style of the novels, but also represented the period in which the books were written in France. A large part of the novels are about the generations of Rougon, so it seemed a natural choice to give the font that name. It is available in one weight and contains stylized portraits of Emile Zola and the French Marianne. This font also contains various ornaments.
  25. Cafe De Paris by Studio K, $45.00
    Café de Paris is, clearly, inspired by all things French, especially the quirky typefaces that adorn French shopfronts from cafes to charcuteries and bistros to boulangeries. My intention was a fresh, crisp, modern take on a classic theme, with just a soupcon of Art Nouveau, which is characteristic of so much of French typography (See also Studio K’s Paris Metro font) C'est chic - n'est-ce pas?
  26. Côte by TEKNIKE, $45.00
    Côte is a display monospace handwriting font. The typeface is a distinct hand drawn font using a felt marker. The Côte name is derived from the French word meaning "coast" and is also used to describe winemaking vineyards and regions throughout France. One of the most popular regions in the south of France is the French Riviera also known as the Côte d'Azur. Côte is great for display work, invitations, writing, architecture, posters, wine labels and headings.
  27. EVOL - 100% free
  28. PocketWrench by Deniart Systems, $20.00
    Make a bold statement with this modern, angular design - go wild and use it together with it's partner font, PolkaDot Wrench. This typeface features over 90 extended characters for setting European languages such as Czech, Danish, Dutch, Esperanto, Finnish, French, German, Italian, Hungarian, Polish, Portuguese, Romanian, Spanish, Swedish, Turkish & Welsh.
  29. Coney Island by Solotype, $19.95
    This is based on a mid-Victorian Connor's foundry font originally known as Manhattan. One of several old faces known in America as "French Clarendons", in Europe as "Italians", and, wait for it, in France as "American".
  30. 1859 Solferino by GLC, $38.00
    This font is a late 19th Century French script overview inspired by numerous French letters, from around years 1850-1860, during the second French empire, under Napoleon the third. Most of them were written with very tiny characters on light sheets of paper, as postage prices were calculated from the letter's weight. The TTF and OTF versions are enriched with more than 50 ligatures and/or alternate characters. We also offer a choice of two sorts of Capitals. Why "1859 Solferino"? It was the last battle of the Italian independence war, opposing the victorious Franco-Italian army to Austria in June 24, 1859. The Red Cross was inspired directly from the carnage remaining on the battle field.
  31. SchoolBook by ParaType, $30.00
    The typeface was designed at the Polygraphmash type design bureau in 1949-61 (project manager Elena Tsaregorodtseva). Based on Shkolnaya ('School') typeface, 1939 (project manager Evgeny Chernevsky), a version of Century Schoolbook of American Type Founders, 1915-1923 by Morris F.Benton. The low-contrast text typeface of the Ionic-Legibility group, it is designed expressly for schoolbooks and children books.
  32. New Journal by ParaType, $30.00
    The typeface was designed at the Polygraphmash type design bureau in 1951-53 by Lev Malanov, Elena Tsaregorodtseva et al. Based on Cyrillic version of Excelsior, 1931, of Mergenthaler Linotype, by Chauncey H. Griffith. Excelcior Cyrillic was developed in 1936 in Moscow by Professor Michael Shchelkunov, Nikolay Kudryashev et al. A low-contrast text face of the Ionic – "Legibility" group.
  33. Beans Plain - Unknown license
  34. Liquid Pickle - Unknown license
  35. Army Beans - Unknown license
  36. Hypertension - Personal use only
  37. Corona LT by Linotype, $29.99
    Corona was designed by C.H. Griffith and appeared with Mergenthaler Linotype in 1941. It is a part of Griffith’s Legibility Group’, on which he began working in 1922 and which contains typefaces especially well-suited to newsprint. Corona is based on forms of the Ionic type, perhaps the first style designed specifically for newspapers. The font is relatively small but gives an impression of strength and modernity.
  38. Life by Linotype, $29.99
    Life was designed in 1964 by W. Bilz and marks the beginning of a new generation of newsprint fonts. The Ionic style had replaced Modern Face and was now replaced by this new innovative style, which mixed elements of Old Face, Transitional and Modern Face forms. Life’s characters are based on the forms of Times and are the result of a time of change and experimentation.
  39. Melee - Unknown license
  40. JHand - Unknown license
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