American type designer Joel Decker created this script FontFont in 1997. The family contains 2 weights: Regular and Bold and is ideally suited for advertising and packaging, poster and billboards as well as software and gaming. FF Inkling provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle figures.

Lonie is sans serif font family (include 5 weight, italic and variable) It contains more than 1200 characters including the Latin, Cyrillic and Greek alphabet There are also 15 OpenType features (Superior; Inferior; Numerator; Denominator; Fraction; Tabular Lining; ;OldStyle Figure; Small Capital; Small Capitals from Capitals; Contextual Alternate; Case Sensitive; Ordinals; Access All Alternates; Stylistic Set).

Often in typography, a standout appeal is required – but preferably without compromising on clarity and legibility. Laurel font family by Fenotype is where the best of both worlds meet – an edgy display letter yet easily legible and appropriate for a wide range of use cases. Brand identities, packaging, posters or editorial – choose Laurel for a touch of unique flair.

Introducing Lautren, a new delightful bold script with reversed contrast typeface. The Ideas of this fonts came from funny summer vibes mood which is made more neater and smoother. Lautren created with a tons of opentype features like contextual alternates, stylistic sets, ligatures, and swashes at the ending of the letters. A fun typeface to play with!

Norton is a full character set based on the five letters in the famous Norton Motorcycles logo. K-Type has attempted to remain true to the spirit of the original identity, whilst updating the face, particularly the upper case, to sit more comfortably in contemporary usage. Thanks to Paul Lloyd for the influence of his typeface, Duvall.

ITC Farmhaus is the work of British designer Tim Donaldson and is, in his own words, Neil Young meets Paul Renner." Donaldson borrowed the perfect circles and clean lines of Renner's drawings for Futura and gave them jagged edges and uneven, thick strokes. Farmhaus contains one set of capitals and two sets of lower case letters."

British type designers David Crow and Ian Wright created this display FontFont in 2002. The family contains 2 weights and is ideally suited for advertising and packaging, editorial and publishing as well as poster and billboards. FF Beadmap provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with tabular lining figures.

Gardo Grotesk is a bold condensed display typeface designed to make a strong impact. Armed with eye catching ligatures and catchwords, combined with its striking visual features, Gardo Grotesk grabs the attention of the reader effortlessly. Gardo Grotesk's Opentype Features include Standard and Discretionary Ligatures, Alternates, Catchwords (Contextual Alternates), Case Sensitive Forms, Fractions, Scientific Inferiors, Superscript and Tabular Figures.

In the 1930s the WPA (Works Progress Administration) sponsored a Federal art project. Many posters were produced that featured government-sponsored cultural events, health and safety tips and various other topics. One such poster from Pennsylvania has the words “Work with Care” in a hand-lettered inline sans design. This became the basis for Asbury Park JNL.

Schlange is a rich typeface with rounded terminals. The family includes five sans serifs and five slab serifs in weights from ultra light to bold. Schlange’s personality is determined by an open aperture and quite large lower case characters in comparison with the upper case set. Schlange’s personality is open and friendly, giving a text it’s used for a soft, warm appeal. Schlange will work well as a display type (think titles, short magazine call-outs, ad banners, and such), but it’s not a good choice for extensive bodies of academic text. Available in numerous weights, the typeface provides rich opportunities for mixing and matching and is great for typographic compositions. These qualities make Schlange a dream type for a packaging designer. It will feel at home in design for cosmetics or sweets, postcards, children’s books and menus.

Paradox Runa is based on the futhark, norse elder runes. “Missing” characters has been replaced with either other “real” runes, or “new” ones have been “invented” so that the font hold all characters for the latin alphabet (A-Z + swedish Å Ä & Ö) + “Numbers” 0-9. I do not claim that this rune alphabet is totally authentic nor correct! All upper and lower-case letters are the same except for the letter S. “Ligatures” have been created for the th, ng and eo sounds. These are accessed by writing TH, NG and EO (in upper case letters). Space is automatically replaced by a ‘colon’ (':') - if you want a “real” space, write an underscore! (open type version of the font and open type compatible layout application required). Paradox Runa goes perfect with the font Paradox X (regular yet enigmatic hand drawn latin letters)!

Sinete, besides being and elegant and charming typeface, is also an extraordinary monogram set. You can create any 2 letter combination with its more than 350 handmade interlocking monograms. There is also the possibility of creating stylish 3 letter combinations. But that is not all, Sinete provides you with 30+ numeral ligatures and a variety of frames to combine with the monograms. This font also gives you the ability to create many text textures with its 4 case design approach (Uppercase, Small Caps, cantered Small Caps and “Opulent” Case). This gives you plenty of versatility. Make sure you play with the 9 Stylistic Sets provided. Sinete is all about creating wonderful words. Perfect for wedding invitations and other events as well as for refined logos and branding. This is also a great typeface for titles due to its delicate design and captivating look.

This is the Viking font that I developed based on the letters in the Irk Bitig book, which is written with the brush line of the old Turkish runic alphabet, the information below. It was interesting work. Irk Bitig or Irq Bitig (Old Turkic: 𐰃𐰺𐰴 𐰋𐰃𐱅𐰃𐰏‎), known as the Book of Omens or Book of Divination in English, is a 9th-century manuscript book on divination that was discovered in the "Library Cave" of the Mogao Caves in Dunhuang, China, by Aurel Stein in 1907, and is now in the collection of the British Library in London, England. The book is written in Old Turkic using the Old Turkic script (also known as "Orkhon" or "Turkic runes"); it is the only known complete manuscript text written in the Old Turkic script. It is also an important source for early Turkic mythology.

Valenteena is in the spirit of the 19th century, but there are no other typefaces quite like it. It is geometric, using distorted hearts to form the letters. The lower-case letters are smaller versions of the upper-case letters. The overlay variant is derived by breaking ValentinaContour into its parts: the inner letter, the white inner border, and the black outer border. To use them one must have a program that allows layers of letters. Type in and format the inside variant to get the message you want. Also select the color you want this layer to have. Copy this layer twice, formatting one to the medium and and the other to outside. Color each of them in the colors you want and them combine the three layers, placing them so the letters exactly align. You will get letters with three colors.

Tusque is a layered chromatic type family with a Tuscan flavor. Regular, Circus and Tooled can stand alone, while Highlight and Deco are purely for layering up multicolored gorgeousness. Tusque lends itself to fairy tales, wine labels and boutique logos, and makes some particularly delectable drop caps. Although it’s all caps, the lower case slots are all different from the upper case so you can mix and match to your heart’s content. There are also a bevy of swash alternates and ligatures at your disposal. The contextual alternates feature cleverly substitutes alternate versions of more triangular glyphs like A and V to give a better fit. The ordinal feature changes ‘a’ and ‘o’ to the feminine and masculine ordinals for Spanish etc. but also changes ‘c’ and ‘ac’ to superscript lowercase versions for names like McBride and MacDonald.

Let us introduce you the official big update of Intro type family with essential upgrades to this contemporary sans serif. The weight distributions completely revised has brought 8 new weights and matching italics resulting in 72-fonts family with 22 fonts extra. Intro’s refined playfulness is further emphasized with additions of multiple ingredients, such as carefully adjusted Oblique alternatives next to the existing upright alternatives. All these styles are now available as a Condensed version. On top of that, there are 3 inline fonts. The glyph case was expanded to cover Extended Latin and Cyrillic with adequate language localization. The OpenType features rewritten and improved now allow case-sensitive forms and contextual alternates, and plenty of stylistic alternates. The standard numerals set includes as well tabular figures and symbols, superiors and inferiors, numerators and denominators, plus fractions.

Klaster Sans is a massive geometric sans-serif typeface inspired by the first German geometric fonts. In particular, their clear, but rough forms and not perfect curves. As well as minimal optical compensators. Due to all this, the letters look weighty and powerful. Klaster Sans has 14 styles. From neat thin to extremely heavy. And it's all in italics. Or one variable font with two adjustment axes. All styles include an extended set of Latin characters and basic Cyrillic. It has support for 210 languages. Also contains stylistic alternatives, case-sensitive forms, arrows, fractions, tabular figures, circled figures and other. Features: – Total glyph set: 657 glyphs; – 14 styles (7 weights x italic) + variable; – Support 210+ languages; – Latin Extended; – Cyrillic Basic; OpenType features: – Uppercase, lowercase; – Proportional, circled, tabular numerals, superiors, inferiors, fractions; – Punctuations and symbols; – Arrows; – Stylistic sets (ss01); – Ligatures; – Case-sensitive forms.

Several years ago I was asked to do a sign for a rummage sale. To print the words RUMMAGE SALE, I took letters from some of the ornate fonts I was working on at the time. I liked the results, so made them into a font. Fonts from which the letters come include HippityDippity, Tuskcandy, Letunical, OakPark, WyomingStrudel, NeuAltisch, WyomingMacroni, WyomingPastad, and Rundigsburg. The original typeface had two variants of each letter, one on the upper-case keys and the other on the lower-case keys. The name of the original font, RummageSaleOne, acknowledged that a greater selection of letters was desirable but it was only with the upgrade of 2020 that the greater selection was added. The additional variants were added in two ways: as a separate typeface (RummageSale-Two) and also as OpenType stylistic alternatives.

Rondalia is a timeless yet modern font in which the strokes vary in thickness. It is highly readable yet has an informality combined with a quiet elegance. Above all else, Rondalia is well-behaved, ladylike, and can be expected to behave correctly and make the right impression in a wide range of situations. Rondalia is clean and rounded with a slightly Byzantine flavor. It is extremely versatile, equally effective for magazine design, movie posters and cosmetic ads, and for invitations, greeting cards and company profiles. The fact that there is very little difference in height between upper and lower case letters creates a calm, peaceful impression. The font is letterspaced and kerned and has a complete character set (all upper and lower case, numerals and mathematical symbols and a complete set of accented and special characters).

This family was inspired by the sets of fonts used in 1543 by Michael Isengrin, printer in Basel (Germany) to print the splendid New Kreüterbuch...(New herbal...), with numerous nice pictures, the masterpiece of Leonhart Fuchs, father of the modern botany. It is a Schwabacher pattern, with three different sets of fonts, small (± 4mm for the upper case) in the main text, larger for titles (± 8mm for the upper case) and large Initials or lettrines (five lines of main text). This font contains standard ligatures and German historical ligatures (German double s, long s, tz, ch,...) and diacritics (special umlaut "e superscript" and "∞" unstead of dieresis with letters a, o and u,) naturally, we have added numerous letters lacking in the original to permit a contemporary use of the font. It can be used in complement with 1538 Schwabacher or/and 1534 Fraktur.

Coal Brush is a bit of a misleading name. It looks as though it was made with a brush, but it was, in fact, made with a almost dried out old marker pen. But a font named ‘dried out old marker pen’ doesn’t really fly, so I decided to pimp the name. There you have it, you can’t even trust an honest typographer! Marker pen or brush, Coal Brush is a very sweet little font. It is all caps, but upper and lower case differ and can be mixed freely. Plus there’s a hidden stash of alternates for the lower case letters and an alternate ampersand! I actually threw that in to make up for my lie. So, use it for your books, your posters, your rap albums, rock operas, grilled food restaurants and designer BBQ sauces. It’s yours for the taking!

YinYangMessages contains two sets of letters, those on the upper-case keys that fit on the left side of a yin-yang symbol and those on the lower-case keys that fit on the left side of a yin-yang symbol. One can alternate the two sets manually but the OpenType contextual alternatives feature does this automatically in any program that supports this feature. The family contains two fonts. In one the filled half is on the left and in the other the filled half is on the right. The slash and backspace keys contain blank halves of the symbol, which are useful for completing words with an odd number of letters. The two styles can be used in layers. YinYangMessages is a fun and playful family that every once in a while may be the ideal typeface for some unusual situation.

Schlange is a rich typeface with rounded terminals. The family includes five sans serifs and five slab serifs in weights from ultra liight to bold. Schlange’s personality is determined by an open aperture and quite large lower case characters in comparison with the upper case set. Schlange’s personality is open and friendly, giving a text it’s used for a soft, warm appeal. Schlange will work well as a display type (think titles, short magazine call-outs, ad banners, and such), but it’s not a good choice for extensive bodies of academic text. Available in numerous weights, the typeface provides rich opportunities for mixing and matching and is great for typographic compositions. These qualities make Schlange a dream type for a packaging designer. It will feel at home in design for cosmetics or sweets, postcards, children’s books and menus.

My name is Teruyoshi Matsui. I am a Brush Art Designer. My foundry ‘Brush Art Design Office’ is situated at the foot of an active volcano ‘ Mt. Aso ’ in the Kumamoto Prefecture, the southern part of Japan. I design the letters of the alphabet with a Japanese brush. I have created the brush font named ‘ Lethal Fake ’ in my unique brush style. At the beginning of making the font I was going to name it ‘BrushType Lethal’ and tell you, “ Be careful using it. That’s because it ’s Lethal ”. But actually I was very disappointed when it was finished. I tried to make it lethal, but it was not. So I changed the font name into ‘ Lethal Fake ’. This time I have to say to you, “ Be careful using it. That’s because it’s not Lethal ”. Thank you.

Paradise Lost is a 1667 poem by John Milton which mostly concerns the Biblical story of the Fall of Man, Eve's temptation by the devil and the expulsion of Adam and Eve from Eden. It's quite a hefty read, as the poem consists of ten books with over 10.000 lines of verse. Needless to say, I didn't read it all. But, it did give me inspiration for a font, which I called Paradise Lost. It's a good name, even though there is nothing Biblical about this font. Paradise Lost was created (pun intended) using a broken bamboo satay skewer and Chinese ink. It is all caps, but upper and lower case differ and like to mingle. I also included several ligatures for double lower case letters (aa, ee, jj, kk, etc.). Paradise Lost comes with an eternity of diacritics.

Rosalinde is an original font based on rough hand-lettering reminiscent of 1960s era protest poster lettering. It's the kind of lettering you'd expect to see used for a snippet of anti-war poetry set against a red-white-and-blue striped background, or perhaps accompanied by a fat dove with an olive-branch.

Caterina, was selected personally by Francis Ford Coppola for the film he produced called The Legend of Suriyothai. It's not the credits, but text placed in the center of the screen to introduce information about the setting, the characters, and so on. Something like chapter headings in a book, or the text in silent movies.

Another variation on the Renaissance-Baroque Roman face, it extends the selection of text type faces. In comparison with Jannon, the contrast within the letters has been enhanced. The dynamic elements of the Renaissance Roman face have been strengthened in a way which is illustrated best in the letters "a", "b" and "s". These letters contain, in condensed form, the principle of this type face - in round shapes the dark stroke invariably has a round finial at one end and a sharp one at the other. Another typical feature is the lower-case "g"; the upper part of this letter consists of two geometrically exact circles, the inner of which, a negative one, is immersed down on the right, upright to the direction of the lower loop and the upright knob. The vertical strokes slightly splay out upwards. Some details of the upper-case letters may seem to be too daring, but they are less apparent in the text sizes. It has to be admitted that typographers tend to draw letters in exaggerated sizes, as a result of which they stick to details. Serapion Italic are italics inspired partly by the Renaissance Cancelleresca. This is obvious from the drop-shaped finials of its lower-case descenders. The type face is suitable for illustrated books, art posters and short texts. It has a rather ugly name - after St. Serapion.

Aryana is young, fresh, and has arrived just in time for the back-to-school season! The perfect typeface for labeling notebooks and putting together poster projects. This handcrafted font is a casual and fun addition to your library.

Toscography is inspired by vernacular and naive hand-painted walls and signs from Brazil. It feels organic, spontaneous and fresh and it has a light texture on its characters that makes it feel like it is starting to decay.

A clean, classic woodtype face from the William H. Page Company, as fresh today as it was over 120 years ago. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Backrush combines attractive curves with a fresh urban edge; delivering a stylish hand-brushed look which is guaranteed to add an eye-catching appeal to your logo designs, brand imagery, handwritten quotes, product packaging, merchandise and social media posts.

Joopica is cute & fun, bringing a friendly good nature to your communication. For the casual fresh look this font has lots of appeal. Joopica features extended characters, containing West European diacritics & ligatures, making it suitable for international environments & publications.

Brimstone is an exquisite handwritten font, masterfully designed to become a true favorite. It maintains its classy calligraphic influences while feeling contemporary and fresh. Brimstone is PUA encoded which means you can access all of the glyphs and swashes with ease!

Hedymosia is a font that has unique glyphs on the curve intended to be shaped like noodles or spaghetti or similar food. font suitable for the food. Noodle food Font or anything about foods, New and Fresh font 2023, Thank You

Wishline is an exquisite handwritten font, masterfully designed to become a true favorite. It maintains its classy calligraphic influences while feeling contemporary and fresh. Fall in love with it and bring your projects to the highest levels! Thank You Subectype Studio

Romy is a fresh take on casual handwriting. It combines aspects of comedy, graffiti, greeting cards, and refrigerator notes. The unmistakable lettering expertise of Angel Koziupa and smooth, crisp digitization of Alejandro Paul provide a humorous, friendly and lively typeface.

Pneuma is the work of British designer Timothy Donaldson and is pronounced new-ma". It is a slick, dry-brush typeface excellent for when a fresh, spontaneous hand-rendered look is desired. Pneuma is particularly eye-catching in large display sizes."

Straphand is my idea of what you need for your next greeting card, invitation, poster or whatever needs a fresh and lovely brush! Looks awesome, even when written in ALL CAPS! Comes with extended language support and ligatures for double lettering!

Sepian is a wickedly fresh update on the centuries-old textura blackletter form. Use its razor-sharp “gothic” face and darkly cool character to create tattoos, horror-movie posters, or scary video game text. See what’s included! http://bit.ly/2c5MnNN