Dollar Tree Stores imports a number of items from China, and many times these are limited-run products only available until the existing supplies run out. One such item was a sans serif stencil lettering guide with rounded ends that takes on the look of 1980s-influenced techno lettering. This is now available as Import Stencil JNL, in both regular and oblique versions.

Sometimes the simplest ideas yield more than one result. The basic “dot matrix” design of aligned circles that was the basis for Transactive JNL also yielded Zera JNL (connected rings) and Pillow Puff JNL (fluffy and cloud-like lettering). One more design was originally cast aside. A separate file is available for filling in the letters with a colored background, however minute adjustments may be needed due to the fact that each drawing or design software program has its own characteristics and quirks. NOTE: DO NOT purchase the fill font as a “stand alone” type face because of the difference in spacing and alignment. For the dot matrix look in your work, please purchase Transactive JNL.

Goneon is a vibrant and eye-catching display font designed to bring the electrifying energy of neon lights to your designs. With its big, bold uppercase letterforms and mesmerizing neon style, this typeface captures the essence of a lively and dynamic atmosphere.. Each letter is meticulously crafted to emanate a radiant and electrifying glow, just like the vibrant neon signs that illuminate city streets at night. This neon style adds a touch of excitement and energy, instantly drawing the viewer's attention. Inspired by the pulsating rhythm of city nightlife, Goneon exudes a sense of modernity and vibrancy. The font captures the essence of an urban atmosphere, casting a dazzling neon glow that creates a lively and captivating visual impact. Each letter radiates with an unmistakable charm, bringing your designs to life with its electrifying vibes. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Goneon perfect for headlines, banners, posters, and any design that requires a bold statement. The neon style adds an extra layer of excitement, making your text shine with a dynamic and eye-catching appeal. Whether you're working on advertising campaigns, event promotions, digital artwork, or any creative project that calls for a lively aesthetic, this font will instantly infuse your designs with an electrifying energy. It particularly shines in applications related to nightlife, entertainment, music, and urban-themed designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

We’re delighted to bring you ‘I’m Fashionista,’ which simply oozes trendiness, style, glamour, and of course high fashion! This is a font that sings out ‘elite’ in the design sense of the word. Its sophisticated sensibility sets it apart from any other font you may have used. If you’ve ever needed to create your own fonts to use on a fashion flyer, you can already appreciate the value of having ready-to-use fonts such as ‘I’m Fashionsita’ in your bag of tricks! Anything to do with fashion and glamour needs to have that touch of delicacy, charm, beauty, and exclusivity to it, and we find the ‘I’m Fashionsita’ a perfect fit for such jobs. ‘I’m Fashionista’ is a must-have for any designer, especially those working with modern and upmarket designs.

Ghimli Sans was created using the ping-pong method, based on the graphic idea of Artem Rulev and the participation of Vladimir Anosov after. Then we sent the font file to each other, adding something of our own and making corrections, and so on many times. Ghimli Sans has already managed to get 2nd place in the Granshan competition in the Cyrillic section. The name was obtained by combining the name of the dwarf Gimli and Studio Ghibli. The font is quite friendly, dense, kind, as if a dwarf is walking around the lawn with a mug of intoxicated ale on a pleasant sunny day. Suitable for short word design, logo creation, menu layout and use in movies about gnomes and anything fantastic.

'Meeeeoooow'! Seventies is another of my 'funkadelic' attempts (1) to fill the existing gap of seventyish looking fonts. In my opinion, that decade has a hidden treasure regarding type that remains unexplored: Only very few fonts rescue its 'groovy' essence, its ‘colourful’ qualities. But, don't have a cow man , and keep on truckin! With Seventies, my new foxy mama , your projects will stand out among the rest. Since there’s not much information available about this kind of lettering I had to get ideas from other styles: Nowadays it’s easy to find all kind of books or guides to understand and practice how different styles of calligraphy and lettering should be done. However, for some reason, 60s and 70s letters seemed to ignore/be free of rules... Was this suggesting the birth of postmodernism? I incorporated some ideas of the copperplate style of calligraphy: The ductus of its forms may be compared to the way letters are made in snell/engrosser’s script. Obviously, this is just the idea behind; the delicacy of thins is replaced here with the graceful imprint of really thick thicks with a brushy look and tons of good vibe . Seventies will work awesome in posters, brands, magazines, book-covers of any kind, due to its modern look adapted to our century. Well, catch you on the flip~side ! STYLES To make you more psyched , Seventies is a layered font! See examples in the posters using Seventies Shade, Seventies Shine and Seventies Printed. NOTES (1) My first one was with Beatle in 2014.

Rockinstead counts 1, 2, 3, 4, 5, 6, 7, 8... Eight variations per letter, plus alternates for numbers and even for punctuation marks! It is equipped with some clever OpenType programming to make substitutions on-the-fly: the Contextual Alternates feature, with the help of a very careful kerning table, takes care of cycling the alternates in an amazing random-like way, impressively mimicking a true handwritten text. The Discretionary Ligatures feature manages the substitution of handy cursive catchwords, adding that charming twist. To put it more bluntly, this font AUTOMATICALLY alters your typing so that it substitutes glyph variations while you do nothing but type away! No need to use PopChar here to do the substitutions manually, the font itself takes care of that for you. This typeface was originally painted on paper, drawing inspiration from Ralph Steadman’s seminal lettering style. On a first glance it may look quite wild - and it proudly is, indeed. But look again: it is stylishly wild, it is strong, unpredictable, full of attitude and good energy. This multifaceted font will certainly strike its way for free-spirited design applications. Just please be warned: it’s seriously addictive!

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

Proudly present Awake is a classic black letter font with a touch of groovy. Comes with alternatives and ligatures, and perfect for tattoos clothing, labels and packaging, branding, or any Gothic-themed projects! Font Features : Lettres, numbers, symbols, and punctuation 23 alternates and ligatures No special software required they may be used even in canva, any basic program /website apps that allows standard fonts That's it folks! Multilingual Support Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin). Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Kindly check over on Instagram! https://www.instagram.com/clevustudio/ Have a Good Day !

We have transformed the “99 names of ALLAH” into a font. That means each key on your keyboard represents 1 of the 99 names of ALLAH Aaza Wajal. The fonts work with both the English and Arabic Keyboards. We call this Calligraphy "Elegant" because we thought this is the most elegant one we have designed. Everything is so clear, nothing overlaps, decorative symbols are not too much nor too little. The first "Alef" has a "fatha", this indicates to pronounce the first letter. So instead of saying "R-RAHMAAN" you say "AR-RAHMAAN" (in the zip file you will find a pdf file explaining the differences in the "harakat", pronunciation and spelling according to the Holy Quran). The "Ye" at the end of names doesn't have the two dots, and we used a decorative small letter "Ye". Purpose & use: - Writers: Highlight the names in your texts in beautiful Islamic calligraphy. - Editors: Use with kinetic typography templates (AE) & editing software. - Designers: The very small details in the names does not affect the quality. Rest assured it is flawless. The MOST IMPORTANT THING about this list is that all the names are 100% ERROR FREE, and you can USE THEM WITH YOUR EYES CLOSED. All the “Tachkilat” are 100% ERROR FREE, all the "Spelling" is 100% ERROR FREE, and they all have been written in accordance with the Holy Quran. No names are missing and no names are duplicated. The list is complete "99 names +1". The +1 is the name “ALLAH” 'Aza wajal. Another important thing is how we use the decorative letters. In every font you will see small decorative letters, these letters are used only in accordance with their respective letters to indicate pronunciation & we don't include them randomly. That means "mim" on top or below the letter "mim", "sin" on top or below the letter "sin", and so on and so forth. Included: Pdf file telling you which key is associated with which name. In that same file we have included the transliteration and explication of all 99 names. Pdf file explaining the differences in the harakat and pronunciation according to the Holy Quran. --------------------------------------------------------------------------------------------------------------------------- Here is a link to all the extra files you will need: https://drive.google.com/drive/folders/1Xj2Q8hhmfKD7stY6RILhKPiPfePpI9U4?usp=sharing ---------------------------------------------------------------------------------------------------------------------------

Boshi is inspired by classic video games, but it can do more than that. Saturday morning cartoons, comic books and other logos that need to express fun are other ways this font can be used. It also includes several Tiki-style interlocking ligatures. Vastly improved over the original free version, already featured in several high-profile mobile games and even a toy, Boshi evokes retro goodness.

This font was created in honor of my husband for our 12th wedding anniversary. 14 years ago, I met this tall, skinny guy from Indiana in the lobby of a hotel in Hong Kong. We talked. The next day, we had lunch together. And that night we had dinner together. And the next day. And the next. We met just before my 19th birthday, and on my birthday he took me to the top of Victoria Peak, where we looked out over the city of Hong Kong- such a beautiful place to begin a lifetime of love! We spent 4 months together in Hong Kong, falling in love with each other and with the beautiful city we were privileged to call home for that short time. We married the next year. We've lived in Indiana, Texas, China, Kentucky, and Florida over those 12 years of marriage and have welcomed 2 daughters into our lives. I know beyond a shadow of a doubt that he completes my life in a way I didn't know was possible. And I know that I'm blessed beyond words to have a supportive, wonderful, encouraging husband who is also a loving, involved, caring dad to our daughters. This font is for you, Keith!

In Holland we eat pancakes with black syrup and I always thought that this ‘suikerstroop’ was the same as molasses. Turns out that’s not the case; syrup is made from sugar, but molasses is a by-product of the sugar refining industry. To celebrate the fact that I learned something new, I named this font family Black Molasses. Black Molasses was made using various cheap brushes and Chinese Ink. It comes in a ‘fat’ version and a ‘light’ version that work together really well.

A ‘Leaden Sky’ is a dark grey sky without clouds. We don’t see too many of them here in Holland, as we usually have lots of clouds. Yesterday, however, the sky turned a sinister greyish green and it spewed out an an enormous amount of hailstones the size of walnuts. Leaden Skies is a handmade, all caps display font. I made it with a brush and Chinese ink. It comes with extensive language support and a set of alternates for the lower case glyphs.

Shaking hands is quite a complicated process: do it too lightly and you appear weak, grab too hard and you’re too eager. There are also those with a ‘Guerrilla Handshake’ - grabbing your hand unexpectedly, shaking it vigorously and yanking it toward them. Guerrilla Handshake font was actually made by hand, using Chinese ink and a brush. I did use the brush vigorously, but I made sure not to shake or yank it too much! Guerrilla Handshake comes in a slightly backslanted ‘regular’ version and an italic version.

inspired in a old time roman chiseled inscription in a stone wall

Trapped home during the Coronavirus outburst of March 2020 the Zetafonts team found some solace from the world-wide anxiety by designing letters for the #36daysoftype challenge. To fight dark thoughts and spread some good karma we decided to add a free font twist, selecting the best glyphs drawn to develop a collection of ten free typefaces for download. We did our best to make this little gift to the community valuable, though developed in record time: although playful and excessive, these typefaces all stem from our current research in contemporary trends and historical design solutions, bridging calligraphy and design. The typefaces have been published daily starting Monday, March 30. You can download and use the typefaces in any way you desire, as they are totally free for commercial and non-commercial use. We are not asking anything back, but feel free to share the good karma and, if you want, please consider a donation for hospitals.

Over 75 images from the past and present comprise Printing Sorts JNL, another dingbat font from Jeff Levine paying tribute to the days of metal type and stock cuts. A PDF file is included with the font, showcasing the special feature that allows you to create arrows in varying lengths with just a few simple keystrokes.

Friedrich Poppl’s blackletter font, carefully redrawn and redesigned for modern use, named after the Parler master builder family who built the Schwaebisch Gmuend cathedral. This font contains the letter ‚long s‘ which can be reached in two ways. Either you use the OpenType feature ‚historical forms‘, or you type the integral sign + the option key on your keyboard.

Monthly Calendar JNL is a companion font to Calendar Blocks JNL, and features classic wood type lettering and numerals from the 1800s. A set of large numbers are on their own keys, while the numbers 1-31 reside on the A-Z and a-e keys respectively. The days of the week are on the lower case “f” through “l” keys, while the names of the months are found on the “m” through “x” positions. An open rectangle is on the lower case “y” key, and a solid black rectangle is on the “z”. For those who wish to use the 23/30 and 24/31 configurations, they can be found on the left and right parenthesis.

Floyal Rush is 100% handmade, it’s organic looking and super friendly in a funky wobbly way! Although inspired by grafitti, Floyal Rush has got this cartoon and whimsical vibe to it. I don’t know about using Flyal Rush for massive text, but I would suggest short words and shout-outs - but I dare you! Go ahead and challenge me! I have added 3 versions, which fit together: Solid, Shine and Regular.

Somewhat extravagant and yet quite useful? Yes, absolutely. Meet Salted family: two awesome styles and a way cool picture font. Deliberately free-spirited, Salted – the Regular, yet regular is not quite an appropriate adjective for it – brings alternates and also discretionary ligatures that completely transform the font mood, adding unexpected touches of cursive script here and there and thus creating sort of a wild feel. Salted Sweet also brings alternates: 3 for letters, 2 for digits, and is way more even-tempered than it’s playmate. By the way, they play truly nice together. Enter the picture font and the team is complete for an exciting time. It’s said that the cure for anything is salt water: sweat, tears or the sea. We totally agree. Perhaps the cure for a boring design lies in a salted font. Give it a go!

Are you trying to find a font to get your brand globally accepted? Worry no more as Decking is the key to unlock the door. Decking is a racing-themed script font to give you artistic, firm impressions due to the balance between solid designs and unique strokes on the edges of each character. The font’s thickness is able to show you the power to any title or header you make. In addition, Decking is still suitable to apply to smaller-sized texts owing to its good legibility. The available features in this font are: Stylistic Sets Ligatures Swashes Multilingual Supports PUA Encoded Numerals and Punctuations Decking fits best for various designs, such as posters, banners, logos, book covers, headings, printed products, merchandise, social media, and more. Find out more ways to use this font by taking a look at the font preview. Enjoy your experience with this font and feel free to contact us for further product information or trouble complaints. Thank you and wish you good luck with your designs.

I have completely redone the spacing in this font, making the sidebearings more conventional. And after replacing the kerning with fresh pairs working together with the new spacing the font looks like a real gem. I love it! The inline version has a wider spacing after the letters CEK = no connecting words. Otherwise just as lovely and retro! Nick Curtis says: "Here’s a strange hybrid: I took the lower case from the formal script font Stuyvesant, straightened out its rather extreme 22° slant, and combined them with caps from the font Bellevue, again making them upright, and adding an inline effect. The result is a font that flows very nicely, with a nice balance between clean lowercase characters and swashy caps. Thanks to Deb Dunbar for naming this font. Fontleroy Brown is the solid version, produced at the request of the King of Ding, Jeff Levine." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Endgame font was made using a very, VERY bad brush and Chinese ink. I had bought a bunch of brushes some time ago and I discovered that the hairs had been treated with some goo to keep them from sticking out. The goo didn’t really come off, so when I started to draw the glyphs for this font, the brush strokes were kind of wild. In the end, I really liked it (even though I will never again buy that particular brand of brushes). Endgame is a wild brush font. Comes with the works: diacritics, ligatures and alternates.

Really, there is nothing stupid about this font. In some strange and weird way, I just thought that the name sounded like something eye-catching - in the same way that the font is eye-catching! It may look like your average comic font, but it's not! I carefully put a lot of funk, twist, comic and a spoonful of pizzadude into each and every letter. The result is a bouncy crazy looking comic font. Oh, I almost forgot - I topped the letters with a spoonful of grafitti mixed with the sounds of a party...that's the recipe for this lovely multilingual font! :)

This font was inspired by the paint brushed letters in use in the 60 - 70s for protest slogans tagged on the cities walls. In those days, we didn't commonly use aerosols like today, so we used paint brushes, with paint or tar cans, drew the letters, and ran away quickly ! Capitals and lower case have the same size, and a lot of alternates characters or ligatures allows the user to vary each letter (until tree alternates for single letters) in each word of a text . Likewise, the words may be easily underscored or intersected by a few stains looking like paint spots, substituted to the following standards characters: [greater], [less], [dagger], [backslash], [bullet], and [underscore].

BoldAyres is the heavy version of my Ayres Royal that was inspired by famous calligrapher Ayres and a little bit by a Bavarian King. Your lover of Blackletter typefaces, Gert Wiescher